Heitor Villa-Lobos: a Catalogue of the Orchestral Music

Total Page:16

File Type:pdf, Size:1020Kb

Heitor Villa-Lobos: a Catalogue of the Orchestral Music HEITOR VILLA-LOBOS: A CATALOGUE OF THE ORCHESTRAL MUSIC 1908: “Recouli” for small orchestra 1910: “Suite dos canticos sertanejos” for small orchestra 1912-13: Suite for strings: 17 minutes + (Chandos and cpo cds) 1913: “Suite da terra” for small orchestra Suite for Piano and Orchestra 1914: Symphonic Poem “Ibericarabe” for orchestra “Dansas dos Indios Mesticos” for orchestra 1915: Cello Concerto No.1: 19 minutes + (Auvidis Valois and MDG cds) 1916: Symphony No.1 “The Unexpected”, op.112: 26 minutes + (cpo cd) Symphonic Poem “Centauro de Ouro” for orchestra Symphonic Poem “Miremis” for orchestra Symphonic Poem “Naufragio de Kleonica” for orchestra “Marcha religiosa No.1” for orchestra Sinfonietta No.1 on a Theme by Mozart: 21 minutes + (cpo cd) “Dancas Africanas” for orchestra + (First Edition and Etcetera cds) 1917: Ballet “Uirapuru” + (Delos cd) Ballet and Symphonic Poem “Amazonas”: 13 minutes + (Marco Polo cd) Symphony No.2 “The Ascension”, op.160: 51 minutes + (cpo cd) Symphonic Poem “Fantasia” for orchestra Symphonic Poem “Iara” for orchestra Symphonic Poem “Lobishome” for orchestra Symphonic Poem “Saci Perere” for orchestra Symphonic Poem “Tedio de alvorado” for orchestra 1918: “Marcha religiosa No.3” for orchestra “Marcha reliosa No.7” for orchestra Oratorio “Vidapura” 1919: Symphony No.3 “The War”: 34 minutes + (cpo cd) Symphony No.4 “The Victory”: 30 minutes + (EMI, Urania, Dorian and cpo cds) “Dansa frenetica” for orchestra + (BIS cd) 1920: Symphony No.5 “The Peace” (lost) “Dansa diabolica” for orchestra 1921: “Fantasy “Momoprecoce” for Piano and Orchestra + (EMI and Urania cds) “Fantasia de movimentos mistos” for Violin and Orchestra 1922: “Danca dos Mosquitos” for orchestra 1925: Choros No.3 for male choir and wind orchestra: 3 minutes + (ASV, BIS and Hanssler cds) Choros No.8 for Two Pianos and Orchestra: 18 minutes + (BIS, Delos and Naxos cds) Choros No.10 for chorus and orchestra: 11 minutes + (EMI, BIS and RCA cds) “O Martirio dos Insetos” for Violin and Orchestra 1926: Choros No.6 for orchestra: 24 minutes + (ASV and BIS cds) 1926/32: “Rudepoema” for orchestra 1928: Choros No.11 for Piano and Orchestra: 61 minutes + (EMI and Ondine cds) Choros No.14 for chorus, band and orchestra 1928/58: “Francette et Pia” for orchestra 1929: “Suite sugestiva” for soprano, baritone and orchestra Choros No.9 for orchestra: 23 minutes + (Naxos and BIS cds) Choros No.12 for orchestra: 35 minutes + (Cypres and BIS cds) Choros No.13 for band and two orchestras “Introducao aos Choros” for orchestra: 12 minutes + (ASV and BIS cds) 1930: Bachianas Brasilieras No.1 for orchestra + (EMI cd) Bachianas Brasilieras No.2 for orchestra: 22 minutes + (EMI, Telarc and BIS cds) 1930-36/41:Bachianas Brasilieras No.4 for orchestra: 18 minutes + (EMI, Telarc, RCA First Edition and BIS cds) 1932: Ballet and Symphonic Poem “Caixinha de Boas Festas” Symphonic Episode “O Papagaio do moleque” for orchestra “Evolucao dos Aeroplanos” for orchestra 1933: Ballet “Pedra Bonita” “Ciranda das sete botas” for Bassoon and String Orchestra 1937: Ballet “Currupira” “Descobrimento do Brasil” for chorus and orchestra (and Suite Nos.1-4 + Marco Polo and EMI cds) 1938: Bachianas Brasilieras No.3 for Piano and Orchestra: 27 minutes + (EMI, BIS and Branco cds) 1939: “New York Skyline Melody” for orchestra: 2 minutes + (cpo cd) Ballet “Danca da Terra” 1940: Cantata or Children’s Ballet “Mandu-Carara” for chorus and orchestra Suite “Saudade da Juventude” No.1 for orchestra 1942: Bachianas Brasilieras No.7 for orchestra: 27 minutes + (EMI and RCA cds) 1944: Bachianas Brasilieras No.8 for cello and orchestra: 26 minutes + (EMI and Telarc cds) Symphony No.6 “On the Outline of the Mountains of Brazil”: 24 minutes + (Marco Polo and cpo cds) 1945: Bachianas Brasilieras No.5 for voice and cello orchestra: 11 minutes + (RCA cd) Bachianas Brasilieras No.9 for chorus and string orchestra: 9 minutes + (RCA and Hanssler cds) Piano Concerto No.1: 37 minutes + (Decca and Australian Eloquence cds) Symphony No.7: 36 minutes + (cpo cd) Fantasia for Cello and Orchestra: 20 minutes + (Auvidis Valois and Delos cds) Symphonic Poem “Madona” for orchestra 1947: Sinfonietta No.2 1948: Piano Concerto No.2: 26 minutes + (Decca cd) Fantasia for soprano saxophone, three horns and strings + (EMI, Arts, Naxos, DGG and Delos cds) 1950: Symphony No.8: 25 minutes + (cpo cd) Symphonic Poem “Erosao(Origem do rio Amazonas”) for orchestra: 19 minutes + (First Edition and Marco Polo cds) 1951: Ballet and Symphonic Poem “Ruda: Dio d’amore”: 43 minutes + (Marco Polo cd) Guitar Concerto “Fantasia Concertante” (several recordings) 1952: Symphony No.9: 18 minutes + (cpo cd) “Ouverture de l’Homme Tel”: 7 minutes + (cpo cd) Symphony No.10 “Amerindia: “Sume Pater Patrium” for soloists, chorus and orchestra: 57 minutes + (Koch, Harmonia Mundi and cpo cds) 1952/57: Piano Concerto No.3: 25 minutes + (Decca cd) 1952: Piano Concerto No.4: 29 minutes + (Decca cd) 1953: Overture “Dawn in a Tropical Forest” for orchestra: 10 minutes + (First Edition and Marco Polo cds) Harp Concerto + (Pentatone and Melodiya cds) Symphonic Poem “Odisseia de uma raca” for orchestra 1954: Piano Concerto No.5: 20 minutes + (Decca, Urania and Brana cds) Cello Concerto No.2: 23 minutes + (Auvidis Valois and MDG cds) Symphonic Poem and Ballet “Genesis”: 18 minutes + (Marco Polo cd) 1955: Symphony No.11: 26 minutes + (cpo cd) Harmonica Concerto + (Chandos cd) Sinfonietta No.2 1956: Ballet “Emperor Jones” + (Bridge cd) 1957: Symphony No.12: 23 minutes + (cpo cd) 1958: Fantasia in three movements for wind band 1959: Concerto Grosso for wind quartet and wind ensemble + (Naxos cd) Suite No.1 for chamber orchestra Suite No.2 for chamber orchestra .
Recommended publications
  • Musicweb International December 2020 NAXOS RELEASES: LATE
    NAXOS RELEASES: LATE 2020 By Brian Wilson It may be that I’ve been particularly somnolent recently, but a particularly fruitful series of Naxos releases in late 2020 has made me take notice of what I’ve been missing earlier this year, so I’ve included some of them, too. Index [page numbers in brackets] ALYABIEV Piano Trios (+ GLINKA, RUBINSTEIN: Russian Piano Trios 1) [5] Corelli’s Band: Violin Sonatas by Corelli and followers [2] FREDERICK II (Frederick The Great): Flute Sonatas [4] GERSHWIN Concerto in F (+ PISTON Symphony No.5, etc.) [11] GLINKA Trio pathétique (see ALYABIEV) [5] GOMPPER Cello Concerto, Double Bass Concerto, Moonburst [15] Michael HAYDN Missa Sancti Nicolai Tolentini; Vesperæ [5] HUMPERDINCK Music for the Stage [7] KORNGOLD Suite, Op.23; Piano Quintet [10] Laudario di Cortona excerpts (see PÄRT) [13] NOVÁK V Tatrách (In the Tatra Mountains); Lady Godiva; O věčné touze (Eternal Longing) [8] - Jihočeská suita (‘South Bohemian Suite’); Toman a lesní panna (‘Toman and the Wood Nymph’) [9] PÄRT And I heard a voice…, etc. ( … and … with SHAW, WOLFE, Laudario di Cortona) [13] PISTON Symphony No.5 (see GERSHWIN) [11] RUBINSTEIN Piano Trio (see ALYABIEV) [5] RUTTER Anthems, Hymns and Gloria for Brass Band [12] SCHMITT La Tragédie de Salomé, etc. [8] SCHUMANN Robert and Clara Music for violin and piano [6] VILLA-LOBOS Complete Symphonies [9] WALTON Piano Quintet and other Chamber Works with Violin and Piano [11] WEINBERG Clarinet Concerto; Clarinet Sonata; Chamber Symphony No.4 [12] WIDOR Organ Symphonies 4 (Nos. 8 and 10) [7] * The Art of Classical Guitar Transcription Christophe Dejour [15] Carmina predulcia (C15 Songbook) [1] Christmas Concertos [2] Heaven Full of Stars (contemporary choral) [13] Stille Nacht: Christmas Carols for Guitar [14] *** Carmina predulcia (‘very sweet songs’) is a recording of music from the fifteenth-century Schedelschen Liederbuch (Schedel Songbook).
    [Show full text]
  • Late Fall 2020 Classics & Jazz
    Classics & Jazz PAID Permit # 79 PRSRT STD PRSRT Late Fall 2020 U.S. Postage Aberdeen, SD Jazz New Naxos Bundle Deal Releases 3 for $30 see page 54 beginning on page 10 more @ more @ HBDirect.com HBDirect.com see page 22 OJC Bundle Deal P.O. Box 309 P.O. 05677 VT Center, Waterbury Address Service Requested 3 for $30 see page 48 Classical 50% Off beginning on page 24 more @ HBDirect.com 1/800/222-6872 www.hbdirect.com Classical New Releases beginning on page 28 more @ HBDirect.com Love Music. HBDirect Classics & Jazz We are pleased to present the HBDirect Late Fall 2020 Late Fall 2020 Classics & Jazz Catalog, with a broad range of offers we’re sure will be of great interest to our customers. Catalog Index Villa-Lobos: The Symphonies / Karabtchevsky; São Paulo SO [6 CDs] In jazz, we’re excited to present another major label as a Heitor Villa-Lobos has been described as ‘the single most significant 4 Classical - Boxed Sets 3 for $30 bundle deal – Original Jazz Classics – as well as a creative figure in 20th-century Brazilian art music.’ The eleven sale on Double Moon, recent Enlightenment boxed sets and 10 Classical - Naxos 3 for $30 Deal! symphonies - the enigmatic Symphony No. 5 has never been found new jazz releases. On the classical side, HBDirect is proud to 18 Classical - DVD & Blu-ray and may not ever have been written - range from the two earliest, be the industry leader when it comes to the comprehensive conceived in a broadly Central European tradition, to the final symphony 20 Classical - Recommendations presentation of new classical releases.
    [Show full text]
  • Oct 26 to Nov 1.Txt
    CLASSIC CHOICES PLAYLIST Oct. 26 - Nov. 1, 2020 PLAY DATE: Mon, 10/26/2020 6:02 AM Antonio Vivaldi Violin Concerto, Op. 3/6 6:11 AM Wolfgang Amadeus Mozart Symphony 6:29 AM Georg Philipp Telemann Concerto for Viola, Strings and B.C. 6:44 AM Carl Philipp Emanuel Bach Trio Sonata for Flute, Violin & BC 7:02 AM Heinrich Ignaz Franz Biber Mensa sonora, Part III 7:12 AM Franz Joseph Haydn Concerto for King Ferdinand IV of Naples 7:29 AM William Byrd Fitzwilliam Suite 7:41 AM Edward MacDowell New England Idylls 8:02 AM Georg Philipp Telemann Overture of Ancient and Modern Nations 8:17 AM Gioacchino Rossini String Sonata No. 5 8:33 AM Louise Farrenc Clarinet Trio in E-Flat 9:05 AM Cliff Eidelman Symphony for Orchestra & Two PIanos 9:34 AM Robert Schumann Märchenbilder 9:51 AM George Gershwin Love is Here to Stay (aka Our Love is 10:00 AM Wolfgang Amadeus Mozart Rondo for flute and orchestra K anh.184 10:06 AM Wolfgang Amadeus Mozart Symphony 10:24 AM Wolfgang Amadeus Mozart Adagio & Allegro 10:36 AM Wolfgang Amadeus Mozart Divertimento for Winds 10:51 AM Wolfgang Amadeus Mozart Rondo for piano & orch 11:01 AM Mark O'Connor Double Violin Concerto 11:35 AM Johann Sebastian Bach Orchestral Suite No. 4 12:00 PM Gioacchino Rossini La Gazza Ladra (The Thieving Magpie): 12:13 PM Sir Edward Elgar Harmony Music No. 4 for wind quintet 12:26 PM Allen Vizzutti The Rising Sun 12:43 PM Eric Coates Idyll 12:51 PM Franz Waxman Hotel Berlin: Cafe Waltzes 1:01 PM Sir Charles Villiers Stanford Clarinet Sonata 1:25 PM Friedrich Kuhlau Piano Quartet 2:00 PM Domenico Scarlatti Sonata 2:08 PM Nicolo Paganini Quartet No.
    [Show full text]
  • The Edwin A. Fleisher Collection of Orchestral Music: Latin American Orchestral Works
    2016-17 The Edwin A. Fleisher Collection of Orchestral Music: Latin American Orchestral Works Compiled by Gary Galván The Edwin A. Fleisher Collection of Orchestral Music at the Free Library of Philadelphia THE EDWIN A. FLEISHER COLLECTION OF ORCHESTRAL MUSIC Background Philadelphia philanthropist Edwin Adler Fleisher (1877-1959) founded the first training orchestra in the United States in 1909 – over a half century before José Antonio Abreu’s famed El Sistema. The Little Symphony Club, as it was first known, was open to both sexes and all races free of charge. Over the next 20 years, Fleisher would spend between $10,000 and $20,000 annually to supply the Symphony Club with music for biweekly rehearsals (including regular sight-reading sessions!) and annual concerts. Having exhausted U.S. publishing agents, Fleisher personally traveled to Europe in 1913, 1925, 1927, 1929, and 1930 to meet with composers and publishers and purchase music to fulfill the group’s needs. A special visa in 1929 permitted him unprecedented access to works in the Soviet Union. In 1929, Fleisher donated his expansive collection to the Free Library of Philadelphia. Valued at $500,000 (nearly $7 million adjusted for inflation), the collection contained complete performance sets (a conductor’s score and a part for each musician) for just over 3,300 works. Between 1934 and 1943, Fleisher co-sponsored a Works Progress Administration Music Copying Project dedicated to creating performance sets from unpublished manuscripts by Pan American composers and doubled the size of the collection. Fleisher personally sponsored Nicolas Slonimsky’s sojourn to Latin America in 1941-42 with $10,000 to secure works from South and Central America.
    [Show full text]
  • FRENCH CONCERTOS from the 19Th Century to the Present
    FRENCH CONCERTOS From the 19th Century to the Present A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis Composers L-Z ÉDOUARD LALO - see separate page SERGE LANCEN (1922-2005) Born in Paris. After some initial training, he studied the piano with Marguerite Long and Lazare Lévy as well as composition with Noël Gallon and Tony Aubin at the Paris Conservatory. In 1950 he was awarded the "Prix de Rome." He composed various genres of music including chamber music, works for piano, ballet music, a chamber opera and symphonic compositions. He excelled in music for band. Among his unrecorded concertante works are his Piano Concerto (1947-51), Piano Concertino (1949), Harmonica Concerto (1954), Violin Concerto (1966), Concerto Rhapsodie for Piano and Orchestra (1974), Concerto for Violin, Double Bass and Orchestra (1985) and Harp Concerto (1988). Concerto for Double Bass and String Orchestra (1962) Yoan Goilav (double bass)/Clemens Dahinden/Winterthur String Ensemble ( + Cooqui, Montag: Extrême, Bloch: Prayer, Mortari: Duettini Concertati, Schubert: Arpeggione Sonata and Sperger: Sonata à Due) TUXEDO MUSIC TUXCD 1205 (2001) (original LP release: CLASSIC PIC (70-121) (1976) Concerto Champêtre for Harp and Wind Orchestra (1968) Joke Brethouwer (harp)/Jan Cober/Brabant Conservatory Wind Orchestra ( + Trombone Concerto and Parade Concerto) MBCD 31.1016.72 (1990) Hélène Silvie (harp)/Désiré Dondeyne/Orchestra ( + Damase: Harp Concerto, Grandjany: Aria in Classic Style and Dondeyne Quintet for Harp ad String Quartet) QUANTUM QM 7030 (2004) Concerto da Camera for Flute and Orchestra (1962) Pedro Eustache (flute)/Daniel Chabrun/Orchestre de Chambre de l'ORTF ( + Printanieres, Leclair: Violin Concerto, and Boismortier: Flute Sonata) FRENCH BROADCASTING SYSTEM IN NORTH AMERICA, Programs 619-20 (2 non-commercial LPs) (c.
    [Show full text]
  • Concerto for Harmonica and Orchestra, Op. 86 by Alexander Tcherepnin: an Arrangement for Marimba with a Performance Guide
    Concerto for Harmonica and Orchestra, Op. 86 by Alexander Tcherepnin: An Arrangement for Marimba with a Performance Guide by James McDonald, B.M., M.M. A Dissertation In Percussion Performance Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved Lisa Rogers Chair of Committee Alan Shinn Co-Chair of Committee Kevin Wass Mark Sheridan Dean of the Graduate School May 2014 Copyright 2014, James Payton McDonald Texas Tech University, James Payton McDonald, May 2014 ACKNOWLEDGMENTS I would like to thank Professor Alan Shinn, Dr. Lisa Rogers and Dr. Kevin Wass for their unwavering support, encouragement, knowledge, and guidance through the years. ii Texas Tech University, James Payton McDonald, May 2014 TABLE OF CONTENTS Acknowledgments ............................................................................................................ ii Abstract ............................................................................................................................ iv List of Figures .................................................................................................................. vi Chapter I. Introduction: The Why..................................................................................................1 II. The Who, When and Where ........................................................................................5 Alexander Tcherepnin..............................................................................................5
    [Show full text]
  • Alternative Instrumentation
    ALTERNATIVE INSTRUMENTATION: A STUDY OF SELECTED INSTRUMENTS A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY PAUL GERACI DISSERTATION CHAIR: DR. DON ESTER BALL STATE UNIVERSITY MUNCIE, INDIANA JULY 2003 ABSTRACT This study includes information on nonstandard instruments. The purpose of this document is to benefit composers who may wish to write for instruments not found in the standard orchestra. Since composers are constantly seeking new sounds, they often turn to exotic or less frequently used instruments. These nonstandard instruments can provide fresh timbres in addition to those of standard Western instrumentation, or aid the composer in alluding to the characteristic sounds of a particular culture. A study such as this is needed because most nonstandard instruments do not appear regularly in orchestration texts. The instruments included in this study are: accordion, carillon, didgeridoo, erhu, glass harmonica, hammered dulcimer, cimbalom, hardanger fiddle, harmonica, highland bagpipes, Irish flute, tin whistle, koto, shakuhachi, sitar, theremin, and uillean pipes. Entries contain information about each instrument's timbre, dynamics, physical description, history and origins, and limitations. Photographs and musical examples from well-known composers are included with each entry. A significant portion of information was collected from personal interviews with expert performers and composers. CONTENTS FIGURES…………………………………………………………………………... iii TABLES…………………….……………………………………………………... viii CHAPTER 1: INTRODUCTION…………………………….……………….…… 1 CHAPTER 2: METHODOLOGY…………………………………….…………… 8 CHAPTER 3: ACCORDION……………………………………………………... 15 CHAPTER 4: CARILLON……………………………………………………….. 27 CHAPTER 5: DIDGERIDOO………………….…………………..…………….. 45 CHAPTER 6: ERHU……………………………………………………………… 56 CHAPTER 7: GLASS HARMONICA…………………………………………… 66 CHAPTER 8: HAMMERED DULCIMER AND CIMBALOM………………….. 75 CHAPTER 9: HARDANGER FIDDLE…………………………………………... 90 CHAPTER 10: HARMONICA…………………………………………………….
    [Show full text]
  • September 1970
    PRO& HI &HIDE 94.5 I ., SEPTEMBER, 1970 NOW HAVE YOUR OWN STILL TIME TO SUBSCRIBE! REGULAR CHOICE SEAT 1970-71 57th SEASON! ONLY THE PRICE IS LESS THAN BEFORE! UP TO 50% DISCOUNTS TO SERIES SUBSCRIBERS! UP TO 10 CONCERTS FREE! SEPT. 14-15 ANDRE VANDERNOOT Conducting MARCH 21-22-23 MAURICE HANDFORD Conducting ~ GABRIEL! Canzone for Trumpets and Trombones THE HOUSTON SYMPHONY CHORALE MOZART Serenade for Woodwinds WALTON Belshazzar's Feast I BARTOK Divertimento for Strings Other Items to be Announced BEETHOVEN Symphony No. 4 APRIL 18-19-20 LAWRENCE FOSTER Conducting SEPT. 20-21-22 ANDRE VANDERNOOT Conducting YOUNG UCK KIM, Violinist LEONARD PENNARIO, Pianist SHIRLEY TREPEL, Cellist BERLIOZ "Benvenuto Celtini" Overture J WAYNE CROUSE, Violist MENDELSSOHN Violin Concerto SCHULLER Seven Studies on Themes of Paul Klee STRAUSS "Don Quixote" STRAUSS "Till Eulenspiegel" BRAHMS Piano Concerto No. 1 APRIL 26-27 SEPT. 28-29 ANDRE VANDERNOOT Conducting LAWRENCE FOSTER Conducting ANNA MOFFO, Soprano ALEGRIA ARCE, Pianist BACH SCHUBERT Symphony No. Suite No. 3 3 SCHUMANN Arias to be announced Piano Concerto in A minor STRAVINSKY The Rite of Spring BARTOK Miraculous Mandarin OCT. 19-20 LAWRENCE FOSTER Conducting MAY 9-10-11 A. CLYDE ROLLER Conducting MISHA DICHTER, Pianist EUGENE ISTOMIN, Pianist WEBER "Der Freischutz" Overture ROSSINI Overture to "Scala di SetaH MOZART Piano Concerto in E Flat Major CHOPIN Piano Concerto in F minor PROKOFIEV Symphony No. 5 COPELAND Symphony No. 3 OCT. 25-26-27 LAWRENCE FOSTER Conducting MAY 17-18 A. CLYDE ROLLER Conducting JOHN OGDON, Pianist THE HOUSTON SYMPHONY CHORALE HAYDN Symphony No.
    [Show full text]
  • Orchestral Season 2017/18
    ORCHESTRAL SEASON 2017/18 Box Office01604 624811 www.royalandderngate.co.uk 2 Box Office 01604 624811 I www.royalandderngate.co.uk WELCOME FROM ROYAL & DERNGATE We are delighted to introduce the upcoming concert series from our Resident Orchestra and welcome James Williams in his first full season as Managing Director of the RPO. We are really encouraged by the support from our audiences and thank you for your continued loyalty. Beyond the concert series, we seek ways to ensure that our classical concerts reach as diverse an audience as possible and serve to inspire the next generation of musicians and audience members. See page 12 for details about the Community and Education programme that is engaging with new audiences across the region. We are pleased to be working in partnership with Orchestras Live and Arts Council England on Sound Around, engaging children with disabilities as producers and participants in RPO projects. Do see our website for further details, or you can visit www.facebook.com/OLsoundaround. Finally, we look forward to once again hosting the Malcolm Arnold Festival in October and are thrilled that the festival will feature the RPO. This provides a fabulous opportunity for us all to celebrate one of the town’s greatest alumni. We do hope you enjoy the season ahead. Martin Sutherland Chief Executive, Royal & Derngate WELCOME FROM THE ROYAL PHILHARMONIC ORCHESTRA The Royal Philharmonic Orchestra is delighted to present its 2017/18 Season at Royal & Derngate. Join us to experience the blistering power of Shostakovich’s epic Symphony No. 5, the delicacy of Debussy’s elegiac ballet score to Prélude à l’après-midi d’un faune, and the technical wizardry required for Bruch’s ever-popular Violin Concerto, all featuring an outstanding roster of world-class artists and members of the Royal Philharmonic Orchestra.
    [Show full text]
  • 20Th-Century Repertory
    Mikrokosmos List 622. - 2 - June 2017 ....20TH-CENTURY REPERTORY 1 Andriessen, Jurriaan: Movimenti/ Delden: Piccolo Con/ Kox: Cyclofonie 1/ DONEMUS DAVS 6602 A 10 Badings: Sym 9 - cond.Rieu, Hupperts, Zinman all live with scores S 2 Arutyunian: Poem Con for Vln & Orch/Bagdasarian: Rhap for Vln & Orch/Akhinian: MELODIYA CM 3845 A 15 Poem & Adagio - Tsitsikian vln, cond.M.Shostakovich, etc S 3 Astvatsatryan: Sym 1/ Vartazaryan: Flute Con/ Mansuryan: Cello Con - MELODIYA C10 11259 A 25 Allaverdyan fl, Georgian vcl, cond.Khandzhian (p.1976) S 4 Auster, Lydia: Piano Con in G, Romeo excs, Tina ballet excs - Valdma pno, MELODIYA C10 8797 A 28 cond.N.Jarvi S 5 Babadzhanian: Vln Con/G.Egiazaryan: Armenia sym poem - Mokatsyan, Aramenain MELODIYA D 23029 A 25 SSO, cond.Maluntsyan 6 Bakhor, Firuz: Sym 2 for String Orch/K.Khikmatov: Variations for String Orch - MELODIYA C10 21383 A 40 cond.Azimov 1984 S 7 Bakhor, Firuz: Sym 4 "Buzurg" - Uzbek SSO, cond/Khaknazarov 1986 S MELODIYA C10 26667 A 50 8 Balanchivadze: Sym 1 - USSR RSO, cond.GAUK OLD MELODIYA D. 4630 A 30 EB2 9 Balanchivadze: Sym 2 - USSR RSO, cond.GAUK MELODIYA D 7345 A 45 10 Bartok: Divertimento/Stravinsky: Con in D/Webern: 5 Mvts Op.5 - Amati Ensemble DGG 2555006 A 8 (p.1971) S 11 Bartok: Sonata for 2 Pnos & Percs (ARGERICH, Bishop Kovacevich, etc)/Hindemith: PHILIPS MOW 41 A 10 Octet (Stahr cl, Lembke bsn, etc) (cover painting by Chagall) S 12 Berio: Differences, Sequenza III, VII, Due pezzi, Chamber Music - BERBERIAN, PHILIPS 6500631 A 10 HR2 Holliger, Juilliard SQ, cond.comp (p.1970)
    [Show full text]
  • Harmônica Cromática: Sua Escrita Em Formações Orquestrais Nas Obras De Heitor Villa-Lobos, Radamés Gnattali E César Guerra-Peixe
    Universidade Estadual Paulista Júlio de Mesquita Filho - Unesp Instituto de Artes Edson Tadeu de Queiroz Pinheiro Harmônica cromática: sua escrita em formações orquestrais nas obras de Heitor Villa-Lobos, Radamés Gnattali e César Guerra-Peixe São Paulo, SP 2018 Edson Tadeu de Queiroz Pinheiro Harmônica cromática: sua escrita em formações orquestrais nas obras de Heitor Villa- Lobos, Radamés Gnattali e César Guerra-Peixe Dissertação apresentada ao Programa de Pós- Graduação em Música do Instituto de Artes da Unesp – Universidade Estadual Paulista “Júlio de Mesquita Filho” - como exigência final para a obtenção do título de Mestre em Música. Orientador: Prof. Dr. Lutero Rodrigues São Paulo, SP 2018 Ficha Catalográfica Ficha catalográfica preparada pelo Serviço de Biblioteca e Documentação do Instituto de Artes da UNESP P654h Pinheiro, Edson Tadeu de Queiroz, 1976- Harmônica cromática : sua escrita em formações orquestrais nas obras de Heitor Villa-Lobos, Radamés Gnattali e César Guerra- Peixe / Edson Tadeu de Queiroz Pinheiro. - São Paulo, 2018. 188 f. : il. Orientador: Prof. Dr. Lutero Rodrigues. Dissertação (Mestrado em Música) – Universidade Estadual Paulista “Júlio de Mesquita Filho”, Instituto de Artes. 1. Villa-Lobos, Heitor – 1887-1959. 2. Gaita de boca. 3. Música Orquestral. 4. Música brasileira. I. Rodrigues, Lutero. II. Universidade Estadual Paulista, Instituto de Artes. III. Título. CDD 788.82 Folha de Aprovação Edson Tadeu de Queiroz Pinheiro Harmônica cromática: sua escrita em formações orquestrais nas obras de Heitor Villa- Lobos, Radamés Gnattali e César Guerra-Peixe Dissertação aprovada como requisito parcial para obtenção do grau de Mestre em Música no Curso de Pós-Graduação em Música do Instituto de Artes da Universidade Estadual Paulista – Unesp, com a Área de concentração em Musicologia, pela seguinte banca examinadora: __________________________________________ Prof.
    [Show full text]
  • Summer 2020 Classics & Jazz
    Recommended Jazz v All Recommended! see pages 54 - 55 Naxos Audiobooks Special Low Prices! see pages 46 - 47 50% - 75% Off 100 Titles see pages 18 - 21 v All Recommended! Editor’s Choice see pages 10 - 11 v Recommended New Releases Bundle Deal 3 for $30 see pages 48 - 49 Late Summer 2020 Love Music. HBDirect Classics & Jazz We are pleased to present the HBDirect Classics & Summer 2020 Jazz Catalog for Summer 2020, with a broad range of of- fers we’re sure will be of great interest to our customers. Catalog Index Monteverdi: Complete Madrigals / Delitiæ Musicæ [15 CDs] In jazz, we are excited to return Concord to these pages The madrigal, written for courts and patrons, was the ultimate secular 4 Classical - Label Features as a sale label, with the opportunity for you to save even song. The genre reached its zenith with the works of Claudio Monteverdi more by taking advantage of a bundle deal. Other offers 8 Classical - Recommendations in successive books that trace his technical and expressive innovations. in jazz include the Acrobat label, new releases, and jazz 10 Classical - Editor’s Choice In them, Monteverdi explored themes such as the vicissitudes and recommendations. In classical music, another label long pleasures of love, as well as the art of war, and the pain of loss. The 18 Classical - Deep Discounts absent from our promotions is Musical Concepts – on sale editions used in these recordings are the most authentic and uncut, and, here and as a bundle deal, too. You can also save up to 12 Classical - New Releases in keeping with 17th-century practice, employ male voices only.
    [Show full text]