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An Integrative Framework for Temple Tourism Destination of Odisha: the Marketing and Management Perspectives, Case Study on Golden Triangle of Odisha, India
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 9, ISSUE 01, JANUARY 2020 ISSN 2277-8616 An Integrative Framework For Temple Tourism Destination Of Odisha: The Marketing And Management Perspectives, Case Study On Golden Triangle Of Odisha, India P.P.Mohanty, Dr. Sapan Kumar Sadual Abstract: The tourism industry is changing rapidly across the globe that ultimately accountable towards the sustainability of the destination. Tourists derive the unforgettable experience by the dint of destination attributes like competitiveness, attractiveness, and uniqueness. The success and failure of a particular destination solely depend on the various attributes that make and mars the image of the destination. The existence of both destination and tourism is vital for future survival in terms of many touristic activities. Odisha, the land of spiritualism, has been laced with history, heritage, culture, faith and belief of various temples, but in particular temple tourism as a single entity has not been promoted instead of vast potential and prospects. Hence it is a major and prolific step taken by the author to study and find the way for promoting Odisha as an emerging temple tourism destination concentrating and focusing in and around Bhubaneswar-Puri- Konark, the golden triangle circuit. Index Terms: Temple tourism, Marketing, Management, Destination, Golden triangle ———————————————————— 1 INTRODUCTION Since then temples have been significant in all religions. In In this cut-throat competitive era, lagging behind all other many people’s opinion religious, spiritual and pilgrimage all sectors, the tourism industry is growing rapidly and has are enticed or engulfed within the temple tourism being been emerged as a vehicle for socio-economic, cultural and propelled by the faith, belief, religion, somehow correct, but sustainable development. -
Great Heritages of Orissa
Orissa Review * December - 2004 Great Heritages of Orissa Dr. Hemanta Kumar Mohapatra Etymologically, 'heritage' is anything that is or Cultural heritages are the creation of human may be inherited. In such case 'heritage' covers beings, who have created it by virtue of their everything that is seen around the human innovative power, creativity, skill and artistic civilization. Heritage is thus natural or created ability. or has evolved in the course of history. It is natural or man-made. Of the man-made Cultural heritages may be tangible or heritages some are already made and existing intangible. Archaeological heritages may be and others are in the process of making. But otherwise called tangible heritages. The everything what we inherit or may be inherited intangible ones may be called living heritages. can not be heritage in the proper use of the But for better comprehension and convenience term. To assume the dimension of heritage such we have discussed the cultural heritages in features must have influenced the socio- entirety under the following sections. economic and cultural life of the people. It must (a) Archaeological heritages (b) Literary have substantially influenced the imagination heritages (c) Religious heritages and life style of the human beings. A society (d) Performing art heritages, (e) Heritage or civilization is known and become unique festivals (f) Art and craft heritages by its own tradition. It gets its identity by its (g) Modern heritages of Orissa. own heritages. The cultural dimension of Orissa is Heritage is something which is specific varied and wide. Every bit of Oriyan culture and typical of a place, area, region or country and tradition is not included in this discussion. -
Monthly Current Affairs Consolidation (March 2021) – Part II
Current Affairs (CONSOLIDATION) MARCH 2021 (PART – II) Drishti, 641, First Floor, Dr. Mukherjee Nagar, Delhi-110009 Phone: 87501 87501, WhatsApp: 92058 85200, IVR: 8010-440-440 Email: [email protected] Contents Polity and Governance ........................................................................................................1 zz Pradhan Mantri Awaas Yojana-Gramin .................................................................................................................. 1 zz Shifting Health to the Concurrent List ................................................................................................................... 2 zz Electoral Bonds ....................................................................................................................................................... 4 zz Anti-Corruption Strategies ...................................................................................................................................... 5 zz MPLAD Scheme ...................................................................................................................................................... 6 zz Government of NCT of Delhi (Amendment) Bill, 2021 .......................................................................................... 7 zz Damages Recovery Bill ........................................................................................................................................... 8 zz Supplementary Demand for Grants .................................................................................................................... -
The Temple Architecture in Odisha
ISSN 0970-8669 Odisha Review The Hindu temple architecture reflects a synthesis is concentrated in the city of Bhubaneswar where of arts, the ideals of religion, beliefs, values and there are over thirty of them. the way of life cherished under Hinduism. The temple is a place for pilgrimage. All the cosmic The main temples of this style consist of elements that create and celebrate life in Hindu the Lingaraja Temple at Bhubaneswar th pantheon are present in a Hindu temple from fire (11 century), the Jagannath temple at Puri th to water, from images of nature to deities, from (12 century) the Great Sun Temple at Konark the feminine to the masculine, from karma to (13th century), Rajarani Temple (10th century), artha. The form and meanings of architectural Mukteswar (10th Century), Parshuram Temple elements in a Hindu temple are designed to (8th Century) etc. function as the place where it is the link between The Kanlingan style consists of three man and the divine, to help his progress to spiritual distinct types of temples Rekha Deula, Pidha knowledge and truth, his liberation is called Deula and Khakhara Deula. The former two are Moksha. associated with Vishnu, Surya and Shiva temples The Temple Architecture in Odisha Sujata Routray The Indian temples are broadly divided while the third is mainly with Chamunda and Durga into Nagara, Vesara, Dravida and Gadag styles temples. The Rekha Deula and Khakhara Deula of architecture. However the temple architecture houses the sanctum sanctorum while the Pidha of Odisha corresponds to altogether a different Deula constitutes outer dancing and offering halls. -
Office of Mela Adhikari Kumbh, Mela Control Bhawan, C.C.R., Har Ki Pauri, Haridwar
Office of Mela Adhikari Kumbh, Mela Control Bhawan, C.C.R., Har Ki Pauri, Haridwar COMPETITION FOR LOGO DESIGN OF KUMBH MELA 2021 Haridwar 24th December 2019 The Government of Uttarakhand proposes to have a Logo for the Kumbh Mela- 2021 to be selected through open public competition. Accordingly, all Interested persons / parties (both Professional artists and Non-professionals) are hereby invited to participate in a Competition for design of the ‘Logo for Kumbh Mela-2021’. Winner will be awarded with appropriate prize money. Submission of Entries: Interested persons may send their entries via E-mail latest by 1800 hours on 25th January 2020. Entries received via any other medium and after the stipulated time shall not be entertained. The entries should be sent with subject line in submission E-Mail “Haridwar Kumbh Mela-2021 Logo Competition”. The entry should be accompanied by a brief explanation of the Design in Hindi & English Both and how it best symbolizes the Kumbh Mela-2021 and also the bio-data of the applicant. The guidelines for preparing entries, other conditions are available on the website of the Mela Adhikari (Kumbh), Haridwar https://haridwarkumbhmela2021.com & NIC Haridwar https://haridwar.nic.in Deepak Rawat, Mela Adhikari (Kumbh), Haridwar Kumbh Mela, 2021 Logo Design Competition Overview The Kumbh Mela is one of the world's largest religious gatherings. The next Kumbh Mela is scheduled to be held in Haridwar from January 2021 to April 2021. Nearly 15 crore Pilgrims are expected to visit the holy city of Haridwar during the Mela. In addition to Indian Pilgrims, the Kumbh Mela receives visitors from across the globe. -
The Crafts Council of India “
THE CRAFTS COUNCIL OF INDIA “...ng tnty rss n tr cr...” February 2018 An Exhibition in Calcutta 1922: Moorings of Indian Craft and Design Ahk Ch j The Crafts Councils and their colleagues have had such a tumultuous year of assault on artisans: first the impact of demonetization at a season that should provide peak earnings through craft sales, and then less than a year later with the organized chaos of GST, again at a time that has devastated artisans’ earnings. CCI has been in the forefront of working with partners and with authorities to find more humane and practical ways to ‘mainstream’ Indian craft, and to create a realization at the highest levels of policy-making that it is not artisans who need mainstreaming. Artisans in their millions, along with others still delegated to the humiliating category of ‘informal, unorganized sectors’, are the mainstream. These citizens constitute by far the bulk of India’s economic activity. It is the so-called formal sectors and decision-makers that are in dire need of being mainstreamed into an Indian reality. In the midst of our efforts at lifting the quality of sector data and advocating a GST interim period of review and capacity- building, some of us have also been trying to put together the proceedings of the 2016 CCI seminar on the craft legacy of Rabindranath Tagore. A century ago his efforts at Santiniketan encountered huge challenges of ignorance and disrespect for artisans and their heritage, at a time when enlightened souls in the West were attempting to humanize the industrial revolution through a revival of craft cultures. -
Baluchari Silk Saree Back Ground
Baluchari Silk Saree Back ground This fabric is named after the village ‘Baluchar’ located on the bank river of Bhagirathi in Murshidabad district, West Bengal and presently known as Jiaganj. Baluchari weaving was flourished during the period of Musid Quli Khan, the Diwan of Bengal, an erstwhile Hindu Bramin who embraced Islam and these textiles are famous for their elaborate ‘anchal’ (palloo). It has been eulogized as the “loveliest and most charming of all silks of India”. It is a highly decorative silk fabric having extra weft on ‘palloo’, border and body. The motifs are mainly derived from then social / religious customs, animals, life styles of people etc. For example man smoking hukkah, lady with flower, man riding horse, chariot, marriage, mosque, temple, vignettes from Ramayana etc. are some of the motifs generally used and organize in narrative style in palloo portion. And the important feature of the technique is the white outlining of the motifs. Also paisley motifs are arranged centrally in the palloo portion and all over ‘butties’ are in the body portion. Materials used Murshidabad variety of less twisted mulberry silk yarn was originally used in Baluchari sarees. Coarser silk varieties like matka silk was also used some time back. Later, it has been replaced by 18/20 D (2ply) organzine silk yarn for warp and single yarn of malda variety mulberry silk in 3 ply is used for weft. 96s to 100s steel reed is normally used for Baluchari saree weaving and the extra warp designs are woven with Jacquards replacing’ Jala’ technique of olden days. -
Animal and Bird Motifs of Murshidabad's Baluchari Silk of India
Global Journal of Arts Education Volume 07, Issue 1, (2017) 07-11 www.gjae.eu Animal and bird motifs of Murshidabad’s Baluchari silk of India Jyoti Bhasin Chaudhry*, Department of Home Science, Banasthali Vidyapith, P.O. Banasthali Vidyapith, 304022, Rajasthan, India. Suggested Citation: Chaudhry, J. B. (2017). Animal and bird motifs of Murshidabad’s Baluchari silk of India. Global Journal of Arts Education. 7(1), 07-11 Received September 24, 2016; revised December 19,2016; accepted February 13, 2016. Selection and peer review under responsibility of Prof. Dr. Ayse Cakir Ilhan, Ankara University, Turkey. ©2017 SciencePark Research, Organization & Counseling. All rights reserved. Abstract The present study was conducted to document the animals and birds motifs as design enrichment on Murshidabad’s Baluchari silk of India. The study emphasized that varied animals and bird motifs were used in Murshidabad’s Baluchari silk in order to beautify the fabric from past till present day. The foremost objective of the study was to study the representation of the animals and bird motifs and to comprehend the applications of these motifs in Baluchari saris of India. The data were collected through individual observation of specimens in various museums, emporiums, handloom fairs. The research methodology was qualitative and to derive information various motifs were gathered from books, articles, magazines, and online articles on Baluchari saris of India. The documentation of motifs is very vital and it will assist as a guide to the craftsmen, as they represent the mastermind of unique talent effortlessly synthesized from time to time to new cultural influences. Through documentation, this collective variety of animal and bird motifs used on Baluchari textiles will be accessible to designers, artisans, academician and students. -
Tourism Under RDC, CD, Cuttack ******* Tourism Under This Central Division Revolves Round the Cluster of Magnificent Temple Beaches, Wildlife Reserves and Monuments
Tourism under RDC, CD, Cuttack ******* Tourism under this Central Division revolves round the cluster of magnificent temple beaches, wildlife reserves and monuments. Tourism specifically in Odisha is pilgrimage oriented. The famous car festival of Puri Jagannath Temple has got the world wide acclaim. It holds attraction of all domestic, national and international tourists, Sea Beaches like Puri, Konark, Astarang of Puri District, Digha, Talasari, Chandipur of Balasore, Siali of Jagatsinghpur District keeps the beholder at its clutch. Wild life reserves like Similipal of Mayurbhanj, Bhitarkanika of Kendrapara along with scenic beauty of nature makes one mesmerized and gives a feeling of oneness with nature, the part of cosmic power. BALASORE KHIRACHORA GOPINATH TEMPLE: Khirachora Gopinatha Temple is situated at Remuna. It is famous as Vaishnab shrine. Remuna is a Chunk of Brindaban in Orissa. It is a little town located 9 k.m east of Balasore. The name Remuna is resulting from the word Ramaniya which means very good looking. "Khirachora" in Odia means Stealer of Milk and Gopinatha means the Divine Consort of Gopis. The reference is to child Krishna's love for milk and milk products. (Khirachora Gopinath Temple) PANCHALINGESWAR TEMPLE: Panchalingeswar is located on a top of a hillock near the Nilagiri hill which is popular for its natural surroundings. The main attraction of this place is a temple having five lingas with a perennial stream, which is regularly washes the Shivalingas as it flows over them. So, to reach to the temple one has to lie flat on the rock parallel to the stream to touch and worship the lingas inside the water stream. -
30Th OCC Meeting Agenda
MP POWER TRANSMISSION COMPANY LIMITED vkbZ ,l vks : 9001-2008 STATE LOAD DESPATCH CENTRE, NAYAGAON, JABALPUR 482 008 ISO: 9001-2008 Phone 0761-2702748 website: www.sldcmpindia.com Fax 0761-2664343 No.07-05/SG-9B-II/ 2188 Jabalpur, dated 22-09-2012 To As per distribution list Sub: Agenda of 30th meeting of Operation and Coordination Committee of MP. The Agenda of 30th meeting of the Operation and Coordination Committee of MP scheduled on 29th September 2012 at 11.00 AM at Conference hall of Company Headquarter of Central Discom, Bhopal has been uploaded on the website of SLDC ‘www.sldcmpindia.com’ and can be downloaded. ( K.K.Prabhakar) Member Secretary, OCC S. E. (LD), SLDC MPPTCL, Jabalpur Encl : As above. Distribution List The Chief Engineer (T&C), The Superintending Engineer (DCC-WZ), MP Power Transmission Co. Limited, DISCOM Control Centre, MP Paschim Jabalpur. Kshetra Vidyut Vitaran Co. Limited, Near Fax No- 0761-2665593, 2702710 Polo Ground, Jail Road, Indore Fax No- 0731-2421554. The Chief Engineer (T&P), The Superintending Engineer (DCC-EZ), MP Power Transmission Co. Limited, DISCOM Control Centre, MP Poorva Jabalpur Kshetra Vidyut Vitaran Co. Limited, Fax No- 0761-2665593. Jabalpur. Fax No- 0761-2668503 The Executive Director (Plg & PS), The Addl. Chief General Manager (LM), MP Power Transmission Co. Limited, DISCOM Control Centre, MP Madhya Jabalpur Kshetra Vidyut Vitaran Co. Limited, Fax No- 0761-2665593 Bhopal. Fax No- 0755-2580611 The Executive Director (O&M:Gen.), The Chief Engineer (PM&C), MP Power Generating Co. Limited, Narmada Hydroelectric Development Jabalpur. Corpn. Ltd, NHDC Parisar, Shamla Hills, Fax No- 0761-2664572 Bhopal – 462013. -
Gidni 57 Kumbh Mela 2013. Religious Rituals And
Section – Political Sciences GIDNI KUMBH MELA 2013. RELIGIOUS RITUALS AND PERFORMANCE FACING MEDIA COLONIALISM. Traian Penciuc, Assist. Prof., PhD, University of Arts, Târgu-Mureș Abstract: Kumbh Mela is a pan-Indian religious gathering. It is considered by Hindus to be the oldest religious festival known in the World History. Undoubted, it is the biggest: according to the Indian officials more than 100 millions people attended the 2013 Kumbh Mela. The devotee’s main purpose is to acquire a strong purification of karma through bathing in the Ganges River in some auspicious days. But Kumbh Mela has been always a religious fair also, a place where believers are searching for their gurus and “holy men” are gathering their followers flock. Anything goes here and everything is transformed in a performance: lepers, fakirs laying on barbed wire, sadhus reciting the puranas by hard, yogis meditating – all are performing in public forming what BBC has named “the greatest show on Earth”. In the last two decades, media attention and aggression on the Mela festival has raised, due to his exotic potential to the Western audience, but also because of the increased usage of media means by the religious leaders and organisations in their communication and advertising. Today Kumbh Mela is under media siege. Televisions, documentary producers, and tourists, eager to capture every moment, aggress pilgrims’ privacy. Monastic congregations’ use media for advertising and, even the pilgrims and sadhus themselves, capture memorable religious moments on their smart phones. The paper is presenting the influence of the global media intrusion on this archaic event in the purpose to appreciate in what aspects, and how far, the deep religious mentality and mind of the Hindu believer has been changed. -
A Counterview to Lancet's Editorial “India's COVID-19 Emergency
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