Boston Symphony Orchestra Concert Programs, Summer, 1987
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ARSC Journal, Spring 1992 69 Sound Recording Reviews
SOUND RECORDING REVIEWS Chicago Symphony Orchestra: The First Hundred Years CS090/12 (12 CDs: monaural, stereo; ADD)1 Available only from the Chicago Symphony Orchestra, 220 S. Michigan Ave, Chicago, IL, for $175 plus $5 shipping and handling. The Centennial Collection-Chicago Symphony Orchestra RCA-Victor Gold Seal, GD 600206 (3 CDs; monaural, stereo, ADD and DDD). (total time 3:36:3l2). A "musical trivia" question: "Which American symphony orchestra was the first to record under its own name and conductor?" You will find the answer at the beginning of the 12-CD collection, The Chicago Symphony Orchestra: The First 100 Years, issued by the Chicago Symphony Orchestra (CSO). The date was May 1, 1916, and the conductor was Frederick Stock. 3 This is part of the orchestra's celebration of the hundredth anniversary of its founding by Theodore Thomas in 1891. Thomas is represented here, not as a conductor (he died in 1904) but as the arranger of Wagner's Triiume. But all of the other conductors and music directors are represented, as well as many guests. With one exception, the 3-CD set, The Centennial Collection: Chicago Symphony Orchestra, from RCA-Victor is drawn from the recordings that the Chicago Symphony made for that company. All were released previously, in various formats-mono and stereo, 78 rpm, 45 rpm, LPs, tapes, and CDs-as the technologies evolved. Although the present digital processing varies according to source, the sound is generally clear; the Reiner material is comparable to RCA-Victor's on-going reissues on CD of the legendary recordings produced by Richard Mohr. -
All Strings Considered a Subjective List of Classical Works
All Strings Considered A Subjective List of Classical Works & Recordings All Recordings are available from the Lake Oswego Public Library These are my faves, your mileage may vary. Bill Baars, Director Composer / Title Performer(s) Comments Middle Ages and Renaissance Sequentia We carry a lot of plainsong and chant; HILDEGARD OF BINGEN recordings by the Anonymous 4 are also Antiphons highly recommended. Various, Renaissance vocal and King’s Consort, Folger Consort instrumental collections. or Baltimore Consort Baroque Era Biondi/Europa Galante or Vivaldi wrote several hundred concerti; try VIVALDI Loveday/Marriner. the concerti for multiple instruments, and The Four Seasons the Mandolin concerti. Also, Corelli's op. 6 and Tartini (my fave is his op.96). HANDEL Asch/Scholars Baroque For more Baroque vocal, Bach’s cantatas - Messiah Ensemble, Shaw/Atlanta start with 80 & 140, and his Bach B Minor Symphony Orch. or Mass with John Gardiner conducting. And for Jacobs/Freiberg Baroque fun, Bach's “Coffee” cantata. orch. HANDEL Lamon/Tafelmusik For an encore, Handel's “Music for the Royal Water Music Suites Fireworks.” J.S. BACH Akademie für Alte Musik Also, the Suites for Orchestra; the Violin and Brandenburg Concertos Berlin or Koopman, Pinnock, Harpsicord Concerti are delightful, too. or Tafelmusik J.S. BACH Walter Gerwig More lute - anything by Paul O'Dette, Ronn Works for Lute McFarlane & Jakob Lindberg. Also interesting, the Lute-Harpsichord. J.S. BACH Bylsma on period cellos, Cello Suites Fournier on a modern instrument; Casals' recording was the standard Classical Era DuPre/Barenboim/ECO & HAYDN Barbirolli/LSO Cello Concerti HAYDN Fischer, Davis or Kuijiken "London" Symphonies (93-101) HAYDN Mosaiques or Kodaly quartets Or start with opus 9, and take it from there. -
Concert Program
AGIS CENTER FOR ARTS AND HUMANITIES, INC. ASIAN PACIFIC WWII ATROCITIES MUSEUM Present Memorial Concert for 60th Anniversary of WW-II Asian Pacific Theatre 《 紀念抗戰勝利六十週年音樂會 》 7:30 pm, 9 July 2005, (Saturday) Music Center at Strathmore 5301 Tuckerman Lane North Bethesda, MD 20852-3385 Overture "Carnival", Op. 92 by Antonín Dvořák (德沃夏克) “ 狂欢节 ”序曲 蓝顿交響樂團/Landon Symphonette Conductor: Richard Weilenmann 長江之歌/Song of the Yang-Tze River 男中音：周正/Baritone: Zheng Zhou 蓝顿交響樂團/Landon Symphonette Guest Conductor: Xueyan Yao，姚学言 中国的土地/Homeland Reminiscence 女高音：汪燕燕/ Soprano: Yan-Yan Wang 蓝顿交響樂團/Landon Symphonette Guest Conductor: Xueyan Yao，姚学言 松花江上/ On the Song-Hua River 女高音：何俊秋/男高音：彭瑜 Soprano: Junqiu He / Tenor: Yu Peng Guest Conductor: Xueyan Yao，姚学言 电影主题音乐“ 辛德勒的名单” 小提琴：Leonid Sushansky Movie Theme “ Schindler’s List” Violin：Leonid Sushansky (1) Theme from Schindler's List Conductor: Richard Weilenmann (2) Jewish Town (3) Remembrances 黃河頌/ Ode to the Yellow River 男中音：周正 Baritone: Zheng Zhou 蓝顿交響樂團/Landon Symphonette Guest Conductor: Xueyan Yao，姚学言 黄河怨/Lament of the Yellow River 女高音：汪燕燕/ Soprano: Yan-Yan Wang 蓝顿交響樂團/Landon Symphonette Guest Conductor: Xueyan Yao，姚学言 (Anchor -Optional) “Vissi d’arte, Vissi d’amore” 女高音：汪燕燕/ Soprano: Yan-Yan Wang from Tosca by Puccini 蓝顿交響樂團/Landon Symphonette Conductor: Richard Weilenmann 旗正飘飘/ The Waving Flags 華府合唱團 太行山上/ On the Tai-Hang Mountain Washington Chinese American Chorus Guest Conductor: Xueyan Yao，姚学言 Chorus Executive Conductor: Yi-Cherng Lin，林宜誠 ------------ INTERMISSION -----中場休息----------- (Asian Pacific WWII Atrocities Museum Announcement) (亞太二戰浩劫紀念館籌備會發言) 鋼琴協奏曲：《黃河》 钢琴：殷承宗 Piano Concerto “ Yellow River” Piano: Chengzong Yin 1. Yellow River Boatman’s Song 蓝顿交響樂團/ Landon Symphonette Conductor: Richard Weilenmann 2. -
Michael Morgan Playlist
Maestro Michael Morgan Playlist Details For over thirty years, Michael Morgan has been the Oakland Symphony Conductor and Music Director. Here, he puts together a list of his favorite music with a brief explanation on what this music means to him and his life. 1.) Mahler Symphony No. 7. Leonard Bernstein two of my favorite artists. Old school historically conducts New York Philharmonic. This is the informed performance. recording that started my obsession with this piece. It is an amazing puzzle for the conductor. And, of 7.) Dvorak Symphony No. 7 Witold Rowicki/ course, Bernstein was one of my most important London Symphony Orchestra. The greatest Dvorak mentors. Symphony performed by another of my important teachers: Witold Rowicki, a founder of the Warsaw 2.) Mendelssohn Elijah. Rafael Frubeck de Burgos Philharmonic. with New Philharmonia Orchestra. I adore this piece and the peerless singing of Janet Baker, along with 8.) Bach B minor Mass. John Eliot Gardiner/The the spectacular singing and English diction of Nicolai English Baroque Soloists. A favorite piece led by a Gedda make this just a treasured recording. favorite conductor. But I could endorse any of a number of recordings by early music specialists. 3.) Stephen Foster Song Book. Robert Shaw Chorale. Count this as a somewhat guilty pleasure. I 9.) Schumann Frauenlieben und Leben. Any of the love these songs (unfortunate, outdated, racist recordings by Kathleen Ferrier. The combination of language and all) and the sound Robert Shaw got out Schumann's heartfelt song cycle and the great of his singers is incomparable. Robert Shaw was also English Contralto Kathleen Ferrier is highly moving. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Honorary Degree Recipients 1977 – Present
Board of Trustees HONORARY DEGREE RECIPIENTS 1977 – PRESENT Name Year Awarded Name Year Awarded Claire Collins Harvey, C‘37 Harry Belafonte 1977 Patricia Roberts Harris Katherine Dunham 1990 Toni Morrison 1978 Nelson Mandela Marian Anderson Marguerite Ross Barnett Ruby Dee Mattiwilda Dobbs, C‘46 1979 1991 Constance Baker Motley Miriam Makeba Sarah Sage McAlpin Audrey Forbes Manley, C‘55 Mary French Rockefeller 1980 Jesse Norman 1992 Mabel Murphy Smythe* Louis Rawls 1993 Cardiss Collins Oprah Winfrey Effie O’Neal Ellis, C‘33 Margaret Walker Alexander Dorothy I. Height 1981 Oran W. Eagleson Albert E. Manley Carol Moseley Braun 1994 Mary Brookins Ross, C‘28 Donna Shalala Shirley Chisholm Susan Taylor Eleanor Holmes Norton 1982 Elizabeth Catlett James Robinson Alice Walker* 1995 Maya Angelou Elie Wiesel Etta Moten Barnett Rita Dove Anne Cox Chambers 1983 Myrlie Evers-Williams Grace L. Hewell, C‘40 Damon Keith 1996 Sam Nunn Pinkie Gordon Lane, C‘49 Clara Stanton Jones, C‘34 Levi Watkins, Jr. Coretta Scott King Patricia Roberts Harris 1984 Jeanne Spurlock* Claire Collins Harvey, C’37 1997 Cicely Tyson Bernice Johnson Reagan, C‘70 Mary Hatwood Futrell Margaret Taylor Burroughs Charles Merrill Jewel Plummer Cobb 1985 Romae Turner Powell, C‘47 Ruth Davis, C‘66 Maxine Waters Lani Guinier 1998 Gwendolyn Brooks Alexine Clement Jackson, C‘56 William H. Cosby 1986 Jackie Joyner Kersee Faye Wattleton Louis Stokes Lena Horne Aurelia E. Brazeal, C‘65 Jacob Lawrence Johnnetta Betsch Cole 1987 Leontyne Price Dorothy Cotton Earl Graves Donald M. Stewart 1999 Selma Burke Marcelite Jordan Harris, C‘64 1988 Pearl Primus Lee Lorch Dame Ruth Nita Barrow Jewel Limar Prestage 1989 Camille Hanks Cosby Deborah Prothrow-Stith, C‘75 * Former Student As of November 2019 Board of Trustees HONORARY DEGREE RECIPIENTS 1977 – PRESENT Name Year Awarded Name Year Awarded Max Cleland Herschelle Sullivan Challenor, C’61 Maxine D. -
Visual Art in the English Parish Church Since 1945
Peter Webster Institute of Historical Research Visual art in the English parish church since 1945 [One of a series of short articles contributed to the DVD-ROM The English Parish Church (York, Centre for the Study of Christianity and Culture, 2010).1] Even the most fleeting of tours of the English cathedrals in the present day would give an observer the impression that the Church of England was a major patron of contemporary art. Commissions, competitions and exhibitions abound; at the time of writing Chichester cathedral is in the process of commissioning a major new work, and the shortlist of artists includes figures of the stature of Mark Wallinger and Antony Gormley. It is less well known that this activity is in fact a relatively recent phenomenon. In the early 1930s, by contrast, it was widely thought (amongst those clergy, artists and critics who thought about such things) that there was, in the strictest sense, no art at all in English churches. Of course, the medieval cathedrals and parish churches contained many exquisite examples of the art of their time. The nineteenth century had seen a massive boom in urban church building in the revived Gothic style, with attendant furnishings and decoration. However, the vast bulk of the stained glass, ornaments and church plate of the more recent past was regarded as hopelessly derivative at best, and of poor workmanship at worst. The sculptor Henry Moore wrote of the ‘affected and sentimental prettiness’ of much of the church art of his time. One director of the Tate Gallery argued that if the contents of churches were the only evidence available, ‘our civilisation would be found shallow, vulgar, timid and complacent, the meanest there has ever been.’ Much research remains to be done on that nineteenth century heritage, to determine how justly such charges were laid against it. -
110988 Bk Menuhin 19/07/2004 11:42Am Page 4
110988 bk Menuhin 19/07/2004 11:42am Page 4 Ward Marston ADD In 1997 Ward Marston was nominated for the Best Historical Album Grammy Award for his production work on Great Violinists • Menuhin 8.110988 BMG’s Fritz Kreisler collection. According to the Chicago Tribune, Marston’s name is ‘synonymous with tender loving care to collectors of historical CDs’. Opera News calls his work ‘revelatory’, and Fanfare deems him ‘miraculous’. In 1996 Ward Marston received the Gramophone award for Historical Vocal Recording of the Year, honouring his production and engineering work on Romophone’s complete recordings of Lucrezia Bori. He also served as re-recording engineer for the Franklin Mint’s Arturo Toscanini issue and BMG’s Sergey Rachmaninov recordings, both winners of the Best Historical Album Grammy. Born blind in 1952, Ward Marston has amassed tens of thousands of opera classical records over the past four MOZART decades. Following a stint in radio while a student at Williams College, he became well-known as a reissue producer in 1979, when he restored the earliest known stereo recording made by the Bell Telephone Laboratories in 1932. Violin Sonatas In the past, Ward Marston has produced records for a number of major and specialist record companies. Now he is bringing his distinctive sonic vision to bear on works released on the Naxos Historical label. Ultimately his goal is to make the music he remasters sound as natural as possible and true to life by ‘lifting the voices’ off his old 78 rpm K. 376 and K. 526 recordings. His aim is to promote the importance of preserving old recordings and make available the works of great musicians who need to be heard. -
THE DAVID ROCKEFELLER FUND, INC. Financial Statements and Supplemental Schedule December 31, 2017 and 2016 (With Independent Auditors’ Report Thereon)
THE DAVID ROCKEFELLER FUND, INC. Financial Statements and Supplemental Schedule December 31, 2017 and 2016 (With Independent Auditors’ Report Thereon) KPMG LLP 345 Park Avenue New York, NY 10154-0102 Independent Auditors’ Report The Board of Trustees The David Rockefeller Fund, Inc.: We have audited the accompanying financial statements of The David Rockefeller Fund, Inc., which comprise the statements of financial position as of December 31, 2017 and 2016, and the related statements of activities and cash flows for the years then ended, and the related notes to the financial statements. Management’s Responsibility for the Financial Statements Management is responsible for the preparation and fair presentation of these financial statements in accordance with U.S. generally accepted accounting principles; this includes the design, implementation, and maintenance of internal control relevant to the preparation and fair presentation of financial statements that are free from material misstatement, whether due to fraud or error. Auditors’ Responsibility Our responsibility is to express an opinion on these financial statements based on our audits. We conducted our audits in accordance with auditing standards generally accepted in the United States of America. Those standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free from material misstatement. An audit involves performing procedures to obtain audit evidence about the amounts and disclosures in the financial statements. The procedures selected depend on the auditors’ judgment, including the assessment of the risks of material misstatement of the financial statements, whether due to fraud or error. In making those risk assessments, the auditors consider internal control relevant to the entity’s preparation and fair presentation of the financial statements in order to design audit procedures that are appropriate in the circumstances, but not for the purpose of expressing an opinion on the effectiveness of the entity’s internal control. -
The Collection of Peggy and David Rockefeller to Be Sold to Benefit Charities
THE COLLECTION OF PEGGY AND DAVID ROCKEFELLER TO BE SOLD TO BENEFIT CHARITIES COMMITMENT OF SALE PROCEEDS TO CHARITIES CONTINUES THE LONG LEGACY OF ROCKEFELLER PHILANTHROPY CHRISTIE’S SELECTED TO MANAGE SPRING 2018 AUCTION OF OVER 2,000 ITEMS Peggy and David Rockefeller, May 1973. Photo: Arthur Lavine/Rockefeller Estate “Eventually all these objects which have brought so much pleasure to Peggy and me will go out into the world and will again be available to other caretakers who, hopefully, will derive the same satisfaction and joy from them as we have over these past several decades.” – David Rockefeller New York – The Estate of David Rockefeller, the youngest son of American philanthropist John D. Rockefeller, Jr. and art patron Abby Aldrich Rockefeller, will sell at Christie’s the personal collection of Peggy and David Rockefeller, which is estimated to include over 2,000 individual items and spans numerous collecting categories, in order to benefit a dozen charities. The sales will be conducted in keeping with David Rockefeller’s pledge to direct the majority of his wealth to philanthropy and provide for the cultural, educational, medical, and environmental causes long supported by both David and Peggy Rockefeller. A series of dedicated sales is slated for spring 2018 at Christie’s in Rockefeller Center in New York City. David Rockefeller, Jr. commented: “We are delighted to be partnering with Christie’s to create a significant fundraising opportunity for the philanthropies that are so important to the Rockefeller family. We are proud to fulfill my father’s wish to share with the world the art and objects he and my mother collected over a lifetime together, and use them as means to continue the long legacy of Rockefeller family philanthropy first established by John D. -
Program Notes | January 25/26
PROGRAM NOTES | JANUARY 25/26 George Walker in musical composition turned serious after LYRIC FOR STRINGS graduating from Curtis. He went to Europe and Born in Washington, D.C., June 27, 1922 studied with Nadia Boulanger. Upon returning Died in Montclair, New Jersey, to the States, he earned his Doctoral degree in August 23, 2018 composition from the Eastman School of Music. Last performed by the Wichita Symphony Teaching was the third component of Walker’s December 10/11, 1994 life in music. He enjoyed positions at Smith College, the University of Colorado, and most Most people in the audience this weekend may importantly at Rutgers University in New be encountering the music of George Walker Jersey, where he taught for twenty-three years for the first time. The Lyric for Strings, Walker’s until his retirement in 1992. most performed work is an appropriate introduction as it makes a long overdue Walker’s list of compositions includes over 100 appearance on a Wichita Symphony program. works covering a wide range of genres, from sonatas, quartets, art songs, choral works, Described by one writer as “an under-heard to symphonic works. He received numerous American Master,” George Walker’s was a awards including the Pulitzer Prize for Music in “trailblazer” in a career full of firsts for an 1996 for Lilacs, a work for voice and orchestra African-American musician: one of the first based on poetry by Walt Whitman. Many to graduate from the Curtis Institute of Music leading orchestras and organizations including (1945), first to give a Town Hall debut recital the Boston Symphony, Cleveland Orchestra, on piano (1945), perform as a soloist with New York Philharmonic, the John F. -
The David Rockefeller Fellows Program
THE DAVID ROCKEFELLER FELLOWS PROGRAM Providing business leaders with a unique opportunity to better understand New York City and take a more active role in shaping the city’s future. OVERVIEW OBJECTIVES The David Rockefeller Fellows Program prepares • Enhance business and civic leadership skills senior corporate executives for more active • Facilitate access to the knowledge and networks leadership in civic and public affairs, following the necessary to forge effective public-private model of the Partnership’s founding chairman. partnerships • Establish relationships between leaders in the SELECTION CRITERIA public, private and nonprofit sectors • Develop an alumni network that will support the Fellows are: Partnership’s policy and program objectives • Nominated by CEO member of the Partnership • Rising stars in business and potential future CEOs • Engaged in the life of their community • Representative of the diversity of New York City’s business community Greg Mondre, Silver Lake, Class of 2011 “For anyone seeking to understand 420 what differentiates New York as SENIOR EXECUTIVES one of the most dynamic cities in HAVE PARTICIPATED. the world, the David Rockefeller Upon program completion, Fellows join Fellows Program offers unparalleled an elite group of business leaders who are access to its disparate institutions active across civic life in New York City. straddling the realms of government, finance, culture, law enforcement and more. The Program pulls back the curtain for participants to glimpse the complex reality and remarkable scale and cadence of a great global metropolis.” PROGRAM DETAILS TIME COMMITMENT John McAvoy, ConEdison, Class of 2011 Participation in the David Rockefeller Fellows Program is “One of the best things about being the leader a once-in-a life time opportunity.