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Bibliography19802017v2.Pdf
A LIST OF PUBLICATIONS ON THE HISTORY OF WARWICKSHIRE, PUBLISHED 1980–2017 An amalgamation of annual bibliographies compiled by R.J. Chamberlaine-Brothers and published in Warwickshire History since 1980, with additions from readers. Please send details of any corrections or omissions to [email protected] The earlier material in this list was compiled from the holdings of the Warwickshire County Record Office (WCRO). Warwickshire Library and Information Service (WLIS) have supplied us with information about additions to their Local Studies material from 2013. We are very grateful to WLIS for their help, especially Ms. L. Essex and her colleagues. Please visit the WLIS local studies web pages for more detailed information about the variety of sources held: www.warwickshire.gov.uk/localstudies A separate page at the end of this list gives the history of the Library collection, parts of which are over 100 years old. Copies of most of these published works are available at WCRO or through the WLIS. The Shakespeare Birthplace Trust also holds a substantial local history library searchable at http://collections.shakespeare.org.uk/. The unpublished typescripts listed below are available at WCRO. A ABBOTT, Dorothea: Librarian in the Land Army. Privately published by the author, 1984. 70pp. Illus. ABBOTT, John: Exploring Stratford-upon-Avon: Historical Strolls Around the Town. Sigma Leisure, 1997. ACKROYD, Michael J.M.: A Guide and History of the Church of Saint Editha, Amington. Privately published by the author, 2007. 91pp. Illus. ADAMS, A.F.: see RYLATT, M., and A.F. Adams: A Harvest of History. The Life and Work of J.B. -
14 December 2012 Page 1 of 11 SATURDAY 08 DECEMBER 2012 4:34 AM Favourite Piece of Music to the Rest of the UK
Radio 3 Listings for 8 – 14 December 2012 Page 1 of 11 SATURDAY 08 DECEMBER 2012 4:34 AM favourite piece of music to the rest of the UK. In the run up to Sibelius, Jean (1865-1957) Christmas we'll be hearing about music that reminds listeners of SAT 01:00 Through the Night (b01p2wc3) Serenade No.1 in D major for violin & orchestra (Op.69a) the festive season. Jonathan Swain a recital from the 66th International Chopin Judy Kang (violin), Orchestre Symphonique de Laval, Jean- Festival in Duszniki Zdrój in Poland - Tonight Daniil Trifonov - François Rivest (conductor) winner of the 2011 Tchaikovsky Piano Competition. SAT 09:00 CD Review (b01p3mb1) 4:42 AM Building a Library: Bartok: Concerto for Orchestra 1:01 AM Tárrega, Francisco (1852-1909) Schubert, Franz [1797-1828] Recuerdos de la Alhambra With Andrew McGregor. Including Building a Library: Bartok: 4 Schubert Song transcriptions by Liszt, Franz [1811-1886] Ana Vidović (guitar) Concerto for Orchestra; Chamber music, by Schubert, Mozart, Daniil Trifonov (piano) Messiaen; Disc of the Week: Prokofiev: Violin Concerto No 2. 4:47 AM 1:17 AM Schein, Johann Hermann (1586-1630) Schumann, Robert [1810-1856] No.26 Canzon for 5 instruments in A minor 'Corollarium' - SAT 12:15 Music Matters (b01p3mb3) Widmung (Dedication), from 'Myrten, op. 25/1, (S. 566) from Banchetto Musicale, Leipzig (1617) Jonathan Harvey Tribute, William Christie, Royal Northern Daniil Trifonov (piano) Hesperion XX, Jordi Savall (descant viola da gamba & director) College of Music 1:21 AM 4:51 AM Tom Service pays tribute to composer Jonathan Harvey. Plus Liszt, Franz [1811-1886] Rossini, Gioachino (1792-1868) conductor William Christie and a celebration of 40 years of the La campanella, No. -
Music List for Lent, Holy Week & Easter 2019
Music List for Lent, Holy Week & Easter 2019 (click on the hyperlinks to listen to the pieces – internet access required) Tuesday, March 5th (Eve of Lent) Friday, March 15th Early Christian music Cristobal Morales (1500-1553) Explanation / history of Gregorian chant Circumdederunt me Gregorian chant short explanation Lamentatio Zain Gregorian chant Regina Caeli Saturday, March 16th Thomas Tallis (1505-1585) Ash Wednesday, March 6th Gregorio Allegri (1582-1652) Miserere Spem in alium With different ornamentations Traditional ornamentation Sunday, March 17th Jacobus Clemens non Papa (1510-56) Thursday, March 7th O Maria Vernans Rosa Orthodox- traditional hymn / song Ego Flos Campi Agni parthene Monday, March 18th Friday, March 8th Giovanni Palestrina (1525-1594) Kassia (810-865) Missa papae Marcelli kyrie Sicut Cervus (Like a Saturday, March 9th Hildegard of Bingen (1098-1179) Tuesday, March 19th Ordo virtutum excerpt Robert Parsons (1530-1570) Kyrie Ave Maria Sunday, March 10th Wednesday, March 20th Guillaume de Machaut (1300-1377) Orlande de Lassus (1532-1594) Messe de notre dame Tristis est anima mea Iustorum animae Monday, March 11th Leonel Power (1375/1385-1445) Anima Thursday, March 21st mea William Byrd (1543-1623) Ave Verum Corpus Tuesday, March 12th Ne irascaris domine John Dunstaple (1380-1453) Mass for 4 voices Kyrie Salve scema sanctitatis Mass for 4 voices Agnus Dei Wednesday, March 13th Friday, March 22nd Josquin Des Prez (1440-1521) Jacob Handl (1550-1591) Ave Maria Pater Noster Qui Habitat- psalm 90 v 1-8 Ecce Quomodo Moritur -
Oct 12 to 18.Txt
CLASSIC CHOICES PLAYLIST Oct. 12 - 18, 2020 PLAY DATE: Mon, 10/12/2020 6:02 AM Antonio Vivaldi Concerto for violin, 2 flutes, 2 oboes & 6:13 AM Wolfgang Amadeus Mozart Symphony No. 27 6:29 AM Arcangelo Corelli Concerto Grosso No. 6 6:44 AM Johann Nepomuk Hummel Gesellschafts Rondo 7:02 AM Michel Richard Delalande Suite No. 12 7:16 AM Muzio Clementi Piano Sonata 7:33 AM Mademoiselle Duval Suite from the Ballet "Les Génies" 7:46 AM Georg (Jiri Antonin) Benda Sinfonia No. 9 8:02 AM Johann David Heinichen Concerto for fl,ob,vln,clo,theorbo,st,bc 8:12 AM Franz Joseph Haydn String Quartet 8:31 AM Joan Valent Quatre Estacions a Mallorca 9:05 AM Ralph Vaughan Williams Symphony No. 3 9:41 AM Robert Schumann Fantasiestucke 9:52 AM Ralph Vaughan Williams Silent Noon 10:00 AM Wolfgang Amadeus Mozart LA CLEMENZA DI TITO: Overture 10:06 AM Wolfgang Amadeus Mozart Violin Sonata No. 27 10:24 AM Wolfgang Amadeus Mozart Flute & Harp Concerto (mvmt 2) 10:34 AM Wolfgang Amadeus Mozart Divertimento No. 1 10:49 AM Wolfgang Amadeus Mozart Sonata for 2 pianos 11:01 AM Mark Volker Young Prometheus 11:39 AM Georg Philipp Telemann Paris Quartet No. 2:TWV 43: a 3 12:00 PM Ludwig Van Beethoven Wellington's Victory (Battle Symphony) 12:14 PM Ludwig Van Beethoven Piano Sonata No. 6 12:28 PM Johann Strauss, Jr. Wine, Women & Song 12:40 PM John Ireland Piano Trio No. 2 12:54 PM Michael Kamen CRUSOE: Marooned 1:02 PM Mark O'Connor Trio No. -
2. French Baroque Sacred Choral Music 1643-1774
2. FRENCH BAROQUE SACRED CHORAL MUSIC 1643-1774 By Jason Allen Anderson 1) Historical Context a) Spanned the reigns of four Bourbon kings and three regents b) Restrict our study to the last two regents and kings i) Anne of Austria, Regent for Louis XIV (1643-1651) ii) Louis XIV ‘Le Roi Soleil’ (1643-1715) iii) Philippe d’Orléans, Regent for Louis XV (1715-1723) iv) Louis XV (1715-1774) 2) Hallmarks of the French Baroque Musical Style a) Galant “ornamented with many small figures and passages” (Grove Online) b) Rococo “A term from decorative art that has been applied by analogy to music, especially French music, of the 18th century” (Grove Online) i) Originated in France during the last years of the 17th century ii) Born of a relaxation of the rules of French classicism iii) Derivation of the term (rocaille, ‘shellwork’) is post facto and pejorative, like most critical descriptions of the style c) Slow to adopt Italian innovations, such as oratorio, basso continuo, the recitative, the formal aria, and the concertato d) Church music in France is very different from church music elsewhere on the continent (Palisca 265). i) Causes of reluctance to adopt above innovations include: (1) Control of the monarch (often at the insistence of Lully) on all matters related to music, art, architecture, dance—in essence all the fine and performing arts in an attempt to cultivate a French national style; consequently, (2) Musicians from other parts of Europe rarely found employment in the musical establishments of both court and church in France; thus, the other national styles were unable to penetrate those establishments through foreigners. -
Page 645 H-France Review Vol. 6 (December 2006), No. 149 Lionel
H-France Review Volume 6 (2006) Page 645 H-France Review Vol. 6 (December 2006), No. 149 Lionel Sawkins, A Thematic Catalogue of the Works of Michel-Richard de Lalande (1657-1726). Oxford and New York: Oxford University Press, 2005. xlvii + 700 pp. Tables, colour plate, figures, facsimiles, music examples, bibliography, and index of titles and first lines. $225.00 U.S. (cl). ISBN 0-19-816360-6. Review by Graham Sadler, University of Hull. A musical time-traveller from the ancien régime would surely be amazed at the low profile nowadays suffered by Michel-Richard de Lalande. Here was a composer who held many of the most coveted musical posts at the courts of Louis XIV and XV, who developed sacred music in the Sun King’s chapel to its highest peak, and whose legacy of grands motets formed the core repertory of the Concert spirituel for almost half a century after his death.[1] Yet no modern Opera omnia exists; indeed, with the exception of privately produced editions, only a dozen of the sixty-five more-or-less complete grands motets have been published during the past four decades, while earlier editions are, for various reasons, virtually unusable today. The secular works have, for the most part, fared even less well. Such lack of readily available editions has seriously hampered the dissemination of Lalande’s music. Despite the sterling efforts of organisations like the Centre de la Musique Baroque de Versailles, performances remain relatively few and first-class recordings fewer still. Even specialist groups like Les Arts Florissants, La Simphonie du Marais, and Ex Cathedra have between them issued scarcely more than half-a-dozen Lalande CDs. -
MONTEVERDI Vespro Della Beata Vergine
95188 MONTEVERDI Vespro della Beata Vergine ENSEMBLE SAN FELICE Madonna con il Bambino, una santa martire e Pietro (1555 –60) by Paolo Veronese Federico Bardazzi Claudio Monteverdi 1567–1643 9 VI CONCERTO Pulchra es 3’46 motet for two voices Vespro della Beata Vergine Elena Cecchi Fedi, Laura Andreini soloists CD1 52’58 10 VII ANTIPHONA Hortus conclusus est (II) 0’24 11 PSALMUS 121 [122] Laetatus sum 5’34 1 IN PRINCIPIO HORARUM 1’47 for six-part choir I Deus, in adjutorium meum intende Elena Cecchi Fedi, Laura Andreini, Mya Fracassini, II Domine ad adjuvandum Davide Fior, Massimo Crispi, Leonardo Sagliocca soloists for six-part choir and six instruments, ad libitum 12 ANTIPHONA Hortus conclusus est (II) 1’08 III COLLECTA Ambulantibus in atriis domus tuae omnipotens Deus 2 III ANTIPHONA Laeva ejus (IV A*) 0’17 3 PSALMUS 109 [110] Dixit Dominus 6’05 13 VIII CONCERTO Duo Seraphim 5’03 for six-part choir and six instruments motet for two, then three voices Elena Cecchi Fedi, Laura Andreini, Floriano D’Auria, Davide Fior, Massimo Crispi, Salvatore Porroni soloists Davide Fior, Massimo Crispi, Giovanni Guerini soloists 4 ANTIPHONA Laeva ejus (IV A*) 1’08 14 IX ANTIPHONA Quo abiit dilectus tuus (VI F) 0’25 I COLLECTA Ante luciferum genite 15 PSALMUS 126 [127] Nisi Dominus 3’59 for ten-part choir 5 IV CONCERTO Nigra sum 3’31 16 ANTIPHONA Quo abiit dilectus tuus (VI F) 1’06 motet for solo voice IV COLLECTA Domorum spiritalium aedificator Deus Massimo Crispi soloist 17 X CONCERTO Audi coelum 6’16 6V ANTIPHONA Jam hiems transiit (VIII G) 0’22 motet -
Magnificat Dies Irae
Bach Magnificat Delalande Dies Irae ENSEMBLE VOCAL ET INSTRUMENTAL À BOUT DE SOUFFLE DIRECTION STÉPHANE DELINCAK Première partie Prose pour la Messe des morts, pour solistes, chœurs et orchestre. Dies « Faitte en 1690 pour la pompe funebre de Madame la Dauphine, Bavierre.» Restitution, écriture des parties intermédiaires : Stéphane Delincak, avec Irae l’aide précieuse de Pascal Duc. de Michel-Richard Dies irae (tous les dessus) Delalande Quantus tremor (chœur) Tuba mirum (basse-taille) Mors stupebit (chœur) Liber scriptus (haute-contre) Recordare (chœur) Quaerens me (deux dessus) Juste judex (basse-taille) Inter oves (chœur) Oro supplex (dessus) Lacrimosa (haute-contre, taille, basse) Pie Jesu (chœur) Deuxième partie Magnificat anima mea (chœur) Et exultavit spiritus meus (soprano 2) Magnificat Quia respexit humilitatem (soprano 1) Omnes generationes (chœur) BWV 243 Quia fecit mihi magna (basse) de Jean-Sébastien Bach Et misericordia (alto, ténor) (1723) Fecit potentiam (chœur) Deposuit potentes (ténor) Esurientes implevit bonis (alto) Suscepit Israel (chœur trio) Sicut locutus est (chœur) Goria Patri (chœur) Distribution SoliSteS lyriqueS : Six chanteurS orcheStre baroque : vingt-deux inStrumentiSteS soprano 1 (premier dessus), six violons soprano 2 (second dessus), trois altos alto, deux violoncelles ténor (haute-contre), une contrebasse second ténor, deux hautbois (jouant le hautbois d’amour) baryton (basse-taille) deux traversos un basson chœur À bout de Souffle : trois trompettes cinquante chanteurS une percussion un orgue jouant le clavecin Du Dies irae Michel-Richard Delalande / au Magnificat Jean-Sébastien Bach Après le succès des opéras Anacréon et Actéon de Jean-Philippe Rameau et Marc-Antoine Charpentier, À bout de souffle continue d’explorer la richesse de la dramaturgie et de l’expressivité de la musique baroque, mais cette fois, côté sacré. -
A Comprehensive Guitar Series
Bridges TM A Comprehensive Guitar Series “This new edition, in my opinion, is very close to being THE definitive word on classical guitar instruction – period.” Patrick Kearney, international concert artist and professor of classical guitar at Vanier College and Concordia University Bridges TM Introduction Bridges™ is the fourth edition of the renowned Guitar Series, originally published in 1989 to international acclaim. This edition aims to provide students with a clear, well-paced route for their musical development; to nurture the technique necessary to successfully meet those developmental challenges; and to expose students to the full range of the instrument’s repertoire. The chosen repertoire and studies at any given level fall within a carefully sequenced range of technical and musical difficulty. From the late elementary to early advanced levels students can be assured that their learning path will be well rounded and complete. Some of the most notable features of Bridges™ are: the inclusion of guitar masterpieces by such beloved guitar composers as Agustín Barrios, Heitor Villa-Lobos, and Leo Brouwer minimal fingering suggestions, leaving teachers more flexibility and a clearer score from which to work a balance of style choices for repertoire and studies in all levels The well-rounded guitarist will have an understanding of the instrument’s history as well as practical experience with a wide range of repertoire from all historical periods and styles. Guided by this principle, the series editors have drawn on more than 500 years’ worth of guitar and lute music. Each book features compositions from the Renaissance to the present day; by learning music from each style period, students will gain a comprehensive overview of the evolution of musical styles. -
A Historical and Critical Analysis of 36 Valses Di Difficolta Progressiva, Op
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 A Historical and Critical Analysis of 36 Valses di Difficolta Progressiva, Op. 63, by Luigi Legnani Adam Kossler Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A HISTORICAL AND CRITICAL ANALYSIS OF 36 VALSES DI DIFFICOLTA PROGRESSIVA, OP. 63, BY LUIGI LEGNANI By ADAM KOSSLER A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2012 Adam Kossler defended this treatise on January 9, 2012. The members of the supervisory committee were: Bruce Holzman Professor Directing Treatise Leo Welch University Representative Pamela Ryan Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements ii ACKNOWLEDGEMENTS I would first like to thank my guitar teachers, Bill Kossler, Dr. Elliot Frank, Dr. Douglas James and Bruce Holzman for their continued instruction and support. I would also like to thank Dr. Leo Welch for his academic guidance and encouragement. Acknowledgments must also be given to those who assisted in the editing process of this treatise. To Ruth Bass, Dr. Leo Welch, Bill Kossler, Lauren Kossler and Jamie Parks, I am forever thankful for your contributions. iii TABLE OF CONTENTS List of Musical -
CD Project – October 2010
CD Project – October 2010 2.1675 – La Calisto – Cavalli No Score 2.1676 – Magnificat and Christmas Oratorio – J.S. Bach Magnificat M 2020 B16 S.243 1959B; Barenreiter Magnificat M 2020 B16 S.243 1959; Lea Pocket Scores Christmas Oratorio M 2000 B15 W27 1992; Dover Christmas Oratorio M 2003 B33 W432 1800; Peters 2.1677 – Grieg Sonata for Piano and Cello in A minor; Schumann Adagio and Allegro; Chopin Sonata for Piano and Cello in G minor Grieg M 238 G75 OP.36 1994; International; arr. bass and piano Schumann M 230 S38 K66 1950; Peters Chopin M 269 C52 OP.65 1969; MMB Music; Movement 3 ONLY 2.1678 – Renaissance Love Songs Compilation 2.1679 – Quartet in D minor, D810 & Quartet in A minor, D804 – Schubert BOTH; M 452 S36 D.703- 1976; International 2.1681 – Alfred – Thomas Arne M 2.3 G7 M8 V.47; Published for the Musica Britannica Trust [by] Stainer and Bell 2.1682 – Symphony No. 5 and Symphony No. 7 – Beethoven No. 5 M 1001 B4 OP.67 1971; Norton No. 5 M 1001 B4 OP.67 1946; Pro Art No. 5 M 1001 B4 OP.67 192-; Eulenberg No. 7 M 1001 B4 OP.92 1987; Eulenberg BOTH M 1001 B4 S95 1935; Bonanza Books 2.1683 – Slavonic Dance in B, The Water Goblin & Symphony No. 7 – Dvorak Slavonic Dance – NO SCORE The Water Goblin M 1002 D97 OP.107 198-; Kalmus Symphony No. 7 M 1001 D97 OP.70 1988; Kalmus Symphony No. 7 M 1001 D97 OP.70 1951; Eulenberg 2.1684 – Violin Concerto in D, Op. -
Radio 3 Listings for 12 – 18 March 2016 Page 1
Radio 3 Listings for 12 – 18 March 2016 Page 1 of 20 SATURDAY 12 MARCH 2016 4:17 AM Zemzaris, Imants (b.1951) SAT 01:00 Through the Night (b072j769) The Light springs Berlioz's La damnation de Faust Juris Gailitis (flute), Indulis Suna (violin) Catriona Young presents a performance of Berlioz's La 4:24 AM Damnation de Faust from Brazil, performed by the São Paulo Henderson, Ruth Watson (b. 1932) Symphony Orchestra with conductor Sir Richard Armstrong. Gloria - for SSAA, brass quintet, timpani & percussion The Elmer Iseler Singers, Robert Venables & Robert Devito 1:02 AM (trumpets), Linda Broncesky (horn), Ian Cowie (trombone), Marc Berlioz, Hector (1803-1869) Bonang (tuba), Graham Hargrove & Nicolas Coulter La Damnation de Faust, Op.24 - dramatic legend in 4 parts for (percussion), Lydia Adams (conductor) soloists, chorus and orchestra: Acts 1 & 2 Michael Spyres (tenor).....Faust 4:30 AM Morten Frank Larsen (baritone).....Méphistophélès Nielsen, Carl (1865-1931) Francisco Meira (bass-baritone).....Brander Pan and Syrinx (FS.87) (Op.49) São Paulo Symphony Chorus, Naomi Munakata (director), São Danish National Symphony Orchestra, Michael Schønwandt Paulo Symphony Children's Chorus, Teruo Yoshida (director), (conductor) São Paulo Symphony Young Chorus, Paulo Celso Moura (director), São Paulo Symphony Academic Chorus, Marcos 4:39 AM Thadeu (director), São Paulo Symphony Orchestra, Sir Richard Chaminade, Cécile (1857-1944) Armstrong (conductor) Automne (Op.35 No.2) Valerie Tryon (piano) 2:01 AM Berlioz, Hector (1803-1869) 4:46 AM La Damnation