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PLAGUED by FIRE the Dreams and Furies of Frank Lloyd Wright by Paul Hendrickson
News from Contact: James Meader Vintage Books Executive Director of Publicity A Division of Penguin Random House 212-414-3492 | [email protected] NOW IN PAPERBACK — September 22, 2020 PLAGUED BY FIRE The Dreams and Furies of Frank Lloyd Wright by Paul Hendrickson Frank Lloyd Wright has long been known as a rank egotist who held in contempt almost everything aside from his own genius. Harder to detect, but no less real, is a Wright who fully understood, and suffered from, the choices he made. This is the Wright whom Paul Hendrickson reveals in this masterful biography: the Wright who was haunted by his father, about whom he told the greatest lie of his life. And this, we see, is the Wright of many other neglected aspects of his story: his close, and perhaps romantic, relationship with friend and early mentor Cecil Corwin; the eerie, unmistakable role of fires in his life; the connection between the 1921 Black Wall Street massacre in Tulsa, Oklahoma, and the murder of his mistress, her two children, and four others at his beloved Wisconsin home. In showing us Wright’s facades along with their cracks, Hendrickson helps us form a fresh, deep, and more human understanding of the man. With prodigious research, unique vision, and his ability to make sense of a life in ways at once unexpected, poetic, and undeniably brilliant, he has given us the defining book on Wright. For more information please contact: James Meader | Executive Director of Publicity | 212-414-3492 | [email protected] PLAGUED BY FIRE • Paul Hendrickson A Vintage Books Trade Paperback • On Sale 9/22/2020 624 pages • $18.00 • ISBN: 9780804172882 Vintage Books, A Division of Penguin Random House • 1745 Broadway New York, NY 10019 PRAISE FOR PLAGUED BY FIRE “A vast, sweeping book. -
And a River Went out of Eden| the Estuarial Motif in Hemingway's "The Garden of Eden"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1994 And a river went out of Eden| The estuarial motif in Hemingway's "The Garden of Eden" Howard A. Schmid The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Schmid, Howard A., "And a river went out of Eden| The estuarial motif in Hemingway's "The Garden of Eden"" (1994). Graduate Student Theses, Dissertations, & Professional Papers. 1560. https://scholarworks.umt.edu/etd/1560 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY TheMontana University of Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes " or "No " and provide signature** Yes, I grant permission No, I do not grant permission Author's Signature Date: ^ ^ j°\ Any copying for commercial purposes or financial gain may be undertaken only with the nnthnr'c pyniioit- AND A RIVER WENT OUT OF EDEN The Estuarial Motif in Hemingway's The Garden of Eden by Howard A. (Hal) Schmid B.A., University of Oregon, 1976 presented in partial fulfillment of the requirements for the degree of Master of Arts The University of Montana 1994 Approved by: Chairperson E€an, Graduate School ? tr Date T UMI Number: EP34014 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. -
Box and Folder Listing
CLARKE HISTORICAL LIBRARY CENTRAL MICHIGAN UNIVERSITY Ernest Hemingway Collection, 1901, 2006, and undated 5 cubic ft. (in 3 boxes, 6 Oversized folders, 4 reels in 4 boxes, and 2 framed posters) ACQUISITION: The collection was donated in several parts by Michael Federspiel and the Michigan Hemingway Society, Acc# 67522 (Oct. 4, 2002), #67833 (April 2003), Acc# 68091 (Oct. 2003), Acc#68230 (Dec. 2003), by Ken Mark and the Michigan Hemingway Society, Acc#68076 (Oct. 2003), Rebecca Zeiss, Acc# 68386 (Oct. 2003), Acc#68415 by Ken Mark (April 27, 2004), by Charlotte Ponder Acc# 68419 (May 2004), Acc#68698 by Federspiel (Sept. 30, 2004), Acc#68848 by the Hemingway Society (Dec.6, 2004), Acc#69475, Acc#70252, Acc#70401 (April 2007), Acc#70680-70682 and 70737 (Summer 2007), 70833 (March 2008), no MS#. The collection is ongoing. ACCESS: The collection is open to researchers. COPYRIGHT: Copyright is held neither by CMU nor the Clarke. PHOTOGRAPHS: In Box 2. PROCESSED BY: M. Matyn, Feb., Oct. and April 2003, March-May 2004, Feb. 2006, April and June 2007, Jan. and March 2008. Biography: Ernest Hemingway was born July 21, 1899 in Oak Park (Ill.), the son of Clarence E. Hemingway, a doctor, and Grace Hall-Hemingway, a musician and voice teacher. He had four sisters and a brother. Every summer, the family summered at the family cottage, named Windemere, on Walloon Lake near Petoskey (Mich.). After Ernest graduated from high school in June 1917, he joined the Missouri Home Guard. Before it was called to active duty, he served as a volunteer ambulance driver for the American Red Cross. -
Filmkatalog IAI Stand Februar 2015 Alph.Indd
KATALOG DER FILMSAMMLUNG Erwerbungen 2006 - 2014 CATÁLOGO DE LA COLECCIÓN DE CINE Adquisiciones 2006 - 2014 Inhalt Argentinien............................................................................. 4 Bolivien....................................................................................18 Brasilien...................................................................................18 Chile.........................................................................................31 Costa Rica................................................................................36 Cuba.........................................................................................36 Ecuador....................................................................................43 Guatemala...............................................................................46 Haiti.........................................................................................46 Kolumbien...............................................................................47 Mexiko.....................................................................................50 Nicaragua.................................................................................61 Peru.........................................................................................61 Spanien....................................................................................62 Uruguay...................................................................................63 Venezuela................................................................................69 -
Open HONORS FINAL.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER’S HONORS COLLEGE DIVISION OF ARTS AND HUMANITIES MENTAL ILLNESS IN FAMILY MEMOIRS: AN INTERDISCIPLINARY STUDY EXAMINING THE RELATIONSHIP BETWEEN MENTALLY ILL PARENTS AND THEIR CHILDREN BRANDON CHERRY SPRING 2016 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in English with honors in Letters, Arts, and Sciences Reviewed and approved* by the following: Ellen Knodt Professor of English Thesis Supervisor Karen Weekes Associate Professor of English and Women’s Studies Faculty Reader *Signatures are on file in the Schreyer’s Honors College. i Abstract This project explores the relationship between mentally ill parents and their children in the memoir form. These family memoirs offer insights into the effects of mentally ill parents on their children. The family memoirs of three famous twentieth century writers are studied to analyze the effects of mental illness in the written form, because a wide majority of the population does not have the privilege or skills to write about events effectively. Further psychological research also demonstrates how the coping mechanisms that children of mentally ill parents employ impact their development into adult life. ii TABLE OF CONTENTS Abstract………………………………………………….i Acknowledgements……………………………………..iii Introduction……………………………………………....1 i. Memoirs and Authors……………………………1 ii. Background of Mental Illnesses………………...6 iii. Link Between creativity and mental Illness.........8 The Hemingway Family: Strange Tribe……………………12 The Styron Family: Darkness Visible and Reading my Father ………………………………………21 The Vonnegut Family: The Eden Express and Just Like Someone Without Mental Illness Only More So…………………………………………………………26 Conclusion………………………………………………..36 Bibliography………………………………………………38 Academic Vita…………………………………………….41 iii Acknowledgements Thank you to Dr. -
Martha Gellhorn and Ernest Hemingway
MARTHA GELLHORN AND ERNEST HEMINGWAY: A LITERARY RELATIONSHIP H. L. Salmon, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2003 APPROVED: Timothy Parrish, Major Professor Peter Shillingsburg, Minor Professor Jacqueline Vanhoutte, Committee Member Brenda Sims, Chair, Graduate Studies in English C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Salmon, H. L., Martha Gellhorn and Ernest Hemingway: A Literary Relationship, Master of Arts (English). May 2003. 55 pp. Martha Gellhorn and Ernest Hemingway met in Key West in 1937, married in 1941, and divorced in 1945. Gellhorn’s work exhibits a strong influence from Hemingway’s work, including collaboration on her work during their marriage. I will discuss three of her six novels: WMP (1934), Liana (1944), and Point of No Return (1948). The areas of influence that I will rely on in many ways follow the stages Harold Bloom outlines in Anxiety of Influence. Gellhorn’s work exposes a stage of influence that Bloom does not describe—which I term collaborative. By looking at Hemingway’s influence in Gellhorn’s writing the difference between traditional literary influence and collaborative influence can be compared and analyzed, revealing the footprints left in a work by a collaborating author as opposed to simply an influential one. ACKNOWLEDGMENTS I would like to thank Dr. Tim Parrish, who from its inception encouraged me to take on this project and whose encouragement throughout my degree work has been insightful and inspiring. Dr. Peter Shillingsburg served as a reader and mentor, and his high standards and personal integrity challenged me to make sure my own scholarship is a credible as his own. -
Jurado Ópera Prima
INFORMACIÓN 1. Punto de Información SOIFF. HOTELES ESPACIOS DEL CERTAMEN Módulo Tómate un corto. 23. Parador de Turismo de Soria. Plaza Herradores Parque del Castillo, Fortún López, s/n. INFORMACIÓN 2. Centro Cívico Bécquer: Sede 24. Hotel Alda Ciudad de Soria. oficial y oficina de producción. Zaragoza, s/n PRÁCTICA Infantes de Lara, 1. Tel. 975 233 069 25. Art Spa Soria. Navas de Tolosa, 23 OFICINA DE INFORMACIÓN en MÓDULO TÓMATE UN CORTO -Ext.2 26. Hotel Leonor. Mirón, s/n. (Plaza Herradores) del 17 al 30 de noviembre. 27. Hotel Apolonia. Puertas de Pro, 5 HORARIO: De 12.00 a 14.00 y de 17.00 a 21.00 horas. SEDES 28. Hotel Castilla. Claustrilla, 5 3. Palacio de la Audiencia. Plaza 29. Hostal Alvi. Alberca, 2 VENTA DE ENTRADAS Mayor, 9 30. Hostal Centro. Plaza Mariano · Para las sesiones en el Palacio de la Audiencia en taquilla una 4. Cines Mercado. Plaza Bernardo Granados, 2 hora antes del inicio de cada sesión. Robles 31. Hostal Solar de Tejada. · Para las sesiones en Cines Mercado en taquilla una hora antes 5. Espacio Alameda. Parque Alameda Claustrilla, 1 del inicio de cada sesión. de Cervantes [La Dehesa] 32. Hostal Viena. García Solier, 1 · Para resto de sesiones y actividades en Oficina de Información 6. Casino Amistad Numancia. 33. Hostal Vitorina. Paseo Florida, 35 del Festival (Plaza Herradores en Módulo Tómate un corto), Collado, 23 hasta dos horas antes del inicio de cada sesión y en la taquilla 7. Conservatorio de Música a la entrada de cada espacio. Oreste Camarca. -
Cuban and Russian Film (1960-2000) Hillman, Anna
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Carnivals of Transition: Cuban and Russian Film (1960-2000) Hillman, Anna The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/xmlui/handle/123456789/9733 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] 1 Carnivals of Transition: Cuban and Russian Film (1960-2000) Anna M. Hillman Submitted in accordance with the requirements for the Ph.D. degree. Queen Mary, University of London, School of Languages, Linguistics and Film. The candidate confirms that the thesis does not exceed the word limit prescribed by the University of London, and that work submitted is her own and that appropriate credit has been given to research done by others. 2 ABSTRACT This thesis focuses on ‘carnivals of transition’, as it examines cinematic representations in relation to socio-political and cultural reforms, including globalization, from 1960 to 2000, in Cuban and Russian films. The comparative approach adopted in this study analyses films with similar aesthetics, paying particular attention to the historical periods and the directors chosen, namely Leonid Gaidai, Tomás Gutiérrez Alea, El’dar Riazanov, Juan Carlos Tabío, Iurii Mamin, Daniel Díaz Torres and Fernando Pérez. -
Ernest Hemingway's Mistresses and Wives
Ernest Hemingway’s Mistresses and Wives: Exploring Their Impact on His Female Characters by Stephen E. Henrichon A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of English College of Arts and Sciences University of South Florida Major Professor: Phillip Sipiora, Ph. D. Lawrence R. Broer, Ph. D. Victor Peppard, Ph. D. Date of Approval: October 28, 2010 Keywords: Up in Michigan, Cat in the Rain, Canary for One, Francis Macomber, Kilimanjaro, White Elephants, Nobody Ever Dies, Seeing-Eyed Dog © Copyright 2010, Stephen E. Henrichon TABLE OF CONTENTS ABSTRACT ........................................................................................................................ i CHAPTER 1: INTRODUCTION ......................................................................................1 CHAPTER 2: MICHIGAN: WHERE IT ALL BEGAN ....................................................9 CHAPTER 3: ADULTERY, SEPARATION AND DIVORCE ......................................16 CHAPTER 4: AFRICA ....................................................................................................29 CHAPTER 5: THE WAR YEARS AND BEYOND........................................................39 CHAPTER 6: CONCLUSION .........................................................................................47 CHAPTER 7: REFERENCES ..........................................................................................52 i ABSTRACT “Conflicted” succinctly describes Ernest Hemingway. He had a strong desire -
Ernest Hemingway's Mistresses and Wives
University of South Florida Digital Commons @ University of South Florida Graduate Theses and Dissertations Graduate School 10-28-2010 Ernest Hemingway’s Mistresses and Wives: Exploring Their Impact on His Female Characters Stephen E. Henrichon University of South Florida Follow this and additional works at: https://digitalcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Henrichon, Stephen E., "Ernest Hemingway’s Mistresses and Wives: Exploring Their Impact on His Female Characters" (2010). Graduate Theses and Dissertations. https://digitalcommons.usf.edu/etd/3663 This Thesis is brought to you for free and open access by the Graduate School at Digital Commons @ University of South Florida. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Digital Commons @ University of South Florida. For more information, please contact [email protected]. Ernest Hemingway’s Mistresses and Wives: Exploring Their Impact on His Female Characters by Stephen E. Henrichon A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of English College of Arts and Sciences University of South Florida Major Professor: Phillip Sipiora, Ph. D. Lawrence R. Broer, Ph. D. Victor Peppard, Ph. D. Date of Approval: October 28, 2010 Keywords: Up in Michigan, Cat in the Rain, Canary for One, Francis Macomber, Kilimanjaro, White Elephants, Nobody Ever Dies, Seeing-Eyed Dog © Copyright 2010, Stephen E. Henrichon TABLE OF CONTENTS ABSTRACT -
Norman's Triumph: the Transcendent Language of Self- Immolation
Norman's Triumph: The Transcendent Language of Self- Immolation Nicholas Patler Quaker History & Literature (QS-HS 107) Bethany Theological Seminary/Earlham School of Religion Reprinted with permission from Quaker History, Fall 2015 On a chilly November day in 1965, a thirty-one year old Quaker pacifist named Norman Morrison, a father of three, left his home in Baltimore with his infant daughter Emily and drove forty miles to Washington, DC. Once there, as dusk settled over the capitol city, he drove to the Pentagon where he drenched himself in kerosene and struck a match on his shoe. It is not clear if he had handed Emily to someone standing nearby or had sat her down out of harms way. As Norman burned alive, Secretary of Defense Robert McNamara, looking out of his office window only yards away, was horrified. He watched as Pentagon attaches rushed to try to put out the flames, scorching themselves in the process. 1 Sometime earlier that afternoon, Norman had mailed a letter from the Washington-area to his wife Anne in Baltimore: "Dearest Anne, Please don't condemn me ... For weeks, even months, I have been praying only that I be shown what I must do. This morning with no warning, I was shown ... Know that I love thee but must act for the children in the Priest's village." This latter reference was in regards to an article that Norman had read that morning in which a Catholic priest described graphically "women and children blown to bits" from U.S. bombing and napalm raids on Vietnamese villages. -
2009 TMAD (Page 1)
HAPPENING ON CAMPUS THIS MONTH AT Strategic Decisions: Examining Foreign Policy Top officials in the Bush White House share their perspectives All Aboard the Hallelujah Train Duke Performances’ two-day musical project Going Behind the Lens The Center for Documentary Studies showcases photography DVOLUME 4.NUMBERUKE 9 . OCTOBER 2009 The Inaugural Year: Duke’s Sanford School of Public Policy After gaining a national reputation, the former institute founded by Terry Sanford celebrates its new status as a school During World War II, Terry Sanford served as a lieutenant in a parachute regiment, “The Battling Buzzards,” which jumped into DID YOU KNOW? occupied France. For his courage he earned a Bronze Star and a Purple Heart. FOR A DETAILED SUMMARY OF DAILY DUKE HAPPENINGS, PLEASE VISIT DUKETODAYAT WWW.DUKE.EDU/TODAY 2 DUKE IN THE NEWS VOLUME 4:NO.9 | THIS MONTH AT DUKE Shinseki to Honor Duke’s INDUKETODAY 4Bonkistry Fallen Soldiers The eventual teacher of some 30,000 Duke students over 40 years in the introductory chemistry class Secretary of Veteran Affairs Eric Shinseki, who received that came to be known as “Bonkistry,” Duke chem- a master’s degree at Duke, is the keynote speaker at an istry professor James F. Bonk celebrates 50 years of Oct. 23 event honoring alumni who have died in battle since teaching at Duke. Bonk, 78, is still an active mem- World War II. ber of the faculty and serves as the department’s A former Army chief and decorated war veteran, Shinseki will join director of undergraduate studies. “I have no plans President Brodhead to offer remarks on behalf of soldiers who died in to retire,” he says.