Cast of Characters

Total Page:16

File Type:pdf, Size:1020Kb

Cast of Characters Nuns: Kaity Chisholm, Kara Felber, Christina Fisher, Lauren Flynn, Jillian Foster, CAST OF CHARACTERS Zyan Garcia, Sarah Graf, Jessica Hales, Sarah Horner, Emily Johansen, (in order of vocal appearance) Brittany Kaighen, Erin Kile, Megan Kingsbury, Tamara McFadden, Becca Merrill, Ferrando, captain of the guard under Count di Luna . .David Parker Tina Nguyen, Natalie Pierce, Janae Pierson, Tabitha Richert, Tara Solomon, Carolyn Sykora, Alex Tashjian, Marianne Utley, Andrea Youngblood Inez, attendant of Leonora . .Judy Morehouse Leonora, a noble lady of the court of a princess of Aragon. Laquita Mitchell FILM SEGMENT CAST Count di Luna, a powerful young noble of the court of the Old Count di Luna . Phil Adams Prince of Aragon . Mark Walters Countess di Luna. .Valerie Adams Manrico, a young chieftain under the Prince of Biscay reared by Azucena but, in reality, a brother of Count di Luna . James Taylor Young Count di Luna . Brendan McNeely Azucena, a wandering Biscayan gypsy . Mary Phillips Garzia di Luna, infant son of the Old Count . Connor Moore Ruiz, a soldier in Manrico’s service . Andy Woodard Nurse . .Gina Nagengast Old Gypsy . Caleb French Soldiers of the Count . Taylor Bancroft, Zachary Calhoun, Caid Ferguson A Messenger . John Van Steenburgh Azucena's Mother . Corretta Grass Count di Luna Soldiers: Taylor Bancroft, Patrick Beam, Zach Calhoun, Ivan Carey, Young Azucena . Lindsay Morgan Jimmy Dignan, Nathan Dupont, Caid Ferguson, Isaac Friend, Caleb Greene, Isaac Greene, Andrew Harry, Victor Hinojosa, Jonathan Holland, Adam Hunt, Infant Son of Azucena. Gideon Gamble Tyler Leach, Nathan MacAvoy, Jon McLean, Will Nething, Jared Poe, Ben Ritschard, GIUSEPPE VERDI Angry Crowd . .Matthew Appleby, Ruth Bartholomew, Mark Bonikowsky LIBRETTO BY S. CAMMARANO AND L. EMANUELE Alex Vedder, Nathan Villanova, Tim Waycaster; Rifle guard: Aaron Cole, BASED ON A.G. GUTIERREZ’S DRAMA Luke Goodwill, Michael Hinds, Jason Houtz, Jonathan Kappel, Andrew Knauf, Kaity Chisholm, Clinton Holden, Jill Iles, Joyce Parsons EL TROVADOR David Nance, David Pherson Laura Pratt, Sunny Weigand Gypsies and Manrico’s soldiers: Lauren Beard, Harrison Beckmann, Abigale Belcher, Carrie Bird, Dan Case, Amanda Collins, Sarai Dahlhausen, Anna Marie Dierking, Ryan Donovan, Danielle Duncan, Sebastian Erakare, MUSICAL STAFF Matt Estelle, Sean Fenstermaker, Jon Fremont, Caleb French, Dave Galvin, Choral Directors . .Fred Coleman, Warren Cook, Beth Eubank Bobby Glendinning, Elaine Grimble, Hannah Hancock, Angela Hawkey, Darren P. Lawson, stage director Joshua Johnson, Ashley King, Hope Lawson, Meghan Leach, Amanda Lockard, Vocal Coaches . .C. Stanley Eby, Jean Greer, Christa Habegger C. Stanley Eby, conductor Shelton Love, Melanie Magdziarz, Audra Claire McCall, Daniel Minnick, David Parker, Tim Renner Jeffrey Stegall, scene and costume designer Tessa Parker, Jon Reid, Tim Renner, Jason Rush, Caleb Sanders, Ethan Simpson, Richard Streeter, lighting designer Kristie Skaggs, Luke Timoldi, Markel Toler, Kaitlynn Tompkins, Assistant Conductor . Michael Moore Rebecca VanDeburgh, Matt Wally, Nikki Warman, Stephany Waycaster, Rehearsal Accompanist . Duane Ream Seth Weaver, Conner Welby, Brad Wiggs, Becca Williams, Nathan Young; Gypsy children: Ian Hamrick, Sean Hamrick, Daniel Horta, Sophia Horta, Understudies . .Caleb French, Tamra Jones, Angela Ouillette Charisse McGonigal, Erika McGonigal; Anvil men: Mark Bonikowsky, Jake Graves, Tim Renner, Jason Rush Aaron Iles, Matt Koser, Andrew Sebris, John Simpson Nuns: Kaity Chisholm, Kara Felber, Christina Fisher, Lauren Flynn, Jillian Foster, Double Bass Bassoon Tuba PRODUCTION STAFF CAST OF CHARACTERS Zyan Garcia, Sarah Graf, Jessica Hales, Sarah Horner, Emily Johansen, Alex Jones*+ Alex Fields+ Dan Turner+ (in order of vocal appearance) Brittany Kaighen, Erin Kile, Megan Kingsbury, Tamara McFadden, Becca Merrill, Producer . Darren Lawson Amber Eubanks+ Robert Chest+ Tina Nguyen, Natalie Pierce, Janae Pierson, Tabitha Richert, Tara Solomon, Percussion Ferrando, captain of the guard under Count di Luna . .David Parker Production Manager. Rodney McCarty Guitar Horn Robnett Schoolfield*+ Carolyn Sykora, Alex Tashjian, Marianne Utley, Andrea Youngblood Joseph Ensley John Belanger Tyler Henderson Inez, attendant of Leonora . .Judy Morehouse Assistant Director . Jill Iles Amber Burch Robert Ryggs* Flute Rebekah Powell Ethan Rogers Leonora, a noble lady of the court of a princess of Aragon. Laquita Mitchell Assistant to the Production Manager . Sandy Jaworski FILM SEGMENT CAST Cherith Hamilton Mark Frederick+ Count di Luna, a powerful young noble of the court of the Assistant Production Managers . Dale Burden, Micha Moyer, Randy Snively Organ Old Count di Luna . Phil Adams Piccolo Trumpet Shelton Love Prince of Aragon . Mark Walters Stage Manager . .Tommy Lamper Laura Hayden Bruce Cox+ Countess di Luna. .Valerie Adams Manrico, a young chieftain under the Prince of Biscay reared Matthew Cruice * principal Film Crew . Unusual Films: Terry Davenport, John Murray Oboe + faculty/staff/ by Azucena but, in reality, a brother of Count di Luna . James Taylor Young Count di Luna . Brendan McNeely Bruce Polhamus, Steve Ross, Wade Ramsey Mike VerWay Trombone graduate student/ Nathan Phillips guest Azucena, a wandering Biscayan gypsy . Mary Phillips Technical Engineer. Gayland Slick Garzia di Luna, infant son of the Old Count . Connor Moore Clarinet Wayne Fitzgerald Ruiz, a soldier in Manrico’s service . Andy Woodard Prop Master . David Vierow Jackie Olinger Paul Jantz+ Nurse . .Gina Nagengast Brooke Wells Scenic Artist . .Jason Waggoner Old Gypsy . Caleb French Soldiers of the Count . Taylor Bancroft, Zachary Calhoun, Caid Ferguson Costume/Makeup/Hair Manager . Dan Sandy A Messenger . John Van Steenburgh Azucena's Mother . Corretta Grass SYNOPSIS Costume Construction . Ruth Bartholomew, Ruth Blaj, Crystal Boulton Count di Luna Soldiers: Taylor Bancroft, Patrick Beam, Zach Calhoun, Ivan Carey, The year is 1914; war is raging in Europe. The location is Spain—which in spite of declaring its Young Azucena . Lindsay Morgan Barb Filipsic, Cynthia Long, Joyce Parsons, Valli Rassi neutrality in the Great War—is experiencing civil strife. The story takes place during an internal Jimmy Dignan, Nathan Dupont, Caid Ferguson, Isaac Friend, Caleb Greene, Becky Sandy, Kimberly Schmidt border war in the northern part of the country, alternately in the provinces of Aragon and Biscay. Isaac Greene, Andrew Harry, Victor Hinojosa, Jonathan Holland, Adam Hunt, Infant Son of Azucena. Gideon Gamble Tyler Leach, Nathan MacAvoy, Jon McLean, Will Nething, Jared Poe, Ben Ritschard, Wig Master. Alicia Carr ACT I, SCENE I—COURTYARD OF THE PALACE OF ALIAFERIA IN ARAGON Alex Vedder, Nathan Villanova, Tim Waycaster; Rifle guard: Aaron Cole, Angry Crowd . .Matthew Appleby, Ruth Bartholomew, Mark Bonikowsky Ferrando, captain of the guard in the service of Count di Luna, interrupts the drowsy Luke Goodwill, Michael Hinds, Jason Houtz, Jonathan Kappel, Andrew Knauf, Kaity Chisholm, Clinton Holden, Jill Iles, Joyce Parsons Assistant Wig Master . Heather Brown night watch hours with a harrowing tale. Many years ago a gypsy was burned as a witch for supposedly casting a spell on Garzia di Luna, the count's infant brother. The gypsy's David Nance, David Pherson Laura Pratt, Sunny Weigand Front of House Mixer . .Max Masters daughter, Azucena, stole Garzia in order to slay him to avenge her mother's death. Later, Gypsies and Manrico’s soldiers: Lauren Beard, Harrison Beckmann, Preshow Media Crew. Dan Boone, Bill Kimzey the bones of a child are found smoldering in the embers of a fire. The count has been Abigale Belcher, Carrie Bird, Dan Case, Amanda Collins, Sarai Dahlhausen, searching for Azucena ever since. Anna Marie Dierking, Ryan Donovan, Danielle Duncan, Sebastian Erakare, MUSICAL STAFF ACT I, SCENE 2—GARDENS OF THE PALACE OF ALIAFERIA Matt Estelle, Sean Fenstermaker, Jon Fremont, Caleb French, Dave Galvin, Choral Directors . .Fred Coleman, Warren Cook, Beth Eubank ORCHESTRA PERSONNEL Leonora, a beautiful attendant to a princess of Aragon, confides to her assistant, Inez, that Bobby Glendinning, Elaine Grimble, Hannah Hancock, Angela Hawkey, she loves a soldier whom she recently met at a series of military games. The count, in love with Violin I Violin II Caleb Cox Joshua Johnson, Ashley King, Hope Lawson, Meghan Leach, Amanda Lockard, Vocal Coaches . .C. Stanley Eby, Jean Greer, Christa Habegger Leonora, is devoured with jealousy of this mysterious troubadour, Manrico, who now comes Ardis Chetta* Shannon Wood* Lydia Anglea Shelton Love, Melanie Magdziarz, Audra Claire McCall, Daniel Minnick, to serenade Leonora. In the darkness of the night, Leonora mistakes the count for Manrico. David Parker, Tim Renner Allison Chetta Ethan Holmes Elizabeth Calvino A duel ensues when Manrico appears, and Manrico overcomes the count but spares his life. Tessa Parker, Jon Reid, Tim Renner, Jason Rush, Caleb Sanders, Ethan Simpson, Sarah Ervin Abigail Chetta Kristie Skaggs, Luke Timoldi, Markel Toler, Kaitlynn Tompkins, Assistant Conductor . Michael Moore Catherine Wiles Jonathan Monczewski Cello ACT II, SCENE 1—GYPSY WORK YARD IN BISCAY Rebecca VanDeburgh, Matt Wally, Nikki Warman, Stephany Waycaster, Rehearsal Accompanist . Duane Ream Sylvia Ensminger Kaylin Pagliarini Klayton Hoefler* Several months later Manrico is recovering from wounds received in the battle of Seth Weaver, Conner Welby, Brad Wiggs, Becca Williams, Nathan Young; David Eilert Erica Johannes+ Kathryn Adams Pelilla against
Recommended publications
  • Concert Program
    AGIS CENTER FOR ARTS AND HUMANITIES, INC. ASIAN PACIFIC WWII ATROCITIES MUSEUM Present Memorial Concert for 60th Anniversary of WW-II Asian Pacific Theatre 《 紀念抗戰勝利六十週年音樂會 》 7:30 pm, 9 July 2005, (Saturday) Music Center at Strathmore 5301 Tuckerman Lane North Bethesda, MD 20852-3385 Overture "Carnival", Op. 92 by Antonín Dvořák (德沃夏克) “ 狂欢节 ”序曲 蓝顿交響樂團/Landon Symphonette Conductor: Richard Weilenmann 長江之歌/Song of the Yang-Tze River 男中音:周正/Baritone: Zheng Zhou 蓝顿交響樂團/Landon Symphonette Guest Conductor: Xueyan Yao,姚学言 中国的土地/Homeland Reminiscence 女高音:汪燕燕/ Soprano: Yan-Yan Wang 蓝顿交響樂團/Landon Symphonette Guest Conductor: Xueyan Yao,姚学言 松花江上/ On the Song-Hua River 女高音:何俊秋/男高音:彭瑜 Soprano: Junqiu He / Tenor: Yu Peng Guest Conductor: Xueyan Yao,姚学言 电影主题音乐“ 辛德勒的名单” 小提琴:Leonid Sushansky Movie Theme “ Schindler’s List” Violin:Leonid Sushansky (1) Theme from Schindler's List Conductor: Richard Weilenmann (2) Jewish Town (3) Remembrances 黃河頌/ Ode to the Yellow River 男中音:周正 Baritone: Zheng Zhou 蓝顿交響樂團/Landon Symphonette Guest Conductor: Xueyan Yao,姚学言 黄河怨/Lament of the Yellow River 女高音:汪燕燕/ Soprano: Yan-Yan Wang 蓝顿交響樂團/Landon Symphonette Guest Conductor: Xueyan Yao,姚学言 (Anchor -Optional) “Vissi d’arte, Vissi d’amore” 女高音:汪燕燕/ Soprano: Yan-Yan Wang from Tosca by Puccini 蓝顿交響樂團/Landon Symphonette Conductor: Richard Weilenmann 旗正飘飘/ The Waving Flags 華府合唱團 太行山上/ On the Tai-Hang Mountain Washington Chinese American Chorus Guest Conductor: Xueyan Yao,姚学言 Chorus Executive Conductor: Yi-Cherng Lin,林宜誠 ------------ INTERMISSION -----中場休息----------- (Asian Pacific WWII Atrocities Museum Announcement) (亞太二戰浩劫紀念館籌備會發言) 鋼琴協奏曲:《黃河》 钢琴:殷承宗 Piano Concerto “ Yellow River” Piano: Chengzong Yin 1. Yellow River Boatman’s Song 蓝顿交響樂團/ Landon Symphonette Conductor: Richard Weilenmann 2.
    [Show full text]
  • 12Pavel Veselý
    ČÍSLO 5 / LEDEN 2018 / 135. SEZONA 2017–2018 / WWW.NARODNI-DIVADLO.CZ Pavel Veselý 12 o životě s Laternou magikou Nová Atlantida – zamyšlení 14 nad kondicí současného světa Premiéra opery Billy Budd v Národním divadle 29 Z PŘEDSTAVENÍ CUBE, FOTO: H. SMEJKALOVÁ H. FOTO: CUBE, Z PŘEDSTAVENÍ Opera Činohra Balet PREMIÉRY / PREMIERES KONCERTY / CONCERTS PREMIÉRY / PREMIERES PREMIÉRY / PREMIERES NÁRODNÍ DIVADLO / NÁRODNÍ DIVADLO / NÁRODNÍ DIVADLO / NÁRODNÍ DIVADLO / THE NATIONAL THEATRE THE NATIONAL THEATRE THE NATIONAL THEATRE THE NATIONAL THEATRE Giuseppe Verdi Koncert k zahájení sezony 2017/18 Alois Mrštík, Vilém Mrštík Timeless Maškarní ples / Un ballo Hudba z repertoáru Nového Maryša / Marysha Serenade in maschera německého divadla v Praze Režie: Jan Mikulášek Hudba: Petr Iljič Čajkovskij Dirigent: Jaroslav Kyzlink Dirigent: Petr Kofroň 23. & 24. 11. 2017 Choreografie: George Balanchine Režie: Dominik Beneš Orchestr Státní opery Separate Knots 5. & 7. 10. 2017 14. 9. 2017 Hudba: Fryderyk Chopin STAVOVSKÉ DIVADLO / Choreografie: Emanuel Gat Benjamin Britten Adventní koncerty THE ESTATES THEATRE Le Sacre du printemps Billy Budd Kühnův dětský sbor a Orchestr Rebecca Lenkiewiczová Hudba: Igor Stravinskij Dirigent: Christopher Ward Národního divadla Choreografie: Glen Tetley Režie: Daniel Špinar Dirigent: Zbyněk Müller Noční sezóna / The Night Season Režie: Daniel Špinar Hudební nastudování: David Švec 18. & 20. 01. 2018 26. 11., 3., 10. a 17. 12. 2017 9. & 10. 11. 2017 Dirigent: David Švec / Václav Zahradník Leoš Janáček Matiné k 194. výročí narození 20. & 21. 10. 2017 Johann Wolfgang Goethe Výlety páně Broučkovy / Bedřicha Smetany Faust Marná opatrnost / La Fille mal gardée The Excursions of Mr. Brouček 10. 3. 2018 Režie: Jan Frič Hudba: Louis-Joseph-Ferdinand Hérold Dirigent: Jaroslav Kyzlink 15.
    [Show full text]
  • Hessisches Staatstheater Wiesbaden Juni Juli 2016
    JUNI GROSSESGROSSES HAUS HAUS KLEINESKLEINES HAUS HAUS ANDEREANDERE SPIELSTÄTTEN SPIELSTÄTTEN 20.00 › KONZERT › Kurhaus › 9 – 41,50 Euro › Konzert-Abo 19.30 – 21.55 › SCHAUSPIEL › PG B › Abo KH-Mi › › ZLM! 1 8. Sinfoniekonzert Dr. med. Hiob Prätorius Mi Werke von Mozart & Wagner Komödie von Curt Goetz › IN Carsten Kochan Der Vorverkauf der › Dir Zsolt Hamar › Mit Tzimon Barto (Klavier) & › Mit Michael Birnbaum, Moritz Buch, Barbara Dussler, Wiesbaden Biennale Hessisches Staatsorchester Wiesbaden Lukas Benjamin Engel, Stefan Graf, Benjamin hat begonnen! 19.00 Uhr Einführung im Friedrich-von-Thiersch-Saal Krämer-Jenster, Uwe Kraus, Monika Kroll, Rainer Kühn, Uwe Eric Laufenberg, Charlotte Will 19.30 › OPER › PG D 18.00 › JUST-SCHAUSPIEL › PREM › 7 Euro › 8 + 19.30 › SCHAUSPIEL › Wartburg › PG A 2 Die Macht des Schicksals Mio, mein Mio Die satanischen Verse Do Von Giuseppe Verdi › ML Christoph Stiller › IN nach Immo Von Astrid Lindgren › IN Aurelina Bücher › Mit Magdalena Nach dem Roman von Salman Rushdie in einer Fassung des Karaman › SL Magdalena Weingut › Mit Hui He, Patrick Baltz, Cain Van Cauwenbergh, Thomas Jansen, Carsten Hessischen Staatstheaters Wiesbaden › IN Ihsan Othman Carfizzi, Young Doo Park, Richard Furman, Romina Boscolo, Kochan, Sophie Pompe › Mit Judith Bohle, Stefan Graf, Benjamin Krämer-Jenster, Benedikt Nawrath, Chor & Extrachor des Hessischen Uwe Kraus, Felix Mühlen, Llewellyn Reichman, Tobias Rott, Staatstheaters & Hessisches Staatsorchester Wiesbaden Janina Schauer 19.30 › SCHAUSPIEL › PG C › Abo KH-Fr 3 Puppenstube
    [Show full text]
  • View Printable Playbill
    el George Frideric Hand This performance is made possible in part by the Georgina Joshi Foundation, Inc. FOR YOUR INFORMATION Do you want more information about upcoming events at the Indiana University Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through go.iu.edu/24K1. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. 2018-19 Opera and Ballet Theater Season Learn more about this year’s season, and reserve your seats by visiting music.indiana.edu/operaballet. Musical Arts Center The Musical Arts Center (MAC) Box Office is open M - F, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management.
    [Show full text]
  • Hansel Gretel
    NOVEMBER 15–DECEMBER 7, 2019 HANSEL GRETEL BY ENGELBERT HUMPERDINCK ENGELBERT BY SFOPERA.COM November/December 2019 | Volume 15, No. 3 Vol. 97, No. 3 • 2019–20 Season • November/December 2019 Adam Snellings, Art Direction Susan L. Wells, Design Consultant Cover illustration: Bigstock FEATURES ENGELBERT HUMPERDINCK’S HANSEL & GRETEL BY PAUL THOMASON 37 Often considered a one-hit wonder, Humperdinck accomplished in Hansel and Gretel what few others in opera history could: a work that perfectly balances innocence and sophistication. PAUL HEPPNER President MIKE HATHAWAY Senior Vice President THE POLITICS OF CHILDHOOD BY KIRSTEN PAIGE KAJSA PUCKETT Vice President, Sales & Marketing In Hansel and Gretel, Engelbert Humperdinck and Adelheid GENAY GENEREUX Accounting & 40 Wette offered a critique, in music and text, of 1890s social Office Manager and political tensions surrounding childhood, labor, gender, Production SUSAN PETERSON Vice President, Production and domesticity. JENNIFER SUGDEN Assistant Production Manager REWRITING THE TALE BY MELISSA NGAN ANA ALVIRA, STEVIE VANBRONKHORST Production Artists and Graphic Designers Just as Hansel and Gretel confronts themes of poverty and Sales survival, Compass Family Services and Community Housing MARILYN KALLINS, TERRI REED 42 San Francisco/Bay Area Account Executives Partnership are working to confront homelessness in the BRIEANNA HANSEN, AMELIA HEPPNER, Bay Area. SHERRI JARVEY, ANN MANNING Seattle Area Account Executives CAROL YIP Sales Coordinator Marketing SHAUN SWICK Brand & Creative Manager CIARA CAYA Marketing Coordinator Encore Media Group 425 North 85th Street • Seattle, WA 98103 800.308.2898 • 206.443.0445 [email protected] LEARN ABOUT encoremediagroup.com 8 San Francisco Opera Association 44 Artist Profiles Encore Arts Programs and Encore Stages are published 12 Welcome Message from the Board 49 In Memoriam monthly by Encore Media Group to serve performing arts events in the San Francisco Bay Area and Greater Seattle 15 San Francisco Opera News 60 San Francisco Opera Donors Area.
    [Show full text]
  • Drsbenandajess00shenrich.Pdf
    University of California Berkeley Regional Oral History Office California Historical Society The Bancroft Library San Francisco, California University of California Berkeley, California California Historical Society Oral History Series A. Jess Shenson, M.D. DRS. BEN AND A. JESS SHENSON: OVER ONE HUNDRED YEARS OF SERVICE TO SAN FRANCISCO IN MEDICINE, MUSIC, AND ART With Introductions by Eugene A. Bauer, M.D. Michael McCone Nancy Bechtle Reid Dennis Interviews Conducted by Caroline Crawford in 1997 Copyright 1998 by the California Historical Society and The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well- informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between the California Historical Society, The Regents of the University of California, and Dr.
    [Show full text]
  • Deutsche Oper Am Rhein Ballett Am Rhein OPER & BAL LETT SPIEL ZEIT 2019/20 DÜSSEL DORF DUIS BURG SPIELZEIT 2019/20
    Deutsche Oper am Rhein Ballett am Rhein OPER & BAL LETT SPIEL ZEIT 2019/20 DÜSSEL DORF DUIS BURG SPIELZEIT 2019/20 64. Spielzeit der Theatergemeinschaft Deutsche Oper am Rhein Erschaffen mit besonderer Note. Düsseldorf Duisburg Generalintendant: Prof. Christoph Meyer Die neue B-Klasse. Geschäftsführende Direktorin: Alexandra Stampler-Brown Generalmusikdirektor: In der neuen B-Klasse erleben Sie sportliche Dynamik und großzügigen Axel Kober Komfort in perfektem Einklang. Fünf Personen genießen in dem variablem Innenraum Platzverhältnisse wie auf der ganz großen Bühne. Dank intelli- Ballett am Rhein Düsseldorf Duisburg genter Assistenzsysteme dürfen sich alle Insassen sicher fühlen. Und das innovative Bedienkonzept MBUX folgt präzise Ihrer Stimme – auch den Künstlerischer Direktor & Chefchoreograph: Martin Schläpfer feinen Zwischentönen. Ballettdirektor: Remus Şucheană Das Beste oder nichts. Anbieter: Daimler AG, Mercedesstraße 137, 70327 Stuttgart Partner vor Ort: Daimler AG, vertreten durch Mercedes-Benz Vertrieb PKW GmbH · Niederlassung Düsseldorf, Mercedesstraße 1 · Niederlassung Duisburg, Johannes-Mechmann-Straße 2-4 · Niederlassung Neuss, Leuschstraße 10 Daimler AG, vertreten durch die Anota Fahrzeug Service- und Vertriebsgesellschaft mbH Düsseldorf, Karl-Geusen-Straße 185 · Hilden, Im Hülsenfeld 1 · Mettmann, Willettstraße 1 www.mercedes-benz-rhein-ruhr.de · MercedesBenzRheinRuhr SPIELZEIT 2019/20 SPIELZEIT 2019/20 2 3 THEATER- OPER JUNGE OPER GEMEINSCHAFT PREMIEREN & PREMIERE & WIEDERAUFNAHMEN 10 WIEDERAUFNAHMEN 118 DÜSSELDORF ENSEMBLE
    [Show full text]
  • 12Roman Janál
    ČÍSLO 4 / PROSINEC 2017 135. SEZONA 2017–2018 WWW.NARODNI-DIVADLO.CZ Roman Janál 12 o titulní roli v nové opeře Don Hrabal Silvestr 19 s Mozartem Balet blanc 34 není passé FOTO: H. SMEJKALOVÁ H. FOTO: Opera Činohra Balet PREMIÉRY / PREMIERES KONCERTY / CONCERTS PREMIÉRY / PREMIERES PREMIÉRY / PREMIERES NÁRODNÍ DIVADLO / NÁRODNÍ DIVADLO / NÁRODNÍ DIVADLO / NÁRODNÍ DIVADLO / THE NATIONAL THEATRE THE NATIONAL THEATRE THE NATIONAL THEATRE THE NATIONAL THEATRE Giuseppe Verdi Koncert k zahájení sezony 2017/18 Alois Mrštík, Vilém Mrštík Timeless Maškarní ples / Un ballo Hudba z repertoáru Nového Maryša / Marysha Serenade in maschera německého divadla v Praze Režie: Jan Mikulášek Hudba: Petr Iljič Čajkovskij Dirigent: Jaroslav Kyzlink Dirigent: Petr Kofroň 23. & 24. 11. 2017 Choreografie: George Balanchine Režie: Dominik Beneš Orchestr Státní opery Separate Knots 5. & 7. 10. 2017 14. 9. 2017 Hudba: Fryderyk Chopin STAVOVSKÉ DIVADLO / Choreografie: Emanuel Gat Benjamin Britten Adventní koncerty THE ESTATES THEATRE Le Sacre du printemps Billy Budd Kühnův dětský sbor a Orchestr Rebecca Lenkiewiczová Hudba: Igor Stravinskij Dirigent: Christopher Ward Národního divadla Choreografie: Glen Tetley Režie: Daniel Špinar Dirigent: Zbyněk Müller Noční sezóna / The Night Season Režie: Daniel Špinar Hudební nastudování: David Švec 18. & 20. 01. 2018 26. 11., 3., 10. a 17. 12. 2017 9. & 10. 11. 2017 Dirigent: David Švec / Václav Zahradník Leoš Janáček Matiné k 194. výročí narození 20. & 21. 10. 2017 Johann Wolfgang Goethe Výlety páně Broučkovy / Bedřicha Smetany Faust Marná opatrnost / La Fille mal gardée The Excursions of Mr. Brouček 10. 3. 2018 Režie: Jan Frič Hudba: Louis-Joseph-Ferdinand Hérold Dirigent: Jaroslav Kyzlink 15. & 16. 3. 2018 Choreografie: Frederick Ashton Režie: Sláva Daubnerová STAVOVSKÉ DIVADLO / Hud.
    [Show full text]
  • Radio 3 Listings for 21 – 27 January 2012 Page
    Radio 3 Listings for 21 – 27 January 2012 Page 1 of 10 SATURDAY 21 JANUARY 2012 Wolf, Hugo (1860-1903) Early music issues whilst featuring some of his many Italian Serenade for string quartet recordings, including music by JS Bach, Louis Couperin, and SAT 01:00 Through the Night (b0197660) Ljubljana String Quartet Sweelinck. This is the last interview that Gustav Leonhardt gave Trio Wanderer perform music by Haydn and Mendelssohn. to the BBC. Presented by Susan Sharpe 5:17 AM Tailleferre, Germaine (1892-1983) 1:01 AM Sonata for harp SAT 14:00 Radio 3 Lunchtime Concert (b0195q8y) Haydn, (Franz) Joseph [1732-1809] Godelieve Schrama (harp) Hanno Muller-Brachmann, Hendrik Heilman Trio for keyboard and strings (H.15.27) in C major Trio Wanderer 5:28 AM Live from Wigmore Hall, London. Bass-baritone Hanno Müller- Vivaldi, Antonio (1678-1741) Brachmann and pianst Hendrik Heilman perform music by 1:17 AM Kyrie eleison in G minor for double choir and orchestra Schubert, Brahms and Schumann - all settings of poetry by Mendelssohn, Felix [1809-1847] (RV.587) Heine. Trio for piano and strings no. 1 (Op.49) in D minor Choir of Latvian Radio, Riga Chamber Players, Sigvards Klava Trio Wanderer (conductor) Heinrich Heine inspired several of the greatest song-composers to write some of their most personal music. This recital includes 1:44 AM 5:38 AM settings of Heine that Schubert made and which were included Haydn, (Franz) Joseph [1732-1809] Chopin, Frédéric (1810-1849) in the collection of songs published after his death as his Trio for keyboard and strings (H.15.14) in A flat major Scherzo no.4 in E major 'swansong' - Schwanengesang.
    [Show full text]
  • Fellow Profiles
    A Project of the Annenberg Public Policy Center at the University of Pennsylvania Fellow Profiles – 2014 Recipients Ryan Speedo Green, opera singer After seeing bass-baritone Ryan Speedo Green perform as the Commendatore in a production of Don Giovanni at the Juilliard School, a reviewer for the New York Post commented that he had “the magnetic presence of a superstar.” Ryan, who grew up in low-income housing in Suffolk, Va., benefited from the support and encouragement of a teacher who steered him to the Governor’s School for the Arts in Norfolk. At the age of 14, he saw Carmen at the Metropolitan Opera and that experience was transformative. Ten years later, after earning a Bachelor of Music from the University of Hartford and a Master of Music from Florida State University, Ryan won the Metropolitan Opera National Council Auditions and he was Photo by Dario Acosta Photography invited to apply for the Met’s Lindemann Young Artist Development Program. In fall 2014, Ryan will join the Vienna Staatsoper as a company member. Fellowship funds will cover the costs of his move to Vienna and provide vital resources for voice lessons and coaching for new roles, including his first major role at the Metropolitan Opera in The Death of Klinghoffer, and Ferrando in a new production of Il Trovatore at Opera de Lille. Francesca dePasquale, violinist Raised in Philadelphia, Francesca dePasquale grew up with a family of distinguished musicians, including her father William, co-concertmaster of the Philadelphia Orchestra, and her mother Gloria, a member of the cello section.
    [Show full text]
  • 135 Sezona TZ.Indd
    TISKOVÁ ZPRÁVA NÁRODNÍ DIVADLO ZAHAJUJE 135. DIVADELNÍ SEZONU Ředitel Národního divadla: prof. MgA. Jan Burian Umělecký šéf Baletu Národního divadla: Filip Barankiewicz Umělecký ředitel Činohry Národního divadla: Daniel Špinar Umělecký ředitel Opery Národního divadla a Státní opery: Petr Kofroň Kontakty: Tomáš Staněk, tiskový mluvčí ND, tel.: 605 207 249, e-mail: [email protected] Kateřina Ondroušková, PR Činohry a Laterny magiky, tel.: 777 208 249, e-mail: [email protected] Kateřina Motlová, PR Opery, tel.: 725 712 443, e-mail: [email protected] Helena Bartlová, PR Baletu, tel.: 737 205 899, e-mail: [email protected] Národní divadlo Ostrovní 1, 112 30 Praha 1, Česká republika, www.narodni-divadlo.cz IČ 00023337, Bankovní spojení: ČNB Praha 1, č. ú.: 2832011/0710 TISKOVÁ ZPRÁVA Národní divadlo zahajuje 135. divadelní sezonu s RAIFFEISENBANK jako generálním partnerem Do nové sezony vstoupí Národní divadlo s novým generálním partnerem, kterým se stala společnost Raiffeisenbank. „Příchod nového generálního partnera je nejen vysokým oceněním našich uměleckých výsledků, ale také potvrzením mimořádného postavení Národního divadla v české společnosti,“ konstatuje ředitel Národního divadla prof. MgA. Jan Burian S koncem divadelní sezony došlo v Národním divadle i k několika plánovaným obměnám ve vedení souborů. Petr Zuska předal pomyslné žezlo nad souborem Baletu Filipu Barankiewiczovi. Ing. Jana Dvořáková střídá ve správním vedení Činohry Michala Dočekala. Do zaslouženého důchodu odchází umělecký šéf Laterny magiky Zdeněk Prokeš. „Divadlo tak získá nové inspirace na vynikajících základech,“ shrnuje ředitel Burian. V nové sezoně připraví Národní divadlo 21 nových inscenací. Bude pokračovat v rekonstrukci budovy Státní opery a otevře nové sídlo činoherního souboru v areálu Anenského kláštera.
    [Show full text]
  • FY14 Annual Report View Report
    Annual Report 2013–14 1 2 Introduction 4 Metropolitan Opera Board of Directors 5 2013–14 Season Repertory & Events 12 2013–14 Artist Roster 14 The Financial Results 47 Patrons 1 Introduction The Metropolitan Opera’s 2013–14 season featured an extraordinary number of artistic highlights, while the company continued to address the significant financial challenges of grand opera. The Met presented six new productions during the 2013–14 season, including the Met premiere of Nico Muhly’s Two Boys, the first new opera developed through the company’s co-commissioning program with Lincoln Center Theater. The season also saw the first Met performances in nearly 100 years of Borodin’s Prince Igor. Along with four revivals, all six new productions were presented in movie theaters around the world as part of the Met’s Live in HD series, which earned $26.2 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117 million. While enjoying great artistic successes, the company faced challenging economic hurdles, ending with a deficit after five years of break-even or close to break-even results. However, contract negotiations with the Met’s unions, still in process at the end of the fiscal year, resulted in cost reductions to help ensure a more sustainable financial model for the future. At the start of the 2013–14 season, Music Director James Levine made a highly anticipated—and enormously successful—return to the Met after two years away due to injury. His return on the second night of the season to conduct Mozart’s Così fan tutte was rapturously received, as were his performances leading Robert Carsen’s new production of Verdi’s Falstaff.
    [Show full text]