In praise of outlaws1 Rachel King1, 2 1 Institute of Archaeology, University College London 2 Rock Art Research Institute, University of the Witwatersrand Corresponding author:
[email protected] Abstract ‘Outlaw’ is not a common category of archaeological thought but it is perhaps more useful than meets the eye. ‘Outlaws’ are typically viewed as contingent on legal and capitalist systems; they are, I suggest, also material, affective phenomena that draw our attention to how transgression, dissent, and disorder are conceived through archaeological thinking. Here, I outline some ways in which ‘outlaw’ figures are ‘good to think with’, particularly for historical and colonial contexts but also for broader, more global frontier situations. Through three sketches of archetypal ‘outlaws’ in southern Africa’s recent past, I consider where these disruptive figures draw attention to how mobility, violence, rebellion, and state imagination (and the limits thereof) have been imagined through material mis- behaviours. Keywords outlaws, cattle raiders, vagrancy, rebellion, resistance, southern Africa, colonialism 1 The fieldwork for this research was funded by a Clarendon Scholarship from the University of Oxford. This paper was written during my tenure as Smuts Research Fellow in African Studies and with generous support from the Smuts Memorial Fund. I thank Mark McGranaghan for comments on earlier drafts of this paper and comments from two anonymous reviewers. Introduction ‘Outlaw’ is not a common category of archaeological thought. The term, describing someone engaging in behaviours defined against or outside of what is or was legal, is laden with judgment and historical specificity, inhibiting its use as an analytic with which to think comparatively across time and space.