Conceptions of Authenticity in Fashion Blogging
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The News Media Industry Defined
Spring 2006 Industry Study Final Report News Media Industry The Industrial College of the Armed Forces National Defense University Fort McNair, Washington, D.C. 20319-5062 i NEWS MEDIA 2006 ABSTRACT: The American news media industry is characterized by two competing dynamics – traditional journalistic values and market demands for profit. Most within the industry consider themselves to be journalists first. In that capacity, they fulfill two key roles: providing information that helps the public act as informed citizens, and serving as a watchdog that provides an important check on the power of the American government. At the same time, the news media is an extremely costly, market-driven, and profit-oriented industry. These sometimes conflicting interests compel the industry to weigh the public interest against what will sell. Moreover, several fast-paced trends have emerged within the industry in recent years, driven largely by changes in technology, demographics, and industry economics. They include: consolidation of news organizations, government deregulation, the emergence of new types of media, blurring of the distinction between news and entertainment, decline in international coverage, declining circulation and viewership for some of the oldest media institutions, and increased skepticism of the credibility of “mainstream media.” Looking ahead, technology will enable consumers to tailor their news and access it at their convenience – perhaps at the cost of reading the dull but important stories that make an informed citizenry. Changes in viewer preferences – combined with financial pressures and fast paced technological changes– are forcing the mainstream media to re-look their long-held business strategies. These changes will continue to impact the media’s approach to the news and the profitability of the news industry. -
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
The Collector Auction
THE COLLECTOR AUCTION 6.00pm6:00pm – Thursday - 15th 24 Augustth July, 2014 2019 Viewing: Wed.10am – 6pm & Thurs.12pm – 6pm 25 Melbourne Street, Murrumbeena, Vic. 3163 Tel: 03 9568 7811 & 22 Fax: 03 9568 7866 Email: [email protected] BIDS accepted by phone, fax or email. Phone bids accepted for items over $100 only. NOT ACCEPTED after 5.30pm on day of sale Please submit absentee bids in increments of $5 Photos emailed on request - time permitting Payment by Credit card, Cheque, Money Order or Cash Please pay for and collect goods by Friday 5pm following auction 22% buyer premium + GST applies! 1.1% charge on Credit Card and EFTPOS AUCTIONS HELD EVERY THURSDAY EVENING 6.00pm AUCTIONEER – ADAM TRUSCOTT Lot No Description 1 Large Wooden Framed Shaped Mirror 2 C1900 Chaise lounge with upholstered rail to back with deep pink floral upholstery 2.1 19th C gilt framed British School watercolour - Street Vendor, no signature sighted, 49cm H 42cm L 3 3 x Framed Watercolour Portraits Signed Stan Sly 4 Circa 1900 wooden Cedar swing vanity mirror with curved top and lidded compartment, approx 64cm H. 5 Circa 1916 Narragansett Machine Co Providence R.I metal Spirometer machine for measuring lung capacity (a/f) 6 Group lot mainly vintage jewellery - 1920s enamel buckle, bone necklace, diamante bracelet, brooches, chain, m.o.p. pendant, Geo. VI Coronation medallion, mini souvenir Eiffel Tower views booklet pendant etc. 7 Small Group of Bone Handled writing Utensils & Ebonized Parallel Ruler 8 Taxidermy Adolescent Crocodile - approx 51 cm long 9 Small box lot mainly vintage costume jewellery incl. -
Framing Bias: Media in the Distribution of Power
Journal of Communication ISSN 0021-9916 ORIGINAL ARTICLE Framing Bias: Media in the Distribution of Power Robert M. Entman School of Media and Public Affairs, The George Washington University, Washington, DC 20052 This article proposes integrating the insights generated by framing, priming, and agenda-setting research through a systematic effort to conceptualize and understand their larger implications for political power and democracy. The organizing concept is bias, that curiously undertheorized staple of public discourse about the media. After showing how agenda setting, framing and priming fit together as tools of power, the article connects them to explicit definitions of news slant and the related but distinct phenomenon of bias. The article suggests improved measures of slant and bias. Properly defined and measured, slant and bias provide insight into how the media influence the distribution of power: who gets what, when, and how. Content analysis should be informed by explicit theory linking patterns of framing in the media text to predictable priming and agenda-setting effects on audiences. When unmoored by such underlying theory, measures and conclusions of media bias are suspect. doi:10.1111/j.1460-2466.2006.00336.x This article proposes integrating the insights generated by framing, priming, and agenda-setting research through a new, systematic effort to conceptualize and under- stand their implications for political power. The organizing concept is bias, that curiously undertheorized staple of public discourse about the media. With all the heat and attention it incites among activists and ordinary citizens, bias is yet to be defined clearly, let alone received much serious empirical attention (Niven, 2002). -
Obamals State of the Union
TODAY’s WEATHER NEWS SPORTS Supreme Court denies to The Sports Staff analyzes hear appeal to recognize the Commodores’ continuing Vanderbilt scientists struggles away from home SEE PAGE 3 SEE PAGE 7 Snow, 36 / 25 THE VANDERBILT HUSTLER THE VOICE OF VANDERBILT SINCE 1888 LIFE EDITION WEDNESDAY, JANUARY 26, 2011 WWW .INSIDEVANDY.COM 123RD YEAR, NO. 7 The NATIONAL NEWS NEWfaces Obama’s State of of the Union: FASHION ‘Move forward With the introduction of homegrown fashion blogs, such as CollegeFashionista, new faces together or are occupying front row seats and gaining momentum in the industry. not at all’ KYLE BLAINE OLIVIA KUPFER News Editor other initiatives in his speech. Life Editor He pointed to the transportation Vanderbilt students watched on and construction projects of Tuesday night as President Barack the last two years and proposed The fashion industry — with Obama delivered his State of the “we redouble these efforts.” He capitals in New York, Paris and Union address, pleading for unity coupled this with a call to “freeze Milan — used to represent an in a newly divided government. annual domestic spending for the inaccessible world for the masses. He implored Democratic and next five years.” Less than ten years ago, the Republican lawmakers to rally Yet, Republicans have dismissed average 20-something couldn’t behind his vision of economic his “investment” proposals as attend an international fashion revival, declaring in his State of merely new spending. week and was unqualified to write the Union address: “We will move “The president should be about the industry. forward together or not at all.” ashamed for disguising his Today, the once impenetrable Setting a tone of commonality continued out-of-control fashion industry is accessible to by invoking the name of Rep. -
Fridget Bridget” Because, Well, It Rhymed
TEXT • Caroline Gault PHOTO • Jessica Fern Facette Once upon a time there was a little girl named Bridget. Growing up, Bridget’s peers nicknamed her “Fridget Bridget” because, well, it rhymed. Little did our heroine know that this seemingly unimaginative name would provide inspiration for her future career, that her prophetic “Fridget Bridget” doppelgänger would be exactly who she’d embrace. Bridget Smatlan—Fashion Designer, it really easy to make pleather pants, Edmonton, AB—is the creator and because I would just put them on mastermind behind Fridget, a clothing myself and sew them. It was really just line that strives to sugarcoat each musical influence that got me sewing. garment and bring out the sweet, sexy As for her feminine style transition, librarian in all of us; Fridget flirts with both personally and professionally, what the eye can’t see. Bridget says, “I feel a little bit like I’m If Bridget’s childhood nickname pretending, like everyday I think, ‘okay, wasn’t testimony enough that she’d if I were a girl, what would I wear?’ I’m chosen the right path, perhaps it was trying to embrace it as an adult.” an accidental piercing that sealed her Perhaps Bridget’s punk, power-to- fate as a seamstress. In a kind of un- the-people attitude is what keeps her conventional Sleeping Beauty fairytale, independently stocking up Bamboo Bridget stepped carelessly onto a Ballroom on Whyte Avenue and broken sewing needle days after con- selling honeysuckle dresses at three verting her original clothing line, Good of the four Edmonton city markets. -
21 Types of News
21 Types Of News In the fIrst several chapters, we saw media systems in flux. Fewer newspaper journalists but more websites, more hours of local TV news but fewer reporters, more “news/talk” radio but less local news radio, national cable news thriving, local cable news stalled. But what matters most is not the health of a particular sector but how these changes net out, and how the pieces fit together. Here we will consider the health of the news media based on the region of coverage, whether neigh- borhood, city, state, country, or world. Hyperlocal The term “hyperlocal” commonly refers to news coverage on a neighborhood or even block-by-block level. The tradi- tional media models, even in their fattest, happiest days could not field enough reporters to cover every neighborhood on a granular level. As in all areas, there are elements of progress and retreat. On one hand, metropolitan newspapers have cut back on regional editions, which in all likelihood means less coverage of neighborhoods in those regions. But the Internet has revolutionized the provision of hyperlocal information. The first wave of technology— LISTSERV® and other email groups—made it far easier for citizens to inform one another of what was happening with the neighborhood crime watch or the new grocery store or the death of citizens can now snap a beloved senior who lived on the block for 40 years. More recently, social media tools have enabled citizens to self-organize, and connect in ever more picture of potholes and dynamic ways. Citizens can now snap pictures of potholes and send them to send to city hall, or share city hall, or share with each other via Facebook, Twitter or email. -
Transnational Punk: the Growing Push for Global Change Through a Music-Based Subculture Alexander Lalama Claremont Graduate University, [email protected]
LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University Volume 3 | Issue 1 Article 9 2013 Transnational Punk: The Growing Push for Global Change Through a Music-Based Subculture Alexander Lalama Claremont Graduate University, [email protected] Follow this and additional works at: http://scholarship.claremont.edu/lux Part of the Other Arts and Humanities Commons Recommended Citation Lalama, Alexander (2013) "Transnational Punk: The Growing Push for Global Change Through a Music-Based Subculture," LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University: Vol. 3: Iss. 1, Article 9. Available at: http://scholarship.claremont.edu/lux/vol3/iss1/9 Lalama: Transnational Punk Lalama 1 Transnational Punk: The Growing Push for Global Change Through a Music-Based Subculture Alexander Lalama, M.A. Claremont Graduate University School of Arts and Humanities Department of English Abstract Little media attention has been devoted to the burgeoning punk scene that has raised alarm abroad in areas such as Banda Aceh, Indonesia and Moscow, Russia. While the punk subculture has been analyzed in-depth by such notable theorists as Dick Hebdige and Stuart Hall, their work has been limited to examining the rise and apparent decline of the subculture in England, rendering any further investigations into punk as looking back at a nostalgic novelty of post- World War II British milieu. Furthermore, the commodification of punk music and style has relegated punk to the realm of an alternative culture in Britain and locally in the U.S. In these current international incarnations, however, a social space for this alternative culture is threatened by severe punishment including what Indonesian police officials have label “moral rehabilitation” and, in the case of Russian punks, imprisonment. -
From Style Rookie to the Face of Fashion Blogging Amber De Smet
From Style Rookie to the Face of Fashion Blogging A Study of Fashion Blogs and Tavi Gevinson’s Online Rise to Fame by Amber De Smet Journalism BA Thesis June 2013 Utrecht University Supervised by S.J. Cook 2 Table of Contents Introduction………………………………………………………………………4 Chapter 1: Fashion Blogging Explained…………………………………………5 1. Fashion Blogs………………………………………………………….5 1.1 The Phenomenon……………………………………………..5 1.2 A Brief History of Blogging………………………………….5 2. Personal Blogs and their Online Image………………………………..6 2.1 Street Style Blogs vs. Personal Blogs………………………..6 2.2 The Persona…………………………………………………..6 3. Subjectivity……………………………………………………………8 3.1 Controversy.………………………………………………….8 3.2 Gifts…………………………………………………………..8 3.3 Journalism Ethics…………………………………………….9 Chapter 2: Social Media………………………………………………………….11 1. Social Media…………………………………………………………...11 1.1 Social Media Explained………………………………………11 1.2 Immediate Coverage………………………………………….12 2. Networks aimed at Fashion Bloggers………………………………….12 2.1 Tying Bloggers Together……………………………………..13 2.2 Lookbook.nu…………………………………………………..13 2.3 Bloglovin’………………………………….………………….13 2.4 Independent Fashion Bloggers………………………………..14 3. Advertising………………………………….………………………….14 3.1 A Source of Income…………………………………………...14 Chapter 3: Case Study: Tavi Gevinson……………………………………………15 1. The Case of Tavi Gevinson……………………………………………..15 1.1 Case Study……………………………………………………..15 1.2 Short History of Success………………………………………15 2. The Elements of Success………………………………………………..16 2.1 The Blogging Boom…………………………………………...16 2.2 Authenticity……………………………………………………17 -
Media Manipulation and Disinformation Online Alice Marwick and Rebecca Lewis CONTENTS
Media Manipulation and Disinformation Online Alice Marwick and Rebecca Lewis CONTENTS Executive Summary ....................................................... 1 What Techniques Do Media Manipulators Use? ....... 33 Understanding Media Manipulation ............................ 2 Participatory Culture ........................................... 33 Who is Manipulating the Media? ................................. 4 Networks ............................................................. 34 Internet Trolls ......................................................... 4 Memes ................................................................. 35 Gamergaters .......................................................... 7 Bots ...................................................................... 36 Hate Groups and Ideologues ............................... 9 Strategic Amplification and Framing ................. 38 The Alt-Right ................................................... 9 Why is the Media Vulnerable? .................................... 40 The Manosphere .......................................... 13 Lack of Trust in Media ......................................... 40 Conspiracy Theorists ........................................... 17 Decline of Local News ........................................ 41 Influencers............................................................ 20 The Attention Economy ...................................... 42 Hyper-Partisan News Outlets ............................. 21 What are the Outcomes? .......................................... -
Programm Fashion Blogger.Pages
Fashion blogger course Here you can have a look at Moduls in details: 1st Module: How to create a fashion blog What is a fashion blog What is a fashion blog; Who are the most popular fashion bloggers; Examples of fashion blogs; What is published on fashion blogs. Who can be a fashion blogger Personal characteristics to be a successful fashion blogger; How to become a successful fashion blogger; What age can you start fashion blogging; Do you need to have a perfect body to shoot yourself for a fashion blog. How to create a fashion blog: choosing a platform What is a platform for a fashion blog; Free platforms for creating your fashion blog; When it’s time to have a paid platform for your fashion blog. How to create a fashion blog: design What colors to choose for your fashion blog design; Right and wrong color schemes; Examples of well- and bad-designed fashion blogs. How to create a fashion blog: title How to name your fashion blog: variants; Should a fashion blogger use his own name as the name of a fashion blog; Examples of good names for a fashion blog. How to create a fashion blog: structure What sections should have a fashion blog; How to write an “About me” page; What contact information should have a fashion blog; How to design a Fashion Blog’s homepage. Mistakes in a blog structure: practise Design and structure of popular fashion blogs; What are common blog structure mistakes; Examples of well structured blogs. Target of a fashion blog What is your fashion blog’s target audience; Should you select your target audience or you can write posts for everyone; Example of fashion blogger’s target audience; 2nd Module: WHAT TO WRITE IN a Fashion BLOG How to create a post for your fashion blog What to write about on a fashion blog; Post about trends: how to make it better; Post about an event: what to write about; What is an educational post; How to write a post about outfits; How many images can be put in one post. -
Alternative and Mainstream Media: the Converging Spectrum
Kenix, Linda Jean. "Introduction." Alternative and Mainstream Media: The Converging Spectrum. London: Bloomsbury Academic, 2011. 1–16. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781849665421.ch-001>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 04:28 UTC. Copyright © Linda Jean Kenix 2011. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 1 Introduction iverse media are central to a healthy democracy. The media re-present Dour politics, our social institutions, our governments and ourselves. A plurality of perspectives has been said to be essential in developing an engaged, mutual understanding of the differences and similarities that exist between us as human beings. Media construct our reality and help to defi ne who we are and even who we wish to become. Communication is ‘the creative making of a social order’ (Hamilton 2000a: 361) that is confi rmed and exercised within communication processes. Relationships are shaped and societal boundaries are formed through this expansive exchange of information. Research has argued that these communication channels should refl ect the diversity that exists within society. Such interconnected diversity has been said to be absolutely central to a thriving democracy. To put it plainly, the importance of a diverse media to the enrichment of our daily lives simply cannot be understated (Carey 1989). Alternative media, in particular, have been seen to be fundamental in providing diverse content to democratic societies. Alternative media, which are situated outside of the mainstream, have been said to articulate a ‘social order different from and often opposed to the dominant’ (Hamilton 2000a: 362).