Ancient Indian Texts of Knowledge and Wisdom
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23. Embroidery As an Embellishment in Fabric Decoration
EMBROIDERY AS AN EMBELLISHMENT IN FABRIC DECORATION By OLOWOOKERE PETER OLADIPO Department of Fine and Applied Arts, Federal College of Education, Osiele, Abeokuta. Abstract Nigeria is endowed with abundant human, natural and material resources, which could be used in different vocational practices. Practitioners have consistently practiced their art with attention to uniqueness and high quality forms, styles and content. Embroidery as a decorative process in Art has played principal roles in entrepreneurship development. Hence, this paper made a critical analysis of the forms, content and significant of embroidery in art, the thread colours, fabric motifs and pattern suitable for a successful embroidery design would also be considered. The general conclusion is that if embroidery is properly done, it would increase the embroiderers sense of creativity in our societal growth and the interested individual should be encourage to learn the craft so that the tradition will remain forever. Embroidery is an interesting stitching technique by which coloured threads, generally of silk or wool are used with a special needle to make a variety of stitches, and it is used to make an attractive design on garment, wall hanging or upholstery pieces. In Nigeria today, embroidery clothing are used far and wide and its unique feature and elegance remain the ability to trill and appeal to the people’s fervent love for it whereby the artisan considered different textile materials such as guinea brocade, damask and bringing out the significance of thread with which it is worked. Ojo (2000) defined, embroidery as an art of making pattern on textiles, leather, using threads of wool, linen, silk and needle. -
Information Published Under Section 4(1)(A) & (B) to Right to Information Act 2005
Information published under Section 4(1)(a) & (b) to Right to Information Act 2005 As per Section 4(1)(a) & (b) of the Right to Information Act 2005, every public authority has to make known the information to the Public as enumerated in the said act. Accordingly, the following details are furnished as per the Section 4(1)(a) & (b) in respect of our Corporation i.e. Karnataka Silk Industries Corporation Limited. As per Section 4(1) (a) the following records and registers duly indexed a) Personnel Department : Details of List of files LIST OF FILES RELATING TO PERSONNEL DEPARTMENT Sl. Name of the File File No. No. 1 Circular File Vol-I KSIC/E-2/EST/102/83-84 2 Circular File Vol-II KSIC/E1/KSIC/PER/22/02-03 3 Guidelines on Disciplinary Action E4-1/DCP/90-91 4 Shortage of 4 Nos. of sarees HO/MKTG/KGS-Exb-Shortage/11-12 occurred at Karnataka Govt. Secretariate Club Exhibition, Bangalore n 22.10.2011. 5 Exhibition cum Sales of KSIC KSIC/MKTG/EXBN-KALINGA/ 2010-11 sarees at Kalinga Cultural Trust, Hyderabad 6 Shortage of 4 Nos. of Sarees KSIC/MKTG/EXBN-UBSR/ 2011-12 occurred at Unity Building Showroom, Bangalore on 22.10.2011. 7 Appeal Preferred by Sri R.Byroji KSIC/PER/APP/11-12 Rao, Sales Attender, Reshmalaya, Bangalore 8 Rs. 27.68 lakhs Doubtful Debts for KSIC/PER/AA-DD/11-12 the financial year 10-11 9 Appointment of local Advocates for KSIC/PER/WUA/4/10-11 conducting enquiries – regarding workers unauthorized absence ©2016 Karnataka Silk Industries Corporation 10 Theft of 17 Nos. -
Specialized Sewing Machine Operator
PARTICIPANT HANDBOOK Language: Apparel English Specialized Sewing Machine Operator Fruits and VegetablesSpecialized Processing Sewing Machine Operator SPECIALIZED SEWING MACHINE OPERATOR औ फल और ल र और र र ल फल और , और र फल और फ र र र र औ फल , और ल र , और , फ र, और फ ल - फल , र , र , र और ल ___________________________________________________________________________ ल ___ 1 1 फल फ र र और ल ल र र र और र र और और र र 12 Fruits and VegetablesSpecialized Processing Sewing Machine Operator Table of Contents Sr. No. Chapter Name Page No. 1. Introductio t Stitchi pparel Sector 4-13 2. Carry t fferent ypes of titches usin pecializ 14-108 Sewin achine 3. Different ypes f titches i pecialize ewi 109-167 machine 4. Achiev uality i ewi Work 168-218 5. Maintai Work re, Tools n Machines 219-244 औ 6. Maintai Healthy, afety a ecurity t Workplace 245-281 फल और ल र और र र ल फल और , और र फल और फ र र र र औ फल , और ल र , और , फ र, और फ ल - फल , र , र , र और ल ___________________________________________________________________________ ल ___ 2 2 फल फ र र और ल ल र र र और र र और और र र 12 Fruits and VegetablesSpecialized Processing Sewing Machine Operator Chapter 1 Introduction to Stitching and Apparel Sector औ फल और ल र और र र ल फल और , और र फल और फ र र र र औ फल , और ल र , और , फ र, और फ ल - फल , र , र , र और ल ___________________________________________________________________________ ल ___ 3 3 फल फ र र और ल ल र र र और र र और और र र 12 Fruits and VegetablesSpecialized Processing Sewing Machine Operator Learning Outcome: After attendin he ession, trainees oul be able o: Understa th titchin an pparel ndustry n ndi Lear about h different oles f ewi achin perator Pre Session Activity This ctivity he form f ―Flash Card‖ session. -
11. Contemporary Traditions a Chronicle of Exhibition Practice of the Jamdani by Abeer Gupta.Pdf
Projects / Processes Volume I Series Editor: Senjuti Mukherjee Constructing Traditions: The Jamdani within Exhibition Practice of Handicrafts Abeer Gupta Installation view of “Weftscapes: Jamdani Across New Horizons” at Serendipity Arts Festival 2019. Photograph by Philippe Calia and Sunil Thakkar. Weftscapes Jamdani Across New Horizons Curated by Pramod Kumar KG Venue Adil Shah Palace Installation view of “Weftscapes: Jamdani Across New Horizons” at Serendipity Arts Festival 2019. Photograph by Philippe Calia and Sunil Thakkar. PROJECTS / PROCESSES Curatorial Note Curatorial By Pramod Kumar KG Curatorial Assistant Ankita Chugh Artists Bappaditya Biswas, Rumi Biswas Exhibition Design Vertex Inc. Weftscapes examines a fresh approach to the creation and making of jamdani fabrics, both in its weaving, choice of raw materials, colour, patterns, designs and the end product – a finished garment. Multiple intertwined yet disparate stories coming together in this contemporary initiative. The versatility of the jamdani weaving technique involves the use of a supplementary weft technique. The idea here is to explore the various possibilities of introducing different yarns, materials, and constructions into the weave. The ingenuity of Indian handlooms and the dexterity of its weavers allows for a unique experiment where diverse materials and objects are strung and woven in by hand through the fabric. Bengal’s history is strewn with references to the Indigo trade and its impact on her people. An important aspect of jamdani was the use of the colour indigo which also lent its name to several lengths of fabric with the iconic Nilambari sari becoming popular across the subcontinent. This project has exclusively used the Indigo palette with its non-traditional yarns being dyed in organic Indigo vats; 10 Constructing Traditions namely in a banana vat, dates vat, and the henna vat. -
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I Was Tempted by a Pretty Coloured Muslin
“I was tempted by a pretty y y coloured muslin”: Jane Austen and the Art of Being Fashionable MARY HAFNER-LANEY Mary Hafner-Laney is an historic costumer. Using her thirty-plus years of trial-and-error experience, she has given presentations and workshops on how women of the past dressed to historical societies, literary groups, and costuming and re-enactment organizations. She is retired from the State of Washington . E E plucked that first leaf o ff the fig tree in the Garden of Eden and decided green was her color, women of all times and all places have been interested in fashion and in being fashionable. Jane Austen herself wrote , “I beleive Finery must have it” (23 September 1813) , and in Northanger Abbey we read that Mrs. Allen cannot begin to enjoy the delights of Bath until she “was provided with a dress of the newest fashion” (20). Whether a woman was like Jane and “so tired & ashamed of half my present stock that I even blush at the sight of the wardrobe which contains them ” (25 December 1798) or like the two Miss Beauforts in Sanditon , who required “six new Dresses each for a three days visit” (Minor Works 421), dress was a problem to be solved. There were no big-name designers with models to show o ff their creations. There was no Project Runway . There were no department stores or clothing empori - ums where one could browse for and purchase garments of the latest fashion. How did a woman achieve a stylish appearance? Just as we have Vogue , Elle and In Style magazines to keep us up to date on the most current styles, women of the Regency era had The Ladies Magazine , La Belle Assemblée , Le Beau Monde , The Gallery of Fashion , and a host of other publications (Decker) . -
Download Citi Newsletter-26-July-2021
26th July 2021 Cotton and Yarn Futures Cotlook A Index - Cents/lb (Change ZCE - Daily Data MCX (Change from previous day) from previous day) (Change from 22-07-2021 98.25 (+0.25) previous day) Jul 2021 26600 (-10) 20-07-2020 67.45 Cotton 17135 (+240) Aug 2021 26860 (0) 22-07-2019 74.20 Yarn 25480 (+635) Oct 2021 25850 (+260) Manifold Rise in Khadi Sales following PM’s Push New York Cotton Futures (Cents/lb) through “Mann ki Baat” As on 26.07.2021 (Change from previous day) July exports poised to hit $33 bn: Piyush Goyal Oct 2021 89.73 (-0.54) Clear signs of economic revival amid Covid-19 Dec 2021 89.90 (+1.21) disruptions, says Piyush Goyal Mar 2022 89.20 (-0.21) 2 CITI-NEWS LETTER -------------------------------------------------------------------------------------- Manifold Rise in Khadi Sales following PM’s Push through “Mann ki Baat” NATIONAL July exports poised to hit $33 bn: Piyush Goyal Clear signs of economic revival amid Covid-19 disruptions, says Piyush Goyal "There is a new energy in our startups space. In just first 6 months of 2021, India has seen 15 more unicorns" - Shri Piyush Goyal Honest taxpayers deserve to be recognized for paying due share of taxes: Nirmala Sitharaman FS Shringla meets British counterpart, reviews 2030 roadmap to India-UK FTA Govt must cut number of slabs in Customs duty Success in exporting goods Several companies, individuals get tax notices as data analytics uncovers gaps in filings Lower Barriers: India’s tariffs record sharp drop from 17.6% in 2019 to 15% in 2020 Make in Odisha: Newly launched -
Use Style: Paper Title
Volume 6, Issue 7, July – 2021 International Journal of Innovative Science and Research Technology ISSN No:-2456-2165 Impact of Traditional Textile on the Gross Domestic Product- GDP of Bangladesh 1*Engr. Md. Eanamul Haque Nizam, 1Sheikh Mohammad Rahat, 1*Assistant Professor. Department of Textile Engineering, 1Albert Loraence Sarker, Bangladesh University of Business and Technology 2Abhijit Kumar Asem, [BUBT], Rupnagar, Mirpur-2, Dhaka-1216, Bangladesh 2Rezwan Hossain, 3Rayek Ahmed, 3Mashrur Wasity 1,2,3Textile Graduate, Department of Textile Engineering, Bangladesh University of Business and Technology [BUBT], Rupnagar, Mirpur-2, Dhaka-1216, Bangladesh Abstract:- Bangladesh is a country loaded with share of GDP. Consultancy firm McKinsey and Company has craftsmanship, culture, and legacy. For the most part, the said Bangladesh could double its garments exports in the next specialty of attire or material is the most seasoned legacy 10 years. In Asia, Bangladesh is the one of the biggest largest that introduced the land to the external world since such exporter of textile products providing employment to a great countless years prior. Customary material is perhaps the share percent of the work force in the country [1]. Currently, main piece of its material area. Customary legacy is the textile industry accounts for 45% of all industrial covered up in each edge of Bangladesh where Jamdani, employment in the country and contributes 5% of the total Muslin, Tangail, Banarasi, Lungi, and so forth assume an national income. However, although the industry is one of the indispensable part. It is assessed that there are 64,100 largest in Bangladesh and is still expanding, it faces massive handlooms in the region. -
2005-Oct1-Newindpres
More railway lines for N Orissa - Newindpress.com Page 1 of 2 Home | Breaking News | Shopping | Archives | Contact Us | About Us | Advertise | W eather | Model Railways eGuide Railway Brakes from UK Locos Layouts Scenery Kits Repairs Gain The Know OEM manufacturer full range of brake pads and blocks How. USD $27.77 Ads by Goooooogle Breaking News ORISSA Oct 1, 2005 Onam Special Sep 15, 2005 Kasavu Dhoties More railway lines for N Orissa INR 399 Onwards Saturday October 1 2005 14:04 IST Kasavu Sarees BALASORE: Here‘s good news for the people of North Orissa. The INR 625 onwards region will soon get more railway lines under the expansion plan of Kasavu Shawl South Eastern (SE) Railway. INR 199 onwards News Top stories Kasavu Set Muduku Sports Business Sources said the SE railway is planning three rail links in the INR 475 onwards Nation region. These lines include, Buramara-Chakulia, Gorumohisani- Orissa Salwar Suit Pieces Infotech Bangiriposhi in Mayurbhanj district and Jaleswar-Digha in Balasore NRIs INR 500 onwards All Headlines district. Southern News Andhra Pradesh The Chief Administrative Officer (CAO) of South Eastern Railway, Karnataka Kerala Animesh Ganguly, who was at Rupsa, recently to inspect the work Ads by Goooooogle Tamil Nadu of non-interlocking signal of Rupsa station and expansion of yard Model Tree Factory Cities for passenger trains and goods trains, informed, —The projects for Bangalore 40 Miniature Model Tree Chennai all these links have received survey sanctions from the Railway Species 1" to 9" tall, Foliage, Hyderabad board. Meanwhile survey is on to assess the economic viability, Grass, Gravels Kochi www.MiniatureTree.com volume of traffic and feasibility for both Bangiriposhi-Gorumohisani Features and Chakulia-Buramara rail lines with Mayurbhanj district. -
Trade Marks Journal No: 1625, 27/01/2014 P`Kasana : Baart Sarkar
Trade Marks Journal No: 1625, 27/01/2014 Reg. No. TECH/47-714/MBI/2000 Registered as News Paper p`kaSana : Baart sarkar vyaapar icanh rijasT/I esa.ema.raoD eMTa^p ihla ko pasa paosT Aa^ifsa ko pasa vaDalaa mauMba[- 400037 durBaaYa : 022 24101144 ,24101177 ,24148251 ,24112211. fO@sa : 022 24140808 Published by: The Government of India, Office of The Trade Marks Registry, Baudhik Sampada Bhavan (I.P. Bhavan) Near Antop Hill, Head Post Office, S.M. Road, Mumbai-400037. Tel:022-24140808 1 Trade Marks Journal No: 1625, 27/01/2014 Anauk/maiNaka INDEX AiQakairk saucanaaeM Official Notes vyaapar icanh rijasT/IkrNa kayaa-laya ka AiQakar xao~ Jurisdiction of Offices of the Trade Marks Registry sauiBannata ko baaro maoM rijaYT/ar kao p`arMiBak salaah AaoOr Kaoja ko ilayao inavaodna Preliminary advice by Registrar as to distinctiveness and request for search saMbaw icanh Associated Marks ivaraoQa Opposition ivaiQak p`maaNa p`~ iT.ema.46 pr AnauraoQa Legal Certificate/ Request on Form TM-46 k^apIra[T p`maaNa p`~ Copyright Certificate t%kala kaya- Operation Tatkal saava-jainak saucanaaeM Public Notices svaIkRit ko puva- iva&aipt Aavaodna Applications advertised before acceptance-class-wise: 2 Trade Marks Journal No: 1625 27/01/2014 vaga- / Class –1 11-24 vaga- / Class –2 25-28 vaga- / Class – 3 29-45 vaga- / Class – 4 46-48 vaga- / Class – 5 49-111 vaga- / Class – 6 112-121 vaga- / Class – 7 122-144 vaga- / Class – 8 145-151 vaga- / Class – 9 152-166 vaga- / Class –10 167-178 vaga- / Class – 11 179-183 vaga- / Class – 12 184-193 vaga- / Class – 13 194-195 -
A Comparison of the Patterns Formed by Primary Textile Structures and Their Photographic Abstraction
Rochester Institute of Technology RIT Scholar Works Theses 9-22-1976 A comparison of the patterns formed by primary textile structures and their photographic abstraction Pamela Perlman Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Perlman, Pamela, "A comparison of the patterns formed by primary textile structures and their photographic abstraction" (1976). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Thesis Proposal for the Master of Fine Arts De gree Collee;e of Fine and Applj_ed .Arts Rochester Institute of Technology Title: A Comparison of the Fatterns Formed by Primary Textile structures and their Phot ographic Abstraction Submitted by: Pamela Anne Perlman Date: September 22, 1976 Thesis Co mm it te~: Nr . Donald Du jnowski I-Ir. I,l az Lenderman hr. Ed 1iiller Depart~ental Approval : Date :-:--g---li6~-r-71-b-r-/ ----- ---------~~~~~'~~~r------------------------- Chairman of the School for American Craftsme:l: ___-r-----,,~---- ____ Da t e : ---.:...,'?7~JtJ--J7~i,-=-~ ___ _ Chairr.ian of the Gr3.duate Prog:rarn: ------------------------~/~~/~. --- Date: ___________________~ /~~,~~;j~~, (~/_' ~i~/~: 7 / Final Committee Decision: Date: ----------------------- Thesis Proposal for the Master of Fine Arts Degree College of Fine and Applied Arts Rochester Institute of Technology Title: A Comparison of the Patterns Frmed by Primary Textile Structures and their Photographic Abstraction My concern in textiles is with structure and materials. I v/ould like to do v/all hangings based on primary textile structures such as knotting, looping, pile, balanced weaves, and tapestry. -
The Crafts Council of India “
THE CRAFTS COUNCIL OF INDIA “...ng tnty rss n tr cr...” February 2018 An Exhibition in Calcutta 1922: Moorings of Indian Craft and Design Ahk Ch j The Crafts Councils and their colleagues have had such a tumultuous year of assault on artisans: first the impact of demonetization at a season that should provide peak earnings through craft sales, and then less than a year later with the organized chaos of GST, again at a time that has devastated artisans’ earnings. CCI has been in the forefront of working with partners and with authorities to find more humane and practical ways to ‘mainstream’ Indian craft, and to create a realization at the highest levels of policy-making that it is not artisans who need mainstreaming. Artisans in their millions, along with others still delegated to the humiliating category of ‘informal, unorganized sectors’, are the mainstream. These citizens constitute by far the bulk of India’s economic activity. It is the so-called formal sectors and decision-makers that are in dire need of being mainstreamed into an Indian reality. In the midst of our efforts at lifting the quality of sector data and advocating a GST interim period of review and capacity- building, some of us have also been trying to put together the proceedings of the 2016 CCI seminar on the craft legacy of Rabindranath Tagore. A century ago his efforts at Santiniketan encountered huge challenges of ignorance and disrespect for artisans and their heritage, at a time when enlightened souls in the West were attempting to humanize the industrial revolution through a revival of craft cultures.