The Pentax Bellows, “Overlooked, Underused and Elegant” Murray O’Neill
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About Raspberry Pi HQ Camera Lenses Created by Dylan Herrada
All About Raspberry Pi HQ Camera Lenses Created by Dylan Herrada Last updated on 2020-10-19 07:56:39 PM EDT Overview In this guide, I'll explain the 3 main lens options for a Raspberry Pi HQ Camera. I do have a few years of experience as a video engineer and I also have a decent amount of experience using cameras with relatively small sensors (mainly mirrorless cinema cameras like the BMPCC) so I am very aware of a lot of the advantages and challenges associated. That being said, I am by no means an expert, so apologies in advance if I get anything wrong. Parts Discussed Raspberry Pi High Quality HQ Camera $50.00 IN STOCK Add To Cart © Adafruit Industries https://learn.adafruit.com/raspberry-pi-hq-camera-lenses Page 3 of 13 16mm 10MP Telephoto Lens for Raspberry Pi HQ Camera OUT OF STOCK Out Of Stock 6mm 3MP Wide Angle Lens for Raspberry Pi HQ Camera OUT OF STOCK Out Of Stock Raspberry Pi 3 - Model B+ - 1.4GHz Cortex-A53 with 1GB RAM $35.00 IN STOCK Add To Cart Raspberry Pi Zero WH (Zero W with Headers) $14.00 IN STOCK Add To Cart © Adafruit Industries https://learn.adafruit.com/raspberry-pi-hq-camera-lenses Page 4 of 13 © Adafruit Industries https://learn.adafruit.com/raspberry-pi-hq-camera-lenses Page 5 of 13 Crop Factor What is crop factor? According to Wikipedia (https://adafru.it/MF0): In digital photography, the crop factor, format factor, or focal length multiplier of an image sensor format is the ratio of the dimensions of a camera's imaging area compared to a reference format; most often, this term is applied to digital cameras, relative to 35 mm film format as a reference. -
Test Pentax 645D an Accessible Medium Format DSLR?
Test Pentax 645D An accessible medium format DSLR? o announce a camera costing With time, cameras evolved, and The 645D sports digital SLR will have no problem card followed by the other, etc.) €10,000 as "accessible" might today the most modern models the classic form of a solid medium working with a 645D. As the overall The Raw format used is DNG, and T sound somewhat strange to (Hasselblad H and Leica S) have format camera. It ergonomics are based on highly in- images can be read directly by many photographers. The term de- abandoned the "body plus inter- is pleasing to tuitive controls, you can instantly Adobe software. Other Raw conver- serves a few explanations. Finan- changeable back" form for a solid handle and find your way around. ters (DxO and others) should very cially, it is justified because a 40 architecture that enables a more ef- comfortable to Original functions are also found use: Pentax has shortly be able to read 645D files. Mpix digital medium format cur- ficient design. This is the type of given it the very in the 645D, for example double The camera handles nicely. The rently sells for more than €15,000, construction used by Pentax. best in APS-C SLR level (front/back and right/left tilt), a grip, which seems a little uncomfor- whereas the Pentax 654D is at The "body plus separate back" ar- ergonomics. A misty landscape Use in the handheld position would be good! camera is less rapid (continuous very useful feature for shooting table at first, turns out to be very ef- Jpeg and Raw €9,900 (including VAT). -
Photokina 2006
John Henshall’s Chip Shop Photokina 2006 John Henshall has been walking miles of aisles at the world’s largest photographic trade show n the early days of digital imaging, all the new products at Photokina Panasonic Lumix L1 could easily be seen in just one I day – even if they were hidden between the new enlargers and other film-based stuff. Today it’s simply impossible for one person to see everything in the six days during which the ‘World of Imaging’ Trade Show is open. That’s why other magazines have teams of reporters. I was there for only three days, during which I also took part in a panel at a conference on Imaging with Mobile Devices . I believe that this is the future of consumer photography and will affect us all, even in the professional sector. Forty four percent of people already use their cellphones as their main camera. No wonder that Carphone Warehouse is the largest supplier of digital cameras in the UK. Nokia had a stand at least five times bigger than two years ago – its first Canon EOS 400D Nikon D80 appearance at Photokina. In 2004 Nokia’s cameras produced a 6 x 4 inch print which could hardly be called photographic quality. This year’s Nokia N93 has a Carl Zeiss Vario-Tessar 3x optical zoom, 3.2MP and produces 2048 x 1536 pixel images which will print to 7 x 5 inches at a full 300 pixels per inch, or to 10 x 8 inches at 200 pixels per inch. It will also Hewlett-Packard Designjet Z-Series Printers produce good quality 640 x 480 pixel video at a full 30fps. -
AG-AF100 28Mm Wide Lens
Contents 1. What change when you use the different imager size camera? 1. What happens? 2. Focal Length 2. Iris (F Stop) 3. Flange Back Adjustment 2. Why Bokeh occurs? 1. F Stop 2. Circle of confusion diameter limit 3. Airy Disc 4. Bokeh by Diffraction 5. 1/3” lens Response (Example) 6. What does In/Out of Focus mean? 7. Depth of Field 8. How to use Bokeh to shoot impressive pictures. 9. Note for AF100 shooting 3. Crop Factor 1. How to use Crop Factor 2. Foal Length and Depth of Field by Imager Size 3. What is the benefit of large sensor? 4. Appendix 1. Size of Imagers 2. Color Separation Filter 3. Sensitivity Comparison 4. ASA Sensitivity 5. Depth of Field Comparison by Imager Size 6. F Stop to get the same Depth of Field 7. Back Focus and Flange Back (Flange Focal Distance) 8. Distance Error by Flange Back Error 9. View Angle Formula 10. Conceptual Schema – Relationship between Iris and Resolution 11. What’s the difference between Video Camera Lens and Still Camera Lens 12. Depth of Field Formula 1.What changes when you use the different imager size camera? 1. Focal Length changes 58mm + + It becomes 35mm Full Frame Standard Lens (CANON, NIKON, LEICA etc.) AG-AF100 28mm Wide Lens 2. Iris (F Stop) changes *distance to object:2m Depth of Field changes *Iris:F4 2m 0m F4 F2 X X <35mm Still Camera> 0.26m 0.2m 0.4m 0.26m 0.2m F4 <4/3 inch> X 0.9m X F2 0.6m 0.4m 0.26m 0.2m Depth of Field 3. -
Astrophotography a Beginner’S Guide
Astrophotography A Beginner’s Guide By James Seaman Copyright © James Seaman 2018 Contents Astrophotography ................................................................................................................................... 5 Equipment ........................................................................................................................................... 6 DSLR Cameras ..................................................................................................................................... 7 Sensors ............................................................................................................................................ 7 Focal Length .................................................................................................................................... 8 Exposure .......................................................................................................................................... 9 Aperture ........................................................................................................................................ 10 ISO ................................................................................................................................................. 11 White Balance ............................................................................................................................... 12 File Formats .................................................................................................................................. -
Does Size Matter.Sanitized-20151026-GGCS
Does Size Matter? What’s New in Small Cameras and Should I Switch? Doug Kaye dougkaye.com [email protected] • Portfolio at DougKaye.com • Co-Host of All About the Gear • Cuba & Street Photography Workshops • Frequent guest on This Week in Photo • Active on Social Media • Portfolio at DougKaye.com • Co-Host of All About the Gear • Cuba & Street Photography Workshops • Frequent guest on This Week in Photo • Active on Social Media The Acronyms • DSLR: Digital Single-Lens Reflex • MILC: Mirrorless Interchangeable-Lens Camera • APS-C: ~1.5x Crop-Factor Sensor Size • MFT: Micro Four-Thirds • LCD: Liquid Crystal Display (rear) • OVF: Optical Viewfinder • EVF: Electronic Viewfinder MILCs • Mirrorless • Interchangeable Lens • Autofocus • Electronic Viewfinder Who’s Who • The Old Guard • Nikon & Canon • The Upstarts • Sony & Fujifilm (Full-Frame and APS-C) • Olympus & Panasonic/Lumix (MFT) • Leica? Samsung? iPhone? DSLR vs. Mirrorless MILC History MILC History • 2004: Epson RD-1 (1st Mirrorless) • 2006: Leica M8 (1st Digital Leica) • 2008: Panasonic G1 (1st MFT) • 2009: Leica M9 (1st Full Frame) • 2010: Sony NEX-5 (1st M-APS-C, Hybrid AF) • 2012: Fuji X-Pro1 (Hybrid VF, X-Trans) • 2013: Olympus OM-D E-M1 • 2014: Sony a7S (High ISO), a7R (36MP) • 2015: Sony a7 II, a7R II, a7S II (Full-Frame IBIS) MILC Advantages • Smaller & Lighter • Simpler & Less Expensive • EVF vs. OVF • Always in LiveView Mode (WYSIWYG) • Accurate Autofocus • Quieter & Less Vibration • Simpler Wide-Angle Lens Designs • Compatible w/Other Lens Mounts MILC Disadvantages • EVF vs. OVF? • Continuous Autofocus Speed/Accuracy • Lack of Accessories • Legacy Wide-Angle Lens Issues Sensor Size • Full 35mm Frame (FF): 1x • APS-C: 1.5x • MFT: 2x Pixel Size • Larger Pixels Capture More Light • Higher ISO, Lower Noise • Broader Dynamic Range • 16MP APS-C = 36MP Full Frame • 16MP MFT = 64MP Full Frame Field of View (FoV) • Smaller sensors just crop the image. -
A Practical Guide to Panoramic Multispectral Imaging
A PRACTICAL GUIDE TO PANORAMIC MULTISPECTRAL IMAGING By Antonino Cosentino 66 PANORAMIC MULTISPECTRAL IMAGING Panoramic Multispectral Imaging is a fast and mobile methodology to perform high resolution imaging (up to about 25 pixel/mm) with budget equipment and it is targeted to institutions or private professionals that cannot invest in costly dedicated equipment and/or need a mobile and lightweight setup. This method is based on panoramic photography that uses a panoramic head to precisely rotate a camera and shoot a sequence of images around the entrance pupil of the lens, eliminating parallax error. The proposed system is made of consumer level panoramic photography tools and can accommodate any imaging device, such as a modified digital camera, an InGaAs camera for infrared reflectography and a thermal camera for examination of historical architecture. Introduction as thermal cameras for diagnostics of historical architecture. This article focuses on paintings, This paper describes a fast and mobile methodo‐ but the method remains valid for the documenta‐ logy to perform high resolution multispectral tion of any 2D object such as prints and drawings. imaging with budget equipment. This method Panoramic photography consists of taking a can be appreciated by institutions or private series of photo of a scene with a precise rotating professionals that cannot invest in more costly head and then using special software to align dedicated equipment and/or need a mobile and seamlessly stitch those images into one (lightweight) and fast setup. There are already panorama. excellent medium and large format infrared (IR) modified digital cameras on the market, as well as scanners for high resolution Infrared Reflec‐ Multispectral Imaging with a Digital Camera tography, but both are expensive. -
Hasselblad V to Fuji GFX Speedbosster Press
Metabones® Introduces Hasselblad V to Fuji G mount (GFX) Speed Booster® Press Release n Los Angeles, CA, USA, Aug 16, 2019: Caldwell Photographic Inc. and Metabones® are pleased to announce a new Speed Booster® Ultra 0.71x, exclusively designed for the exciting new Fuji GFX medium format camera. The initial version is specifically optimized for use with the famous Hasselblad V series lenses. This new Speed Booster uses an advanced 6-element design to achieve excellent optical performance at apertures up to f/1.4 when paired with the Hasselblad 110mm f/2 lens. Although the Fuji GFX uses an extremely large sensor, it is nevertheless significantly smaller than the 6x6 cm film format. The new Speed Booster Ultra 0.71x is an ideal match for 6x6 Hasselblad V lenses since they can now be fully utilized as they were originally designed when mounted to the Fuji GFX. Unlike 35mm format lenses used on the Fuji GFX via glassless adapters, Hasselblad V lenses adapted to the GFX via the Speed Booster Ultra are completely free of disturbing vignetting and other corner issues. In addition to increasing the field of view and lens speed, the new Speed Booster Ultra achieves superb performance by being carefully matched to the unique optical characteristics of the Hasselblad V lenses. All of the Hasselblad V lenses were analyzed for exit pupil size and location, and this was fully taken into account in the new Speed Booster Ultra for the Fuji GFX. This approach dictated the use of extremely large lens elements throughout in order to avoid vignetting and maintain high quality imagery into the corners, but the results speak for themselves. -
Innovation and Recurring Shifts in Industrial Leadership: Three Phases of Change and Persistence in the Camera Industry*
Innovation and Recurring Shifts in Industrial Leadership: Three Phases of Change and Persistence in the Camera Industry* Hyo Kang† Jaeyong Song‡ Forthcoming in Research Policy 46(2), 2017 Abstract This study examines factors underlying three phases of change/persistence in industrial leadership in the segment of interchangeable-lens cameras over the past century. During this period there were two major phases of leadership change, both associated with the emergence of innovations involving major discontinuities in the industry’s core technologies. First, Japan won market leadership from Germany in the mid-1960s after commercializing the single-lens reflex (SLR) camera that replaced the previously dominant German rangefinder camera. Second, in the late-2000s, Japanese latecomer firms and a Korean firm developed Mirrorless cameras, which allowed them to capture the majority of market shares from the incumbent Japanese leaders. We also examine the long period (about 60 years) between these two phases of change, during which leading Japanese firms were able to sustain their market leadership despite the digital revolution from the 1980s to 1990s. This paper explores the factors influencing these contrasting experiences of change and persistence in industry leadership. The analysis integrates several aspects of sectoral innovation systems – i.e., windows of opportunity associated with technology, demand, and institution – as well as the strategies of incumbents and latecomer firms. The conclusions highlight the complex and diverse combinations and importance of the factors that help explain the patterns of leadership shift. Keywords: catch-up cycle; industrial leadership; innovation; interchangeable-lens camera JEL: N70, L63, O33 * This research has been supported by the Center for Global Business and Research, Seoul National University. -
Versatile As a Swiss Army Knife
TECHNOLOGY LENSES VERsatILE AS A SWIss ARMY KNIFE Hasselblad’s new superstar lens isn’t even a real lens: The HTS 1.5 took its makers through uncharted The ingenious HTS 1.5 tilt and territory. It’s the first HC/HCD lens shift adapter enables you to tilt by adapter makes it possible for five HC/HCD lenses to tilt and shift. Plus: ever to employ glass elements with ±10 degrees or shift by ±18 mm. a new universal zoom lens, the HCD 4-5.6/35-90 Aspherical now rounds aspherical surfaces. Aspherical sur- You decide whether you want to faces are known to provide the lens be well-behaved and use it for off the already sizable palette of H lenses. designer with more options, usually perspective corrections or break resulting in more compact designs the rules and place the focal plane with fewer elements. However, it was in unexpected positions BY HANNS W. FRIEDRICH and that creates a big enough mar- to the adapter – tilt, shift and rota- only until recently that aspherical gin for tilting and shifting, while also tion – is registered by sensors and lenses could be made to the required preserving the character of the lens. saved in the image meta data. Every sizes. Compared with the HC 3.5- What use is the best camera with- Mounted on the HTS 1.5, the HCD aberration that arises from the opti- 4.6/50-110, the new zoom lens offers out the best lens? Of course, the lens 4/28 remains a genuine wide-angle cal system as a whole is corrected more wide-angle while being thinner alone won’t create an image – the lens with a 71-degree diagonal and in the computer software thanks to and about one third lighter. -
Back to Basics Information Camera Types/Sensors Sensors & Crop Factor
Information ❖ https://www.cambridgeincolour.com ❖ “Understanding Photography” by S. T. McHugh, 2019 Basic ideas of photography Back to Basics February 25, 2019 Camera Types/Sensors Sensors & Crop Factor ❖ Full frame cameras: Nikon D750 and D8xx, Canon 5D and 6D, Sony Alpha ❖ A full frame sensor is the size of Full frame sensor A7r III, and new Nikon and Canon mirrorless. a 35 mm slide ❖ ❖ Crop frame cameras: all of the rest! APS-C sensors are smaller by some factor. Nikon and Fuji ❖ Mirrorless cameras — full- and crop-frame sensors are (1/1.5) or 2/3 the size of a full-frame. Canon uses 24 mm ❖ Nikon Z6 and Z7, Canon EOS R (1/1.6). ❖ Fuji X-T3, X-T30, Olympus, Sony, …….. ❖ Crop factor = sensor’s diagonal size compared with full-frame ❖ Reflex cameras (have a mirror) tends to be heavier and more expensive. 35-mm sensor. 36 mm Crop Factor & Multiplier Crop Factor & Multiplier ❖ Using an APS-C sensor crops out much of ❖ The focal length multiplier relates to the image. the focal length of a lens used on a ❖ But, advantage is that the sensor is best in small format to a 35 mm lens the middle. producing an equivalent angle of ❖ Full-frame sensors are MUCH more view. expensive .. but generally much better. ❖ EXAMPLE: 18-55 mm lens on Fuji is ❖ File sizes on crop frame cameras are smaller about equivalent to a 24-70 mm lens (e.g., 25 MB vs. 50 MB). on a Nikon D810. Or 200 mm lens on ❖ Smaller sensors can use lighter lenses b/c Fuji is the same as a 300 mm lens on a the image covers less of the sensor. -
Rental List V
Rental List V. 2018.1 February 1, 2018 Leo's Camera Supply -- Rental List Page 1 of 16 Terms and Conditions of Leo's Camera Supply Rentals Availability: Product availability is not guaranteed. To help ensure availability, please book your rental as far in advance as possible (maximum 4 weeks ahead). To aid the staff of Leo's & the renting public, please inform us ASAP of any change in your bookings. This allows us to re-circulate the equipment. Overdue rentals are subject to full daily charge (see late & overdue Rentals). Please call the store to make a booking. We can not guarantee bookings made via email! If a RENTER has a two "NO-SHOW" rental bookings, rental reservation privileges will be suspended. Deposits & Payment: All rentals are prepaid in full at time of pickup. (Visa, M/C, Debit or Cash) Rental Deposits can be made by Visa, M/C, Bank Draft or cash (if paid via credit card, card holder must be present at the time of deposit). (Debit not accepted.) Valid Picture ID is required for all rentals. If the renter is from within B.C. (Picture ID with current local address, i.e., B.C. Drivers License or BCID is acceptable) then a lower deposit applies. (Passport will only accept as proof of ID with recent Government issue letters with local address). If renter is from out of province (out of country) Leo's will request a deposit based on the full replacement value of the equipment to be rented! (see below for additional information.) Leo's Cameras may request a deposit equal to the replacement value of said equipment at their discretion unless prior arrangements have been made.