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La Generazione Dell'ottanta and the Italian Sound
LA GENERAZIONE DELL’OTTANTA AND THE ITALIAN SOUND A DISSERTATION IN Trumpet Performance Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree DOCTOR OF MUSICAL ARTS by ALBERTO RACANATI M.M., Western Illinois University, 2016 B.A., Conservatorio Piccinni, 2010 Kansas City, Missouri 2021 LA GENERAZIONE DELL’OTTANTA AND THE ITALIAN SOUND Alberto Racanati, Candidate for the Doctor of Musical Arts Degree University of Missouri-Kansas City, 2021 ABSTRACT . La Generazione dell’Ottanta (The Generation of the Eighties) is a generation of Italian composers born in the 1880s, all of whom reached their artistic maturity between the two World Wars and who made it a point to part ways musically from the preceding generations that were rooted in operatic music, especially in the Verismo tradition. The names commonly associated with the Generazione are Alfredo Casella (1883-1947), Gian Francesco Malipiero (1882-1973), Ildebrando Pizzetti (1880-1968), and Ottorino Respighi (1879- 1936). In their efforts to create a new music that sounded unmistakingly Italian and fueled by the musical nationalism rampant throughout Europe at the time, the four composers took inspiration from the pre-Romantic music of their country. Individually and collectively, they embarked on a journey to bring back what they considered the golden age of Italian music, with each one yielding a different result. iii Through the creation of artistic associations facilitated by the fascist government, the musicians from the Generazione established themselves on the international scene and were involved with performances of their works around the world. -
L Ethics Update 2010 L
COLUMBIAN LAWYERS ASSOCIATION First Judicial Department An Association Of Attorneys Of Italian American Descent 8 East 69th Street, New York, NY 10021 • Tel: (212) 661-1661 • Fax: 212) 557-9610 • www.columbianlawyers.com L L ETHICS UPDATE 2010 2010 THE NEW RULES OF CONDUCT OUR 55th YEAR Presented by Sarah Jo Hamilton, Esq., Scalise & Hamilton, LLP. Special Guest Speaker: Officers Hon. Angela Mazzarelli, Appellate Division, First Department Joseph DeMatteo President Wednesday, February 3, 2010 at 6:00 p.m. Sigismondo Renda First Vice President The Columbus Club – 8 East 69th Street, NY, NY Steven Savva Attendees receive 2 CLE Credits in Ethics (transitional) Second Vice President Maria Guccione RSVP (212) 661-1661, ext. 106 Treasurer Victoria Lombardi Members/Friends*: Dinner & Credits: $100.00 Executive Secretary Hon. Patricia LaFreniere Dinner Only: $100.00 Recording Secretary Marianne E. Bertuna Non-Members: Dinner & Credits: $150.00 Financial Secretary Dinner Only: $125.00; Credits Only: $50.00 Joseph Longo Parliamentarian * If your dues are not current, you will be charged the Non-Member Board Of Directors rate for attendance at the CLE Dinner Programs. Andrew Maggio - Chairman Gerry Bilotto - 2012 L Don’t Miss This Outstanding CLE Program! L Michael Scotto 2012 Paolo Strino 2012 *RSVP IS REQUIRED FOR THIS EXCEPTIONAL PROGRAM* John DeChiaro - 2011 Matthew Grieco - 2011 Effective April 2009, each branch of the Appellate Division adopted the American Bar Association’s Model Leonardo DeAngelica - 2011 Donna D. Marinacci - 2010 Rules of Professional Conduct, introducing a variety of significant changes to the ethics rules under which Thomas Laquercia - 2010 + attorneys have been practicing for years. -
Emma Lou Diemer's Solo Piano Works Through 2010: a Study Of
Emma Lou Diemer’s Solo Piano Works Through 2010: A Study of Pedagogy and Performance in the Context of 20th- and 21st-Century Music Making A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Keyboard Studies Division of the College-Conservatory of Music By Kristal Bang Kim B.A., University of California, Los Angeles, 2000 M.M., San Francisco Conservatory of Music, 2003 Committee Chair: Jeongwon Joe, Ph.D. Readers: Elizabeth Pridonoff, MM Michael Chertock, MM ABSTRACT The document presents a comprehensive survey of the solo piano works by an eminent contemporary woman composer Emma Lou Diemer, who is still alive and active as a musician of various roles, such as a composer, teacher, performer, and church musician. By keying into her representative solo piano works including her most recent output, the document’s primary goal is to guide performers and piano teachers for understanding and playing the composer’s piano works. Selected pedagogical and concert works will be given detailed analysis such as comparisons of styles, structures, and sonorities. In light of her collective output for piano literature, the significance of the composer’s contribution to the 20th- and 21st-Century music making, especially for the history of piano literature, is examined, in the context of current musical culture and trend. ii Copyright © 2012 Kristal Bang Kim iii ACKNOWLEDGMENTS I am greatly thankful for all the inspiration and guidance that I have received in seeing and actualizing of this document. -
Musicweb International December 2020 NAXOS RELEASES: LATE
NAXOS RELEASES: LATE 2020 By Brian Wilson It may be that I’ve been particularly somnolent recently, but a particularly fruitful series of Naxos releases in late 2020 has made me take notice of what I’ve been missing earlier this year, so I’ve included some of them, too. Index [page numbers in brackets] ALYABIEV Piano Trios (+ GLINKA, RUBINSTEIN: Russian Piano Trios 1) [5] Corelli’s Band: Violin Sonatas by Corelli and followers [2] FREDERICK II (Frederick The Great): Flute Sonatas [4] GERSHWIN Concerto in F (+ PISTON Symphony No.5, etc.) [11] GLINKA Trio pathétique (see ALYABIEV) [5] GOMPPER Cello Concerto, Double Bass Concerto, Moonburst [15] Michael HAYDN Missa Sancti Nicolai Tolentini; Vesperæ [5] HUMPERDINCK Music for the Stage [7] KORNGOLD Suite, Op.23; Piano Quintet [10] Laudario di Cortona excerpts (see PÄRT) [13] NOVÁK V Tatrách (In the Tatra Mountains); Lady Godiva; O věčné touze (Eternal Longing) [8] - Jihočeská suita (‘South Bohemian Suite’); Toman a lesní panna (‘Toman and the Wood Nymph’) [9] PÄRT And I heard a voice…, etc. ( … and … with SHAW, WOLFE, Laudario di Cortona) [13] PISTON Symphony No.5 (see GERSHWIN) [11] RUBINSTEIN Piano Trio (see ALYABIEV) [5] RUTTER Anthems, Hymns and Gloria for Brass Band [12] SCHMITT La Tragédie de Salomé, etc. [8] SCHUMANN Robert and Clara Music for violin and piano [6] VILLA-LOBOS Complete Symphonies [9] WALTON Piano Quintet and other Chamber Works with Violin and Piano [11] WEINBERG Clarinet Concerto; Clarinet Sonata; Chamber Symphony No.4 [12] WIDOR Organ Symphonies 4 (Nos. 8 and 10) [7] * The Art of Classical Guitar Transcription Christophe Dejour [15] Carmina predulcia (C15 Songbook) [1] Christmas Concertos [2] Heaven Full of Stars (contemporary choral) [13] Stille Nacht: Christmas Carols for Guitar [14] *** Carmina predulcia (‘very sweet songs’) is a recording of music from the fifteenth-century Schedelschen Liederbuch (Schedel Songbook). -
Activity #1, Overture to William Tell
STUDENT ACTIVITIES Student Activities – Activity #1, Overture to William Tell William Tell is an opera written by the composer Gioachino Rossini. This famous piece is based upon the legend of William Tell and has been used in cartoons, movies, and even commercials! Listen to the Overture to William Tell and see if you recognize it! https://www.youtube.com/watch?v=YIbYCOiETx0 Read the Legend of William Tell. This was Rossini’s inspiration for writing the opera! THE LEGEND OF WILLIAM TELL William Tell is a Swiss folk hero. As the legend goes, William Tell was known as a mighty man who was an expert with the crossbow. After refusing to pay homage to the Austrian emperor, Tell was arrested and the emperor deemed that William and his son Walter be executed. However, the emperor would let them go free if William was able to shoot an apple off the head of his son! Walter nervously stood against a tree and an apple was placed upon his head. William successfully shot the apple from 50 steps away in front of a crowd of onlookers! William Tell and his never ending fight for liberty helped start the rebellion against the emperor and other tyrants as well. FWPHIL.ORG 1 STUDENT ACTIVITIES Activity #1, Overture to William Tell Listen to the musical excerpt again and answer the 5. Although there are no horses in the following questions. Rossini opera, this music was used as the theme song for “The Lone Ranger” 1. Do you recognize the overture to William Tell? as he rode his galloping horse! It has however, been used in commercials and even cartoons! Where else have you heard this piece? Explain. -
La Nuova Musica (1896-1919)
La Nuova Musica (1896-1919) The music periodical La Nuova musica [NMU] was first published on 31 January 1896 by its founder, the pianist and composer Edgardo Del Valle de Paz (1861- 1920), a professor of piano at the Istituto Musicale in Florence, who directed and administered the journal without interruption until its final issue. NMU was published monthly from 1896 to 1907, fortnightly from 1908 to 1910, bimonthly during 1911 and fortnightly from 1912 to its cessation. Throughout the publication pages measuring 34 x 25 cm. are printed in three column format and are numbered beginning with number 1 for successive years. La Nuova musica documents Florentine music history and bridges a gap existing in Italian music periodical literature since 1882, when the earlier Florentine periodical Boccherini (1862-1882) ceased publication. The aim of the periodical is to diffuse by print the most notable music, to raise the musical level of the public by making it aware of the most excellent works of our masters, to give our young composers an opportunity to publicize in print their first compositions, [and] to express openly their opinions. Each issue of NMU contains two sections: testo, features articles about music events and music criticism, and constitutes the main six or eight page section of the periodical; and, musica, a supplement of eight pages consisting of two or three compositions for piano or for voice and piano. This two-fold structure is suspended beginning with the first issue of 1909. The first pages of each issue are generally reserved for a critical essay concerning contemporary topics, followed by an article of historical interest. -
The Italian Girl in Algiers
Opera Box Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Gioachino Rossini – a biography .............................45 Catalogue of Rossini’s Operas . .47 2 0 0 7 – 2 0 0 8 S E A S O N Background Notes . .50 World Events in 1813 ....................................55 History of Opera ........................................56 History of Minnesota Opera, Repertoire . .67 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................71 Elements of Opera .......................................72 Glossary of Opera Terms ..................................76 GIOACHINO ROSSINI Glossary of Musical Terms .................................82 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .85 Word Search, Crossword Puzzle . .88 Evaluation . .91 Acknowledgements . .92 CHARLES GOUNOD JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 The Italian Girl in Algiers Opera Box Lesson Plan Title Page with Related Academic Standards lesson title minnesota academic national standards standards: arts k–12 for music education 1 – Rossini – “I was born for opera buffa.” Music 9.1.1.3.1 8, 9 Music 9.1.1.3.2 Theater 9.1.1.4.2 Music 9.4.1.3.1 Music 9.4.1.3.2 Theater 9.4.1.4.1 Theater 9.4.1.4.2 2 – Rossini Opera Terms Music -
550533-34 Bk Mahler EU
CASELLA Divertimento for Fulvia Donatoni Music for Chamber Orchestra Ghedini Concerto grosso Malipiero Imaginary Orient Orchestra della Svizzera italiana Damian Iorio Alfredo Casella (1883-1947): Alfredo Casella (1883-1947) • Franco Donatoni (1927-2000) Divertimento per Fulvia (Divertimento for Fulvia), Op. 64 (1940) 15:21 Giorgio Federico Ghedini (1892-1965) • Gian Francesco Malipiero (1882-1973) 1 I. Sinfonia (Overture). Allegro vivace e spiritoso, alla marcia 2:05 2 II. Allegretto. Allegretto moderato ed innocente 1:42 ‘A crucial figure: few modern musicians in any country can advised Casella’s parents that to find tuition that would do 3 II. Valzer diatonico (Diatonic Waltz). Vivacissimo 1:43 compare with him for sheer energy, enlightenment and justice to his talent, they would need to send him abroad. persistence in his many-sided activities as leader, 1896 was a watershed in Casella’s life: his father died, 4 VI. Siciliana. Molto dolce e espressivo, come una melodia popolare (Very sweet and expressive, like a folk melody) 2:25 organiser, conductor, pianist, teacher and propagandist – after a long illness; and he moved to Paris with his mother one marvels that he had any time left for composing.’ The to study at the Conservatoire. Casella was to remain in 5 V. Giga (Jig). Tempo di giga inglese (English jig time) (Allegro vivo) 1:54 musician thus acclaimed by the English expert on Italian Paris for almost twenty years, cutting his teeth in the most 6 VI. Carillon. Allegramente 1:05 music John C.G. Waterhouse was Alfredo Casella – who dynamic artistic milieu of the time as pianist, composer, 7 VII. -
Late Fall 2020 Classics & Jazz
Classics & Jazz PAID Permit # 79 PRSRT STD PRSRT Late Fall 2020 U.S. Postage Aberdeen, SD Jazz New Naxos Bundle Deal Releases 3 for $30 see page 54 beginning on page 10 more @ more @ HBDirect.com HBDirect.com see page 22 OJC Bundle Deal P.O. Box 309 P.O. 05677 VT Center, Waterbury Address Service Requested 3 for $30 see page 48 Classical 50% Off beginning on page 24 more @ HBDirect.com 1/800/222-6872 www.hbdirect.com Classical New Releases beginning on page 28 more @ HBDirect.com Love Music. HBDirect Classics & Jazz We are pleased to present the HBDirect Late Fall 2020 Late Fall 2020 Classics & Jazz Catalog, with a broad range of offers we’re sure will be of great interest to our customers. Catalog Index Villa-Lobos: The Symphonies / Karabtchevsky; São Paulo SO [6 CDs] In jazz, we’re excited to present another major label as a Heitor Villa-Lobos has been described as ‘the single most significant 4 Classical - Boxed Sets 3 for $30 bundle deal – Original Jazz Classics – as well as a creative figure in 20th-century Brazilian art music.’ The eleven sale on Double Moon, recent Enlightenment boxed sets and 10 Classical - Naxos 3 for $30 Deal! symphonies - the enigmatic Symphony No. 5 has never been found new jazz releases. On the classical side, HBDirect is proud to 18 Classical - DVD & Blu-ray and may not ever have been written - range from the two earliest, be the industry leader when it comes to the comprehensive conceived in a broadly Central European tradition, to the final symphony 20 Classical - Recommendations presentation of new classical releases. -
Giuseppe Martucci (Geb. Capua, 6. Januar 1856 — Gest. Neapel, 1
Giuseppe Martucci (geb. Capua, 6. Januar 1856 — gest. Neapel, 1. Juni 1909) La Canzone dei Ricordi (1886-87/orch. 1899) Poemetto lirico di Rocco E. Pagliara I Svaniti, non sono i sogni. Andantino p. 1 II Cantava’l ruscello la gaia canzone. Allegretto con moto p. 10 III Fior di ginestra. Andantino – Allegretto giusto – Tempo I p. 35 IV Sul mar la navicella. Allegretto con moto p. 53 V Un vago mormorio mi giunge. Andante p. 66 VI Al folto bosco, placida ombria. Andantino con moto – Allegro agitato – Tempo I p. 83 VII No, svaniti non sono i sogni. Andantino p. 117 Vorwort Als der Pionier der Wiederbelebung der italienischen Instrumentalmusik in einer Zeit, die fast ausschließlich auf die Oper konzentriert war, ist der Römer Giovanni Sgambati (1841-1914) anzusehen, Günstling Liszts und Wagners, exzellenter Pianist, Dirigent und Komponist. Ihm folgte Giuseppe Martucci, Sohn eines Trompeters und Kapellmeisters und ebenfalls als Pianist (von Liszt und Anton Rubinstein bewundert), Dirigent und Komponist eine herausragende, noch weit markantere und schöpferisch fruchtbarere Persönlichkeit. Der Dirigent Martucci setzte in Italien nicht nur Richard Wagners Musik durch (italienische Erstaufführung von Tristan und Isolde am 2. Juni 1888 im Teatro Comunale zu Bologna), sondern setzte sich auch nachdrücklich für Johannes Brahms, Carl Goldmark (1830-1915), Richard Strauss, Edouard Lalo (1823-92), Claude Debussy, Arthur Sullivan (1842-1900), Charles Villiers Stanford (1852-1924) u. a. ein. Siebenjährig trat Martucci erstmals öffentlich als Pianist auf, mit elf Jahren begann er sein Studium am Conservatorio di San Pietro a Majella zu Neapel, wo der Mercadante-Schüler Paolo Serrao (1830-1907) sein Kompositionslehrer war. -
LEGNANI Rossini Variations
Luigi LEGNANI Rossini Variations L’Italiana in Algeri Guillaume Tell Armida • Zelmira La Cenerentola La donna del lago Marcello Fantoni, Guitar Luigi Legnani (1790–1877): Rossini Variations Luigi Legnani, guitarist and composer, born in Ferrara, Italy, 1813. Stendhal commented ‘When Rossini wrote studied in his early years to be an orchestral string player. ‘L’Italiana his youthful genius was bursting into flower’. The Rossini – L’Italiana in Algeri (The Italian Girl in ™ Variation 1: Più mosso 1:06 But he branched off into singing and appeared in operas Overture begins with a dramatic Largo section. This is £ Algiers): “Gran Sinfonia”, Op. 2 8:33 Variation 2: Più lento 0:51 by Rossini, Pacini and Donizetti as a tenor following his followed by a lively Allegro spiritoso. 1 Largo 1:42 ¢ Variation 3: Tempo primo 0:53 debut in Ravenna in 1807. He began his concert career as The setting for the opera is the palace of the Bey of 2 Allegro spiritoso 6:51 ∞ Variation 4 1:01 a guitarist in Milan in 1819, and performed in Vienna in Algiers. The first scene introduces a chorus of the eunuchs § Variation 5: Minore, Un poco più moderato 2:27 Rossini – Guillaume Tell: Overture, Op. 202 1822, later touring Italy, Germany, and Switzerland, of the harem. Elvira, the Bey’s wife, complains that her (excerpts) 7:40 ¶ Variation 6: Allegro brillante 1:22 His friendship with Paganini who described him as ‘the husband no longer loves her. Haly, the captain of the Bey’s 3 Andante 3:15 • Coda 1:24 leading player of the guitar’ has often been written about corsairs, is told to go and find an Italian wife for the Bey. -
A Comprehensive Guitar Series
Bridges TM A Comprehensive Guitar Series “This new edition, in my opinion, is very close to being THE definitive word on classical guitar instruction – period.” Patrick Kearney, international concert artist and professor of classical guitar at Vanier College and Concordia University Bridges TM Introduction Bridges™ is the fourth edition of the renowned Guitar Series, originally published in 1989 to international acclaim. This edition aims to provide students with a clear, well-paced route for their musical development; to nurture the technique necessary to successfully meet those developmental challenges; and to expose students to the full range of the instrument’s repertoire. The chosen repertoire and studies at any given level fall within a carefully sequenced range of technical and musical difficulty. From the late elementary to early advanced levels students can be assured that their learning path will be well rounded and complete. Some of the most notable features of Bridges™ are: the inclusion of guitar masterpieces by such beloved guitar composers as Agustín Barrios, Heitor Villa-Lobos, and Leo Brouwer minimal fingering suggestions, leaving teachers more flexibility and a clearer score from which to work a balance of style choices for repertoire and studies in all levels The well-rounded guitarist will have an understanding of the instrument’s history as well as practical experience with a wide range of repertoire from all historical periods and styles. Guided by this principle, the series editors have drawn on more than 500 years’ worth of guitar and lute music. Each book features compositions from the Renaissance to the present day; by learning music from each style period, students will gain a comprehensive overview of the evolution of musical styles.