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The Mikado Program
GENEVA CONCERTS presents TheThe MikadoMikado Albert Bergeret, Artistic Director Saturday, September 24, 2011 • 7:30 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2011-2012 SEASON Saturday, 24 September 2011, 7:30 p.m. New York Gilbert & Sullivan Players The Mikado Sunday, 11 December 2011, 3:00 p.m. Imani Winds A Christmas Concert This tour engagement of Imani Winds is funded through the Mid Atlantic Tours program of Mid Atlantic Arts Foundation with support from the National Endowment for the Arts. Friday, 2 March 2012, 7:30 p.m. Rochester Philharmonic Orchestra Christoph Campestrini, conductor Juliana Athayde, violin Music of Barber and Brahms Friday, 30 March 2012, 7:30 p.m. Brian Sanders’ JUNK Patio Plastico Plus Saturday, 28 April 2012, 7:30 p.m. Cantus On the Shoulders of Giants Performed at the Smith Opera House, 82 Seneca Street, Geneva, New York These concerts are made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Saturday, September 24, 2011 at 7:30 p.m. The Mikado or, The Town of Titipu Libretto by Sir William S. Gilbert Music by Sir Arthur Sullivan First Performed at the Savoy Theatre, London, England, March 14, 1885 Stage Direction: Albert Bergeret & David Auxier Music Director: Albert Bergeret; Asst. Music Director: Andrea Stryker-Rodda Conductor: Albert Bergeret Scenic Design: Albère Costume Design: Gail J. Wofford & Kayko Nakamura Lighting Design: Brian Presti Production Stage Manager: David Sigafoose* Assistant Stage Manager: Annette Dieli DRAMATIS PERSONAE The Mikado of Japan .....................................................................Quinto Ott* Nanki-Poo (His son, disguised as a wandering minstrel) . -
I Have a Song to Sing O! Program.Pdf
Musical Numbers With Cat-like Tread, Upon Our Prey We Steal (The Pirates of Penzance) ...........................Ensemble I Have a Song to Sing, O! (The Yeomen of the Guard) ..................... James Mills and Sarah Caldwell Smith Am I Alone and Unobserved? (Patience)............................................... James Mills A British Tar (H.M.S. Pinafore) ................................Alex Corson, Albert Bergeret, Artistic Director Matthew Wages, David Wannen I’m Called Little Buttercup Wand’ring Minstrels (H.M.S. Pinafore) .............. Angela Christine Smith in We’re Called Gondolieri (The Gondoliers) ...................................Alex Corson and Matthew Wages Take a Pair of Sparkling Eyes (The Gondoliers) ...................................Alex Corson Oh, Better Far to Live and Die (The Pirates of Penzance) ................. Matthew Wages and Men Director: James Mills When All Night Long a Chap Remains (Iolanthe) ..........................................David Wannen Music Director & Conductor: Albert Bergeret Executive Producer: David Wannen Three Little Maids From School are We (The Mikado) .............................Rebecca Hargrove, Editor: Danny Bristoll Angela Christine Smith, Sarah Caldwell Smith Sarah Caldwell Smith, Soprano The Sun, Whose Rays are All Ablaze Rebecca Hargrove, Soprano (The Mikado) ..............................Rebecca Hargrove Angela Christine Smith, Contralto Here’s a How-de-do! Alex Corson, Tenor (The Mikado) ......................................Alex Corson, James Mills, Comic Baritone James -
The Magazine for Music Listene
THE MAGAZINE FOR MUSIC LISTENE h,tO www.americanradiohistory.com11111 If you want a superlative stereo receiver by Fisher, check the four models at right. If you want something free by Fisher, look under this fold. () www.americanradiohistory.com 11 M1 The Fisher 400 65-Watt FM- Multiplex Stereo Receiver with STEREO BEAM* Size: 171/2" wide, 53/4" high, 13" deep. Weight: 303/4 lbs. Price: $299.50. The Fisher 500 -C 75 -Watt FM- Multiplex Stereo Receiver with STEREO BEACON* Size: 1711" wide, 53/4" high, 1311" deep. Weight: 3611 lbs. Price: $389.50. The Fisher 800 -C 75 -Watt ANI -FM- Multiplex Stereo Receiver with STEREO BEACON* Size: 1711" wide, 53/4" high, 1311" deep. Weight: 37 lbs. Price: $449.50. The Fisher 600 -T 110 -Watt Transistorized FM- Multiplex Stereo Receiver with STEREO BEACON* Size: 163" wide, 51/2" high, 117/4" deep. Weight: 31 lbs. Price: $499.50. (Walnut cabinet for all models, $24.95.) PATENT PENDING CIRCLE 48 CN READER -SER\ ICE CARD OCTOFER 1964 1 www.americanradiohistory.com FOUR MICRO-MAGNETIC 15° PICKUPS! Whether you own a record changer, automatic turntable, or a professional type manual turntable Pickering has engineered the RIGHT "V -15 pickup for you. If it's RECORD CHANGER application, where high output and heavier tracking forces are required try the V -15 AC -1 Most of you, no doubt are tracking lighter on the late model AUTO- MATIC TURNTABLES and will use the V -15 AT -1 Or if a professional type MANUAL TURNTABLE is your choice you'll need the even more compliant V-15 AM -11 And if it's unexcelled tracking ability you're seeking, you will demand the ELLIPTICAL STYLUS PICKUP V -15 AME -1 All four of these pickups are radically different from any other cartridge. -
David Trutt's Gilbert & Sullivan Ceramics Collection at California
David Trutt’s Gilbert & Sullivan Ceramics Collection at California State University Northridge - Top Shelf - Front View - Left Half David Trutt’s Gilbert & Sullivan Ceramics Collection at California State University Northridge - Top Shelf - Front View - Right Half David Trutt’s Gilbert & Sullivan Ceramics Collection at California State University Northridge - Top Shelf - Left and Right Side Views David Trutt’s Gilbert & Sullivan Ceramics Collection at California State University Northridge - Second and Third Shelves - Front View - Left Half David Trutt’s Gilbert & Sullivan Ceramics Collection at California State University Northridge - Second and Third Shelves - Front View - Right Half David Trutt’s Gilbert & Sullivan Ceramics Collection at California State University Northridge - Second Shelf - Left and Right Side Views David Trutt’s Gilbert & Sullivan Ceramics Collection at California State University Northridge - Third Shelf - Left Side View David Trutt’s Gilbert & Sullivan Ceramics Collection at California State University Northridge - Third Shelf - Right Side View David Trutt’s Gilbert & Sullivan Ceramics Collection at California State University Northridge - Fourth Shelf - Front View - Left and Right Halves David Trutt’s Gilbert & Sullivan Ceramics Collection at California State University Northridge - Fourth Shelf - Left Side View David Trutt’s Gilbert & Sullivan Ceramics Collection at California State University Northridge - Fourth Shelf - Right Side View David Trutt’s Gilbert & Sullivan Ceramics Collection at California State University Northridge - Fifth Shelf - Front View - Left and Right Halves David Trutt’s Gilbert & Sullivan Ceramics Collection at California State University Northridge - Fifth Shelf - Left and Right Side Views THE GILBERT AND SULLIVAN CERAMICS COLLECTION David Trutt assembled his Gilbert and Sullivan book and ceramics collection over an eighteen year period from 1988 through 2006. -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN SEPTEM BER-OCTOBER, 1967 COS NATIONAL CONFERENCE—APRIL 11-12, 1968, SAN ANTONIO, TEXAS Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plan • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 CENTRAL OPERA SERVICE COMMITTEE R. L. B. TOBIN, National Chairman The National Council JULIUS RUDEL, Co-Chairman New York City Opera National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN GEORGE HOWERTON E. H. CORRIGAN, JR. ELIHU M. HYNDMAN MRS. NORRIS DARRELL MRS. JOHN R. SAVAGE HOWARD J. HOOK, JR. JAMES SCHWABACHER, JR. Professional Committee MAURICE ABRAVANEL RICHARD KARP Salt Lake City Symphony Pittsburgh Opera KURT HERBERT ADLER PAUL KNOWLES San Francisco Opera University of Minnesota VICTOR ALESSANDRO GLADYS MATHEW San Antonio Symphony Community Opera ROBERT G. ANDERSON MRS. LOUDON MELLEN Tulsa Opera Opera Soc. of Wash., D.C. WILFRED C. BAIN ELEMER NAGY Indiana University Hartt College of Music ROBERT BAUSTIAN MME. ROSE PALMAI-TENSER Santa Fe Opera Mobile Opera Guild MORITZ BOMHARD RUSSELL D. PATTERSON Kentucky Opera Kansas City Lyric Theatre JOHN BROWNLEE MRS. JOHN DEWITT PELTZ Manhattan School of Music Metropolitan Opera PAUL CALLAWAY GEORGE SCHICK Opera Soc. of Wash., D.C. Metropolitan Opera STANLEY CHAPPLE MARK SCHUBART University of Washington Lincoln Center EUGENE CONLEY MRS. L. S. STEMMONS No. Texas State Univ. Dallas Civic Opera WALTER DUCLOUX LEONARD TREASH University of S. California Eastman School of Music PETER PAUL FUCHS LUCAS UNDERWOOD Louisiana State University College of the Pacific ROBERT GAY GID WALDROP Northwestern University Juilliard School of Music BORIS GOLDOVSKY MRS. J. P. WALLACE Goldovsky Opera Theatre Shreveport Civic Opera WALTER HERBERT MRS. -
Precious Nonsense NEWSLETTER of the MIDWESTERN GILBERT and SULLIVAN SOCIETY November 1995 -- Issue 46
Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY November 1995 -- Issue 46 As is invariably the case, it's been one thing after another lately. Thanks to Michaem Miano and Carol Lee Cole, we have something ready-made to put in the Nonsense. Once things cool slow down at work, S/A Cole will have time to go through the piles of material, and put out a full-blown issue. Michael Miano and Carol Lee Cole both submitted their pieces in computer-readable form, and they appear here as they were submitted (I may spell-check them, but that'll be about it). While the Nonsense doesn't necessarily stand for an unrestricted press, its editorial staff certainly believes in letting people express their opinions. And if readers want to debate points, that's great. S/A Cole will be happy to forward messages. Anyway, it ought to make for interesting reading. Sarah Cole thanks all the membership of the Midwestern Gilbert and Sullivan Society for their patience over the last two years; and especially thanks the other G&S societies, who have been tremendously indulgent with the MGS's difficulties. We hope to return the kindness some day. In the meantime, here's what we've got. Oh Members, How Say You, What Is it You've The 1995 MGS Big Quiz Answers Done? At first, these weren't going to be included. As you may recall, Earlier this year, in which the Fiftieth the quiz came from the book Guess Again (James Monahan and Tom anniversary of the end of World War II was Davin. -
Yeoman of the Guard Score Pdf
Yeoman of the guard score pdf Continue For the British Military Corps, see Yeomen Guards. A scene from the 1906 film The Emename of the Guard D'Oily Carte The Revival of the Guard; or, Merriman and his maiden, is the Savoy Opera, with music by Arthur Sullivan and libretto by W.S. Gilbert. It premiered on October 3, 1888 at the Savoy Theatre and took place in 423 performances. It was the eleventh collaboration of the fourteenth between Gilbert and Sullivan. The opera is set in the Tower of London during the 16th century, and is the darkest, and perhaps most emotionally engaging, Savoy Opera, ending with a broken heart of the main character and two very reluctant commitments rather than the usual numerous marriages. The libretto contains considerable humor, including many pun-laden one-liners, but Gilbert's trademark satire and topsy-turvy plot complications are subdued compared to other Gilbert and Sullivan operas. Dialogue, though in prose, is quasi-Shakespearean, or early modern English, in style. Critics considered the score the best for Sullivan, including her overture, which is in the form of a sonata, instead of being written as successive pot-pourri tunes from the opera, as in most other overtures of Gilbert and Sullivan. It was the first Savoy Opera using a large Sullivan orchestra, including the second bassoon and the third trombone. Most of Sullivan's subsequent operas, including those not composed with Gilbert as a librettist, use this large orchestra. The background of the 1883 poster is similar to the one Gilbert said gave him inspiration for the opera When the previous Gilbert and Sullivan Opera, Ruddigore, finished his work at the Savoy Theatre, no new Gilbert and Sullivan opera was ready, and for nearly a year the stage was dedicated to reviving the old successes of H.M.S. -
Daily Eastern News: November 19, 1952 Eastern Illinois University
Eastern Illinois University The Keep November 1952 11-19-1952 Daily Eastern News: November 19, 1952 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_1952_nov Recommended Citation Eastern Illinois University, "Daily Eastern News: November 19, 1952" (1952). November. 3. http://thekeep.eiu.edu/den_1952_nov/3 This Book is brought to you for free and open access by the 1952 at The Keep. It has been accepted for inclusion in November by an authorized administrator of The Keep. For more information, please contact [email protected]. e Mikado' coming Eastern State News erican Savoyards to perform "Tell the Truth and Don't Be Afraid" VOL. XXXVIII ... NO. 9 WED., NOV. 19, 1952 EISC, CHARLESTON, ILL. ealth Ed building Tuesday IKADO," Gilbert and Sullivan operetta, will be presented the American Savoyards at 8 p.m. November 25, in the 67 students vie for class off ices Thurs. Education building. Charles L. Wagner, producer of last year's "La Traviata," brings lo Eastern a group of professional actors and musi Election to be held 1n Old Main; present "The Mikado." Concert to feature American Savoyards were in 1939 by Dorothy Raed Wagner added to Mis's Raedler 's Urbana vocalist polls open at 8 a.m., close 4 p·m· present director, under the troupe a full orchestra and a of the Masque and Lyre large chorus, under the name of MISS DOROTHY Clark, Univer- SIXTY-SEVEN students will be competing for class offices in an all Opera company. It was ori sity of Illinois voice faculty The American Savoyards Inc. -
Transylvania Symphony Orchestra
PROGRAM NUMBER ONE BREVARD MUSIC CENTER Whittington-Pfohl Auditorium Saturday, June 19 7:30PM gehorah lten8on-Conanf Jazz Harpist and Entertainer Selections will be announced from the stage by Ms. Henson-Conant. SpeciaJ thanks to Billi and Bernie Marcus for sponsoring this evening's event. Cover: 'The Conductor - by Ale=ndra Nechita Ms. Henson-Conant was recently featured on PBS's "Celtic Harpestry" andjust returned from a solo European tour and four nights with Marvin Hamlisch and the Baltimore Symphony. This July, Ms. Henson-Conant will present the world premiere of her double harp concerto with the Radio Prague Symphony Orchestra in the Czech Republic. Proceeds from the show benefit the Brevard Music Center's educational programs. **"'*********'" Please Note: Latecomers .... ill be scated at the head usher's discretion. No cameras, tape recorders, smoking. or food in the auditorium, please. Refreshments arc available before the performance and during intermission. The refreshment stand is located across the walkway from the auditorium. Coffee. icc-cream, soft drinks and candy are available for sale. Tonight's perfonnancc is sponsored in part by radio stttions WMYI and WHLC. The Brevard Music Center is grateful for the suppon received. from the North Carolina General Assembly, the North Carolina Department of Cultural Resources and the North Carolina Arts Council. BALDWIN is the official piano of tile Brevard Music Center. All pianos are moisture-protected. by DAMPP-CHASER dehumidifiers. Please join us for the following perfonnances next week: June 24, 7:30 PM Manon, Dress Rehearsal June 25, 7:30 PM Broadway Spectacular Pops Concert June 26, 7:30 PM Manon, Perfonnance June 27, 3:00 PM Tenor Gary Lakes with the BMC Festival Orchestra PROGRAM NlJMBER FORTY-FOlJR BREVARD MUSIC CENTER Whittington-Pfohl Auditorium Friday. -
Locantro Programmes – Gilbert & Sullivan
Tony Locantro Programmes – Gilbert & Sullivan MSS 792 T3743.L Theatre Date Performance Details English National 2006 The Gondoliers Opera Dir: Richard Balcombe Geoffrey Dolton, David Curry, David Stafford- Allen, Rebecca Bottone Theatre Date Performance Details Golders Green 1952 D’Oyly Carte Opera Company Hippodrome Patience Dir: Isidore Godfrey Peter Pratt, Alan Styler, Muriel Harding Theatre Date Performance Details Her Majesty’s 1962 H.M.S. Pinafore Theatre Dir: Tyrone Guthrie Eric House, Marion Studholme, Andrew Downie 1962 The Pirates of Penzance Dir: Tyrone Guthrie Eric House, Marion Studholme Theatre Date Performance Details Open Air Theatre 2001 New Shakespeare Company Regent’s Park The Pirates of Penzance Dir: Ian Talbot Sara Hillier, Giles Taylor, Mark Roper 2005 H.M.S. Pinafore July, August, September (tickets only) Theatre Date Performance Details Savoy Theatre 1960-1961 Iolanthe (D’Oyly Carte Con: Sir Malcolm Sargent Opera Company) Dir: Isidore Godfrey Joyce Wright, Kenneth Sandford, Gillian Knight, Mary Sansom 1960-1961 Princess Ida Con: Isidore Godfrey Dir: Isidore Godfrey Jean Hindmarsh, Gillian Knight, John Reed 2000 The Mikado Musical Dir: John Owen Edwards Dir: Ian Judge 2001 The Pirates of Penzance Dir: Stuart Maunder 2002 Iolanthe Dir: Martin Connor 2002 The Yeoman of the Guard Dir: Ian Talbot 2000 H.M.S. Pinafore Dir: Martin Duncan Theatre Date Performance Details Westminster 1979 The Mikado Theatre Dir: Ken Hill (The Musical Philip Summerscales, Neil Jenkins, Martin Theatre Co.) McEvoy, Ann Hood, Fiona Dobie . -
1 Qsr/ DRUM Bsaetf Leos' H “SUPERB SCREEN *Fkm' a ADVENTURE
THE EVENING STAR. Washington, D. C. AMUSEMENTS. AMUSEMENTS. AMUSEMENTS. A-12 TCESDAY. >OVEMBER 24, 1»«3 Where and When The Passing Show Current Theater Attractions And Time ot Showing Stage. DON’T MISS THE It's a Tidy, Trim 'Mikado' National “Pirates of Pen- zance”; 8:30 p.m. SPANKING SCENE y j&aaßSßßSßfe! >¦ Sam S. Shubert "Misal- That's Sung at National. liance”; 8:30 p.m. tji Arena “Thieves’ Carnival”; | By Jay Carmody 8:30 p.m. is high time for a lot of things, one of which is to stop Screen. thinking of Gilbert and Sullivan opera in terms of D’Oyly-Carte. Ambassador—“ Thunder Over There never was, and possibly never will be, anything like the Plains”; 1:45, 3:40, 5:10, 7:35 the affinity between these in the realm of comic opera. The fact and 9:35 p.m. remains that Gilbert and Sullivan have outlasted the great Fngiuh Capitol—“The Robe”; 11:20 production group. No doubt the-* a.m., 1:55, 4:30, 7:05 and 9:40 operas many will outlive more ‘‘THE MIKADO.” an opera in two pjn. starry ensembles. This is a com- acts with music by Sir Arthur Sullivan Columbia “Torch Song”; and libretto by Sir William pro- fortable thought by Oilbert. iff to live with if duced and directed Dorothy Raedler. 11:15 a.m., 1:20, 3:30, 5:40, 7:45 it is permitted conducted by Luncille Burnham, offered MM . p.m. admittance In the American University Concert H and 9:55 Encouraging its welcome is the Series. -
Women Orchestral Conductors: \\ Factors Affecting Career Development
llfllfllfllfllflllfllfiHUNIHI!INHIIHII"Hillllll + THESIS 3 10496 0376 LIERARY Feminism grate / Universi ty h ‘lfi‘~\\ -~ This is to certify that the thesis entitled fiOmcu Orchestral Conductors: Factors Affecting Career Development presented by Kay D . Lawson has been accepted towards fulfillment of the requirements for MafiL. degree in Music W Major professor Date Z/xr/S’J / / 0-7 639 MS U is an Affirmative Action/Equal Opportunity Institution "’I'V- ‘ I, RETURNING MATERIALS: MSU Place in book drop to LIBRARIES remove this checkout from Ailing-Ill. your record. FINES will ” be charged if book is returned after the date stamped below. ‘s A! E ’ M New 2C? ! ‘ JUN 15:: g". 1' .Y ~£ ' i ‘ n " ‘7‘ é 1' Yd' I ‘ 5". '1- x .4 '. '- Juli/J _ . .- a} "-7" 2558 1233999 ‘4'“ 1,3200% JAN1.220m 011%0 (gr) 5365;}, 7" ha WOMEN ORCHESTRAL CONDUCTORS: \\ FACTORS AFFECTING CAREER DEVELOPMENT By Kay D. Lawson A THESIS Submitted to Michigan State University in partial fulfillment of the reouirments for the degree of MASTER OF MUSIC Department of Music ABSTRACT WOMEN ORCHESTRAL CONDUCTORS: FACTORS AFFECTING CAREER DEVELOPMENT by Kay D. Lawson A historical overview of sociological and educational factors revealed evidence of their influence in the career development of women orchestral conductors in the nineteenth and twentieth centuries. The study was amplified with questionnaire responses received from professional women conductors: Victoria Bond, Beatrice Brown, Carolyn Hill, Margaret Hillis, Frances Steiner, and Antonia Joy Wilson. These conductors' performances, educations, and careers, in addition to research that encompassed the activities of other women conductors, represented important aspects of the study.