DOCSLIB.ORG

Mario Kart 8 Para Acelerar O Sucesso Do Wii U

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mario Kart 8 Para Acelerar O Sucesso Do Wii U ÍNDICE Acelerando contra a gravidade Apertem os cintos, pois vem ai Mario Kart 8 para acelerar o sucesso do Wii U. Além de uma matéria especial com tudo sobre o jogo, você conhecerá mais sobre Lakitu e a Rainbow Road e presenciará uma disputa feroz entre Mario Kart e F-Zero. Você ainda ganha um papercraft especial de Mario Kart 8 feito pela equipe Nintendo Blast. Títulos incríveis preenchem as páginas dessa edição, como Child of Light, Theatrhythm Final Fantasy: Curtain Call, Kirby: Triple Deluxe e, é claro, as expectativas para a E3 2014. – Rafael Neves N-BLAST RESPONDE ANÁLISE Perguntas dos Mario Golf World 04 Leitores Tour (3DS) 39 PERFIL BLASTOY 07 Lakitu Metal Mario 47 STAGE SELECT ESPECIAL 11 Rainbow Road Mario Kart 8 (Wii U) 49 PRÉVIA ESPECIAL Theatrhythm Final Fantasy: O que esperar da 18 Curtain Call ( 3DS) Nintendo na E3 2014 68 ANÁLISE BLASTBATTLE 23 Child of Light (Wii U) Mario Kart VS. F-Zero 82 MAIS ONLINE! ANÁLISE BLAST FROM THE PAST Kirby Triple Pokémon Ruby/ 28 Deluxe (3DS) Sapphire (GBA) nintendoblast.com.br 2 / 90 HQ BLAST Corridas mortais por Fernando Souza DIRETOR GERAL / PROJETO GRÁFICO Sérgio Estrella DIRETOR EDITORIAL Rafael Neves DIRETOR DE PAUTAS Rodrigo Estevam DIRETOR DE REVISÃO Alberto Canen DIRETOR DE DIAGRAMAÇÃO Eidy Tasaka REDAÇÃO Alex Sandro Farley Santos Fellipe Camarossi Hugo Pereira Jaime Ninice Luis Antônio Costa REVISÃO Bruna Lima Bruno Nominato Catarine Aurora Jaime Ninice José Carlos Alves Vitor Tibério DIAGRAMAÇÃO Breno Madureira David Vieira Eidy Tasaka Gabriel Leles Leonardo Correia Lucas Paes Maria Rita Pinheiro Ricardo Ronda Tiffany Silva CAPA Douglas Fernandes ASSINE GRATUITAMENTE A REVISTA NINTENDO BLAST! Felipe Araujo Sérgio Estrella E receba todas as edições eem seu smartphone ou tablet com ASSINAR! antecedência, além de brindes, promoções e edições bônus! nintendoblast.com.br 3 / 90 CARTAS ? Diagramação: Eidy Tasaka N-Blast Responde pra vocês, rapeize! Um pouco diferente da coluna semanal do site, na qual são eleitas as melhores perguntas da semana, temos aqui uma seleção perfeita do que foi questionado e esclarecido durante o mês. Leiam, aumentem seus conhecimentos e qualquer dúvida é só perguntar aqui. Carta do mês melhor você não saber sobre ela. Contente-se com a resposta que eu O mistério da menina fantasma de já dei e deixe por isso mesmo, ok? Lumiose City em Pokémon X e Y já foi Você... quer mesmo saber? Muito resolvido? Oque se sabe sobre ela? bem, aos que quiserem saber sobre Anônimo “Ghostgirl” da Silva a outra teoria, continuem lendo... mas não digam depois que eu não avisei pra vocês não lerem! Não, ainda não há a menor explicação do que significa a menina fantasma. Dizem que uma possibilidade seria que ela esteja relacionada a algum evento que vai ser publicado futuramente (Hoopa, um dos Pokémon míticos que ainda serão revelados, é do tipo Psíquico/ Fantasma, então faria sentido). Outra teoria mais inusitada diz que ela poderia estar buscando por uma Muito bem... dizem que há uma pessoa específica, através do seu possibilidade que a Game Freak Trainer ID (já que, ao aparecer, ela nunca tenha colocado a menina diz “Não, você não é ele”). Enfim... fantasma lá. Dizem que, talvez, ela ou ela faz parte de algum evento tenha aparecido por conta própria. ou promoção que a Nintendo ainda Você conhece a história da maldição vai anunciar, ou ela foi colocada lá da música de Lavender Town, nos sem motivo nenhum só pra fazer a jogos Pokémon Red/Green originais, gente morrer de medo. Na verdade... certo? Pra quem não conhece, a há uma outra teoria sobre a menina história resumida é que as primeiras fantasma... mas eu acho que é versões dos primeiros jogos da nintendoblast.com.br 4 / 90 CARTAS série para o Game Boy tinham uma pretos, ela conseguia esconder o música de fundo para a cidade de fone e o fio, então as pessoas não Lavender Town (onde, por sinal, percebiam que ela estava usando-o existe um cemitério Pokémon) que o tempo todo. A música não a levou era tão assustadora e perturbadora ao suicídio, mas sim à loucura. que fazia com que crianças da época, Eventualmente os pais descobriram que ouviam a música continuamente que ela estava usando o fone e por um certo tempo, se suicidassem. ouvindo a música sem parar, mas Nas versões posteriores dos jogos a a essas alturas ela já dizia ouvir a música foi convenientemente alterada música continuamente mesmo sem o e nenhum outro problema aconteceu. fone. Entre as suas coisas, encontrou- Pois então... dizem que uma das se uma quantidade enorme de crianças vítimas da “maldição da pesquisas sobre os criadores dos música de Lavender Town” foi uma jogos originais de Pokémon. Ela foi menininha de 7 anos que tinha uma internada e tratada, mas nunca mais irmã mais velha, de 12. A irmã mais recuperou a sanidade. Dizem que, um velha era super protetora da mais dia, ela simplesmente desapareceu. nova e, quando esta se suicidou Ninguém nunca mais a viu e nenhum depois de ouvir a música de Lavender rastro seu foi encontrado. Acredita-se, Town por muito tempo, a mais velha então, que a menina fantasma de X/Y ficou devastada. A tristeza logo levou seja o espírito da irmã mais velha, que ao ódio... ódio de quem havia levado através do ódio e desejo de vingança a sua querida irmãzinha àquele conseguiu entrar no código dos jogos, destino terrível. Ela jurou vingança, a fim de se espalhar pelo mundo, mas apesar de tudo ela não passava procurar e matar os responsáveis pela de uma menina de 12 anos e ela não morte de sua querida irmãzinha. O tinha muita ideia do que ela poderia problema, entretanto, é que dizem fazer. Então, o que ela fez foi gravar a que ela às vezes age mesmo sem música de Lavender Town em uma fita conseguir identificar com certeza se cassete e, com o uso de um Walkman a pessoa é ou não uma das que ela e fone de ouvido, ela passou a ouvir está procurando... ainda mais quando a música continuamente, sem parar, é noite e tudo está escuro... o.O 24 horas por dia. Ela passava o dia ouvindo a música — em casa, na escola, na rua — e dormia ouvindo a música. Com os seus longos cabelos nintendoblast.com.br 5 / 90 CARTAS Pedra existe alguma diferença entre Pedra, por que o Donkey Kong a sensor bar do Wii com fio e a de de Mario Kart é tão diferente pilha além do tipo alimentação? do DK da série Country? Queria saber também alguns jogos Anônimo “Macacos me Mordam” da Silva bons do Wii (sem ser os mais conhecidos como Mario Galaxy, os dois Zeldas ou Smash Bros Braw). Você quer dizer o Donkey Kong de Anônimo “Sem Sor” da Silva Super Mario Kart, do SNES, não é? Esse DK é tão diferente porque esse jogo foi lançado antes de Donkey Não, fora o tipo de alimentação, Kong Country e a sua aparência foi não há diferença nenhuma. Afinal, o baseada no Donkey Kong Jr., que sensor bar nada mais é do que duas aparecia em algumas continuações lâmpadas LED que o WiiMote usa pra do jogo de arcade original. Quer se localizar. Aliás, você sabia que é dizer então que é outro Donkey possível até substituir o sensor bar por Kong? Na verdade não... a árvore duas velas acesas? Isso mesmo... e não genealógica do gorilão é um pouco é macumba não, é ciência! Quanto difícil de entender, mas de acordo aos jogos do Wii, eu sugiro que você com informações oficiais, o antigo dê uma olhada na matéria que meus Donkey Kong Jr. é o Donkey Kong subordinados escreveram, elegendo que conhecemos hoje e o Donkey os melhores jogos do console. Vários Kong original — que enfrentou o são os óbvios que você citou, mas Mario “Jumpman” — é, na verdade, há outros menos conhecidos lá. Cranky Kong. A última vez em que a forma “Júnior” do DK apareceu como personagem jogável foi no Pedra, se eu deixar dois Mario Tennis do Nintendo 64. Pokémon machos no Daycare vai aparece um ovo? Anônimo “Ovíparo” da Silva Ora, é claro que não! Nenhum preconceito contra machos que queiram passar um tempo no Daycare com outros machos, mas nenhum ovo vai sair disso não! xD O que sim dá pra fazer é usar o Ditto, um Pokémon assexuado, para gerar um ovo de qualquer outro Pokémon (com algumas exceções, como os lendários). nintendoblast.com.br 6 / 90 PERFIL por Jaime Ninice Revisão: Vitor Tibério Diagramação: Maria Rita - "Bom dia telespectadores da TV Nintendo! Hoje é dia de corrida e estamos aqui mais uma vez, na arena Mario Kart, para darmos início a mais uma disputa dos séculos. Como podem ver, o dia está límpido e pronto para receber o piloto mais veloz no lado mais alto do pódio! Vamos dar a largada e observar como esta partida se desenvolverá? Acompanhe-nos abaixo e saiba mais um pouco sobre mim, Lakitu, neste perfil especial, e não perca mais um sinal verde. Boa largada!" nintendoblast.com.br 7 / 90 PERFIL Só de olho nessa treta de vocês! Lakitu é um dos personagens mais marcantes do universo Mario. Com sua câmera sempre posicionada e suas bolas com espinhos à espreita, o lagartinho voador é causador de inúmeras revoltas e aparece sempre que uma situação mais tensa é mostrada na tela do seu videogame. Ele já passou por muitos estágios e também fazendo pontas com variadas formas de labuta. A personalidade deste fera reflete o cara que é: atento, salvador de vidas, aconselhador, mas também atrapalhador de caminhos, e sempre com aquele sorriso no rosto.
Load more

Recommended publications
  • Take-Two Interactive Software, Inc. Equity Analyst Report
    Merrimack College Merrimack ScholarWorks Honors Senior Capstone Projects Honors Program Spring 2016 Take-Two Interactive Software, Inc. Equity Analyst Report Brian Nelson Goncalves Merrimack College, [email protected] Follow this and additional works at: https://scholarworks.merrimack.edu/honors_capstones Part of the Finance and Financial Management Commons Recommended Citation Goncalves, Brian Nelson, "Take-Two Interactive Software, Inc. Equity Analyst Report" (2016). Honors Senior Capstone Projects. 7. https://scholarworks.merrimack.edu/honors_capstones/7 This Capstone - Open Access is brought to you for free and open access by the Honors Program at Merrimack ScholarWorks. It has been accepted for inclusion in Honors Senior Capstone Projects by an authorized administrator of Merrimack ScholarWorks. For more information, please contact [email protected]. Running Head: TAKE-TWO INTERACTIVE SOFTWARE, INC. EQUITY ANALYST REPORT 1 Take-Two Interactive Software, Inc. Equity Analyst Report Brian Nelson Goncalves Merrimack College Honors Department May 5, 2016 Author Notes Brian Nelson Goncalves, Finance Department and Honors Program, at Merrimack Collegei. Brian Nelson Goncalves is a Senior Honors student at Merrimack College. This report was created with the intent to educate investors while also serving as the students Senior Honors Capstone. Full disclosure, Brian is a long time share holder of Take-Two Interactive Software, Inc. 1 Running Head: TAKE-TWO INTERACTIVE SOFTWARE, INC. EQUITY ANALYST REPORT 2 Table of Contents
    [Show full text]
  • Mchenry Colostate 0053N 164
    THESIS WONDER WOMEN IN THE VIRTUAL WORLD: HOW FEMALE SHEPARD REDEFINED THE FEMALE HERO ARCHETYPE IN VIDEO GAMES Submitted by Chelsea McHenry Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Spring 2021 Master’s Committee: Advisor: David Scott Diffrient Nicholas Marx Rosa Mikeal Martey Copyright by Chelsea Rebecca McHenry 2021 All Rights Reserved ABSTRACT WONDER WOMEN IN THE VIRTUAL WORLD: HOW FEMALE SHEPARD REDEFINED THE FEMALE HERO ARCHETYPE IN VIDEO GAMES AAA video game protagonists typically represent the white, heterosexual male. While standards are changing, there remains a considerable discrepancy between the number of male and female protagonists available. This study intends to examine how video game producers can move forward with creating resonant AAA protagonists by examining one of the first protagonists who presented unforeseen equality. This thesis explores the character of female Shepard from BioWare’s video game series Mass Effect (2007-2012) and what elements made her a fan favorite and marketable. Using Jim Bizzochi’s video game narrative framework and Shunsuke Nozawa’s concept of ensoulment related to voice work, this thesis argues that FemShep redefined the video game landscape. She served to create her own space as a character and not merely a gender-flipped construct of her male counterpart. By examining how she is constructed and handled in-game, the conclusion suggests that when the developmental focus is on creating the character, there is a market for strong heroes who are also female. ii TABLE OF CONTENTS ABSTRACT …………………………………………………………………………….………...ii CHAPTER I – INTRODUCTION………………………….………….…………………………1 CHAPTER II – MOLDING THE HERO FROM CODE...………………………………………22 CHAPTER III – THE MOST PERFECT INSTRUMENT…...………………………………….54 CHAPTER IV – AN END OF A JOURNEY IS A BEGINNING OF ANOTHER ………...…...84 BIBLIOGRAPHY………………………………………………………………………………..94 iii CHAPTER I: INTRODUCTION – LEGACIES OF HEROES I will always remember June 9, 2014.
    [Show full text]
  • Boisvert-Storey-Sony Case Brief
    Storey C204 Summer 2014 Case Study BE MOVED SITUATION Sony Corporation is a 68-year old multinational based in Tokyo. In 2012, the tech giant employed 173,000 people, with corporate headquarters in Japan, Europe, and America. In May 2014, the company was down to 146,300, cutting 26,700 as part of CEO Kaz Hirai’s “One Sony” plan. Recently, the firm eVen sold former office buildings in Tokyo for $156 million (Inagaki). This followed a similar $1.2 billion sale in 2013. After seVeral years of losses, Sony’s situation appears critical. In the last fiscal year, the company lost $1.25 billion. EVen the gaming diVision, where the Playstation console family (PS2, PS3, PS4) is projected to sell 17 million units this year, lost $78 million (Quarterly Results). There are many causes: Sony’s jettisoning of its PC brand Vaio, the poor performance and planned spinoff of Sony’s teleVision diVision, PS4 launch and marketing costs, the struggling PSVita, R&D costs for Sony’s Project Morpheus, and the fluctuation of exchange rate markets. For the current year, Sony is projecting a $489 million loss. How sustainable is Sony’s current business model? Will the success of the PS4 lead to renewed profitability for the games diVision and the company as a whole? Perhaps opportunities in new markets can spark a turn-around. The company’s core businesses are electronic entertainment (Sony Computer Entertainment, Sony Music Entertainment, and Sony Pictures Entertainment) and hardware (Sony Mobile Communications and Sony Electronics). Though it also dabbles in financial serVices, publishing, and medical imaging, electronics represents roughly two-thirds of the corporation’s reVenue (Sony Annual Report 2011, 2013).
    [Show full text]
  • Video Games and Costume Art -Digitalizing Analogue Methods of Costume Design
    Video Games and Costume Art -digitalizing analogue methods of costume design Heli Salomaa MA thesis 30 credits Department of Film, Television and Scenography Master’s Degree Programme in Design for Theatre, Film and Television Major in Costume Design Aalto University School of Arts, Design and Architecture Supervisor: Sofia Pantouvaki Advisors: Petri Lankoski, Maarit Kalmakurki 2018 Aalto University, P.O. BOX 11000, 00076 AALTO www.aalto.fi Master of Arts thesis abstract ! Author Heli Salomaa Title of thesis Video Games and Costume Art - digitalizing analogue methods of costume design Department Department of Film, Television and Scenography Year 2018 Number of pages 100 Language English Degree programme Master's Degree Programme in Design for Theatre, Film and Television, Major in Costume Design Abstract This thesis explores ways of integrating a costume professional to the character art team in the game industry. The research suggests, that integrating costume knowledge into the character design pipeline increases the storytelling value of the characters and provides tools for the narrative. The exploration of integrating a costume professional into game character creation as a process is still rare and little information of costume in games and experiences in transferring an analogue character building skillset into a digital one can be found, therefore this research was generated to provide knowledge on the subject. The research's main emphasis is on immersion-driven AAA-games that employ 3D-graphics and human characters and are either photorealistic or represent stylized realism. Technology for depicting reality is advancing and digital industries have become aware of the extensive skills required to depict increasingly realistic worlds.
    [Show full text]
  • Innovation in the Video Game Industry: the Role of Nintendo
    Department of Business and Management Course of Managerial Decision Making Innovation in the video game industry: the role of Nintendo Prof. Luigi Marengo Prof. Luca De Benedictis SUPERVISOR CO-SUPERVISOR Fulvio Nicolamaria ID No.705511 CANDIDATE Academic Year 2019/2020 To those who belong to my past, that have made me what I am and to those who belong to my present, who give me the strength to advance 2 Foreword Writing a paper with the gaming industry as one of the main themes may seem, in the eyes of the reader that is not properly involved in the subject, as something atypical and far from the academic conception of what should be debated in a thesis. However, in a work that concerns Economics, even an industry dedicated solely to entertainment like that one of video game can be an interesting challenge. Moreover, each thesis should aim to develop researches on new topics and to process the results. What better way to do this if not by exploring overlooked fields of research? The idea of a work involving Nintendo company as the main topic was among the possible research options, and choosing it as the theme to conclude the Master Degree was the goal I had proposed to myself for a long time. The involvement of the subject of innovation comes from the belief of its importance; since these two themes, innovation and Nintendo, could be easily combined, it was natural to create this work in some way dual. Making available to any reader topics so far from usual ones, without sacrificing the academic character of the paper, was both a challenge and a target.
    [Show full text]
  • Microsoft, Sony Battle for Throne at Gaming World's E3 8 June 2014, by Glenn Chapman
    Microsoft, Sony battle for throne at gaming world's E3 8 June 2014, by Glenn Chapman Muscular new consoles from Microsoft and Sony "That was a pretty big play," McQuivey said. are girding to battle for the throne of the video game industry at the E3 extravaganza set to kick "Hardcore gamers didn't want to hear that Netflix off in Los Angeles on Tuesday. was anywhere near (the popular game) 'Halo,' even though Microsoft knows viewing Netflix accounts for The two rivals will showcase blockbuster titles to a huge amount of time spent on Xbox." the press Monday with eye-popping graphics, and promote their consoles that are evolving into Gamers targeted multipurpose home entertainment centers. Meanwhile, Sony aimed squarely at gamers while Nintendo, whose new-generation Wii U consoles pitching PS4 even though the consoles also deliver were eclipsed by Microsoft's Xbox One and Sony's films, music, television shows and other digital PlayStation 4, is taking a lower profile approach entertainment, a chunk of it from the Japanese with an online event it will stream before the huge entertainment giant's own studios. industry event officially opens. Games designed exclusive for Xbox One or PS4 "At the end of the day, what sells video game are expected to be scarce at E3, but Microsoft and systems are blockbuster games," said Phoenix Sony will play up whatever content that might Online Studios manager and strategy analyst Scott differentiate their consoles. Steinberg. Sony is also likely to give a deeper look at its "The competing players will trot out major titles and augmented reality headset.
    [Show full text]
  • Shigeru Miyamoto, the Heart of Nintendo
    Topical Educational Website Definition Denise Bondoc Name of website: Shigeru Miyamoto, the heart of Nintendo Purpose of the website: inform and educate viewers about the history and accomplishments of Shigeru Miyamoto, the creator of numerous popular Nintendo game series. Intended Audience/Viewers: Nintendo fans Game developers Game producers Game designers Objectives of Website: Provide information on Miyamoto’s early life before his gaming career Provide background about his emergence in Nintendo Provide information about each of his works including: o Mario o Donkey Kong o Legend of Zelda o Star Fox o F-Zero o Pikmin o Wii Series Show how he impacted Nintendo CONTENT OUTLINE Homepage Title: Shigeru Miyamoto, the Heart of Nintendo 3 Primary Pages: o Early Life o Rising Success . 1977-1984: Arcade Beginnings . 1985-1989: NES/Famicom . 1990-2000: SNES and N64 . 2000-2011: Gamecube, Wii, and DS . 2011-Present: Wii U and 3DS o Gameography 5 Secondary Pages: o Awards o Photo Gallery o Videos o Contact o References Slider Visuals 80555669_7cc4e5aff8_z. N.d. Know Your Meme. Web. 27 Oct. 2014. <http://knowyourmeme.com/memes/people/shigeru-miyamoto>. Conrad, Fred R. 12nintendo-web-superJumbo. N.d. The New York Times. The New York Times. Web. 27 Oct. 2014. <http://www.nytimes.com/2013/03/12/arts/video- games/shigeru-miyamoto-of-nintendo-on-wii-u-sales-and-game-violence.html>. 446023. N.d. Alpha Coders. Web. 27 Oct. 2014. <http://wall.alphacoders.com/by_sub_category.php?id=214329>. 445780. N.d. Alpha Coders. Web. 27 Oct. 2014. <http://wall.alphacoders.com/by_sub_category.php?id=214329>. Thumbnail Visuals Shigeru-Miyamato-1995.
    [Show full text]
  • UBISOFT Annonce Ses Résultats Pour L'exercice
    Ubisoft® reports first quarter 2014-15 sales . Record first quarter sales of €360 million . Creation of a major new franchise – Watch Dogs®, with 8 million units . Targets for full-year 2014-15 confirmed . Syndicated loan extended Paris, July 10, 2014 – Today, Ubisoft released its sales figures for the fiscal quarter ended June 30, 2014. Sales Sales for the first quarter of 2014-15 came to €360 million, up 374% (or 386% at constant exchange rates) compared with the €76 million recorded for first-quarter 2013-14. The first quarter sales figure was higher than the target of approximately €310 million announced when Ubisoft released its full-year 2013-14 results. This performance reflects: . The success of Watch Dogs, which broke Ubisoft’s and industry’s sales record for, respectively, the launch of a new game and of a new brand, with over 8 million sell-in units. Strong growth reported in the digital segment, with sales up 149% to €84 million, driven by Watch Dogs, the success of Ubisoft’s Free-to-Play mobile games and the releases of Trials FusionTM, Child of LightTM and Valiant Hearts The Great WarTM. At E3 2014, media and gamers recognized the high quality of the games presented by Ubisoft as demonstrated by a record number of awards won and a 27% share of views on Youtube1. Assassin's Creed Unity® and Far Cry® 4 took first and second place respectively in the Gamespot Trax E3 chart, which also recognized Ubisoft as top publisher. Yves Guillemot, Co-Founder and Chief Executive Officer, said, "The success of Watch Dogs and the quality of our games portfolio presented at this year’s E3 highlight our strategic positioning as well as our continuous drive for innovation, and affirm our long-term approach.
    [Show full text]
  • EDICIÓN ESPECIAL Lo Mejor De La E3 |UNA REALIZACION DE PLAYADICTOS| 03 Todojuegos Índice 04
    OPINION EN MODO HARDCORE JULIO 2014 TodoCompletaJuegos guía de todos los juegos anunciados Los “indies” vuelven a robarse la película Cómo vivimos “in situ” la feria en Los Angeles EDICIÓN ESPECIAL Lo Mejor de la E3 |UNA REALIZACION DE PLAYADICTOS| 03 TodoJuegos Índice 04. Una cita que deja la vara alta 72. Mario Maker 10. Así vivimos la E3 74. Metal Gear Solid V 16. Abzu 76. Mirror’s Edge 18. Assassin’s Creed Unity 78. Mortal Kombat X 20. Batman: Arkham Knight 80. No Man’s Sky 22. Battlefield: Hardline 82. Ori and the Blind Forest 24. Bayonetta 2 84. Phantom Dust 26. Bloodborne 86. Pokemon Rubí Omega & Zafiro Alfa 28. Captain Toad Treasure Tracker 88. Rainbow Six Siege 30. Crackdown 90. Rise of the Tomb Raider 32. D4: Dark Dreams Don’t Die 92. Scalebound 34. Dead Island 2 94. Splatoon 36. Destiny 96. Star Wars: Battlefront 38. Devil’s Third 98. Sunset Overdrive 40. Dragon Age: Inquisition 100. Super Smash Bros 42. Dragon Ball Xenoverse 102. The Crew 44. Evolve 104. The Division 46. Far Cry 4 106. The Legend of Zelda 48. FIFA 15 108. The Order: 1886 50. Final Fantasy Type-0 110. The Sims 4 52. Forza Horizon 2 112. The Witcher 3: Wild Hunt 54. Grand Theft Auto V 114. Uncharted 4: A Thief’s End 56. Grim Fandango 116. Xenoblade Chronicles 58. Halo: Master Chief Collection 118. Yoshi Wolly World 60. Hyrule Warriors 120. Un vistazo a Mass Effect 62. Inside 124. Choza de la INDIEgencia 64. Kirby and the Rainbow Curse 128.
    [Show full text]
  • FINAL Draftv4 Precursor
    Page 1 IDENTITY Volume 2,Issue-1 August 2014 /* identITy */*/*/ IT DEPARTMENT QUARTERLY MAGAZINE INSIDE THIS ISSUE: Apple WWDC 4 LAURELS OF Data science 6 IT Pricing decision 8 White Revolution 11 Its a pride for our department to open this issue by congratulating Mr. Lakshman Walkthrough-E3 19 Diwakar and Mr. Nandan, the winners of HACKATHON event conducted by As- cendant Technologies. Cross word 24 They have bench-marked their hacking skills, ethically! amongst a stiff competition Fact File 25 of 160 students. Editorial 32 AIT INAGURAL Association of Information Technologists (AIT) Annual Inaugural was on 5th August, 2014 that showcased a glimmer of things to come. The inaugural was graced by Mr. Vasu Rangachary, Senior Vice President, Global Delivery Head - Advanced Solutions Practice, Cogni- zant Technology Solutions. He was, in a word, engag- ing. He made the post lunch event a pleasant affair. He inspired the audience to innovate by citing Amazon’s success story. Jeff Bezo’s idea of selling books online did not find any Venture Capitalist. But he stuck with his idea and today, Amazon is the World’s largest online retailer, need a shippable product Amazon has it! He mentioned Amazon’s entry into the Cloud space through Amazon EC2 and the eBook reader market through Kindle. With a firm belief that Internet of Things is the future, he envisions a “wired planet”. Volume 2,Issue-1 IDENTITY Page 2 I NDUSTRIAL COLLABORATION – IT WITH ERICSSON Ericsson is a world leader in the environment of communications technology – provid- ing equipment, software and services to mobile and fixed network operators all over the globe.
    [Show full text]
  • Well Played a Journal on Video Games, Value and Meaning
    Well Played a journal on video games, value and meaning volume 4 number 3 2015 special issue on diversity in games edited by Jane Pinckard and Clara Fernández-Vara Well Played A Journal on Video Games, Values, and Meaning Editor-in-Chief Drew Davidson Editors Ira Fay Clara Fernández-Vara Jane Pinckard John Sharp Editorial Board N’Gai Croal Sam Roberts Sean Duncan Doris Rusch Mary Flanagan Matthew Sakey Tracy Fullerton Jesse Schell James Paul Gee Lee Sheldon Katherine Isbister David Simkins Stephen Jacobs Mark Sivak Shawna Kelly Francisco Souki Kurt Squire Richard Lemarchand Stone Librande Brian Magerko Constance Steinkeuhler Josh Tanenbaum Matt McClean Alice Taylor Eli Neiburger Greg Trefly Celia Pearce Caro Williams Arthur Protasio Jason Vandenberghe ETC Press 2015 ISSN 2164-344X (Print) ISSN 2164-3458 (Online) TEXT: The text of this work is licensed under a Creative Commons Attribution-NonCommercial-NonDerivative 2.5 License (http://creativecommons.org/licenses/by-nc-nd/2.5/) IMAGES: All images appearing in this work are property of the respective copyright owners, and are not released into the Creative Commons. The respective owners reserve all rights. All submissions and questions should be sent to: etcpress-info ( at ) lists ( dot ) andrew ( dot ) cmu ( dot ) edu For formatting guidelines, see: www.etc.cmu.edu/ etcpress/files/WellPlayed-Guidelines.pdf CONTENTS Editor’s Preface vii Introduction 1 From Pixel Babes to Active Agents – How to 11 Fix the Lack of Diversity in Female Digital Game Characters I Choose You! Diversity in the
    [Show full text]
  • Levelup.Com Viewership Registered Record-Breaking Numbers During E3 2014
    SPECIAL COVERAGE JUNE 10 -12 BY THE NUMBERS 450 1,650 N E W S A R T I C L E S G A M E S C R E E N S H O T S 228 155 V I D E O S V I D E O G A M E P R E V I E W S I N C L U D I N G G A M E T R A I L E R S A N D W E B S H O W S 112 30 K E X C L U S I V E A R T I C L E S U S E R C O M M E N T S RECORD BREAKING 3.9 MILLION PAGE VIEWS 1.9 MILLION VISITS 2.6 MILLION MONTHLY UNIQUE VISITORS “OUR DEDICATED TEAM OF REPORTERS AND EDITORS SPENT AN ENORMOUS AMOUNT OF TIME AND EFFORT TO CREATE ORIGINAL AND ENGAGING E3 2014-RELATED CONTENT” - RAMON TOLEDO, PRESIDENT The leading online video game community in Mexico and Latin America. LevelUp.com Viewership Registered Record-Breaking Numbers during E3 2014 Busca Corp.’s flagship LevelUp.com registered a record breaking 3.9 million page views and 1.9 million visitors during the week of June 9 thanks to the platform’s comprehensive content related to the Entertainment Software Association’s E3 2014 video game expo. Company CEO Ramon Toledo credits the traffic surge to his talented team of content producers and editors, and to the platform’s loyal community of visitors in Mexico, Latin America, and around the world.
    [Show full text]