Tabloidization in the Modern American Press: a Textual Analysis and Assessment of Newspaper and Tabloid Coverage of the “Runaway Bride” Case
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The News Media Industry Defined
Spring 2006 Industry Study Final Report News Media Industry The Industrial College of the Armed Forces National Defense University Fort McNair, Washington, D.C. 20319-5062 i NEWS MEDIA 2006 ABSTRACT: The American news media industry is characterized by two competing dynamics – traditional journalistic values and market demands for profit. Most within the industry consider themselves to be journalists first. In that capacity, they fulfill two key roles: providing information that helps the public act as informed citizens, and serving as a watchdog that provides an important check on the power of the American government. At the same time, the news media is an extremely costly, market-driven, and profit-oriented industry. These sometimes conflicting interests compel the industry to weigh the public interest against what will sell. Moreover, several fast-paced trends have emerged within the industry in recent years, driven largely by changes in technology, demographics, and industry economics. They include: consolidation of news organizations, government deregulation, the emergence of new types of media, blurring of the distinction between news and entertainment, decline in international coverage, declining circulation and viewership for some of the oldest media institutions, and increased skepticism of the credibility of “mainstream media.” Looking ahead, technology will enable consumers to tailor their news and access it at their convenience – perhaps at the cost of reading the dull but important stories that make an informed citizenry. Changes in viewer preferences – combined with financial pressures and fast paced technological changes– are forcing the mainstream media to re-look their long-held business strategies. These changes will continue to impact the media’s approach to the news and the profitability of the news industry. -
FEDERAL ELECTION COMMISSION Washington, DC 20463 June 1, 2021 CERTIFIED MAIL – RETURN RECEIPT REQUESTED Via Email: Pryan@Commo
FEDERAL ELECTION COMMISSION Washington, DC 20463 June 1, 2021 CERTIFIED MAIL – RETURN RECEIPT REQUESTED Via Email: [email protected] Paul S. Ryan Common Cause 805 15th Street, NW, Suite 800 Washington, DC 20005 RE: MUR 7324 Dear Mr. Ryan: The Federal Election Commission (“Commission”) has considered the allegations contained in your complaint dated February 20, 2018. The Commission found reason to believe that respondents David J. Pecker and American Media, Inc. knowingly and willfully violated 52 U.S.C. § 30118(a). The Factual and Legal Analysis, which formed a basis for the Commission’s finding, is enclosed for your information. On May 17, 2021, a conciliation agreement signed by A360 Media, LLC, as successor in interest to American Media, Inc. was accepted by the Commission and the Commission closed the file as to Pecker and American Media, Inc. A copy of the conciliation agreement is enclosed for your information. There were an insufficient number of votes to find reason to believe that the remaining respondents violated the Federal Election Campaign Act of 1971, as amended (the “Act”). Accordingly, on May 20, 2021, the Commission closed the file in MUR 7324. A Statement of Reasons providing a basis for the Commission’s decision will follow. Documents related to the case will be placed on the public record within 30 days. See Disclosure of Certain Documents in Enforcement and Other Matters, 81 Fed. Reg. 50,702 (Aug. 2, 2016), effective September 1, 2016. MUR 7324 Letter to Paul S. Ryan Page 2 The Act allows a complainant to seek judicial review of the Commission’s dismissal of this action. -
Kickstart Your Social Media Marketing
Social Media 101 Your Anti-Sales Social Media Action Plan Text Copyright © STARTUP UNIVERSITY All Rights Reserved No part of this document or the related files may be reproduced or transmitted in any form, by any means (electronic, photocopying, recording, or otherwise) without the prior written permission of the publisher. LEAsectionR 1 N The Basics to Get Started What Social Media Isn’t Sorry to break it to you but here’s a few things that social media was never, ever designed for: 1. Free marketing Do you really thing Mark Zuckerberg became a billionaire by giving away free advertising? Social media is a branding tool – not a marketing tool. It’s designed to give the public a taste of your business, get to know you a little bit, and let them know how to find out more information – if they want to! 2. One-way conversations Social media is a two+ mostly public conversation. The user has the power to click away, so why would they ever watch or read advertising they were not interested in? 3. Soap-box speeches Again, it’s a conversation, not a pulpit. 4. Non-judgmental comments Tweet an unpopular, misleading, or misguided message and prepare the face the wrath of…everyone on the planet. 5. Easy money Actually, using social media is very easy. It’s just not easy for businesses. This cheat sheet will help you figure out how you want to use social media, and help you avoid the biggest blunders. Your Social Media Goals 1. Build your brand’s image 2. -
Media's Influences on Purchasing of Real Estate --- Case of Guangzhou
Media’s Influences on Purchasing of Real Estate - Case of Guangzhou, China Abstract Key Words: Media’s Influences on Purchasing of Real Estate - Case of Guangzhou, China Lai, Ying, School of Translation and Interpretation, Zhongshan University, Guangzhou Ge, Xin Janet, School of the Built Environment, University of Technology Sydney, Australia. Abstract This study endeavors to provide an overall view of the Cantonese’ usage of media and how it affects their expectations in the purchase of real estate, to better understand the real estate market in Guangzhou. Mass media, as a most prominent element in real estate marketing communication, has increasingly significant effects on the decisions of its audiences. However, deeply rooted Chinese traditional notions direct the purchases as well. A survey is conducted to explore the influences on the purchasing activities of people in Guangzhou. The study is conducted in the following manner: Firstly, the current background of the residential real estate market and mediums in real estate advertising and communication are briefly illustrated. Secondly, mass media theory and literature on media’s influence on purchasing are briefly reviewed. Thirdly, the survey design and data collection procedures are described. Finally, the elements of real estate preferences, and how Chinese traditional notions affect property purchasing activities are analyzed. The findings suggest that the media takes an overwhelmingly important role in providing information on property, whereas the opinions of relatives or friends are most influential when making decisions. The characteristics of a property are always emphasized by the agents during promotion; and the Cantonese welcome various types of housing as they are living in a relatively open and prosperous city. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
Blurred Lines
BLURRED LINES: HOW SOUTH AFRICA’S INVESTIGATIVE JOURNALISM HAS CHANGED WITH A NEW DEMOCRACY AND EVOLVING COMMUNICATION TOOLS Zoe Schaver The University of North Carolina at Chapel Hill School of Media and Journalism Advised by: __________________________ Chris Roush __________________________ Paul O’Connor __________________________ Jock Lauterer BLURRED LINES 1 ABSTRACT South Africa’s developing democracy, along with globalization and advances in technology, have created a confusing and chaotic environment for the country’s journalists. This research paper provides an overview of the history of the South African press, particularly the “alternative” press, since the early 1900s until 1994, when democracy came to South Africa. Through an in-depth analysis of the African National Congress’s relationship with the press, the commercialization of the press and new developments in technology and news accessibility over the past two decades, the paper goes on to argue that while journalists have been distracted by heated debates within the media and the government about press freedom, and while South African media companies have aggressively cut costs and focused on urban areas, the South African press has lost touch with ordinary South Africans — especially historically disadvantaged South Africans, who are still struggling and who most need representation in news coverage. BLURRED LINES 2 TABLE OF CONTENTS Chapter I: Introduction A. Background and Purpose B. Research Questions and Methodology C. Definitions Chapter II: Review of Literature A. History of the Alternative Press in South Africa B. Censorship of the Alternative Press under Apartheid Chapter III: Media-State Relations Post-1994 Chapter IV: Profits, the Press, and the Public Chapter V: Discussion and Conclusion BLURRED LINES 3 CHAPTER I: Introduction A. -
Gospel, Culture and Communication: in Search of a New Paradigm
IJT 4511&2 (2003), pp. 105-122 Gospel, Culture and Communication: In ~earch of a New Paradigm M Peter Singh* Christian movement, throughout the centuries has seen a continual tension, whether in the form of synthesis of gospel, culture and communication, or separation of gospel from culture and communication. The conservatives ask the question, must one become civilized before communicating the gospel, or should one concentrate on communicating the gospel, confident that civilization will follow? They were committed to the culture of the West, which they communicated equally along with the Gospel. In the light of this view on the intertwining of the gospel, culture and communication, we understand that the gospel has been communicated to people in cultural robes. There is no such thing as 'pure' gospel isolated from culture. The gospel did not come in its pure form, but was already acculturated in Hebraic, Greco-Latin and later European cultures. "The gospel had the trade-mark ofwestern Christianity. "1 Therefore, along with the gospel, 'a foreign-oriented' culture has been communicated to India. Having realized this fact, many Indian thinkers tried to 'transplant' Christianity from the Western soil and plant it in Indian fertile soil and! allow it to grow with the aim "let the Indian Church be Indian". In the mean time, the communication technological revolution took place. First, it was considered as an evil and Christians advocated not to use the electronic media. Then, they slowly understood it as a gift of God and at least slowly, started using them in communicating the gospel. Now, media has taken a commercial shape and media owners think that they can sell any product by using 'persuasive model' of communication. -
MEDIA REPRESENTATIONS RESPONSIBILITIES& Psychological Perspectives
POSITION P A P E R MEDIA REPRESENTATIONS RESPONSIBILITIES& Psychological Perspectives If you are viewing this document in Acrobat Reader, click on the Quick Index headings below or go to the Table of Contents for a full listing of titles: • Executive Summary • Media representations of diversity: The example of ethnic groups • Introduction • Concluding comments • Theoretical explanations for the impact for media: The example of TV violence • Recommendations • ‘It frightens me’: Research on the effects of • Further resources and relevant violent media on children organisations • Television advertising and children • Appendix A: Reviews of the effects of media violence on children, by year and • Media representations of crime nation • References An Australian Psychological Society Position Paper prepared by a Working Group of the Directorate of Social Issues comprising Ann Sanson, Julie Duck, Glen Cupit, Judy Ungerer, Carl Scuderi and Jeanna Sutton Copyright © The Australian Psychological Society – July 2000 ABN 23 000 543 788 Table of Contents Executive Summary 1. Introduction 2. Theoretical explanations for the impact for media: The example of TV violence 3. ‘It frightends me’: Research on the effects of violent media on children 4. Television advertising and children 5. Media representations of crime 6. Media representations of diversity: The example of ethnic groups 7. Concluding comments 8. Recommendations Further resources and relevant organisations Appendix A: Reviews of the effects of media violence on children, by year and nation References 1 Executive Summary This paper is a response to community concern about the impact of the media on individuals and society. It takes as a premise that media representations are not simply a mirror of society but rather that they are highly selective and constructed portrayals. -
The Cultural Politics of Climate Change Discourse in UK Tabloids
Author's personal copy Political Geography 27 (2008) 549e569 www.elsevier.com/locate/polgeo The cultural politics of climate change discourse in UK tabloids Maxwell T. Boykoff* James Martin Research Fellow, Environmental Change Institute, University of Oxford, South Parks Road, Oxford, OX1 3QY, UK Abstract In the United Kingdom (UK), daily circulation figures for tabloid newspapers are as much as ten times higher than broadsheet sources. Nonetheless, studies of media representations of climate change in the UK to date have focused on broadsheet newspapers. Moreover, readership patterns correlate with socio-eco- nomic status; the majority of readers of tabloids are in ‘working class’ demographics. With a growing need to engage wider constituencies in awareness and potential behavioral change, it is important to ex- amine how these influential sources represent climate change for a heretofore understudied segment of citizenry. This paper links political geographies with cultural issues of identity and discourse, through claims and frames on climate change in four daily ‘working class’ tabloid newspapers in UK e The Sun (and News of the World ), Daily Mail (and Mail on Sunday), the Daily Express (and Sunday Express), and the Mirror (and Sunday Mirror). Through triangulated Critical Discourse Analysis, investigations of framing and semi-structured interviews, this project examines representations of climate change in these newspapers from 2000 through 2006. Data show that news articles on climate change were predominantly framed through weather events, charismatic megafauna and the movements of political actors and rhetoric, while few stories focused on climate justice and risk. In addition, headlines with tones of fear, misery and doom were most prevalent. -
Magazine Subscriptions
Magazine Subscriptions PTP 2707 Princeton Drive Austin, Texas 78741 Local Phone: 512/442-5470 Outside Austin, Call: 1-800-733-5470 Fax: 512/442-5253 e-mail: [email protected] Website: www.magazinesptp.com Jessica Cobb Killeen ISD Bid for 16-20-06-207 (Magazine Subscriptions) 7/11/16 Purchasing Dept. Retail Item Percent Net Unit Ter Unit No. Discount Price Subscription Title Iss. m Price 0001 5.0 MUSTANG & SUPER FORDS now Muscle Mustangs & Fast Fords 12 1Yr. $ 44.99 30% $ 31.49 0002 ACOUSTIC GUITAR 12 1Yr. $ 36.95 30% $ 25.87 0003 ACTION COMICS SUPERMAN 12 1Yr. $ 29.99 30% $ 20.99 0004 ACTION PURSUIT GAMES Single issues through the website only 12 1Yr. $ - 0005 AIR & SPACE SMITHSONIAN 6 1Yr. $ 28.00 30% $ 19.60 0006 AIR FORCE TIMES **No discount 52 1Yr. $ 58.00 0% $ 58.00 0007 ALFRED HITCHCOCKS MYSTERY MAGAZINE 12 1Yr. $ 32.00 30% $ 22.40 0008 ALL YOU 2015 Dec: Ceased 12 1Yr. $ - 0009 ALLURE 12 1Yr. $ 15.00 30% $ 10.50 0010 ALTERNATIVE PRESS 12 1Yr. $ 15.00 15% $ 12.75 0011 AMAZING SPIDER-MAN 12 1Yr. $ 64.00 15% $ 54.40 0012 AMERICA (National Catholic Weekly) 39 1Yr. $ 60.95 15% $ 51.81 0013 AMERICAN ANGLER 6 1Yr. $ 19.95 30% $ 13.97 0014 AMERICAN ANNALS OF THE DEAF **No discount 4 1Yr. $ 95.00 0% $ 95.00 0015 AMERICAN BABY 2015 May: Free Online at americanbaby.com 12 1Yr. $ - 0016 AMERICAN CHEERLEADER 6 1Yr. $ 17.95 30% $ 12.57 0017 AMERICAN COWBOY 6 1Yr. $ 26.60 15% $ 22.61 0018 AMERICAN CRAFT 6 1Yr. -
Conceptions of Authenticity in Fashion Blogging
“They're really profound women, they're entrepreneurs”: Conceptions of Authenticity in Fashion Blogging Alice E. Marwick Department of Communication & Media Studies Fordham University Bronx, New York, USA [email protected] Abstract Repeller and Tavi Gevinson of Style Rookie, are courted by Fashion blogging is an international subculture comprised designers and receive invitations to fashion shows, free primarily of young women who post photographs of clothes, and opportunities to collaborate with fashion themselves and their possessions, comment on clothes and brands. Magazines like Lucky and Elle feature fashion fashion, and use self-branding techniques to promote spreads inspired by and starring fashion bloggers. The themselves and their blogs. Drawing from ethnographic interviews with 30 participants, I examine how fashion bloggers behind The Sartorialist, What I Wore, and bloggers use “authenticity” as an organizing principle to Facehunter have published books of their photographs and differentiate “good” fashion blogs from “bad” fashion blogs. commentary. As the benefits accruing to successful fashion “Authenticity” is positioned as an invaluable, yet ineffable bloggers mount, more women—fashion bloggers are quality which differentiates fashion blogging from its overwhelmingly female—are starting fashion blogs. There mainstream media counterparts, like fashion magazines and runway shows, in two ways. First, authenticity describes a are fashion bloggers in virtually every city in the United set of affective relations between bloggers and their readers. States, and fashion bloggers hold meetups and “tweet ups” Second, despite previous studies which have positioned in cities around the world. “authenticity” as antithetical to branding and commodification, fashion bloggers see authenticity and Fashion bloggers and their readers often consider blogs commercial interests as potentially, but not necessarily, to be more authentic, individualistic, and independent than consistent. -
Framing Bias: Media in the Distribution of Power
Journal of Communication ISSN 0021-9916 ORIGINAL ARTICLE Framing Bias: Media in the Distribution of Power Robert M. Entman School of Media and Public Affairs, The George Washington University, Washington, DC 20052 This article proposes integrating the insights generated by framing, priming, and agenda-setting research through a systematic effort to conceptualize and understand their larger implications for political power and democracy. The organizing concept is bias, that curiously undertheorized staple of public discourse about the media. After showing how agenda setting, framing and priming fit together as tools of power, the article connects them to explicit definitions of news slant and the related but distinct phenomenon of bias. The article suggests improved measures of slant and bias. Properly defined and measured, slant and bias provide insight into how the media influence the distribution of power: who gets what, when, and how. Content analysis should be informed by explicit theory linking patterns of framing in the media text to predictable priming and agenda-setting effects on audiences. When unmoored by such underlying theory, measures and conclusions of media bias are suspect. doi:10.1111/j.1460-2466.2006.00336.x This article proposes integrating the insights generated by framing, priming, and agenda-setting research through a new, systematic effort to conceptualize and under- stand their implications for political power. The organizing concept is bias, that curiously undertheorized staple of public discourse about the media. With all the heat and attention it incites among activists and ordinary citizens, bias is yet to be defined clearly, let alone received much serious empirical attention (Niven, 2002).