Phenomenology of Perception
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Grey Lodge Occult Review™
May 1 2003 e.v. Issue #5 Grey Lodge Occult Review™ Gems from the Archives Selections from the archived Web-Material C O N T E N T S Mummeries of Resurrection The Cycle of Osiris in Finnegans Wake by Mark L. Troy The Man Who Invented Flying Saucers by John A. Keel SF, Occult Sciences, and Nazi Myths by Manfred Nagl Exegesis excerpts 1974-1982 "The Ten Major Principles of the Gnostic Revelation" by Philip K. Dick I Understand Philip K. Dick by Terence Mckenna Dr. Green and the Goblins of Langley by Jim Schnabel Brother Dave Morehouse D:.I:.A:. Remote Viewer & NDE Experiencer Excerpt from: Psychic Warrior by David Morehouse The Oberg Files by Blue Resonant Human, Ph.D. (Agent BlueBird) EXIT Communication to all Brethren (Information) from Robert De Grimston The Process - Church of the Final Judgement The Gitanjali or `song offerings' by Rabindranath Tagore with an introduction by William B. Yeats Rosa Alchemica by William B. Yeats (Note: PDF) John Dee by Charlotte Fell-Smith (Note: PDF) Serapis A Romance by Georg Ebers (Note: PDF) Home GLORidx Close Window Except where otherwise noted, Grey Lodge Occult Review™ is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License. Grey Lodge Occult Review™ 2003 e.v. - Issue #5 Mummeries of Resurrection The Cycle of Osiris in Finnegans Wake Mark L. Troy Uppsala 1976 Doctoral dissertation at the University of Uppsala 1976 HTML version prepared by Eric Rosenbloom Kirby Mountain Composition & Graphics 2002 Note: Page numbers from the printed text have been retained in the table of contents to use as approximate guides for the references in the bibliographies, line index, and elsewhere. -
Sinister Wisdom 70.Pdf
Sinister Sinister Wisdom 70 Wisdom 70 30th Anniversary Celebration Spring 2007 $6$6 US US Publisher: Sinister Wisdom, Inc. Sinister Wisdom 70 Spring 2007 Submission Guidelines Editor: Fran Day Layout and Design: Kim P. Fusch Submissions: See page 152. Check our website at Production Assistant: Jan Shade www.sinisterwisdom.org for updates on upcoming issues. Please read the Board of Directors: Judith K. Witherow, Rose Provenzano, Joan Nestle, submission guidelines below before sending material. Susan Levinkind, Fran Day, Shaba Barnes. Submissions should be sent to the editor or guest editor of the issue. Every- Coordinator: Susan Levinkind thing else should be sent to Sinister Wisdom, POB 3252, Berkeley, CA 94703. Proofreaders: Fran Day and Sandy Tate. Web Design: Sue Lenaerts Submission Guidelines: Please read carefully. Mailing Crew for #68/69: Linda Bacci, Fran Day, Roxanna Fiamma, Submission may be in any style or form, or combination of forms. Casey Fisher, Susan Levinkind, Moire Martin, Stacee Shade, and Maximum submission: five poems, two short stories or essays, or one Sandy Tate. longer piece of up to 2500 words. We prefer that you send your work by Special thanks to: Roxanna Fiamma, Rose Provenzano, Chris Roerden, email in Word. If sent by mail, submissions must be mailed flat (not folded) Jan Shade and Jean Sirius. with your name and address on each page. We prefer you type your work Front Cover Art: “Sinister Wisdom” Photo by Tee A. Corinne (From but short legible handwritten pieces will be considered; tapes accepted the cover of Sinister Wisdom #3, 1977.) from print-impaired women. All work must be on white paper. -
Maurice Merleau-Ponty,The Visible and the Invisible
Northwestern University s t u d i e s i n Phenomenology $ Existential Philosophy GENERAL EDITOR John Wild. ASSOCIATE EDITOR James M. Edie CONSULTING EDITORS Herbert Spiegelberg William Earle George A. Schrader Maurice Natanson Paul Ricoeur Aron Gurwitsch Calvin O. Schrag The Visible and the Invisible Maurice Merleau-Ponty Edited by Claude Lefort Translated by Alphonso Lingis The Visible and the Invisible FOLLOWED BY WORKING NOTES N orthwestern U n i v e r s i t y P r e s s 1968 EVANSTON Northwestern University Press www.nupress.northwestern.edu Originally published in French under the title Le Visible et l'invisible. Copyright © 1964 by Editions Gallimard, Paris. English translation copyright © 1968 by Northwestern University Press. First printing 1968. All rights reserved. Printed in the United States of America 15 14 13 12 11 ISBN-13: 978-0-8101-0457-0 isbn-io: 0-8101-0457-1 Library of Congress Cataloging-in-Publication data are available from the Library of Congress Permission has been granted to quote from Jean-Paul Sartre, Being and Nothingness, trans. Hazel E. Barnes (New York: The Philosophical Library, 1956). @ The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences— Permanence o f Paper for Printed Library Materials, ansi Z39.48-1992. Contents Editor’s Foreword / xi Editorial Note / xxxiv T ranslatofs Preface / xl T h e Visib l e a n d t h e In v is ib l e : Philosophical Interrogation i Reflection and Interrogation / 3 a Interrogation and Dialectic / 50 3 Interrogation and Intuition / 105 4 The Intertwining—The Chiasm / 130 5 [a ppen d ix ] Preobjective Being: The Solipsist World / 156 W orking N otes / 165 Index / 377 Chronological Index to Working Notes / 279 Editor's Foreword How eve r e x p e c t e d it may sometimes be, the death of a relative or a friend opens an abyss before us. -
Maurice Merleau-Ponty: Phenomenology of Perception
Phenomenology of Perception ‘In this text, the body-organism is linked to the world through a network of primal significations, which arise from the perception of things.’ Michel Foucault ‘We live in an age of tele-presence and virtual reality. The sciences of the mind are finally paying heed to the centrality of body and world. Everything around us drives home the intimacy of perception, action and thought. In this emerging nexus, the work of Merleau- Ponty has never been more timely, or had more to teach us ... The Phenomenology of Perception covers all the bases, from simple perception-action routines to the full Monty of conciousness, reason and the elusive self. Essential reading for anyone who cares about the embodied mind.’ Andy Clark, Professor of Philosophy and Director of the Cognitive Science Program, Indiana University Maurice Merleau-Ponty Phenomenology of Perception Translated by Colin Smith London and New York Phénomènologie de la perception published 1945 by Gallimard, Paris English edition first published 1962 by Routledge & Kegan Paul First published in Routledge Classics 2002 by Routledge 11 New Fetter Lane, London EC4P 4EE 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor and Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 1945 Editions Gallimard Translation © 1958 Routledge & Kegan Paul All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
~ Phenome Ology of Perception
~ Phenome ology ~· of Perception ~ M. MERLEAU .. PONTY Translated from the French b\ COLIN SMITH PHENOMENOLOGY OF PERCEPTION by M. Merleau-Ponty translated from the French by Colin Smith LONDON ROUTLEDGE & KEGAN PAUL NEW T O R X:: THE H UMANITIES PRESS CONTENTS Pteface page vii INTRODUCTION: TRADITIONAL PREJUDICES AND THE RETURN TO PHENOMENA 1 The 'Sensation' as a Unit of Experience 3 2 'Association' and the ' Projection of Memories' 13 3 'Attention' and 'Judgement' 26 4 The Phenomenal Field 52 PART ONE: THE BODY Experience and objective thought. The problem of the body 67 The Body as Object and Mechanistic Physiology 73 2 The Experience of the Body and Oassical Psychology 90 3 The Spatiality of One's own Body and Motility 98 4 The Synthesis of One's own Body 148 5 The Body in its SexuaJ Being 154 6 The Body as Expression, and Speech 174 PART TWO: THE WORLD AS PERCEIVED The theory of the body is already a theory of perception 203 Sense Experience 207 2 Space 243 3 The Thing and the Natural World 299 4 Other People and the Human World 346 PART THREE: BEING-FOR-ITSELF AND BEING-IN-THE-WORLD I Tho Cogito 369 2 Temporality 410 3 Freedom 434 Bibliography 457 Index 463 v PREFACE the characteristics which zoology, social anatomy or inductive psycho logy recognize in these various products of the natural or historical process- 1 am the absolute source, my existence does not stem from my antecedents, from my physical and social environment; instead it moves out towards them and sustains them, for I alone bring into being for myself (and therefore into being in the only sense that the word can have for me) the tradition which I elect to carry on, or the horizon whose distance from me would be abolished-since that distance is not one of its properties-if 1 were not there to scan it with my gaze. -
The Italian Verse of Milton May 2018
University of Nevada, Reno The Italian Verse of Milton A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English by Francisco Nahoe Dr James Mardock/Dissertation Advisor May 2018 © 2018 Order of Friars Minor Conventual Saint Joseph of Cupertino Province All Rights Reserved UNIVERSITY OF NEVADA, RENO THE GRADUATE SCHOOL We recommend that the dissertation prepared under our supervision by Francisco Nahoe entitled The Italian Verse of Milton be accepted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY James Mardock PhD, Adviser Eric Rasmussen PhD, Committee Member Lynda Walsh PhD, Committee Member Donald Hardy PhD (emeritus), Committee Member Francesco Manca PhD (emeritus), Committee Member Jaime Leaños PhD, Graduate School Representative David Zeh PhD, Dean, Graduate School May 2018 i Abstract The Italian verse of Milton consists of but six poems: five sonnets and the single stanza of a canzone. Though later in life the poet will celebrate conjugal love in Book IV of Paradise Lost (1667) and in Sonnet XXIII Methought I saw my late espousèd saint (1673), in 1645 Milton proffers his lyric of erotic desire in the Italian language alone. His choice is both unusual and entirely fitting. How did Milton, born in Cheapside, acquire Italian at such an elevated level of proficiency? When did he write these poems and where? Is the woman about whom he speaks an historical person or is she merely the poetic trope demanded by the genre? Though relatively few critics have addressed the style of Milton’s Italian verse, an astonishing range of views has nonetheless emerged from their assessments. -
California Cosmogony Curriculum: the Legacy of James Moffett by Geoffrey Sirc and Thomas Rickert
CALIFONIA COSMOGONY CURRICULUM: THE LEGACY OF JAMES MOFFEtt GEOFFREY SIRC AND THOMAS RICKERT enculturation intermezzo • ENCULTURATION ~ INTERMEZZO • ENCULTURATION, a Journal of Rhetoric, Writing, and Culture, announces the launch of Intermezzo, a series dedicated to publishing long essays – between 20,000 and 80,000 words – that are too long for journal publication, but too short to be a monograph. Intermezzo fills a current gap within scholarly writing by allowing writers to express themselves outside of the constraints of formal academic publishing. Intermezzo asks writers to not only consider a variety of topics from within and without academia, but to be creative in doing so. Authors are encouraged to experiment with form, style, content, and approach in order to break down the barrier between the scholarly and the creative. Authors are also encouraged to contribute to existing conversations and to create new ones. INTERMEZZO essays, published as ebooks, will broadly address topics of academic and general audience interest. Longform or Longreads essays have proliferated in recent years across blogs and online magazine outlets as writers create new spaces for thought. While some scholarly presses have begun to consider the extended essay as part of their overall publishing, scholarly writing, overall, still lacks enough venues for this type of writing. Intermezzo contributes to this nascent movement by providing new spaces for scholarly writing that the academic journal and monograph cannot accommodate. Essays are meant to be provocative, intelligent, and not bound to standards traditionally associated with “academic writing.” While essays may be academic regarding subject matter or audience, they are free to explore the nature of digital essay writing and the various logics associated with such writing - personal, associative, fragmentary, networked, non-linear, visual, and other rhetorical gestures not normally appreciated in traditional, academic publishing. -
The Hurricane Notebook.Indd
The Hurricane Notebook The Hurricane Notebook Three Dialogues on the Human Condition By Elizabeth M. Edited by Alexander Jech Wisdom/Works Published by Wisdom Works TomVMorris.com • W Published 2019 Copyright © 2019, Alexander Jech Printed in the United States of America ISBN: 978-0-9994813-9-4 Set in Adobe Garamond Pro Designed by Abigail Chiaramonte Cover Concept by Sara Morris Edited by Megan Fritts This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental. τῷ μαθητῷ CONTENTS GNOTHI SEAUTON 3 Hyperion 4 A Conversation about Carrots 11 Diapsalmata 67 THE ANALYSTS 73 Niakani 86 Blood Brothers 133 Johnnie Walker Blue 152 The Ballad of the Matin Sea 162 Coda 192 The Black Swan 195 JOUSKA 215 Sarah 225 On the Friend 249 Joshua 276 Golden Slivers 303 Brooklyn, Once 347 THE ROSE-GARDEN 361 Macrina 364 PROVENANCE AND RECONSTRUCTION OF THE HURRICANE NOTEBOOK I. The text of this “philosophical dialogue,” “philosophical novel,” or whatever label one may set on this tragic tale is drawn from the notebook of a recent student at the University of North Caroli- na at Wilmington. The notebook was first recovered by fisherman Thomas Marian following a recent tropical storm that struck the Carolinas. Mr. Marian found the brown-covered notebook down by the fishing piers, wrapped in plastic to keep the water out, tied together with repurposed elastic cord of the sort one might find tucked about somewhere in many basements or garages. -
Daily Caiti Borruso Sat, 10 Oct 2015 20:05:01 +0000 En-US 1.2
daily http://www.caitiborruso.com/daily caiti borruso Sat, 10 Oct 2015 20:05:01 +0000 en-US 1.2 http://www.caitiborruso.com/daily http://www.caitiborruso.com/daily 1 admin [email protected] admin http://wordpress.org/?v=3.8.5 good morning http://www.caitiborruso.com/daily/2012/06/good-morning/ Sat, 16 Jun 2012 09:12:04 +0000 admin http://www.caitiborruso.com/daily/?p=6 welcome to something new in which I do something every day, a photo or a little piece of writing or something, a piece of art, whatever it is I feel a lot like I have too many things to do daily but I did a project once where I took a photograph of myself every day for a year (but that feels like a big commitment right now, with college looming, and with shooting film often I don't think I would end up posting daily) and I did a project once where I wrote every day for a year on my dusty, overworked typewriter (but I can't bring my typewriter to college with me) so instead, this is just a promise to do something every day. I am in the midst of a project - photographing every morning before I leave for college - but this is more about the after, more about next year as a whole and all the years after. this is more of a mess. this is unstructured, which I am wary of but ultimately okay with. every day I exercise and I write down what I eat and I brush my teeth and my hair and I try to write a letter every day and I try to take a photo every day but I guess we'll just see how much I can keep up with in the end. -
New Gestalt Voices Journal | Edition 2, January 2018
NEW GESTALT VOICES THE JOURNAL Edition 2 | January 2018 RC SCHOLARSHIP (MELISSA SEDMAK) contents 4 ABOUT NEW GESTALT VOICES 5 EDITOR’S LETTER 8 WHEN THE THERAPIST FALLS | Christine Dukes 21 THE VOICE IN PSYCHOTHERAPY | David Picó-Vila 33 COMING OUT IN APPRECIATION | Chris O’Malley 42 BEING PRESENT AS A TRADER | Steven Goldstein 47 BITE-SIZE GESTALT THERAPY | Wil L 55 THREADS HOME | Gabrielle Anaïs Tekerian 61 IN DEFENSE OF BEING A JERK | Karla Morse STAYING WITH UBIQUITOUS SHAME | Bernadette O’Koon, Gillian LaRue, 71 Janelle Dixon & Paige Ziegler A DISCOURSE ON ACCESSIBILITY IN GESTALT PSYCHOTHERAPY | Ayhan 78 Alman de la Osa & Nick Adlington THE PRESENCE OF GOD AND THE PNEUMENAL FIELD IN GESTALT THERAPY 90 | Philip Brownell 100 BOOK REVIEW| Kamila Bialy 106 PROBLEM PAGE | Dr Fake Pearls 107 SUPPORTERS 108 EVENTS AND NOTICES 3 about the journal New Gestalt Voices is a platform to support Publisher: New Gestalt Voices mostly those who have not published Flat 5, 24 Bemerton Street before to share their writings in relation London N1 0BT to gestalt therapy and other applications of gestalt practice. Website: www.newgestaltvoices.org For all editorial matters: We publish a twice-yearly journal, [email protected] which is issued in PDF format on a free subscription basis, with dissemination via For advertising enquiries: all gestalt teaching institutions and major [email protected] associations. Editor-in-chief & founder: John Gillespie In addition to the journal, we also enable sharing of other forms of creativity, NGV team: Nils Konstantinovs, Olena including images and audio-visual Zozulya, Maria Grigorieva, Melissa Sedmak, material, on our website. -
UNIVERSITY of CALIFORNIA Los Angeles Reappropriating Desires In
UNIVERSITY OF CALIFORNIA Los Angeles Reappropriating Desires in Neoliberal Societies through KPop A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Asian American Studies By Daisy Kim 2012 © Copyright by Daisy Kim 2012 ABSTRACT OF THE THESIS Reappropriating Desires in Neoliberal Societies through KPop By Daisy Kim Master of Arts in Asian American Studies University of California, Los Angeles, 2012 Professor Victor Bascara, Chair ABSTRACT: This project analyzes contemporary KPop as a commercial cultural production and as a business model that emerged as the South Korean state’s U.S-aligned neoliberal project, and its functions as an ideological, political, and economic apparatus to effectively affect the production and reproduction of desires in the emergence of various sub-cultures at disparate sites across the globe. Legacies of colonialism, neocolonialism, and (late) capitalist developments that sanctioned the conditions for this particular form of mass and popular culture, KPop as a commercial commodity is also a contesting subject of appropriation and reappropriation by those in power and those in the margins. By examining the institutionalized and systematic new media platforms and internet technologies which enables new forms of globalized interactions with mass culture in general and KPop in particular, the thesis locates how resistant and alternative (sub) cultures emerge in variable conditions. Through newly found mediums online, emerging cultural formations challenge and negotiate the conditions of commercial and dominant systems, to allow various and localized subaltern (secondary) cultural identities to decenter, disrupt, and instigate KPop and its neoliberal governance, to reorient and reappropriate itself in the process as well. -
Extemporizing Pippi, Experimenting SPUNK: Community, Temporality, and the Politics of Free Improvisation
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2017 Extemporizing Pippi, Experimenting SPUNK: Community, Temporality, and The Politics of Free Improvisation Benjamin Alan Oyler University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Musicology Commons Recommended Citation Oyler, Benjamin Alan, "Extemporizing Pippi, Experimenting SPUNK: Community, Temporality, and The Politics of Free Improvisation. " Master's Thesis, University of Tennessee, 2017. https://trace.tennessee.edu/utk_gradthes/4920 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Benjamin Alan Oyler entitled "Extemporizing Pippi, Experimenting SPUNK: Community, Temporality, and The Politics of Free Improvisation." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major in Music. Rachel M. Golden, Major Professor We have read this thesis and recommend its acceptance: Gerard Cohen-Vrignaud, Leslie Gay Accepted for the Council: Dixie L. Thompson