November 2009 Published by the American Recorder Society, Vol
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Recommended Solos and Ensembles Tenor Trombone Solos Sång Till
Recommended Solos and Ensembles Tenor Trombone Solos Sång till Lotta, Jan Sandström. Edition Tarrodi: Stockholm, Sweden, 1991. Trombone and piano. Requires modest range (F – g flat1), well-developed lyricism, and musicianship. There are two versions of this piece, this and another that is scored a minor third higher. Written dynamics are minimal. Although phrases and slurs are not indicated, it is a SONG…encourage legato tonguing! Stephan Schulz, bass trombonist of the Berlin Philharmonic, gives a great performance of this work on YouTube - http://www.youtube.com/watch?v=Mn8569oTBg8. A Winter’s Night, Kevin McKee, 2011. Available from the composer, www.kevinmckeemusic.com. Trombone and piano. Explores the relative minor of three keys, easy rhythms, keys, range (A – g1, ossia to b flat1). There is a fine recording of this work on his web site. Trombone Sonata, Gordon Jacob. Emerson Edition: Yorkshire, England, 1979. Trombone and piano. There are no real difficult rhythms or technical considerations in this work, which lasts about 7 minutes. There is tenor clef used throughout the second movement, and it switches between bass and tenor in the last movement. Range is F – b flat1. Recorded by Dr. Ron Babcock on his CD Trombone Treasures, and available at Hickey’s Music, www.hickeys.com. Divertimento, Edward Gregson. Chappell Music: London, 1968. Trombone and piano. Three movements, range is modest (G-g#1, ossia a1), bass clef throughout. Some mixed meter. Requires a mute, glissandi, and ad. lib. flutter tonguing. Recorded by Brett Baker on his CD The World of Trombone, volume 1, and can be purchased at http://www.brettbaker.co.uk/downloads/product=download-world-of-the- trombone-volume-1-brett-baker. -
14 December 2012 Page 1 of 11 SATURDAY 08 DECEMBER 2012 4:34 AM Favourite Piece of Music to the Rest of the UK
Radio 3 Listings for 8 – 14 December 2012 Page 1 of 11 SATURDAY 08 DECEMBER 2012 4:34 AM favourite piece of music to the rest of the UK. In the run up to Sibelius, Jean (1865-1957) Christmas we'll be hearing about music that reminds listeners of SAT 01:00 Through the Night (b01p2wc3) Serenade No.1 in D major for violin & orchestra (Op.69a) the festive season. Jonathan Swain a recital from the 66th International Chopin Judy Kang (violin), Orchestre Symphonique de Laval, Jean- Festival in Duszniki Zdrój in Poland - Tonight Daniil Trifonov - François Rivest (conductor) winner of the 2011 Tchaikovsky Piano Competition. SAT 09:00 CD Review (b01p3mb1) 4:42 AM Building a Library: Bartok: Concerto for Orchestra 1:01 AM Tárrega, Francisco (1852-1909) Schubert, Franz [1797-1828] Recuerdos de la Alhambra With Andrew McGregor. Including Building a Library: Bartok: 4 Schubert Song transcriptions by Liszt, Franz [1811-1886] Ana Vidović (guitar) Concerto for Orchestra; Chamber music, by Schubert, Mozart, Daniil Trifonov (piano) Messiaen; Disc of the Week: Prokofiev: Violin Concerto No 2. 4:47 AM 1:17 AM Schein, Johann Hermann (1586-1630) Schumann, Robert [1810-1856] No.26 Canzon for 5 instruments in A minor 'Corollarium' - SAT 12:15 Music Matters (b01p3mb3) Widmung (Dedication), from 'Myrten, op. 25/1, (S. 566) from Banchetto Musicale, Leipzig (1617) Jonathan Harvey Tribute, William Christie, Royal Northern Daniil Trifonov (piano) Hesperion XX, Jordi Savall (descant viola da gamba & director) College of Music 1:21 AM 4:51 AM Tom Service pays tribute to composer Jonathan Harvey. Plus Liszt, Franz [1811-1886] Rossini, Gioachino (1792-1868) conductor William Christie and a celebration of 40 years of the La campanella, No. -
Music List for Lent, Holy Week & Easter 2019
Music List for Lent, Holy Week & Easter 2019 (click on the hyperlinks to listen to the pieces – internet access required) Tuesday, March 5th (Eve of Lent) Friday, March 15th Early Christian music Cristobal Morales (1500-1553) Explanation / history of Gregorian chant Circumdederunt me Gregorian chant short explanation Lamentatio Zain Gregorian chant Regina Caeli Saturday, March 16th Thomas Tallis (1505-1585) Ash Wednesday, March 6th Gregorio Allegri (1582-1652) Miserere Spem in alium With different ornamentations Traditional ornamentation Sunday, March 17th Jacobus Clemens non Papa (1510-56) Thursday, March 7th O Maria Vernans Rosa Orthodox- traditional hymn / song Ego Flos Campi Agni parthene Monday, March 18th Friday, March 8th Giovanni Palestrina (1525-1594) Kassia (810-865) Missa papae Marcelli kyrie Sicut Cervus (Like a Saturday, March 9th Hildegard of Bingen (1098-1179) Tuesday, March 19th Ordo virtutum excerpt Robert Parsons (1530-1570) Kyrie Ave Maria Sunday, March 10th Wednesday, March 20th Guillaume de Machaut (1300-1377) Orlande de Lassus (1532-1594) Messe de notre dame Tristis est anima mea Iustorum animae Monday, March 11th Leonel Power (1375/1385-1445) Anima Thursday, March 21st mea William Byrd (1543-1623) Ave Verum Corpus Tuesday, March 12th Ne irascaris domine John Dunstaple (1380-1453) Mass for 4 voices Kyrie Salve scema sanctitatis Mass for 4 voices Agnus Dei Wednesday, March 13th Friday, March 22nd Josquin Des Prez (1440-1521) Jacob Handl (1550-1591) Ave Maria Pater Noster Qui Habitat- psalm 90 v 1-8 Ecce Quomodo Moritur -
General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
“A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and -
Oct 12 to 18.Txt
CLASSIC CHOICES PLAYLIST Oct. 12 - 18, 2020 PLAY DATE: Mon, 10/12/2020 6:02 AM Antonio Vivaldi Concerto for violin, 2 flutes, 2 oboes & 6:13 AM Wolfgang Amadeus Mozart Symphony No. 27 6:29 AM Arcangelo Corelli Concerto Grosso No. 6 6:44 AM Johann Nepomuk Hummel Gesellschafts Rondo 7:02 AM Michel Richard Delalande Suite No. 12 7:16 AM Muzio Clementi Piano Sonata 7:33 AM Mademoiselle Duval Suite from the Ballet "Les Génies" 7:46 AM Georg (Jiri Antonin) Benda Sinfonia No. 9 8:02 AM Johann David Heinichen Concerto for fl,ob,vln,clo,theorbo,st,bc 8:12 AM Franz Joseph Haydn String Quartet 8:31 AM Joan Valent Quatre Estacions a Mallorca 9:05 AM Ralph Vaughan Williams Symphony No. 3 9:41 AM Robert Schumann Fantasiestucke 9:52 AM Ralph Vaughan Williams Silent Noon 10:00 AM Wolfgang Amadeus Mozart LA CLEMENZA DI TITO: Overture 10:06 AM Wolfgang Amadeus Mozart Violin Sonata No. 27 10:24 AM Wolfgang Amadeus Mozart Flute & Harp Concerto (mvmt 2) 10:34 AM Wolfgang Amadeus Mozart Divertimento No. 1 10:49 AM Wolfgang Amadeus Mozart Sonata for 2 pianos 11:01 AM Mark Volker Young Prometheus 11:39 AM Georg Philipp Telemann Paris Quartet No. 2:TWV 43: a 3 12:00 PM Ludwig Van Beethoven Wellington's Victory (Battle Symphony) 12:14 PM Ludwig Van Beethoven Piano Sonata No. 6 12:28 PM Johann Strauss, Jr. Wine, Women & Song 12:40 PM John Ireland Piano Trio No. 2 12:54 PM Michael Kamen CRUSOE: Marooned 1:02 PM Mark O'Connor Trio No. -
2. French Baroque Sacred Choral Music 1643-1774
2. FRENCH BAROQUE SACRED CHORAL MUSIC 1643-1774 By Jason Allen Anderson 1) Historical Context a) Spanned the reigns of four Bourbon kings and three regents b) Restrict our study to the last two regents and kings i) Anne of Austria, Regent for Louis XIV (1643-1651) ii) Louis XIV ‘Le Roi Soleil’ (1643-1715) iii) Philippe d’Orléans, Regent for Louis XV (1715-1723) iv) Louis XV (1715-1774) 2) Hallmarks of the French Baroque Musical Style a) Galant “ornamented with many small figures and passages” (Grove Online) b) Rococo “A term from decorative art that has been applied by analogy to music, especially French music, of the 18th century” (Grove Online) i) Originated in France during the last years of the 17th century ii) Born of a relaxation of the rules of French classicism iii) Derivation of the term (rocaille, ‘shellwork’) is post facto and pejorative, like most critical descriptions of the style c) Slow to adopt Italian innovations, such as oratorio, basso continuo, the recitative, the formal aria, and the concertato d) Church music in France is very different from church music elsewhere on the continent (Palisca 265). i) Causes of reluctance to adopt above innovations include: (1) Control of the monarch (often at the insistence of Lully) on all matters related to music, art, architecture, dance—in essence all the fine and performing arts in an attempt to cultivate a French national style; consequently, (2) Musicians from other parts of Europe rarely found employment in the musical establishments of both court and church in France; thus, the other national styles were unable to penetrate those establishments through foreigners. -
Reflections 3 Reflections
3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS AUSGABE 2019/2020 AUSGABE | TAUSEND FENSTER Der tschechische Sänger Karel Gott („Und samkeit in der großen Stadt beim Eurovision diese Biene, die ich meine, die heißt Maja …“) Song Contest 1968 in der Royal Albert Hall wurde vor allem durch seine vom böhmischen mit nur 2 Punkten den bescheidenen drei- SONG CONTEST CLUBS Timbre gekennzeichneten, deutschsprachigen zehnten Platz, fi ndet aber bis heute großen Schlager in den 1970er und 1980er Jahren zum Anklang innerhalb der ESC-Fangemeinde. Liebling der Freunde eingängiger U-Musik. Neben der deutschen Version, nahm Karel Copyright: Martin Krachler Ganz zu Beginn seiner Karriere wurde er Gott noch eine tschechische Version und zwei ÖSTERREICHISCHEN vom Österreichischen Rundfunk eingela- englische Versionen auf. den, die Alpenrepublik mit der Udo Jürgens- Hier seht ihr die spanische Ausgabe von „Tau- DUNCAN LAURENCE Komposition „Tausend Fenster“ zu vertreten. send Fenster“, das dort auf Deutsch veröff ent- Zwar erreichte der Schlager über die Ein- licht wurde. MAGAZINDAS DES Der fünfte Sieg für die Niederlande DIE LETZTE SEITE | ections Refl AUSGABE 2019/2020 2 Refl ections 4 Refl ections 99 Refl ections 6 Refl ections IMPRESSUM MARKUS TRITREMMEL MICHAEL STANGL Clubleitung, Generalversammlung, Organisation Clubtreff en, Newsletter, Vorstandssitzung, Newsletter, Tickets Eurovision Song Contest Inlandskorrespondenz, Audioarchiv [email protected] Fichtestraße 77/18 | 8020 Graz MARTIN HUBER [email protected] -
Southwestern Youth Music Festival • Flute Qualified List (Revised 11/2016) 1
Southwestern Youth Music Festival • Flute Qualified List (revised 11/2016) 1. STUDY includes TOTAL TIME PLAYING THE FLUTE - private lessons, school lessons, class lessons, band, orchestra and group study. 2. Choose one (1) selection from proper category. 3. NO PHOTOCOPIED MUSIC MAY BE USED FOR ANY PURPOSE DURING THE FESTIVAL. THIS INCLUDES AND MUSIC USED BY THE ACCOMPANIST OR GIVEN TO THE JUDGES. 4. Edition is optional. Articulation and ornamentation for Baroque music may be at the discretion of the teacher. Please mark in judge’s copy. 5. No repeats except for DaCapos, except as indicated below. 6. MEMORIZATION IS REQUIRED FOR ALL CATEGORIES AND ALL INSTRUMENTS, EXCEPT IN DUO AND ENSEMBLE CATEGORIES. 7. No First Place winner may re-enter the same category the following year. 8. A student may enter a Qualified Category plus Baroque and American but they may not enter Open. Category One Age 11 and under with less than 2 years of study. Burlesque Mozart p. 3, Belwin Master Solos, Flute Easy Vol 1 Song of Hoe arr. Snell p. 6, Belwin Mast Sol., Flu EZ Vol. 1, ed. Snell Bouree Telemann p. 10, Belwin Mast Sol., Flu EZ Vol. 1, ed. Snell Petite Gavotte Handel Voxman Rubank Two Russian Songs (play both) Miaskovsky Rubank Spanish Folk Song Guenther Flute Solos, Level 2, Belwin Le Campanile Bozza “Four Easy Pieces,” Leduc Intermezzo Relmes Billaudot (Presser, Bryn Mawr, PA) Poem Petite Lewellen Belwin March (p. 28) Handel Mel Bay’s Classical Rep for Flute Vol. 1 Suzuki, Book 1, #15, Minuet in G (Allegretto) Bach (play repeats) Category Two Age 11 with more than 2 years of study. -
Instruments of the Orchestra
INSTRUMENTS OF THE ORCHESTRA String Family WHAT: Wooden, hollow-bodied instruments strung with metal strings across a bridge. WHERE: Find this family in the front of the orchestra and along the right side. HOW: Sound is produced by a vibrating string that is bowed with a bow made of horse tail hair. The air then resonates in the hollow body. Other playing techniques include pizzicato (plucking the strings), col legno (playing with the wooden part of the bow), and double-stopping (bowing two strings at once). WHY: Composers use these instruments for their singing quality and depth of sound. HOW MANY: There are four sizes of stringed instruments: violin, viola, cello and bass. A total of forty-four are used in full orchestras. The string family is the largest family in the orchestra, accounting for over half of the total number of musicians on stage. The string instruments all have carved, hollow, wooden bodies with four strings running from top to bottom. The instruments have basically the same shape but vary in size, from the smaller VIOLINS and VIOLAS, which are played by being held firmly under the chin and either bowed or plucked, to the larger CELLOS and BASSES, which stand on the floor, supported by a long rod called an end pin. The cello is always played in a seated position, while the bass is so large that a musician must stand or sit on a very high stool in order to play it. These stringed instruments developed from an older instrument called the viol, which had six strings. -
Clarinet Quarter-Tone Fingering Chart
Clarinet Quarter-Tone Fingering Chart 1st Edition rev.1 2017 Jason Alder www.jasonalder.com ii Author’s Note This clarinet quarter-tone fingering chart developed as a continuation of my initial work of one for bass clarinet, which grew from my extensive playing of contemporary music and study of South-Indian Karnatic music. My focus had been primarily on bass clarinet, so the development of this chart for soprano clarinet didn’t come to realization until some years later as my own need for it arose, occurring simultaneously with a decision to rework the initial bass clarinet chart into a second edition. The first edition for clarinet therefore follows the same conventions as the second edition bass clarinet fingering chart. This first revision revisits a few quarter-tone fingerings around the “break” after I discovered some better ones to use. Jason Alder London, 2017 iii Guide to the Fingering Chart This fingering chart was made using a Buffet R13 clarinet, and thus the fingerings notated are based on the Boehm system. Because some differences may exist between different manufacturers, it is important to note how this system correlates to your own instrument. In some fingerings I have used the Left Hand Ab//Eb key, which not all instruments have. I’ve included this only when its use is an option, but have omitted the outline when it’s not. Many notes, particularly quarter-tones and altissimo notes, can have different fingerings. I have notated what I found to be best in tune for me, with less regard for ease and fluidity of playing. -
Preliminary Results Clarinet, Flute, Horn, Soprano Singer, Trumpet
Performing Arts Aerosol Study Round one preliminary results Clarinet, Flute, Horn, Soprano Singer, Trumpet Study Chairs James Weaver - NFHS Director of Mark Spede – CBDNA President, Performing Arts and Sports Director of Bands, Clemson University Lead Funders Contributing Organizations Supporting Organizations American School Band Directors Association (ASBDA) International Music Council American String Teachers Association (ASTA) International Society for Music Education Arts Education in Maryland Schools (AEMS) League of American Orchestras Association Européenne des Conservatoires/Académies de Louisiana Music Educators Association Musique et Musikhochschulen (AEC) (LMEA) Buffet et Crampon MidWest Clinic Bundesverband der deutschen Minority Band Directors National Association Musikinstrumentenhersteller e.V Music Industries Association Chicago Children's Choir Musical America Worldwide Children's Chorus of Washington National Dance Education Organization Chorus America (NDEO) Confederation of European Music Industries (CAFIM) National Flute Association (NFA) Drum Corps International (DCI) National Guild for Community Arts Education Educational Theatre Association (EdTA) National Music Council of the US European Choral Association - Europa Cantat Percussive Arts Society (PAS) HBCU National Band Directors' Consortium Save the Music Foundation High School Directors National Association (HSBDNA) WGI Sport of the Arts International Conductors Guild Lead Researchers Dr. Shelly Miller Dr. Jelena Srebric University of Colorado Boulder University -
The Collegium Musiculn the Madrigal Singers
, The School ofMusic presents the 20th program of the 1989·90 season C'b Iqi' 1l--1 The Collegium Musiculn Margriet Tindemans, Director Music 'By Hildegard of Bingen The Madrigal Singers Joan Catoni Conlon, Director 16t1i - 2atn Century Motet Masterpieces 2, 1989,8:00 PM /' [~~mber I ·DGGem~r 3. 1989, 3.66 PM Brechemin Auditorium L --I _. d '1& In a vision of true faith Ursula loved the Son of God. But she was mocked Program by the people. Then she received a sign and everybody realized that she was the truely wise one. But the devil came over them and made them strike down those noble women. And all the Elements heard the great cry: O. The Collegium Musicum the red blood ofthe innocent lamb ... Music By Hildegard of Bingen (1098 -1179) c~G\clLA REX NOSTER Instrumental Symphonia o PLANGENS VOX o VIRTUS SAPIENTIE Instrumental Symphonia o VIVENS FONS o VIRTUS SAPIENTIE ........................Antiphone for Divine Wisdom REX NOSTER ........................... Responsory for the Holy Innocents oeMrgy ofwisdom! You circled circling. encompassing all in one path th8l possesses life. Ofyour three wings one soars in heaven. OM sweeps Our King is swift to receive the Blood ofInnocents. Hence the angels sing and resound in praiseS. But even the clouds are grieving over the same the earth and the thirdflies all around us. blood. o PLANGENS VOX .................................. from "Onto Virtutum This song is from the morality play "Onto Virtutum". The Virtues lament KYRIE ELEISON the loss of the soul that has given in to the temptations of the devil. Instrumental Symphonia o VIVENS FONS ...................................