Kalakruti Sarees

Total Page：16

File Type：pdf, Size：1020Kb

+91-8046052204 Kalakruti Sarees https://www.indiamart.com/kalakrutisarees/ We are involved in manufacturing Kanchipuram Saree, Silk Saree, Women's Saree and many more. These products are of excellent quality. About Us Established in the year 2004 our company Kalakruti Sarees has made a significant position in the market. We are a Sole Proprietorship based entity and operate all our business activities from our headquarters located at Bengaluru, Karnataka (India). We are instrumental in manufacturing a wide range of products that include Kanchipuram Saree, Silk Saree, Women's Saree and many more. Our company ensures that the offered product range is manufactured with utmost care under strict supervision of professionals. For more information, please visit https://www.indiamart.com/kalakrutisarees/about-us.html KANCHIPURAM SAREE O u r P r o d u c t R a n g e Kanchipuram Softy Contrast Tussar Silk Saree Saree Art Kanchipuram Silk Sarees Kanchipuram Semi Silk Saree SILK SAREE O u r P r o d u c t R a n g e Tussar Silk Saree Kanchipuam Tussar Selfie Emboss Chitpallu Sarees Monga Silk Pattli Pallu Saree Semi Paithani Silk Saree TUSSAR SILK SAREE O u r P r o d u c t R a n g e Embroidered Tussar Silk Tussar Silk Saree Saree Tussar Silk Saree Tussar Silk Sarees CREPE SAREES O u r P r o d u c t R a n g e Crepe Richpallu Allover Butti Mysore Silk Crape Elephant Contrast Sarees Mango Contrast Border Allover Butta Chitt Pallu Saree With Running Blouse Mysore Crepe Silk Saree Chinnon Silk Fabrics PAITHANI SAREES O u r P r o d u c t R a n g e Silk Semi Paithani Peacock Semi Paithani Peacock Rich Pallu Sarees Designer silk Saree Semi Paithani Sarees WOMEN'S SAREE O u r P r o d u c t R a n g e Kanchipuram Art Gold X Kanchi Pattu Art Contrast Green Contrast Saree Saree Tussar Silk Sarees O u r OTHER PRODUCTS: P r o d u c t R a n g e Kanjeevaram Arni Art Silk Kanchipuram Pattu Brocket Sarees Saree With Stones Uniform Sarees Orders Art Silk Softy Allover Jari Brocket Weaving Star Flower Contrast Richpallu Saree With Contast Blouse O u r OTHER PRODUCTS: P r o d u c t R a n g e Banarasi Art Silk Sarees Linen Saree Linen Silk Sarees Chiffon Patchwork Embroidery Sarees O u r OTHER PRODUCTS: P r o d u c t R a n g e Chinnon Silk Fabrics Cotton All Over Jacquard Design Temple Border Rich Pallu Saree Semi Kanchipuram Silk Saree Banarasi Silk Saree F a c t s h e e t Year of Establishment : 2004 Nature of Business : Exporter and Manufacturer Total Number of Employees : Upto 10 People CONTACT US Kalakruti Sarees Contact Person: Mukesh Munoth No. 1, Ground Floor, Ganigara D Lane Siddanna Lane Cross Bengaluru - 560002, Karnataka, India +91-8046052204 https://www.indiamart.com/kalakrutisarees/.

Copy Link

Recommended publications

Journal 45.Pdf
GOVERNMENT OF INDIA GEOGRAPHICAL INDICATIONS JOURNAL NO. 45 September 11, 2012 / BHADRA 20, SAKA 1933 INDEX S.No. Particulars Page No. 1. Official Notices 4 2. New G.I Application Details 5 3. Public Notice 6 4. GI Applications Bhagalpur Silk Fabrics & Sarees – GI Application No. 180 7 Mangalagiri Sarees and Fabrics– GI Application No. 198 Madurai Malli – GI Application No. 238 Tequila – GI Application No. 243 5. General Information 6. Registration Process OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 45 of the Geographical Indications Journal dated 11th September 2012 / Bhadra 20th, Saka 1933 has been made available to the public from 11th September 2012. NEW G.I APPLICATION DETAILS 371 Shaphee Lanphee 25 Manufactured 372 Wangkhei Phee 25 Manufactured 373 Moirang Pheejin 25 Manufactured 374 Naga Tree Tomato 31 Agricultural 375 Arunachal Orange 31 Agricultural 376 Sikkim Large Cardamom 30 Agricultural 377 Mizo Chilli 30 Agricultural 378 Jhabua Kadaknath Black Chicken Meat 29 Manufactured 379 Devgad Alphonso Mango 31 Agricultural 380 RajKot Patola 24 Handicraft 381 Kangra Paintings 16 Handicraft 382 Joynagarer Moa 30 Food Stuff 383 Kullu Shawl (Logo) 24 Textile 23, 24, 384 Muga Silk of Assam (Logo) 25, 27 & Handicraft 31 385 Nagpur Orange 31 Agricultural PUBLIC NOTICE No.GIR/CG/JNL/2010 Dated 26th February, 2010 WHEREAS Rule 38(2) of Geographical Indications of Goods (Registration and Protection) Rules, 2002 provides as follows: “The Registrar may after notification in the Journal put the published Geographical Indications Journal on the internet, website or any other electronic media.” Now therefore, with effect from 1st April, 2010, The Geographical Indications Journal will be Published and hosted in the IPO official website www.ipindia.nic.in free of charge.
[Show full text]
Haute Designers, Master Weavers
TREND WATCH LFW Summer Resort ‘16 HAUTE DESIGNERS, MASTER WEAVERS Lakme Fashion Week has set a benchmark for Indian designers. MEHER CASTELINO reports on the highlights. ASIF SHAIKH GAURANG MAKU INDIGENE BANERJEE PAROMITA FIBRE2FASHION he fabulous Walking Hand in Hand – The Craft + Design + TSociety show was one of the highlights of the first day at Lakmé Fashion Week Summer/Resort 2016. The innovative presentation featured India’s five top designers who teamed up with the best craftspersons and expert weavers. They displayed creations that combined designer and craft skills. Day Two was devoted to Sustainable and Indian Textiles. Designers presented interesting collections, showcasing textiles and crafts and also upcycling and recycling fabrics. The message was clear: fashion can be sustainable. Chikankari came Giving kinkhab The glory of the alive on the ramp under his amazing touches, leheriya was brought the creative guidance Rajesh Pratap Singh centre stage by of Aneeth Arora. worked with master Anupama Bose’s skills Master craftsman weaver Haseem and Islammuddin Jakir Hussain Mondol Muhammad for a Neelgar’s expertise. worked his magic on striking collection of The gorgeous leheriya the pretty summer formal westernwear. designs in rainbow dresses, cool blouses, Using rich, golden hues were turned into layered minis, softly brocade with floral stunning ensembles. embroidered long- weaves, Singh A ravishing red kaftan, sleeved covers, presented culottes with a feminine green/ delicately embellished cropped tops, bias cut blue gown, an electric midis, skirts and gowns jackets, dhoti pants, anarkali, a variety of in shades of white and capris, coat dresses, sarees in leheriya and pale blue/grey.
[Show full text]
EXPRESSION of INTEREST for TESTING of SAMPLES.Pdf
EXPRESSION OF INTEREST FOR TESTING OF SAMPLES UNDER INDIA HANDLOOM BRAND Government of India Ministry of Textiles Office of the Development Commissioner for Handlooms Udyog Bhawan, New Delhi-110 011 Tel : 91-11-2306-3684/2945 Fax: 91-11-2306-2429 1. Introduction 1.1 India Handloom Brand (IHB) has been launched by the Govt. of India to endorse the quality of the handloom products in terms of raw material, processing, embellishments, weaving, design and other parameters besides social and environmental compliances. The IHB is given only to high quality defect free product to cater to the needs of those customers who are looking for niche handmade products. 1.2 The list of products eligible for registration under the IHB is enclosed at Annexure – 1(A). However, as per recommendation of IHB Review Committee, new items can be included/ existing specifications can be changed/ new specifications may be added in the list from time to time. 1.3 For registration under IHB, the applicant has to submit on-line application in the website www.indiahandloombrand.gov.in. The applicant has to then submit the printout of the online application form and the sample of the product of atleast 0.25 mt. length in full width to the concerned Weavers’ Service Centre (WSC). The applicant also has to submit registration fee of Rs. 500 plus service taxes in the form of Demand Draft or through on-line payment. The WSCs will then send the sample to the testing laboratory for testing. 1.4 The sample received by the laboratory has to be tested as per standard testing procedure and testing result has to be submitted before Evaluation Committee in the Evaluation committee meeting which is generally held in Textiles Committee, Mumbai.
[Show full text]
Ancient Indian Texts of Knowledge and Wisdom
Newsletter Archives www.dollsofindia.com The Saree - The Very Essence of Indian Womanhood Copyright © 2013, DollsofIndia A saree or sari is a long strip of unstitched cloth, which is draped by Indian women – it practically typifies Indian women and showcases the vast diversity of Indian culture as a whole. The word "Sari" is derived from the Sanskrit and the Prakrit (pre-Sanskrit language) root, "Sati", which means, "strip of fabric". Interestingly, the Buddhist Jain works, the Jatakas, describe women’s apparel, called the "Sattika", which could well have been similar to the present-day saree. Another fact is that the end of the saree that hangs downward from the shoulder is called the Pallav. Experts believe that the name came to be during the reign of the Pallavas, the ruling dynasty of ancient Tamilnadu. A saree typically ranges from six to nine yards in length and can be worn in several ways, depending upon the native of the wearer and her outlook on current fashion. Usually, a saree is tucked in at the waist and is then wrapped around the body with pleats in the center, the other end draped loosely over the left shoulder, showing the midriff. This apparel is also popular in Pakistan, Bangladesh, Nepal, Bhutan, Myanmar, Sri Lanka, Singapore and Malaysia. This very feminine garment is worn over a petticoat, also referred to as a lehenga in the North, a paavaadai in the South, a parkar or ghaghra in the West and a shaya in the East. It is worn along with a bodice or blouse, called the choli (in North India) or ravikkai (in South India).
[Show full text]
Handloom in Odisha: an Overview
AEGAEUM JOURNAL ISSN NO: 0776-3808 HANDLOOM IN ODISHA: AN OVERVIEW Shruti Sudha Mishra* ICSSR Doctrol Fellow, Dept. of Business Administration, Sambalpur University, Odisha, India. [email protected] Dr. A. K. Das Mohapatra** Professor Dept. of Business Administration, Sambalpur University, Odisha, India. [email protected] Volume 8, Issue 8, 2020 http://aegaeum.com/ Page No: 134 AEGAEUM JOURNAL ISSN NO: 0776-3808 HANDLOOM IN ODISHA: AN OVERVIEW Abstract Handloom is an ancient cottage industry. In Odisha hand-woven fabrics have existed since beyond the reach of memory. This sector involves large number of artisans from rural and semi-urban areas, most of which are women and people from economically disadvantaged groups. Some of the strengths of this industry are availability of cheap and abundant labour, use of local resources, low capital investment, unique craftsmanship in manufacturing of the products and increasing appreciation by international consumers. It is important to note that despite such unique characteristics, the industry comprises a meager proportion of Indian exports in global market, thus calling for efforts to promote and channelize the offerings of the industry to tap its hidden potential. Therefore the present study has been undertaken with an aim to discuss the history of handloom in context to Odisha, its cultural importance, and contribution of handloom to the economic development of the weaving community of Odisha. Keywords: Odisha, handloom, weavers, economic development ***** 1: Introduction The glory and cultural vastness of Indian handloom industry has always been a topic of great discussion. Among all the beautiful handlooms having their regional importance, Odisha handloom is the one chosen for the present study.
[Show full text]
GI Journal No. 51 1 September 30, 2013
GI Journal No. 51 1 September 30, 2013 GOVERNMENT OF INDIA GEOGRAPHICAL INDICATIONS JOURNAL NO. 51 SEPTEMBER 30, 2013 / ASVINA 08, SAKA 1935 GI Journal No. 51 2 September 30, 2013 INDEX S.No. Particulars Page No. 1. Official Notices 4 2. New G.I Application Details 5 3. Public Notice 7 4. GI Applications Orissa Pattachitra (Logo) – GI Application No. 386 8 Bastar Dhokra (Logo) – GI Application No. 387 16 Bell Metal ware of Datia and Tikamgargh (Logo) – GI Application No. 388 25 5. General Information 32 6. Registration Process 34 GI Journal No. 51 3 September 30, 2013 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 51 of the Geographical Indications Journal dated 30th September 2013 / Asvina 08th, Saka 1935 has been made available to the public from 30th September 2013. GI Journal No. 51 4 September 30, 2013 NEW G.I APPLICATION DETAILS App.No. Geographical Indications Class Goods 405 Makrana Marble 19 Natural Goods 406 Salem Mango 31 Horticulture 407 Hosur Rose 31 Agricultural 408 Payyanur Pavithra Mothiram 14 Handicraft 409 Kodali Karuppur Saree 24 & 25 Textile 410 Thammampatti Wood Carvings 20 Handicraft 411 Rajapalayam Lock 6 Manufactured 412 Chamba Painting 16 Handicraft 413 Kangra Paintings 16 Handicraft 414 Punjabi Jutti 25 Handicraft 415 Aipan 16 Handicraft 416 Lahaul & Spiti Wool Weaving 23 Handicraft 417 Lacquer Ware Furniture 20 Handicraft 418 Jhajjar Pottery 21 Handicraft 419 Tamta Copperware Craft 6 Handicraft 420 Rewari Jutti 25 Handicraft 421 Hoshiarpur Wood Inlay 20 Handicraft 422 Kandangi Sarees 24 Textile 423 Thanjavur Pith Works 20 Handicraft 424 Karupur Kalamkari Paintings 24 Handicraft 425 Thanjavur Cut Glass Work 20 Handicraft 426 Mahabalipuram Stone Sculpture 19 Handicraft 427 Nagercoil Temple Car 20 Handicraft 428 Kannyakumari Stone Carving 19 Handicraft 429 Arumbavur Wood Carving 20 Handicraft GI Journal No.
[Show full text]
Glory of Indian Traditional Silk Sarees
International Journal of Textile and Fashion Technology (IJTFT) ISSN 2250-2378 Vol. 3, Issue 2, Jun 2013, 61-68 © TJPRC Pvt. Ltd. GLORY OF INDIAN TRADITIONAL SILK SAREES G. SAVITHRI1, P. SUJATHAMMA2 & CH. RAMANAMMA3 1,2Department of Sericulture, S. P. Mahila Visvavidyalayam, Women’s University, Tirupati, Andhra Pradesh, India 3Principal, Government Degree College for Women, Mancherial, Adilabad, Andhra Pradesh, India ABSTRACT Textile industry is a very important component of India’s economy, and silk forms a small, yet important part of it because it is a high value fibre. The size of the silk industry in India presently, is about US $ 2.75 billion. Sericulture is spread all over India, while it has a long standing tradition in states such as Karnataka, Andhra Pradesh, Tamil Nadu, West Bengal and Jammu & Kashmir. Silk the very name itself evokes delicate feelings. Silk is the most elegant textile in the world with unparalleled grandeur, natural sheen and inherent affinity for dyes, high absorbance, light weight, soft touch and high durability and is known as the queen of textile in the world ever. Silk has a sacred place in the cultural heritage of Indians and intermingled with the life and culture of the Indians; which no other country can share. Silk saree is an important bridal wear while the traditional practice of wearing silk clothing on all auspicious days has been the strength of the Indian silk in the domestic market. No other fabric has fascinated man so continuously over millennia as silk. Till today, no other fabric can match it in luster and elegance Silk has been intermingled with the life and culture of the Indians.
[Show full text]
Sambhalpuri Weave & Bomkai
SAMBHALPURI WEAVE & BOMKAI WEAVE CONTENTS 1. REGION AND LOCATION 2. INTRODUCTION Craft tradition 3. IKAT 3.1. Three basic forms of ikat 3.2. Ikat in Orissa 4. BOMKAI WEAVE 5. STUDY AREA: WEAVING AT ANGUL 5.1. The Resource Centre 5.2. Type of Looms Present At the Resource Centre 6. RAW MATERIALS 6.1. Cotton 6.2. Silk 7. PROCESSES AT THE RESOURCE CENTRE IN ANGUL 7.1. Degumming Of Silk Yarns 7.2. Dyeing Of the Yarns 7.3. Drying Of Threads 7.4. Gathering of Thread onto a Bobbin 7.5. Rolling Of Thread onto Drums 7.6. Separation of Threads through Reeds 7.7. Checking For Knots 7.8. Rolling Of Thread onto a Thun 8. PREPARATION FOR WEAVING 9. PRICING 10. TRANSPORTATION 11. CHANGES IN THE RECENT YEARS 11.1. Technology 11.2. Design 11.3. Market 12. APPENDIX 1. Region and Location Angul is situated 65km from Bhubaneswar. It is a new district. Two rivers Mahanadi and Bramhani flow through the district making it fertile. 2. Introduction Although Orissa is traditionally not a cotton growing state, it has a substantial and numerically large weaving population that depends on the handloom industry for its livelihood. Weaving is traditionally a caste based occupation. During monarchical rule, the handloom industry and the different weaving sub-castes with their specialties in specific designs and fabrics flourished in different parts of Orissa under the local royal patronage. Since medieval days, the handloom industry has gained the status of the largest craft industry in Orissa. In the post independence era also, its importance in the economic life of Orissa cannot be ignored.
[Show full text]
Chhattisgarh Creative Dignity
CREATIVE DIGNITY KOSA SILK WEAVes VOICES FROM CHHATTISGARH INTRODUCTION #CreativeDignity is an unprecedented national movement of India’s leading artisan skill-based development organisations and master artisans in response to the devastating effects of the Covid 19 pandemic on millions of rural artisan manufacturers across India. (Apindra Swain’s art shows mythological figures wearing face masks) RELIEF REHABILITATION REJUVENATION CREATIVE DIGNITY Page 2 kosa silk weaves OF CHHATTISGARH Kosa silk is a special variety of tussar silk found in Chhattisgarh. It is drawn out of the cocoons grown on trees like Saja, Sal and Arjun. The leaves of these native trees are the primary food source of the Tussar larvae. Known the world over for its soft texture and purity, this version of Tussar silk is produced exclusively in India. It has a dull golden brownish sheen and is also available naturally in shades of pale golden, dark honey, orange, fawn, and cream. Tussar culture in India is not only an industry but also a tradition. Along with generating rural employment, it also prevents rural migration. It is noteworthy that adopting of silk culture by tribes conserves the environment by non-cutting and felling of trees because tussar culture is now their way of life. Fig. 1 Kosa silkworm moth VOICES FROM CHHATTISGARH Page 3 JALA Weaving technique Following a complex and painstaking process, the delicate silk yarn is extracted out of the cocoon. Weavers of the Dewangan community weave these yarns into saris or lugdas as known by the tribals, using three different techniques Phera, Jala and Khapa. The jala technique is used to weave all-over intricate designs.
[Show full text]
Protection of Geographical Indication Under Intellectual Property Rights By
LAW MANTRA [THINK BEYOND OTHERS] [I.S.S.N 2321- 6417 (Online) Ph.: +91- 9310053923 Website: journal.lawmantra.co.in E-mail: [email protected] [email protected] PROTECTION OF GEOGRAPHICAL INDICATION UNDER INTELLECTUAL PROPERTY RIGHTS * Introduction: This earth is full of various adventures. Every place has something special and in this context, India has great heritage where the uniqueness of products of certain geographical region has been recognized from ancient times – Banaras Sari, Banaras Pan, Darjeeling Tea, Basmati Rice, Nagpur Orange, Kolhapur Chapels, Mysore Silk etc. These all products have been identified as typical to a geographical region. 1 ‘Protection of GI’s refers to protection of products originating from a certain geographical area. Thus, protection is provided against the use of GIs for products not originating from the geographical area to which the indication refers. Such protection has far reaching implications for both producers and consumers alike. So, the idea is to provide protection for GIs, a kind of intellectual property right, which entitles the enterprises that are located in the designated area to exclude others from using the indication. In other words, it seeks trade and commercial advantage on legitimate grounds. 2 Definition of Geographical Indications: Geographical indication indicates that particular goods originate from a country, region or locality and has some special characteristics, qualities or reputation which is attributable to its place of origin. These special characterstics, qualities or reputation may be due to various factors, e.g. natural factors such as raw materials, soil, regional climate, temperature, moisture etc; or the method of manufacture or preparation of the product such as traditional production methods; or other human factors such as concentration of similar businesses in the same By Ms.
[Show full text]
Indo-Portuguese Quilting Tradition: the Cross-Cultural Context
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Proceedings of the 4th Biennial Symposium of the International Quilt Museum International Quilt Museum 4-27-2009 Indo-Portuguese Quilting Tradition: The Cross-Cultural Context Patrick J. Finn University of Nebraska - Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/iqsc4symp Part of the Social and Cultural Anthropology Commons Finn, Patrick J., "Indo-Portuguese Quilting Tradition: The Cross-Cultural Context" (2009). Proceedings of the 4th Biennial Symposium of the International Quilt Museum. 2. https://digitalcommons.unl.edu/iqsc4symp/2 This Article is brought to you for free and open access by the International Quilt Museum at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Proceedings of the 4th Biennial Symposium of the International Quilt Museum by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Indo-Portuguese Quilting Tradition: The Cross-Cultural Context Patrick J. Finn, Fellow The International Quilt Study Center and Museum University of Nebraska - Lincoln Vrindavan, India, March 2009 Indo-Portuguese Quilting Tradition: The Cross-Cultural Context Introduction overlooked development was the richly maturing Vijayanagar Empire ruled from Hampi, Karnataka. It was within this social, Fig. 1 Vijayanagar, Hampi, Karnataka. During festival times these great halls would be decorated with lavish The arrival of the Portuguese in India at the end of 15th century political, religious and economic climate that the Portuguese and embroidered hangings and arranged with quilts for sitting. marks the beginning of a significant period of bilateral cultural other colonialists produced a distinctive group of embroidered exchange of quilting concepts, designs and techniques.
[Show full text]
Banarasi Sarees Direct from Weavers
Banarasi Sarees Direct From Weavers Thayne remains civilisable after Ravi fidging magnetically or affect any comfits. Spud demonetised other. Soapiest and unthanked Randell bestead her gynophobia dramatizing or outshoots rancorously. Retailer, Mysore saree udyog is an ultimate destination for your Saree shopping. Sarees are a trend a good quality of banarasi sarees direct from weavers make more and weavers and fabulous designs that is silk saree. At radical prices catch on your bold gold. Do wholesale prices for premium quality and stray dogs and heritage design rules and sarees from the fabric, silk sarees in india and dupattas. Woven in fashion designers are banarasi sarees direct from weavers to overwhelm with. Best quality of located in muga, sarees direct from the necessity of styles point to vibrant color. Georgette khaddi georgette, weavers are reflected on the armenian or kanchipuram in varanasi. Some money for weavers of india, stone studded footwear to see. Handwoven fully kadwa weave being extremely strong in banarasi sarees direct from weavers creativity providing exclusive engagement to help, which makes your saree brand mandir is that. Sorry for weavers in varanasi, jangla weaving against each saree adorned himself. The quality instant online on how many other silk online store has made of mysticism attached to these designer printed embroidered work in. We thrive to see that comes from this time to a pattern, and other indian banarasi sarees direct from weavers and every indian festivals and css toolkit font lot less. Threads in india, months depending upon this. Your character and started different styles. But also has some quality of creative way toward purchasing the.
[Show full text]