Pashmina Fibre —Production, Characteristics and Utilization
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Care Label Recommendations
CARE LABEL RECOMMENDATIONS RECOMMENDED CARE FOR APPAREL PRODUCTS Fiber content, fabric construction, color, product construction, finish applications and end use are all considered when determining recommended care. Following are recommended care instructions for Nordstrom Products, however; the product must be tested to confirm that the care label is suitable. GARMENT/ CONSTRUCTION/ FIBER CONTENT FABRICATION CARE LABEL Care ABREVIATION EMBELLISHMENTS Knits and Sweaters Acetate/Acetate Blends Knits / Sweaters K & S Dry Clean Only DCO Acrylic Sweater K & S Machine Wash Cold, Gentle Cycle With Like Colors Only Non-Chlorine Bleach If Needed MWC GC WLC ONCBIN TDL RP CIIN Tumble Dry Low, Remove Promptly Cool Iron If Needed Acrylic Gentle Or Open Construction, Chenille K & S Turn Garment Inside Out Or Loosely Knit Machine Wash Cold, Gentle Cycle With Like Colors TGIO MWC GC WLC ONCBIN R LFTD CIIN Only Non-Chlorine Bleach If Needed Reshape, Lay Flat To Dry Cool Iron If Needed Acrylic / Rayon Blends Sweaters / Gentle Or Open K & S Professionally Dry Clean Construction, Chenille Or Loosely Knit Short Cycle, No Steam PDC SC NS Acrylic / Wool Blends Sweaters with Embelishments K & S Hand Wash Cold, Separately Only Non-Chlorine Bleach If Needed, No Wring Or Twist Reshape, Lay Flat To Dry Cool Iron If Needed HWC S ONCBIN NWOT R LFTD CIIN DNID Do Not Iron Decoration Acrylic / Wool Blends Sweaters K & S Hand Wash Cold, Separately Only Non-Chlorine Bleach If Needed Roll In Towel To Remove Excess Moisture Reshape, Lay Flat To Dry HWC S ONCBIN RITTREM -
Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
Silk, Linen, Leather, Denim, Grass, Cotton, Felt
Silk, linen, leather, denim, grass, cotton, felt. Natural materials keep the integrity of their shape yet hold an impression of the figure that has worn them. Fit-out for Olivia Spencer Bower speaks to the fabrics and forms that we live in. An assortment of garment patterns, building plans and the lifestyles of art heroines provide templates or underlying structures for Emma Fitts’ installation at the Ilam School of Fine Arts gallery. Adopting the layout of a modernist home and featuring a series of fabric hangings and clothing cutouts, Fitts’ work acutely relates to our situated knowledge, the proportions of the body and our experience of space, while also implying much less measurable qualities. Alternative histories that reveal the social relationships and values of a bygone era are incorporated to form a homage of sorts, though these references are evoked to shed light on the present–what it means to live and make work as an artist today. The gallery is physically divided by four large textile works, hung from the ceiling according to the walls shown in architectural plans for 15A Leinster Avenue, Christchurch–the former home of artist Olivia Spencer Bower (1905- 82). These soft walls enable visitors to occupy the space as though wandering through her actual house: living room, kitchen, sunroom, bedroom and studio. Designed in 1969 by architects Cowey and McGregor in the Christchurch style of neo-brutalism, the house was commissioned to accommodate the needs of a female artist living alone. There is an emphasis on form developed in relation to function and it is both refined and compact, manifesting these ideals. -
A Research on Yarn and Fabric Characteristics of Acrylic/Wool/Angora Blends
(REFEREED RESEARCH) A RESEARCH ON YARN AND FABRIC CHARACTERISTICS OF ACRYLIC/WOOL/ANGORA BLENDS AKRİLİK/YÜN/ANGORA LİFİ KARIŞIMLARINDAN ÜRETİLEN İPLİK VE KUMAŞLARIN ÖZELLİKLERİ ÜZERİNE BİR ARAŞTIRMA Gamze SÜPÜREN MENGÜÇ * Ege University, Emel Akın Vocational Training School, 35100, Bornova-İzmir, Turkey Received: 05.01.2016 Accepted : 09.03.2016 ABSTRACT Acrylic fibers are one of the most commonly used synthetic fibers and due to its low thermal conductivity, good shape retention and durability properties, they have a large application area in knitted garment industry. Acrylic fibers are also used in blends to benefit from more prominent features of other fibers. Wool with having good wrinkle resistance, moisture absorption and warmth is a good blend material for acrylic. In order to get superior tactile properties, luxury animal fibers can also be used in acrylic blends, despite there are spinning difficulties and production limitations for these fibers. In this study, acrylic fiber and its blends with wool and Angora rabbit fiber were investigated for their yarn and fabric properties. According to the experimental results and the statistical analyses, it was concluded that, blending acrylic fiber with wool and Angora rabbit fiber, increases the CVm, thin/thick places and neps of the yarn. Yarns containing 100% acrylic and 70% acrylic/10% wool/20% angora have the highest tensile strength. In case of yarn friction coefficients, 70% acrylic /20% wool /10% angora containing yarn has the highest coefficient of yarn to pin and yarn to yarn friction values. However, 70% acrylic/30% angora and 100% acrylic yarns have lower values, supplying smoother yarn surface. -
Pashmina Shawls
Pashmina Shawls March 27, 2021 About Pashmina Shawls In 2019, the Bureau of India Standards (BIS) published an Indian standard for identification, marking and labelling the Pashmina Shawls for its purity. Pashmina Shawls are a fine variant of shawls spun from cashmere wools. A cashmere wool itself is obtained from the Changthangi goat native to the high plateau of Ladakh. Pashmina Shawls status symbol not just for the wealthy in Indian but even across the world, known for its soft features, The shawl made up of pashmina wool was promoted as an alternative to Shahtoosh shawl. Shahtoosh Shawls is made from the Tibetan Antelope. Due to demand for Shahtoosh, the shawl had wiped out 90% of the Tibetan Antelope. To preserve what population is left, other alternatives, like the pashmina shawl, are being considered. History of Pashmina Shawls Pashmina shawls gained much prominence in the days of the Mughal Empire as objects of rank and nobility. Babur first established the practice of giving khilat – giving ‘robes of honour’ – in 1526 to members of his court for their devoted service, high achievements or as a mark of royal favour, made of Pashmina wool. Upon the complete conquest of Kashmir in 1568 by Akbar, a pair of pashmina shawls were an integral part of a khilat ceremony. Pashmina Pashmina is a fine type of cashmere wool. The wool comes from a number of different breeds of the cashmere goat; such as the changthangi or Kashmir pashmina goat from the Changthang Plateau in Tibet and part of the Ladakh region and few parts of Himachal Pradesh. -
“Al-Tally” Ascension Journey from an Egyptian Folk Art to International Fashion Trend
مجمة العمارة والفنون العدد العاشر “Al-tally” ascension journey from an Egyptian folk art to international fashion trend Dr. Noha Fawzy Abdel Wahab Lecturer at fashion department -The Higher Institute of Applied Arts Introduction: Tally is a netting fabric embroidered with metal. The embroidery is done by threading wide needles with flat strips of metal about 1/8” wide. The metal may be nickel silver, copper or brass. The netting is made of cotton or linen. The fabric is also called tulle-bi-telli. The patterns formed by this metal embroidery include geometric figures as well as plants, birds, people and camels. Tally has been made in the Asyut region of Upper Egypt since the late 19th century, although the concept of metal embroidery dates to ancient Egypt, as well as other areas of the Middle East, Asia, India and Europe. A very sheer fabric is shown in Ancient Egyptian tomb paintings. The fabric was first imported to the U.S. for the 1893 Chicago. The geometric motifs were well suited to the Art Deco style of the time. Tally is generally black, white or ecru. It is found most often in the form of a shawl, but also seen in small squares, large pieces used as bed canopies and even traditional Egyptian dresses. Tally shawls were made into garments by purchasers, particularly during the 1920s. ملخص البحث: التمي ىو نوع من انواع االتطريز عمى اقمشة منسوجة ويتم ىذا النوع من التطريز عن طريق لضم ابر عريضة بخيوط معدنية مسطحة بسمك 1/8" تصنع ىذه الخيوط من النيكل او الفضة او النحاس.واﻻقمشة المستخدمة في صناعة التمي تكون مصنوعة اما من القطن او الكتان. -
Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
Raharjo Y.C., Bahar S
PROCEEDINGS OF THE 11 th WORLD RABBIT CONGRESS Qingdao (China) - June 15-18, 2016 ISSN 2308-1910 Session Management & Economy Raharjo Y.C., Bahar S. RABBIT PRODUCTION AND RESEARCH IN ASIA : PERSPECTIVES AND PROBLEMS (Invited paper). Full text of the communication + Slides of the oral presentation How to cite this paper : Raharjo Y.C., Bahar S., 2016 - Rabbit production and research in Asia : perspectives and problems (Invited paper). .. Proceedings 11th World Rabbit Congress - June 15-18, 2016 - Qingdao - China, 891-920 + Presentation World Rabbit Science Association Proceedings 11th World Rabbit Congress - June 15-18, 2016 - Qingdao - China RABBIT PRODUCTION AND RESEARCH IN ASIA : PERSPECTIVES AND PROBLEMS 1 2 Raharjo Y ono C. *, Bahar S yamsu 1 Indonesian Research Institute for Animal Production, Jl Veteran III Ciawi-Bogor 16720, Indonesia 2 Indonesian Institute for Assessment and Development of Agricultural Techonology, Jl. Ragunan 30, Pasar Minggu, Jakarta Selatan 12540, Indonesia. *Corresponding author: [email protected] ABSTRACT Increasing population and global warming are among many challenges in attempt to secure food supply for world needs, including for people in Asia, in which short of meat, poverty and unemployment often occur in this region. Slow production of and limited land availability for ruminant animals, high feed cost and disease threats, including bird flu, in poultry production caused a significant raise of rabbit farming in Asia, and particularly in many areas in Asean countries. A drastic increase of rabbit farming and number of farmers occurred in Asia especially in China. Most of farms operations are small in scale and fed primarily on forage and by product feeds. -
Sea-Silk Based Nanofibers and Their Diameter Prediction THERMAL SCIENCE: Year 2019, Vol
Tian, D., et al.: Sea-Silk Based Nanofibers and Their Diameter Prediction THERMAL SCIENCE: Year 2019, Vol. 23, No. 4, pp. 2253-2256 2253 SEA-SILK BASED NANOFIBERS AND THEIR DIAMETER PREDICTION by * Dan TIAN, Chan-Juan ZHOU, and Ji-Huan HE National Engineering Laboratory for Modern Silk, College of Textile and Clothing Engineering, Soochow University, Suzhou, China Original scientific paper https://doi.org/10.2298/TSCI1904253T Diameter of sea-silk based nanofibers prepared by electrospinning is closely re- lated to the concentrations of sea-silk solution. A mathematical model is estab- lished according the mass conservation law in fluid mechanics to predict the di- ameter of fibers, and the MATLAB software is used to fit the experiment value. The results show that the fitted equation is quite accurate and efficient for estimating the diameter of fibers with different concentrations. Key words: electrospinning, sea-silk, mathematical model, nanofiber, fiber’s diameter. Introduction Electrospinning is an effective way to prepare nanofibers, it is a fabrication process that uses an electric field to control the deposition of polymer fibers onto a receptor [1-8]. In electrospinning process, the diameter of nanofiber is determined by many factors, like volt- age, viscosity of solution, receptor’s distance, environment temperature, environment humidi- ty, etc. [9, 10]. Nanofiber’s diameter and morphology can also be controlled by additives [11]. The sea silk is one of the oldest natural silks, which has a history of more than 5000 years [12-16], and now we can produce artificial sea silk through Mytilus edulis. To this end, we extract protein from Mytilus edulis and then use it as an additive for electrospinning, this maybe has some effects on the morphology of fibers. -
Why Pashmina Goat Produces Long Hair-Fiber and Barbari Doesn’T: a Differential Gene Expression Study
Preprints (www.preprints.org) | NOT PEER-REVIEWED | Posted: 5 March 2021 doi:10.20944/preprints202103.0187.v1 Why Pashmina Goat Produces Long Hair-fiber and Barbari doesn’t: A Differential Gene Expression Study Rashid Saif 1, 2, Tania Mahmood2, Aniqa Ejaz2, Saeeda Zia3 1 Institute of Biotechnology, Gulab Devi Educational Complex, Lahore, Pakistan 2 Decode Genomics, Punjab University Employees Housing Scheme (II), Lahore, Pakistan 3 Department of Sciences and Humanities, National University of Computer and Emerging Sciences, Lahore, Pakistan Corresponding author: [email protected] Abstract: The Pashmina and Barbari are two famous goat breeds found in the wide areas of the Indo-Pak region. Pashmina is famous for its long hair-fiber (Cashmere) production while Barbari is not-selected for this trait. So, the mRNA expression profiling in the skin samples of both breeds would be an attractive and judicious approach for detecting putative genes involved in this valued trait. Here, we performed differential gene expression analysis on publicly available RNA-Seq data from both breeds. Out of 44,617,994 filtered reads of Pashmina and 55,995,999 of Barbari which are 76.48% and 73.69% mapped to the ARS1 reference transcriptome assembly respectively. A Pairwise comparison of both breeds resulted in 47,159 normalized expressed transcripts while 8,414 transcripts are differentially expressed above the significant threshold. Among these, 4,788 are upregulated in Pashmina while 3,626 transcripts are upregulated in Barbari. Fifty-nine transcripts harbor 57 genes including 32 LOC genes and 24 are annotated genes which were selected on the basis of TMM counts > 500. -
Specialist Fibre Production and Marketing
This is the published version McGregor, B. A. 1992, Advances in the production of high quality Australian mohair, in ASAP 1992 : Animal production : leading the recovery : proceedings of the Australian Society of Animal Production 1992 biennial conference, Australian Society of Animal Production, Melbourne, Vic., pp. 255-257. Available from Deakin Research Online http://hdl.handle.net/10536/DRO/DU:30065987 Every reasonable effort has been made to ensure that permission has been obtained for items included in Deakin Research Online. If you believe that your rights have been infringed by this repository, please contact [email protected] Copyright: 1992, Australian Society of Animal Production Proc. Aust. Soc. Anim. Prod. Vol. 19 CONTRACT REVIEW SPECIALIST FIBRE PRODUCTION AND MARKETING B. A. MCGREGOR Victorian Dept of Food and Agriculture, Victorian Institute of Animal Science, Werribee, Vic. 3030. SUMMARY Developments, advances and prospects for the Australian speciality fibre producing mohair and carpet wool industries and prospective angora (rabbit) and alpaca fibre industries are described. The uses of mohair, new product development and developments within the Australian industry including improvements in mohair marketing and uses of objective mohair testing are discussed. The increase in knowledge, since 1980, of grazing and nutritional requirements, methods of improving mohair quality and the availability and use of new genetic material are reviewed. The origin of carpet wool sheep and their management requirements are reviewed. The uses and processing of carpet wool, and the complexity of carpet production and design are discussed. Improvements in carpet wool specification and marketing are reviewed. Breeding requirements for speciality carpet wool are defined. -
Silk Cotton Vs. Bombax Vs. Banyan
Ceiba pentandra Kopok tree, Silk-cotton tree Ta Prohm, Cambodia By Isabel Zucker Largest known specimen in Lal Bagh Gardens in Bangalore, India. http://scienceray.com/biology/botany/amazing-trees-from-around-the-world-the-seven-wonder-trees/ Ceiba pentandra Taxonomy • Family: Malvaceae • Sub family: Bombacaceae -Bombax spp. in same family - much online confusion as to which tree is primarily in Ta Praham, Cambodia. • Fig(Moraceae), banyan and kapok trees in Ta Praham • Often referred to as a banyan tree, which is quite confusing. Distribution • Originated in the American tropics, natural and human distribution. • Africa, Asia. – Especially Indonesia and Thailand • Indian ocean islands • Ornamental shade tree • Zone – Humid areas, rainforest, dry areas – Mean annual precipitation 60-224 inches per year – Temperatures ranging from 73-80 unaffected by frost – Elevation from 0-4,500 feet – Dry season ranging from 0-6 months Characteristics • Rapidly growing, deciduous • Reaches height up to 200 feet • Can grow 13 feet per year • Diameter up to 9 feet above buttress – Buttress can extend 10 feet from the trunk and be 10 feet tall • large umbrella-shaped canopies emerge above the forest canopy • http://www.flmnh.ufl.edu/caribarch/ceiba.htm • Home to many animals – Birds, frogs, insects – Flowers open in the evening, pollinated by bats • Epiphytes grow in branches • Compound leaves with 5-8 lance- shaped leaflets 3-8 inches long • Dense clusters of whitish to pink flowers December to February – 3-6 inch long, elliptical fruits. – Seeds of fruit surrounded by dense, cottony fibers. – Fibers almost pure cellulose, buoyant, impervious to water, low thermal conductivity, cannot be spun.