DOCSLIB.ORG

Snurkël Music with Samples

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Snurkël Music with Samples Gilbert and Sullivan Society Library At the Barbican Music Library Over 250 books for reference The Library of the Gilbert and Sullivan Society is housed in the Music Library at the Barbican Centre, London. Books include recent publications, standard references, works from earlier generations and a comprehensive range of libretti and scores. The works are available for reference only. They are accessed on request from a member of staff. Getting there The Barbican Complex is housed in the heart of the City of London. Moorgate and Barbican Underground stations are within close walking distance. The Society’s Library is located in the Barbican Music Library, downstairs from the Main Library. The address is Silk Street, EC2 8DS. Music enquiries: 020 7638 0672 Text Phone: 020 7332 3803 E mail: [email protected] Opening Hours Monday and Wednesday 9.30 am – 5.30 pm Tuesday and Thursday 9.30 am – 7.30 pm Friday 9.30 am – 2 pm Saturday 9.30 am –4 pm The library is closed on Sunday and Bank Holidays The Gilbert and Sullivan Society Founded 1924 Registered Charity no. 1062970 CATALOGUE Author Title Ainger, Michael Gilbert and Sullivan: a dual biography Allen, Reginald An Anniversary Survey and Exhibition Checklist 1963 Allen, Reginald Sir Arthur Sullivan, Composer and Personage Allen, Reginald The First Night Gilbert and Sullivan, Centennial 1975 Archer, Frank An Actor’s Notebook Ayre, Leslie The Gilbert and Sullivan Companion Baily, Leslie Gilbert and Sullivan and Their World 1 Baily, Leslie The Gilbert and Sullivan Book Bancroft, Squire Empty Chairs Barrington, Rutland More Rutland Barrington By Himself Barrington, Rutland Rutland Barrington by Himself Bathurst, David Here’s a pretty mess! : a new guide to Gilbert & Sullivan opera for the amateur performer and enthusiast BBC (libretto and vocal A G. & S. Cocktail score) Bell, Diana The Complete Gilbert and Sullivan Benford, Harry A Gilbert and Sullivan Lexicon (1st edition 1978) Benford, Harry A Gilbert and Sullivan Lexicon (revised and enlarged edition.) Bennett, Joseph Forty Years of Music 1865-1905 Bond, Jessie with The Life and Reminiscences of Jessie Bond MacGeorge, Ethel Bradley, Ian (Ed) The annotated Gilbert and Sullivan: introduced and edited by Ian Bradley Vol. 1 PF PP IO MK GN Bradley, Ian (Ed) The annotated Gilbert and Sullivan: introduced and edited by Ian Bradley Vol. 2 TJ SO PC PI YG Bradley, Ian Ed) The complete annotated Gilbert & Sullivan: introduced and edited by Ian Bradley Bradley, Ian Lost Chords and Christian Soldiers – The Sacred Music of Arthur Sulliva Bradley, Ian Oh joy! Oh rapture! Bradstock, Lillian W.S.Gilbert, Savoyard Scrapbook Bradstock, Lillian Pooh-Bah and Gilbert and Sullivan Bradstock, Lillian Gilbert and Sullivan Brahams, Caryl Gilbert and Sullivan – Lost Chords and Discords Browne, Edith W.S.Gilbert Burgess, A.J. The Notary and other lawyers in Gilbert and Sullivan Burnand, Francis Cox and Box (libretto) Cambridge Cambridge companion to Gilbert & Sullivan (ed. Eden and Saremba) Carr, C. The Beauty Stone (with Sullivan, A. & Pinero, A.) Cellier, François & Gilbert, Sullivan and D’Oyly Carte Bridgeman, C Cellier, Alfred (score) The Mountebanks Cellier, Alfred & The Mountebanks Gilbert, W.S. (libretto) Charendoff, Sydney The beginnings of Bab: early pen and ink drawings… Complete Gilbert and Glinert (ed) Penguin Sullivan 2 Compton, V. Scenes & Songs from the Savoy Operas Cox-Ife, William How to sing both Gilbert and Sullivan Cox-Ife, William Training the Gilbert and Sullivan Chorus Cox-Ife, William W.S. Gilbert, Stage Director Crowther, Andrew Contradiction Contradicted: the plays of W. S. Gilbert Crowther, Andrew Gilbert of Gilbert & Sullivan: his life and character D’Oyly Carte D’Oyly Carte Centenary Souvenir 1875-1975 D’Oyly Carte The D’Oyly Carte Opera Company: a transcription of their visits to Warrington 1882-1923, David Wheeler D’Oyly Carte Opera The Savoyard – Volumes I to XXI – 1962to1982 Trust Dark, Sydney & Grey, W.S.Gilbert, His Life and Letters Rowland Darlington, W. The World of Gilbert and Sullivan Davidson, G. Stories from Gilbert and Sullivan Davis, R. G. In Defence of Gilbert’s Ladies Dillard, Philip H. How quaint the ways of paradox! : an annotated Gilbert & Sullivan bibliography Dixon, Geoffrey The Gilbert and Sullivan Photofinder: an index to published illustrations of Savoy Opera Dixon, Geoffrey The Gilbert & Sullivan sorting system Dixon, Geoffrey The Gilbert & Sullivan Journal - 56 Year Index Dodds, James The Early Years or the Australia Hall Era of the Gilbert and Sullivan Society of South Australia Downes, Peter A Gilbert and Sullivan Man (The Musical Life of Harry Norris) Downey, Edmund Twenty Years Ago Downs, Harold (ed) Theatre and Stage (D. Graham Davis on roles, Vol II, p 675) Dramatic Notes 1883- Reviews and illustrations of Princess Ida & The Mikado. Also revival of The Sorcerer, and 1885 children’s The Pirates of Penzance Dunhill, Thomas F. Sullivan’s Comic Operas: a critical appreciation Dunn, George A Gilbert and Sullivan Dictionary Eden, David Gilbert and Sullivan : the creative conflict Eden, David W.S. Gilbert: appearance and reality Eden, David and Cambridge companion to Gilbert & Sullivan Saremba, Meinhard (Eds) Ellis, James (Ed) The Bab Ballads Ellis, James (Ed) Kansas Papers, International Conference 1970 3 Farrar, Maurice The Gilbert & Sullivan Alphabet of Artistes: a performance record of D’Oyly Carte personnel, 1875-1982 Finck, Herman & Wylie, A “G.&S. “ Cocktail (libretto and vocal score) Lauri Findon, B. Sir Arthur Sullivan Fischler, Adam Modified rapture: Comedy in W.S. Gilbert’s Savoy Operas Fitz-Gerald, S. J. Adair The Story of the Savoy Opera Fitzgerald, Percy The Savoy Opera Folio Society The Complete Savoy Operas : 2 volumes Gatcliff, E Savoy Stories Geis, Darlene The Gilbert and Sullivan Operas – Brent Walker videos W. S. Gilbert Society W. S. Gilbert Society Journal. Vol.1, Spring 1985- . With separate contents list Gilbert and Sullivan Volumes 1-10 (February 1925 - Spring 1981) Society Journal Gilbert and Sullivan G&S News A5 editions: May 1982 to September 1995 Society Gilbert and Sullivan An Operatic Glossary Society Gilbert, W.S. The Savoy Operas (+ 2 vol. set: V.I /b6215903, V II/b6306013) Gilbert, W.S. Original Plays, 1st Series Gilbert, W.S. Original Plays, 2nd Series Gilbert, W.S. Original Plays, 3rd Series Gilbert, W.S. Original Plays, 4th Series (2 copies) Gilbert, W.S. The Bab Ballads Gilbert, W.S. The Bab Ballads (edited by James Ellis) Gilbert, W.S. More Bab Ballads Gilbert, W.S. Fifty Bab Ballads Gilbert, W.S. Lost Bab Ballads (edited by Townley Searle) Gilbert, W.S. Ought we to visit her? Gilbert, W.S. Songs of a Savoyard Gilbert, W.S. His Excellency Gilbert, W.S. A Colossal Idea (edited by Townley Searle) Gilbert, W.S. Foggerty’s Fairy and other tales Gilbert, W.S. (libretto) Trial by Jury Gilbert, W.S. (libretto) The Sorcerer 4 Gilbert, W.S. (libretto) HMS Pinafore Gilbert, W.S. (libretto) The Pirates of Penzance Gilbert, W.S. (libretto) Patience Gilbert, W.S. (libretto) Iolanthe Gilbert, W.S. (libretto) Princes Ida Gilbert, W.S. (libretto) The Mikado Gilbert, W.S. (libretto) Ruddigore Gilbert, W.S. (libretto) The Yeomen of the Guard Gilbert, W.S. (libretto) The Gondoliers Gilbert, W.S. (libretto) Utopia Limited Gilbert, W.S. (libretto) The Grand Duke Gilbert, W.S. & Cellier The Mountebanks Alfred (libretto) Gilbert, W.S. Fifty Bab Ballads (illustrated edition) Gilbert, W.S. Patience (illustrated by Russell Flint) Gilbert, W.S. Iolanthe (illustrated by Russell Flint) Gilbert, W.S. The Gondoliers (illustrated by Russell Flint) Gilbert, W.S. Ruddigore (illustrated by Russell Flint) Gilbert, W.S. Princess Ida (illustrated by Russell Flint) Gilbert,. W.S. The Mikado (illustrated by Russell Flint) Gilbert, W.S. HMS Pinafore (adapted from Gilbert and Sullivan by Opal Wheeler / illustrated by Fritz Kredel) Gilbert, W.S. The Story of HMS Pinafore (illust: Alice B. Woodward) Gilbert, W.S. The Yeomen of the Guard (illust: Russell. Flint & C.E. Brock) Gilbert, W.S. The Story of the Mikado (illust: Russell Flint & C.E. Brock) Gilbert, W.S. The Story of the Mikado (illustrated by Alice B. Woodward) Gilbert, W.S. The Immortal G & S Operas, 4 Volumes (intro: H Lytton) Gilbert, W.S. The lost stories of W.S. Gilbert / illustrated by “Bab” / selected and introduced by Peter Haining Gilbert, W.S. Plays by W.S. Gilbert / edited with an introduction and notes by George Rowell Gilbert, W.S. The complete Savoy Operas (Folio Society) Gilbert, W.S. The complete annotated Gilbert & Sullivan: introduced and edited by Ian Bradley Gilbert, W.S. The annotated Gilbert and Sullivan: introduced and edited by Ian Bradley 2 volumes 5 Gilbert, W. S. The complete Gilbert & Sullivan. Edited. by Ed Glinert with a preface by Mike Leigh. Gilbert, W.S. & Songs of Two Savoyards Sullivan, A. Gilbert and Sullivan: interviews and recollections edited by Harold Ore l Godwin, A.H. Gilbert and Sullivan Golding, Vic Jilted and Trial with a Twist – Vocal Score Goldberg, Isaac The Story of Gilbert and Sullivan Goodman, Andrew Gilbert and Sullivan’s London Goodman, Andrew Gilbert and Sullivan’s London (pbk ed.) Goodman, Andrew Gilbert and Sullivan at Law Gordon, J. M. The Memoirs of J M Gordon (1856-1944) Green, Martyn Martyn Green’s Treasury of Gilbert and Sullivan Green, Martyn Here’s a How-De-Do Grossmith, George A Society Clown (2 copies) Grossmith, George Musical sketches of George Grossmith - Cups & Saucers, Castle Bang, Carrottina Grundy, Sydney Haddon Hall (libretto) Haining, Peter (ed) The lost Stories of W S Gilbert / Illustrated by ‘Bab’ Hamilton, Cosmo Discord and Harmony Hardwick, Michael The Osprey Guide to Gilbert and Sullivan Harris, P. The Young Gilbert and Sullivan Hayes, Scott W. and “Your Affectionate A” – A collection of Sir Arthur Sullivan’s letters to his family Hayes Scott M.
Load more

Recommended publications
  • Haddon Hall's Poems
    HADDON HALL’S POEMS NINETEENTH CENTURY SENTIMENTS DAVID TRUTT Copyright © David Trutt 2007 All rights reserved. Haddon Hall’s Dorothy Vernon - The Story Of The Legend was published in 2006. The following people were very helpful during the formation of this book: Sandra Trutt provided much needed help and support. Kendra Spear digitized various engravings. Alastair Scrivener pointed out the use of the Haddon Hall illustration for the poem In The Olden Time. His Buxton bookshop has been the source of many hard-to-find books on Derbyshire and its environs. Revised October 2010: Pages 4, 6, 124 to reflect that the author of “A Legend of Haddon Hall” was John James Robert Manners 7th Duke of Rutland, and not as indicated, John Henry Manners 5th Duke of Rutland, his father. Both were alive in 1850 when English Ballads and Other Poems was published. Published by David Trutt Los Angeles, California USA [email protected] CONTENTS 3 Contents 3 Introduction 7 The Seven Foresters Of Chatsworth (1822) Allan Cunningham 11 The King Of The Peak, A Derbyshire Tale (1822) Allan Cunningham 21 The King Of The Peak, A Romance (1823) William Bennet 25 Haddon Hall, A Poetical Sketch (1823) John Holland 27 Haddon Hall, Bijou (1828) H. B. (Mary Hudson Balmanno) 37 Haddon Hall At The Present Day (1841) Benjamin Fenton 40 Haddon Hall Before 1840 Henry Alford (1836) 49 Henry Glassford Bell (1832) 50 Delta (David Moir) (1834) 52 George Bayldon (1838) 54 F. R. C. (1831) 55 Haddon, Reliquary (1863) Llewellynn Jewitt 56 The Elopement Door (1869) William Kingston Sawyer 57 Visiting Chatsworth and Haddon Hall (1860) E.
    [Show full text]
  • SIR ARTHUR SULLIVAN: Life-Story, Letters, and Reminiscences
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com SirArthurSullivan ArthurLawrence,BenjaminWilliamFindon,WilfredBendall \ SIR ARTHUR SULLIVAN: Life-Story, Letters, and Reminiscences. From the Portrait Pruntfd w 1888 hv Sir John Millais. !\i;tn;;;i*(.vnce$. i-\ !i. W. i ind- i a. 1 V/:!f ;d B'-:.!.i;:. SIR ARTHUR SULLIVAN : Life-Story, Letters, and Reminiscences. By Arthur Lawrence. With Critique by B. W. Findon, and Bibliography by Wilfrid Bendall. London James Bowden 10 Henrietta Street, Covent Garden, W.C. 1899 /^HARVARD^ UNIVERSITY LIBRARY NOV 5 1956 PREFACE It is of importance to Sir Arthur Sullivan and myself that I should explain how this book came to be written. Averse as Sir Arthur is to the " interview " in journalism, I could not resist the temptation to ask him to let me do something of the sort when I first had the pleasure of meeting ^ him — not in regard to journalistic matters — some years ago. That permission was most genially , granted, and the little chat which I had with J him then, in regard to the opera which he was writing, appeared in The World. Subsequent conversations which I was privileged to have with Sir Arthur, and the fact that there was nothing procurable in book form concerning our greatest and most popular composer — save an interesting little monograph which formed part of a small volume published some years ago on English viii PREFACE Musicians by Mr.
    [Show full text]
  • The Mikado the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
    Insights A Study Guide to the Utah Shakespeare Festival The Mikado The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. Insights is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print Insights, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Erin Annarella (top), Carol Johnson, and Sarah Dammann in The Mikado, 1996 Contents Information on the Play Synopsis 4 CharactersThe Mikado 5 About the Playwright 6 Scholarly Articles on the Play Mere Pish-Posh 8 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: The Mikado Nanki-Poo, the son of the royal mikado, arrives in Titipu disguised as a peasant and looking for Yum- Yum. Without telling the truth about who he is, Nanki-Poo explains that several months earlier he had fallen in love with Yum-Yum; however she was already betrothed to Ko-Ko, a cheap tailor, and he saw that his suit was hopeless.
    [Show full text]
  • Gilbert & Sullivan
    ST DAVIDS PLAYERS 14th - 18th OCTOBER 2014 PLEASE ST DAVIDS PLAYERS NOTE: www.stdavidsplayers.co.uk St David’s Players take no responsibility for any oers or advert content contained in this le. Special oers shown in adverts may no longer be valid. eat well with Riverford get your 3rd vegbox free free * vegbox Libretto by W S Gilbert Music by Arthur Sullivan in the edition by David Russell Hulme © Oxford University Press 2000. Performed by arrangement with Oxford University Press. All rights reserved. Director Jane May Musical Director Mark Perry 14th - 18th OCTOBER 2014 Nightly at 7.30pm Matinée on Saturday 18th at 2.30pm enjoy better veg vegboxes from £10.35 ST LOYE’S FOUNDATION healthy, seasonal, all organic Supporting free delivery ST LOYE’S FOUNDATION in 2014 e Exeter Barneld eatre is tted Members of the audience are asked to Members of the audience are reminded try a seasonal organic vegbox today with free delivery with an Inductive Loop system. SWITCH OFF any mobile phones and the unauthorised use of photographic, T Members of the audience with hearing other mobile devices (including SMS text recording or video equipment is not aids should set them to the ‘T’ position messaging and Internet browsing) permitted in the auditorium call 01803 762059 or visit www.riverford.co.uk/FTBF14 ank you *Free vegbox on your 3rd delivery when you place a regular vegbox order. New customers only. Programme © 2014 | Published by St David’s Players | www.stdavidsplayers.co.uk Programme design and typesetting by D Saint | [email protected] Print services arranged by Backstage Supplies Ltd.
    [Show full text]
  • A European Singspiel
    Columbus State University CSU ePress Theses and Dissertations Student Publications 2012 Die Zauberflöte: A urE opean Singspiel Zachary Bryant Columbus State University, [email protected] Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Bryant, Zachary, "Die Zauberflöte: A urE opean Singspiel" (2012). Theses and Dissertations. 116. https://csuepress.columbusstate.edu/theses_dissertations/116 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. r DIE ZAUBEFL5TE: A EUROPEAN SINGSPIEL Zachary Bryant Die Zauberflote: A European Singspiel by Zachary Bryant A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the Bachelor of Arts in Music College of the Arts Columbus State University Thesis Advisor JfAAlj LtKMrkZny Date TttZfQjQ/Aj Committee Member /1^^^^^^^C^ZL^>>^AUJJ^AJ (?YUI£^"QdJu**)^-) Date ^- /-/<£ Director, Honors Program^fSs^^/O ^J- 7^—^ Date W3//±- Through modern-day globalization, the cultures of the world are shared on a daily basis and are integrated into the lives of nearly every person. This reality seems to go unnoticed by most, but the fact remains that many individuals and their societies have formed a cultural identity from the combination of many foreign influences. Such a multicultural identity can be seen particularly in music. Composers, artists, and performers alike frequently seek to incorporate separate elements of style in their own identity. One of the earliest examples of this tradition is the German Singspiel.
    [Show full text]
  • Or, the Witch's Curse!
    Ruddygore or, The Witch's Curse! An Entirely Original Supernatural Opera in Two Acts Written by W. S. Gilbert Composed by Arthur Sullivan First produced at the Savoy Theatre, London, Saturday 22nd January 1887 under the management of Mr. Richard D'Oyly Carte This edition privately published by Ian C. Bond at 2 Kentisview, Kentisbeare, CULLOMPTON. EX15 2BS. © 1995 RUDDYGORE Of all the Gilbert and Sullivan joint works, RUDDYGORE has been the most unfairly treated. The initial, rather hostile reception, led the partners to make a number of cuts and changes which, under rather more favourable circumstances, would probably not have been so severe. This gradual dissection continued in the 1920’s at the hands of Geoffrey Toye, Harry Norris, Malcolm Sargent and J M Gordon until, by the post-war revival of 1949, RUDDIGORE was, to all intents and purposes, a new work. It is to be hoped that such a thing could not happen today as I would like to think that we have far too much respect for the works of these two men to allow anyone to take such drastic rewrites upon themselves. That the original version of the opera works is evidenced by the considerable number of amateur revivals over the past few years that have attempted to return as closely as possible (given the lack of performing material) to a ‘first night version’ - a trend fuelled by the New Sadler’s Wells revival of 1987. That Gilbert was guilty of one miscalculation is fairly obvious in his placing of “The battle’s roar is over” in Act One.
    [Show full text]
  • W. S. Gilbert & a Classic in Humour
    W. S. GILBERT A MID-VICTORIAN ARISTOPHANES BY EDITH HAMILTON & THE ENGLISH ARISTOPHANES BY WALTER SICHEL & A CLASSIC IN HUMOUR BY MAX BEERBOHM Edited 2011 by David Trutt Los Angeles, California, USA email: [email protected] Web Site: www.haddon-hall.com 2 INTRODUCTION Included herein are two lengthy essays which seek to relate the Victorian comic playwright W. S. Gilbert to the Greek comic poet Aristophanes. Aristophanes lived from about 450 BC to 385 BC, mostly under the shadow of the Peloponnesian War between Greece and Sparta, which eventually led to the downfall of Greece. He was the most celebrated writer of what is known as Old Comedy and the only one whose plays have survived in more than fragmentary form. Aristophanes is credited with writing at least forty plays, of which eleven have survived to the present. One critic states that “Savoy opera captures some of Aristophanes’ mingling of topsy- turvy fantasy and tripping rhythm. But in sheer poetic invention Aristophanes’ lacks a real successor.” This critic considers Aristophanes a master satirist, but the two authors, Edith Hamilton and Walter Sichel make a distinction between satire and irony. They claim that the plays of Aristophanes and Gilbert were displays of masterful irony; further they claim that in this genre Gilbert is on the same high level as Aristophanes. As Sichel writes, “Both Aristophanes and Gilbert were pure ironists. Direct satire maps out the country which it invades, but irony is always on the confines of ambiguous territory. As we survey its inhabitants they seem to be in perpetual somersaults — and yet they are always standing on their feet.” AND “That is Gilbert’s irony.
    [Show full text]
  • The Early American Musical Theater Collection, 1720-1989 an Inventory of Holdings at the American Music Research Center
    The early American musical theater collection, 1720-1989 An inventory of holdings at the American Music Research Center American Music Research Center, University of Colorado at Boulder The early American musical theater collection, 1720-1989 Descriptive summary Title Early American musical theater collection Date(s) 1720-1989 Identification COU-AMRC-32 Creator(s) Repository The American Music Research Center University of Colorado at Boulder 288 UCB Boulder, CO 80309 Location Housed in the American Music Research Center Physical Description 8 linear feet Scope and Contents Ballad operas collected by AMRC founder Sister Mary Dominic Ray, including research and teaching materials about actors and operas, articles about cominc operas in the United States, and an index of opera titles. Administrative Information Arrangement Arranged alphabetically by title. Individual operas are catalogued separately and available in the Howard Waltz Music Library. Access Open. Publication Rights All requests for permission to publish or quote from manuscripts must be submitted in writing to the American Music Research Center. Preferred Citation [Identification of item], Early American musical theater collection, University of Colorado, Boulder - Page 2 - The early American musical theater collection, 1720-1989 Index Terms Access points related to this collection: Corporate names American Music Research Center Subject headings Music -- United States Ballad operas Ballad opera Opera Operas Brief History of Early American Musical Theater (Ballad or Comic Operas) (Material from “Drums, Wigs & Six Wax Lights by Sister Mary Dominic Ray) A ballad opera is a comic play interspersed with music which consists of ballad (popular) tunes of the day and they are usually sprinkled with music from well-known Italian operas, even Handel operas.
    [Show full text]
  • Alfred Music Submission Guidelines for Concert Band
    Alfred Music Submission Guidelines For Concert Band At Alfred Music, we believe that everyone should have the opportunity and necessary information to submit music to be considered for publication. We encourage composers of all backgrounds and levels of experience to create and submit music for review. In addition to full-time composers, teachers are very often some of the best writers of educationally focused music—finding the balance between art and education is a challenge, but one that we encourage you to try. The framework that follows is designed to aid in the creation of music that fosters the education and growth of instrumental music students from all over the world. Please view these as guidelines rather than rules, as musical context is also very important in defining grade levels. Music that is submitted must be in the public domain or an original work. The instrumentation must align with our offered series, and works must be intended for the educational market. Our catalogs are not without limits—with that in mind, please do not be discouraged if your submission is not accepted for publication. Publication decisions are multifaceted; if a piece does not move forward for publication that is not always an indication of the quality of the writing. Also, with the number of submissions we receive, it is impossible to provide specific feedback about why a piece may not have been accepted. We sincerely appreciate your understanding and want you to know that every submitted piece will be reviewed and responded to. Thank you for considering Alfred Music as a home for your music! Please begin the submission process by reviewing our most recent releases to ensure that your creative work is targeted to our audience and in alignment with our guidelines.
    [Show full text]
  • Showstoppers! Soprano
    LIGHT OPERA SHOWSTOPPERS – SHOWSTOPPERS! The list below is a guide to arias from the realm of light opera that are bound to get attention, as they require not only exquisite singing, but also provide opportunities for acting, so necessary in the HAROLD HAUGH LIGHT OPERA VOCAL COMPETITION. Some, although from serious works, are light in nature, and are included. The links below the title, go to performances on YouTube, so you can audition the song. An asterisk (*) indicates the Guild has the score in English. SOPRANO ENGLISH Poor Wand’ring One – Pirates of Penzance (Gilbert and Sullivan)* http://www.youtube.com/watch?v=5QRnwT2EYD8 The Hours Creep On Apace - HMS Pinafore (Gilbert and Sullivan)* http://www.youtube.com/watch?v=lGMnr7tPKKU The Moon and I – The Mikado (Gilbert and Sullivan)* http://www.youtube.com/watch?v=EcNtTm5XEfY I Built Upon a Rock – Princess Ida (Gilbert and Sullivan)* http://www.youtube.com/watch?v=aF_MHyXPui8 I Live, I Breathe – Ages Ago (Gilbert and Clay)* http://www.youtube.com/watch?v=b-HalKwnNd8 Light As Thistledown – Rosina (Shield) http://www.youtube.com/watch?v=9yrQ2boAb50 When William at Eve – Rosina (Shield) http://www.youtube.com/watch?v=-Vc50GGV_SA I Dreamt I Dwelt In Marble Halls – Bohemian Girl (Balfe)* http://www.youtube.com/watch?v=IoM1hYqpRSI At Last I’m Sovereign Here – The Rose Of Castile (Balfe)* http://www.youtube.com/watch?v=hswFzeqY8PY Hark the Ech’ing Air – The Fairy Queen (Purcell)* http://www.youtube.com/watch?v=NeQMxI1S84U VIENNESE Meine Lippen Sie Kussen So Heiss – Giuditta (Lehar) http://www.youtube.com/watch?v=p_kaOYC_Fww
    [Show full text]
  • Early Encounters with Mount Royal: Part One
    R IOTS :G AVAZZIANDTHEONETHATWASN ’ T $5 Quebec VOL 5, NO. 8 MAR-APR 2010 HeritageNews Montreal Mosaic Online snapshots of today’s urban anglos Tall Tales Surveys of historic Mount Royal and the Monteregian Hotspots The Gavazzi Riot Sectarian violence on the Haymarket, 1853 QUEBEC HERITAGE NEWS Quebec CONTENTS eritageNews H DITOR E Editor’s Desk 3 ROD MACLEOD The Reasonable Revolution Rod MacLeod PRODUCTION DAN PINESE Timelines 5 PUBLISHER Montreal Mosaic : Snapshots of urban anglos Rita Legault THE QUEBEC ANGLOPHONE The Mosaic revisited Rod MacLeod HERITAGE NETWORK How to be a tile Tyler Wood 400-257 QUEEN STREET SHERBROOKE (LENNOXVILLE) Reviews QUEBEC Uncle Louis et al 8 J1M 1K7 Jewish Painters of Montreal Rod MacLeod PHONE The Truth about Tracey 10 1-877-964-0409 The Riot That Never Was Nick Fonda (819) 564-9595 FAX (819) 564-6872 Sectarian violence on the Haymarket 13 CORRESPONDENCE The Gavazzi riot of 1853 Robert N Wilkins [email protected] “A very conspicuous object” 18 WEBSITE The early history of Mount Royal, Part I Rod MacLeod WWW.QAHN.ORG Monteregian Hotspots 22 The other mountains, Part I Sandra Stock Quebec Family History Society 26 PRESIDENT KEVIN O’DONNELL Part IV: Online databases Robert Dunn EXECUTIVE DIRECTOR If you want to know who we are... 27 DWANE WILKIN MWOS’s Multicultural Mikado Rod MacLeod HERITAGE PORTAL COORDINATOR MATTHEW FARFAN OFFICE MANAGER Hindsight 29 KATHY TEASDALE A childhood in the Montreal West Operatic Society Janet Allingham Community Listings 31 Quebec Heritage Magazine is produced six times yearly by the Quebec Anglophone Heritage Network (QAHN) with the support of The Department of Canadian Heritage and Quebec’s Ministere de la Culture et Cover image: “Gavazzi Riot, Haymarket Square, Montreal, 1853” (Anonymous).
    [Show full text]
  • Jarmila Gabrielová ANTONÍN DVOŘÁK and RICHARD WAGNER*
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Serbian Academy of Science and Arts Digital Archive (DAIS) Jarmila Gabrielová Antonín Dvořák and Richard Wagner Jarmila Gabrielová ANTONÍN DVOŘÁK AND RICHARD WAGNER∗ Abstract: The essay deals with the relation of prominent Czech composer Antonín Dvořák (1841–1904) to the personality and work of Richard Wagner (1813–1883). As opposed to the common opinions linking Dvořák’s name with Wagner‘s ideological opponents and placing his ‘Wagnerian’ period in the early phase of his career only, our examination shows that Dvořák’s interest in Wagner and his music was of deep and lasting nature and was significant for him throughout the whole of his life. Key words: Antonín Dvořák, Richard Wagner, Dvořák’s ‘Wagnerianism’, reception of Wagner in Czech music, Wagnerian influences. Today, more than a hundred years later, it is hard to imagine what a tremendous influence the life and work of Richard Wagner had on the minds of his contemporaries, or his impact on at least the next two generations of composers and their audiences. Without exaggeration we can say that almost no important musicians of the second half of the nineteenth century and the early twentieth century remained indifferent to Wagner’s legacy, without taking note of it–regardless of whether, in the period atmosphere of polarised opinions and values, they considered themselves ‘Wagnerians’ and continued consciously along the trail he had blazed, or whether they found themselves in the camp of the opposition as regards both art and views of the world.
    [Show full text]