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Personalized Media Communications, L.L.C. v. Zynga, Inc. Doc. 1 Att. 4 IN THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF TEXAS MARSHALL DIVISION PERSONALIZED MEDIA § COMMUNICATIONS, LLC, § § Plaintiff, § § v. § § Civil Action No. ZYNGA, INC., § § JURY DEMANDED Defendant. § § § § § § EXHIBIT 2-[PART 1 OF 3] COMPLAINT FOR PATENT INFRINGEMENT Dockets.Justia.com 111111111111111111111111111111111111111111111111111111111111111111111111111 US007908638Bl (12) United States Patent (10) Patent No.: US 7,908,638 Bl Harvey et al. (45) Date of Patent: Mar. 15,2011 (54) SIGNAL PROCESSINGAPPARATUS AND (56) References Cited METHODS U.S. PATENT DOCUMENTS (75) Inventors: John Christopher Harvey, New York, 33,189 A 9/1861 Dougal NY (US); James William Cuddihy, (Continued) New York, NY (US) FOREIGN PATENT DOCUMENTS (73) Assignee: Personalized Media Communications LLC, New York, NY (US) AU 481565 4/1976 (Continued) ( *) Notice: Subject to any disclaimer, the term ofthis patent is extended or adjusted under 35 OTHER PUBLICATIONS U.S.c. 154(b) by 0 days. "Automatic Commercial Insertion Equipemnt for Unattended Inser­ tion of Local Advertising", kILLION, "Cablematic Inc.", NCTA (21) Appl. No.: 08/477,547 1984, pp. 15-22, 1984.* (22) Filed: Jun. 7, 1995 (Continued) Related U.S. Application Data Primary Examiner - Yubin Hung (74) Attorney, Agent, or Firm - Goodwin Procter LLP (63) Continuation of application No. 081113,329, filed on (57) ABSTRACT Aug. 30, 1993, which is a continuation ofapplication No. 08/056,501, filed on May 3, 1993, now Pat. No. A unified system ofprogramming communication. The sys­ 5,335,277, which is a continuation ofapplication No. tem encompasses the prior art (television, radio, broadcast 07/849,226, filed on Mar. 10, 1992, now Pat. No. hardcopy, computer communications, etc.) and new user spe­ 5,233,654, which is a continuation ofapplication No. cific mass media. Within the unified system, parallel process­ ing computer systems, each having an input (e.g., 77) con­ 07/588,126, filed on Sep. 25, 1990, now Pat. No. trolling a plurality of computers (e.g., 205), generate and 5,109,414, which is a continuation ofapplication No. output user information at receiver stations. Under broadcast 07/096,096, filed on Sep. 11, 1987, now Pat. No. control, local computers (73, 205), combine user information 4,965,825, which is a continuation-in-part of selectively into prior art communications to exhibit person­ application No. 06/829,531, filed on Feb. 14, 1986, alized mass media programming at video monitors (202), now Pat. No. 4,704,725, which is a continuation of speakers (263), printers (221), etc. At intermediate transmis­ application No. 06/317,510, filed onNov. 3,1981, now sion stations (e.g., cable television stations), signals in net­ Pat. No. 4,694,490. work broadcasts and from local inputs (74, 77, 97, 98) cause control processors (71) and computers (73) to selectively (51) Int. Cl. automate connection and operation of receivers (53), H04N 7/00 (2006.01) recorder/players (76), computers (73), generators (82), strip­ H04N 7/08 (2006.01) pers (81), etc. At receiver stations, signals in received trans­ H04N 7/16 (2006.01) missions and from local inputs (225, 218, 22) cause control H04N 11/00 (2006.01) processors (200) and computers (205) to automate connec­ tion and operation ofconverters (201), tuners (215), decryp­ (52) U.S. Cl. 725/140; 725/137; 348/468; 348/481 tors (224), recorder/players (217), computers (205), furnaces (58) Field of Classification Search 455/3.1; (206), etc. Processors (71, 200) meter and monitor availabil­ 386/46; 348/5,6,7,8,9,2,3,461-468, ity and usage ofprogramming. 348/481,563,564; 725/135-140 See application file for complete search history. 24 Claims, 22 Drawing Sheets 2'5 202M ( TV MOOIT~ J o 0 145 --PROGRAMMING ---- CONTROLINFORMATION US 7,908,638 Bl Page 2 u.s. PATENT DOCUMENTS 3,606,688 A 9/1971 Zawels et al. 434/323 3,609,697 A 9/1971 Blevins et al. 717/2 1,927,702 A 9/1933 Foss 705/36 3,612,752 A 10/1971 Banning, Jr. 178/5 1,992,271 A 2/1935 Williams 3,624,516 A 11/1971 Rando et al. 2,046,381 A 7/1936 Hicks et al. 3,627,914 A 12/1971 Davies 348/722 2,117,638 A 5/1938 Walter 3,639,686 A 2/1972 Walker et al. 178/5.8 R 2,192,217 A 3/1940 Bellamyetal. 3,648,270 A 3/1972 Metz et al. 345/24 2,217,881 A 10/1940 Allen 3,649,749 A 3/1972 Gibson 178/5.6 2,236,077 A 3/1941 Smith 3,651,261 A 3/1972 Guanella . 178/22 2,264,563 A 12/1941 Bumstead 3,651,471 A 3/1972 Haselwood et al 340/172.5 2,418,127 A 4/1947 Labin. 178/44 3,657,699 A 4/1972 Rocher et al 380/265 2,510,046 A 5/1950 Ellett et al. 178/5.6 3,659,046 A 4/1972 Angeleri et al. 380/43 2,511,085 A 6/1950 Smith 381/104 3,666,888 A 5/1972 Sekimoto 178/69.5 TV 2,563,448 A 8/1951 Aram. 178/5.1 3,668,307 A * 6/1972 Face et al. 178/5.6 2,570,209 A 10/1951 Cotsworth, III 3,676,580 A * 7/1972 Beck 358/84 2,573,349 A 10/1951 Miller et al. 725/14 3,683,111 A 8/1972 Southworth 178/6 2,619,530 A 11/1952 Roschke 178/5.1 3,684,823 A * 8/1972 McVoy 178/5.1 2,731,197 A 1/1956 Parker et al 235/60 3,693,090 A 9/1972 Gabriel 725/1 2,769,023 A 10/1956 Loew et al 725/143 3,696,297 A * 10/1972 Otero 455/45 2,788,387 A 4/1957 Dmz 380/320 3,703,684 A 11/1972 McVoy 725/16 2,855,993 A 10/1958 Rahmel 358/84 3,712,956 A 1/1973 Lemelson 178/6.6 A 2,864,865 A 12/1958 Morris 568/430 3,716,835 A 2/1973 Weinberg 340/825.27 2,864,885 A 12/1958 Morris 178/5.1 3,723,637 A 3/1973 Fujio et al 178/5.2 R 2,866,962 A 12/1958 Ellet 380/227 3,725,672 A 4/1973 Reuter 327/176 2,875,270 A 2/1959 Wendt et al. 178/5.1 3,726,992 A 4/1973 Eguchi et al. 178/5.6 2,892,882 A 6/1959 Hughes 178/5.1 3,728,480 A 4/1973 Baer 178/6.8 2,969,427 A 1/1961 See 348/705 3,729,581 A 4/1973 Anderson 348/640 2,972,008 A 2/1961 Ridenour et al. 178/5.1 3,731,197 A 5/1973 Clark 380/36 2,995,624 A 8/1961 Watters 3,733,430 A * 5/1973 Thompson et al. 358/84 3,008,000 A 11/1961 Morchand 725/138 3,733,431 A 5/1973 Kirk, Jr. et al. 178/5.1 3,011,153 A 11/1961 Haselton et al. 3,736,369 A 5/1973 Vogelman et al. 380/228 3,016,091 A 1/1962 Daniele. 162/391 3,737,858 A 6/1973 Turner et al. 3,029,308 A 4/1962 Adler et al. 3,743,767 A 7/1973 Bitzer et al. 178/5.6 3,071,642 A 1/1963 Mountjoy et al 725/151 3,744,043 A 7/1973 Walden et al. 340/870.7 3,071,649 A 1/1963 Goodall 179/1.5 3,746,780 A 7/1973 Stetten et al. 386/95 3,082,402 A 3/1963 Scantlin 3,746,799 A 7/1973 Gentges 178/22 3,107,274 A 10/1963 Roschke 178/5.1 3,749,845 A 7/1973 Fraser 370/433 3,133,986 A 5/1964 Morrisetal. 178/5.1 3,752,908 A 8/1973 Boenke et al. 178/5.6 3,213,201 A 10/1965 Flood et al. 370/381 3,754,211 A 8/1973 Rocher et al. 714/749 3,238,297 A 3/1966 Pawley et al. 380/240 3,755,624 A * 8/1973 Sekimoto 178/89.5 TV 3,244,806 A * 4/1966 Morris 348/1 3,757,225 A 9/1973 Ukicki 725/1 3,251,051 A 5/1966 Harries 340/345 3,761,888 A 9/1973 Flynn 710/18 3,304,416 A 2/1967 Wolf 235/92 3,764,983 A 10/1973 Stok 340/150 3,336,437 A 8/1967 Brouard et al. 178/5.4 3,769,579 A 10/1973 Harney 325/31 RE26,331 E 1/1968 Brothman et al. 27,810 A 11/1973 Buehrle 325/321 3,363,250 A 1/1968 Jacobson 340/825.17 3,773,977 A 11/1973 Guanella 380/36 3,366,731 A 1/1968 Wallerstein 3,773,979 A 11/1973 Kirk, Jr. et al. 179/15 FD 3,368,031 A 2/1968 Eisele 3,777,053 A 12/1973 Wittig et al 380/228 3,371,071 A 2/1968 Webb 428/355 EN 3,778,058 A 12/1973 Rausch 463/3 3,387,082 A 6/1968 Farber et al. 3,778,715 A 12/1973 Schmidt et al. 3,387,083 A 6/1968 Farber et al. 3,778,721 A 12/1973 Moran 325/396 3,387,268 A 6/1968 Epstein 340/825.26 3,789,131 A 1/1974 Harney 178/5.1 3,390,234 A 6/1968 Glidden 3,789,137 A 1/1974 Newell 386/98 3,430,004 A 2/1969 Shenk 3,790,700 A * 2/1974 Callais et al.
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    TONY CONRAD VIDEO – UND DARÜBER HINAUS Der US-amerikanische Künstler Anthony (Tony) Conrad (*1940) ist seit über 50 Jahren eine feste Größe im Kunstbetrieb. Gefeiert als TABEA LURK Musiker, Filmemacher, Video- und Performance-Künstler gelingt sein Durchbruch 1966 mit dem Experimentalfi lm “The Flicker”. Neben den Filmarbeiten (inkl. “Yellow Movies”) fi nden die soge- nannten “String Performances” (Solovionline) große Anerkennung. Sie erinnern an das Theatre of Eternal Music (1962–1967) und wurden von namhaften Autoren aufgearbeitet. Die vorliegende Monografi e konzentriert sich daher auf die ca. 70 Videoarbeiten des Künstlers, die ab 1977 entstanden und noch nicht wissenschaftlich untersucht wurden. Auf die Erinnerung an Eckpunkte des künstlerischen Werdegangs (Videografi scher Blick auf die Künstlervita) folgt der Übergang vom materialis- tischen Experimentalfi lm zum videografi schen Bilddenken im Um- feld der Appropriation Art (Video als letzte Aufforderung). Die Refl exion der telematischen Kultur der 1980er Jahre hinterfragt das Wechselspiel zwischen (Video-)Kunst und Gesellschaft (Video TONY CONRAD: VIDEO als Fernsehkritik). Das letzte Kapitel (Video im Spannungsfeld der Musik) kehrt zum Beginn der künstlerischen Karriere Tony Conrads zurück. Die Kunstwissenschaftlerin Tabea Lurk hat nach ihrem Volontariat am ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe von 2006– LURK TABEA 2015 primär an der Hochschule der Künste Bern geforscht und gelehrt. Seit 2015 leitet sie die Mediathek der Hochschule für Gestaltung und Kunst Basel. ISBN 978-3-0343-2037-5 WWW.PETERLANG.COM PETER LANG TONY CONRAD VIDEO – UND DARÜBER HINAUS Der US-amerikanische Künstler Anthony (Tony) Conrad (*1940) ist seit über 50 Jahren eine feste Größe im Kunstbetrieb. Gefeiert als TABEA LURK Musiker, Filmemacher, Video- und Performance-Künstler gelingt sein Durchbruch 1966 mit dem Experimentalfi lm “The Flicker”.