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Rassegna Stampa Rassegna stampa 18 gennaio 2016 La proprietà intellettuale degli articoli è delle fonti (quotidiani o altro) specificate all'inizio degli stessi; ogni riproduzione totale o parziale del loro contenuto per fini che esulano da un utilizzo di Rassegna Stampa è compiuta sotto la responsabilità di chi la esegue; MIMESI s.r.l. declina ogni responsabilità derivante da un uso improprio dello strumento o comunque non conforme a quanto specificato nei contratti di adesione al servizio. INDICE ANICA - ANICA CITAZIONI 18/01/2016 BorsaItaliana.it 07:30 7 Economia e finanza: gli avvenimenti della settimana -3- ANICA - CINEMA 17/01/2016 Corriere della Sera - Nazionale 9 «Una natura crudele sul set L'Oscar? È nelle mani di Dio» 18/01/2016 Corriere Economia 11 Valsecchi: «Zalone pronto per andare all'estero» 18/01/2016 La Repubblica - Nazionale 13 Se il cinema francese cerca una via d'uscita dalla maledizione 17/01/2016 La Repubblica - Nazionale 14 Alejandro González Iñárritu 18/01/2016 La Stampa - Nazionale 16 "Il cinema sudamericano ora non ha più paura" 18/01/2016 Il Messaggero - Nazionale 18 Rocky torna sul ring ma solo grazie a YouTube 18/01/2016 Corriere della Sera - Nazionale 19 Lezione di cinema con Castellitto «Zalone? Mi fa ridere chi lo elogia» 17/01/2016 Corriere della Sera - La Lettura 21 La rivoluzione del piccolo principe 17/01/2016 La Repubblica - Nazionale 24 Da Al Capone a Chapo Guzmán quando al boss piace la fiction 17/01/2016 La Stampa - Nazionale 28 "L'Oscar? Per me conta di più l'ambiente" 17/01/2016 La Stampa - Nazionale 30 "The Danish girl" bandito in Qatar Nudo e transgender restano un tabù 17/01/2016 La Stampa - Torino 31 FilmLab sogni da Oscar con i soldi dell'Europa 16/01/2016 La Stampa - Nazionale 32 C'era una volta E ora c'è di nuovo il West 17/01/2016 Il Messaggero - Roma 34 L'addio ad "Accattone" tra ricordi e polemiche ma il cinema non c'è 17/01/2016 Il Messaggero - Nazionale 35 Di Caprio a Roma lancia la corsa all'Oscar: «I premi sono solo un bonus» 17/01/2016 Il Messaggero - Nazionale 37 «È tutto vero, pochi gli effetti speciali» 16/01/2016 Il Messaggero - Nazionale 38 Diario di due solitudini 16/01/2016 Il Messaggero - Nazionale 39 «Grande Citti il suo volto era storia» 17/01/2016 Avvenire - Nazionale 41 STEVE JOBS I tormenti di un mito 18/01/2016 Libero - Nazionale 43 «Rifiutai il posto fisso. Così nacque Lino Banfi» 17/01/2016 Il Fatto Quotidiano 46 Oscar, il Titanic di Leo 17/01/2016 Il Fatto Quotidiano 48 Il divo va a caccia di Oscar (e intanto fa impazzire i fan) 16/01/2016 Il Fatto Quotidiano 50 Evviva Checco Zalone, ma per favore niente paragoni con Alberto Sordi 18/01/2016 L'Unità - Nazionale 51 Verdone e Albanese raccontano da Fazio la loro commedia degli equivoci, "L'abbiamo fatta grossa" 17/01/2016 L'Unità - Nazionale 53 Ciao amico nostro Accattone, quanto ci mancherai 16/01/2016 L'Unità - Nazionale 54 Radar: Valsecchi e Nesbitt di TaoDue raccontano in che modo si produce un film da record come "Quo Vado?" 16/01/2016 Il Manifesto - Nazionale 56 Ritratto emotivo di Caracas , da Leone d'oro 17/01/2016 Il Tempo - Nazionale 58 «Ozpetek mi ha copiato» Il regista in tribunale 17/01/2016 Il Tempo - Nazionale 59 DiCaprio: «Ecco il nostro neorealismo» 17/01/2016 Corriere delle Alpi - Nazionale 60 Nelle sale il primo film per non vedenti 17/01/2016 Il Centro - Nazionale 61 Rocky diventa saggio ma rimane sempre "nato per combattere" 17/01/2016 Il Tirreno - Nazionale 63 Batman sfida Superman e gli alieni rinascono per l'Independence Day 16/01/2016 Pagina99 65 il Qatar si prende la fabbrica dei film 16/01/2016 Pagina99 67 la saga è un business che va da qui all'eternità 16/01/2016 Pagina99 69 horror Tarantino altro che magnifici sette ANICA - TELEVISIONE 17/01/2016 Corriere della Sera - Nazionale 72 Malinconico e disilluso, Coliandro torna e riconquista i fan 16/01/2016 Corriere della Sera - Nazionale 73 «Mr. Robot», la serie tv dell'anno che attacca i guru dell'informatica 18/01/2016 La Repubblica - Nazionale 75 Nella bottega del nuovo immaginario 16/01/2016 Avvenire - Nazionale 78 DON MATTEO Detective dell'anima 16/01/2016 Il Giornale - Nazionale 80 Superfilm al lunedì su Canale 5 17/01/2016 Libero - Nazionale 81 RITORNO AL PASSATO Da «Shannara» a «Beowulf» passando per «Narnia», la tv saccheggia il fantasy. Preparate spade e mantelli ANICA WEB - ANICA WEB 17/01/2016 www.repubblica.it 19:25 83 Cinema, l'omaggio di Hollywood a Mario Martone 15/01/2016 www.ilfoglio.it 01:00 84 Il soft power cinese è sbarcato a Hollywood per arrivare allo status di "economia di mercato" ANICA - ANICA CITAZIONI 1 articolo 18/01/2016 07:30 Sito Web BorsaItaliana.it La proprietà intellettuale è riconducibile alla fonte specificata in testa pagina. Il ritaglio stampa da intendersi per uso privato Notizie Radiocor - Finanza Economia e finanza: gli avvenimenti della settimana -3- MARTEDI' 19 gennaio ------------------- ECONOMIA - Verona: conferenza stampa di presentazione 'Motor Bike Expo 2016', fiera dedicata a moto speciali, custom ed accessori. Ore 12,00. PalaExpo, viale del Lavoro, 8 - Bologna: incontro di Nomisma e UniCredit in occasione della presentazione del libro di Franco Mosconi 'La nuova politica industriale tra Unione Europea, Stati-Nazione, Regioni'. Ore 17,30. UniCredit, via Zamboni, 20 - Roma: Missione esplorativa del Comitato economico e sociale europeo - Roma: conferenza stampa Anem, Associazione Nazionale Esercenti Multiplex, Anica, Cinetel e Direzione Generale Cinema sui dati del mercato cinematografico 2015. Ore 12,00. Partecipano, tra gli altri, Riccardo Tozzi, Presidente Anica; Michele Napoli, Presidente Cinetel; Luigi Cuciniello, Presidente Anec; Carlo Bernaschi, Presidente Anem. Presso Agis, Via di Villa Patrizi, 10. - Roma: In occasione del 25 anniversario della legge Antitrust, Lectio Magistralis di Giuliano Amato, Giudice Costituzionale. Ore 16,00. Partecipa, tra gli altri, Giovanni Pitruzzella, Presidente dell'Autorita' Garante della Concorrenza e del Mercato. Presso Auditorium dell'Autorita' Garante, via Monteverdi n.35. - Londra: conferenza stampa di presentazione del World Economic Outlook. Ore 10,00. Bank of England. - Davos: incontro stampa e Webcast PricewaterhouseCoopers International per la presentazione dei risultati annuali. Ore 18,45. Partecipa, tra gli altri, Dennis Nally, Chairman of PricewaterhouseCoopers International. - Strasburgo: il presidente della Commissione Ue, Jean Claude Juncker partecipa all'audizione su strategia Ue. Ore 9,00. red (RADIOCOR) 18-01-16 07:55:46 (0025)PA 5 NNNN ANICA - ANICA CITAZIONI - Rassegna Stampa 18/01/2016 - 18/01/2016 7 ANICA - CINEMA 35 articoli 17/01/2016 diffusione:298071 Pag. 35 tiratura:412069 La proprietà intellettuale è riconducibile alla fonte specificata in testa pagina. Il ritaglio stampa da intendersi per uso privato Il divo «Una natura crudele sul set L'Oscar? È nelle mani di Dio» DiCaprio: dopo «Revenant» farò un documentario sul clima Valerio Cappelli ROMA «La conquista della natura, la capacità di sopravvivenza... È il film più difficile che abbia mai fatto», dice Leonardo DiCaprio che sente profumo di Oscar. Ma un'impresa è anche riuscire a parlarci. A parte il metal detector, è come prendere l'aereo: check in all'hotel 45 minuti prima dell'incontro, poi bisogna mettersi in fila superando il muro del popolo dell'autografo e quello delle guardie del corpo. Infine appare l'attore, sereno, sorridente, bravissimo a parlare di quello che vuole lui (l'ambiente), tema che rimbalza dal suo nuovo titanico progetto, centrato sul cacciatore di pellicce Hugh Glass aggredito da un orso che, abbandonato dai compagni, perde il figlio e vuole vendicarsi di chi lo ha tradito (Tom Hardy). Alla quinta nomination personale, l'Oscar per Revenant-Redivivo (nelle sale da ieri in 500 copie per la Fox) non dovrebbe sfuggirgli. Il regista è Alejandro González Iñárritu, reduce dalle quattro statuette del 2015 per Birdman : ora le candidature sono dodici («Non mi hanno ispirato i cowboy ma Kurosawa, Coppola... Penso a Dersu Uzula e Apocalypse Now »). Come migliore attore il favorito è DiCaprio, lui lo sa e non può nascondersi, ma l'argomento, naturalmente, lo sfiora soltanto: «Mentre giravo questo film, non pensavo che avrei potuto vincere l'Oscar. È una cosa fuori dal mio controllo. E non è un riconoscimento a motivarmi. Volevo fare un'opera d'arte che resti nel tempo. Siamo sorpresi, contenti e compiaciuti per come è stato accolto, la gente e i colleghi hanno apprezzato lo sforzo e una certa spiritualità... È un capitolo della mia vita. Gli ho dedicato un anno intero». Più tardi a Tv2000, l'emittente di una società che fa capo alla Conferenza Episcopale Italiana, dirà: «Se per l'Oscar è la volta buona? È nelle mani di qualcun altro, magari nelle mani di Dio». Hanno girato nel gelo, in condizioni proibitive. Storia di silenzi e pochi dialoghi in una terra di nessuno quasi priva di leggi. «Non è un film ma un viaggio epico nella vita di un esploratore prima dell'epopea del West, un periodo storico quasi inesplorato al cinema e in letteratura. La vita di Glass è stata tramandata per generazioni intorno al focolare domestico. Semmai è un film di fantascienza. Spero che possa aiutare Hollywood a capire che questo tipo di cinema coraggioso si può fare». Tutti vogliono sapere i dettagli della lunga, crudissima scena dell'attacco che il protagonista subisce dall'orso. Iñárritu dice e non dice: «Ho usato laddove era possibile elementi veri e naturali, mi piaceva esaltare l'aspetto fisico. Allo stesso tempo ho utilizzato la tecnologia in modo intelligente e sottile.
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