Rassegna Stampa
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Line-Up 2018 Guns Akimbo in Production In
LINE-UP 2018 GUNS AKIMBO IN PRODUCTION IN DIRECTOR: Jason Lei Howden CAST: Daniel Radcliffe, Samara Weaving PRODUCERS: Occupant Entertainment, Hyperion Entertainment, Altitude Film Entertainment, Four Knights Films, Maze Pictures, Umedia Miles, a nobody who just got dumped by his girlfriend, wakes up with guns bolted onto his hands and a crazy bounty hunter out to get him. MY BRILLIANT FRIEND IN PRODUCTION IN DIRECTOR: Saverio Costanzo SCREENPLAY: Elena Ferrante, Francesco Piccolo, Laura Paolucci, Saverio Costanzo FORMAT: 8x50’ PRODUCERS: HBO, Rai Fiction, Timvision, Wildside, Fandango, Umedia When the most important friend in her life seems to have disappeared without a trace, Elena Greco, a now elderly woman immersed in a house full of books, turns on her computer and starts writing the story of their friendship. A GIRL FROM MOGADISHU IN POST-PRODUCTION IN DIRECTOR: Mary McGuckian CAST: Aja Naomi King, Barkhad Abdi, Martha Canga Antonio PRODUCERS: Pembridge Pictures, Umedia Based on the testimony of Ifrah Ahmed, who - having made the extraordinary journey to escape war-torn Somalia - emerged as one of the world’s foremost international activists against Gender Based Violence and Female Genital Mutilation. THE BOUNCER IN POST-PRODUCTION IN DIRECTOR: Julien Leclercq SCREENPLAY: Jérémie Guez CAST: Jean-Claude Van Damme, Kevin Janssens Sam Louwyck, Sveva Alviti, Sami Bouajila, Kaaris PRODUCERS: Atchafalaya Fims, Labyrinthe Films, Umedia, 10.80 Films A nightclub bouncer in his fifties who has taken punches, literally and figuratively, struggles to raise his 8-year-old daughter. CONSPIRACY OF SILENCE IN POST-PRODUCTION IN DIRECTOR: Charlotte Brändström CAST: Jens Hultén, Vera Vitali, Josefin Asplund FORMAT: 8x45’ PRODUCERS: Brain Academy, Viaplay, Pinewood Television, Umedia A former member of the Swedish illegal weapons trade returns from the dead to wreak vengeance on enemies from his past. -
I CHINESE INVESTMENT in the UNITED STATES: IMPACTS AND
i CHINESE INVESTMENT IN THE UNITED STATES: IMPACTS AND ISSUES FOR POLICYMAKERS HEARING BEFORE THE U.S.-CHINA ECONOMIC AND SECURITY REVIEW COMMISSION ONE HUNDRED FIFTEENTH CONGRESS FIRST SESSION THURSDAY, JANUARY 26, 2017 Printed for use of the United States-China Economic and Security Review Commission Available via the World Wide Web: www.uscc.gov UNITED STATES-CHINA ECONOMIC AND SECURITY REVIEW COMMISSION WASHINGTON: 2017 ii U.S.-CHINA ECONOMIC AND SECURITY REVIEW COMMISSION CAROLYN BARTHOLOMEW, CHAIRMAN HON. DENNIS C. SHEA, VICE CHAIRMAN Commissioners: ROBIN CLEVELAND HON. JONATHAN STIVERS HON. BYRON L. DORGAN HON. JAMES TALENT HON. CARTE P. GOODWIN DR. KATHERINE C. TOBIN DANIEL M. SLANE MICHAEL R. WESSEL MICHAEL R. DANIS, Executive Director The Commission was created on October 30, 2000 by the Floyd D. Spence National Defense Authorization Act for 2001 § 1238, Public Law No. 106-398, 114 STAT. 1654A-334 (2000) (codified at 22 U.S.C. § 7002 (2001), as amended by the Treasury and General Government Appropriations Act for 2002 § 645 (regarding employment status of staff) & § 648 (regarding changing annual report due date from March to June), Public Law No. 107-67, 115 STAT. 514 (Nov. 12, 2001); as amended by Division P of the “Consolidated Appropriations Resolution, 2003,” Pub L. No. 108-7 (Feb. 20, 2003) (regarding Commission name change, terms of Commissioners, and responsibilities of the Commission); as amended by Public Law No. 109- 108 (H.R. 2862) (Nov. 22, 2005) (regarding responsibilities of Commission and applicability of FACA); as amended by Division J of the “Consolidated Appropriations Act, 2008,” Public Law Nol. -
New Line Cinema Logo History
New line cinema logo history Continue Share The New Line redirects here. For other purposes, see Contents 1973-1987 1987-2001-present 2011-present New Line Cinema is an American film company. It was founded in 1967 and later became an independent film studio. It did not have an on-screen logo until 1973. 1973-1987 1987-2001-present logo design and letters were changed in 2001 after the purchase of Time Warner AOL. 2011-present In 2008, Time Warner reorganized New Line Cinema to pass from independent studio to subsidiary of Warner Bros. Entertainment. Three years later, the logo scheme was changed from blue to yellow, and is being shown alongside the Warner Bros. Pictures logo to reflect the new organization. Note Due to the fact that New Line began as an independent before becoming a subordinate to Warner Bros., it has always maintained the copyright to its films to the point of having gifts or presentation of a loan, not to mention WB. Community content is available under CC-BY-SA unless otherwise stated. Part of Warner Bros. Entertainment Warner Bros. Pictures Group: Warner Bros. Pictures Group Warner Bros. Animation (Warner Bros. Classic Animation) New Line Cinema (en) Castle Rock Entertainment (en) Cartoon Network Movies Hbo Films HBO Movies HBO Documentary Films (en) CNN Films Van Film Productions Productions (en) Warner Max Spyglass Media Group16 (en) Flagship Entertainment Warner Bros. Television Group: Production Studio: Warner Bros. Tv Studio Bros. International Television (en) Warner Bros. World Television Distribution (en) Telepicture Blue Tape Content (en) Eye Works Volper Organization HBO Entertainment (en) HBO Enterprises (en) HBO Kids (en) T.M. -
Italian: Rosso Come Il Cielo) Is a 2005 Italian Drama Film Written and Directed by Cristiano Bortone and Starring Luca Capriotti and Paolo Sassanelli
Rosso come il cielo Red Like the Sky (Italian: Rosso come il cielo) is a 2005 Italian drama film written and directed by Cristiano Bortone and starring Luca Capriotti and Paolo Sassanelli. It is based on the childhood experiences of sound editor Mirco Mencacci. Mirco Mencacci (born 1961) is a famous Italian sound designer who works with all aspects of sound, within art (film, music). Mencacci was born in Tuscany in Italy. When he was 4 years old, he was rendered blind due to a shotgun accident in his grandfather’s garden. He moved in Genoa at the age of 7 to attend a disabled school, specifically for the blind children. His story inspired the Italian autobiographical film Red like the Sky which illustrates the conditions of schools for disabled students in Italy in the 1970s. In 1981, Mencacci founded the SAM recording-facility in Lari, Italy. Since 2001, he has been fighting a personal battle against noise pollution which the second biggest pollutant in the world. In the cinema field, Mencacci has crafted sound design for international films that have screened in over one hundred film festivals across the world, such as the Venice Film Festival, the San Francisco International Film Festival, Eye Honors New York, the Milwaukee Film Festival, and the Hamburg International Short Film Festival. Mencacci is the inventor of the Spherical Sound System, which he uses in his cinematographic works. In 2016 he was invited by Dolby to the Casa del Cinema in Rome in to demonstrate his system to audiences. Red Like the Sky - won the Audience Awards at the São Paulo International Film Festival and at the Sydney Film Festival. -
The London School of Economics and Political Science a Neoliberalizing
The London School of Economics and Political Science A neoliberalizing Chinese cinema: political economy of the Chinese film industry in post-WTO China Xiaoxi Zhu A thesis submitted to the Department of Media and Communications of the London School of Economics for the degree of Doctor of Philosophy London, March 2019 1 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 71012 words. 2 Abstract This thesis aims to investigate the industry restructuration of the Chinese film industry in the context of China integrating into the global neoliberal capitalist system since its WTO entry in 2002. By interrogating the power dynamics between the Party-state, domestic capital and transnational media capital, this thesis explores respective roles each of the three stakeholders have played in shaping the commercialization and marketization of the Chinese film industry. Methodically, this thesis primarily relies on elite interviews with industry professionals, together with critical discourse analysis of one key policy document, and secondary data collected from news outlets, trade publications, industry reports, etc. -
30 Giugno 6 Luglio 2014
17* GENOVA 30 GIUGNO FILM 6 LUGLIO 2014 FESTIVAL 17* GENOVA 30 GIUGNO FILM 6 LUGLIO 2014 FESTIVAL DIREZIONE ARTISTICA E ORGANIZZATIVA Cristiano Palozzi Antonella Sica ASSISTENTE ALLA DIREZIONE Caterina Nascimbene SEGRETERIA ORGANIZZATIVA Associazione Culturale Daunbailò con la collaborazione di Thierry Bousseau RESPONSABILE TECNICO Raffaello Cantatore ASSISTENTI DI SALA Marika Cirillo Valeria Deplano Alessandra Gatti Ketlin Maffessoni Vanessa Sarti laia UFFICIO STAMPA Bonsai Film - Genova con la collaborazione di Davide Bressanin COMUNICAZIONE Bonsai Film – Genova collaborazione alla redazione del catalogo Alessandra Gatti FOTOGRAFO UFFICIALE Stefania Bianucci PROGETTO GRAFICO Matteo G. Palmieri SITO INTERNET Nunzio Gaeta (Cybear) Si ringrazia per la collaborazione tecnica: Luca Mattighello Fausto Chierchini Eugenia Oczoli Edvin Xifaj 2 - GENOVA FILM FESTIVAL 2014 Dedicato a Claudio G. Fava IL GENOVA FILM FESTIVAL RINGRAZIA (in ordine alfabetico) Angelo Berlangieri E inoltre: Nicola Borrelli Paolo Odone Carla Sibilla Daniele Biello Egidio Camponizzi Maurizio Caviglia Genovafilmservice Daniele D’Agostino Marina D’Andrea Genova Palazzo Ducale Anna Galleano Fondazione per la Cultura Elena Manara Sindacato Nazionale Critici Milena Palattella Cinematografici Italiani Carla Turinetto Claudio Bertieri Natalino Bruzzone Cecchi Gori HV Jacopo Chessa International Video 80 Oreste De Fornari Steve Della Casa Media One Entertainment Aldo De Scalzi Mira Films Gianluca De Serio Massimiliano De Serio Strani Film Maria Linda Germi Surf Film Martina Germi -
DA VINCI a Film by Yuri Ancarani Italy, 25 Min Colour No Dialogues Da
DA VINCI a flm by Yuri Ancarani Italy, 25 min colour no dialogues Da Vinci is the title of the fnal chapter of Yuri Ancarani's trilogy, which is centred on the theme of work. Conceived and made as artist documentaries, the frst two chapters, as well as being able to boast several important names, such as Maurizio Cattelan as producer, were presented at the 67th and 68th Venice Film Festivals. The three chapters will become a feature flm in episodes which will be presented as a special event in 2013. The flm Da Vinci is entirely set inside an operating room, an imaginative journey into a microcosm where the hope and expectation felt from the outside are confused with the clear and rational objectivity of the machine and the surgeons. An unintentional drama is triggered by the working process, with time marked by the waiting, moments of pathos, a sense of routine normality that leads us viewers to be fascinated by such serenity and professionalism in the doctors and operating room staff. Ancarani sought and captured the innovation of the Da Vinci system which consists of this: the patient's body who will never be touched directly by the hands of the physician, but only by the arms of the robot. During the course of the entire operation the extraordinary images captured by the robot will guide, in addition to our own, the expert eyes of the physician surgeon. The flm has been shown in an International Premiere on November 15, 2012 at the Rome Film Festival , in the new section entitled "Cinema of the twenty-frst century", in collaboration with the MAXXI National Museum of XXI century Art. -
To Get the File
Business of Culture in India S. Ananth Research Fellow Krisani Knowledge Resources Hyderabad Project Commissioned by Culture: Industries and Diversity in Asia (CIDASIA) Research Programme Centre for the Study of Culture and Society Bangalore May 2008 2 CONTENTS 1. Introduction 2. Newspaper Industry in India 3. Filmed Entertainment Market in India 4. Film Distribution – Multiplex Phenomenon 5. Funding the Film Business 6. Overseas Market for Indian Films 7. Home Video Market 8. Television Market in India 9. Cable TV Market in India 10. DTH Market in India 11. IPTV Market in India 12. Radio Market in India 13. Music Market in India 14. Internet Usage in India 15. Gaming Market in India Global Gaming Market 16. Animation Sector in India 17. Amusement Parks in India 18. Retail Market in India 19. Luxury Market in India Luxury Watch Segment in India Luxury Car Segment in India 20. Wedding Market in India 21. Gambling Market in India 22. Advertising Market in India 23. Out of Home Advertising Market in India 24. Art Market in India 25. Sports Market in India Horse Racing In India 26. Entertainment Companies in India 27. Emerging Trends in the Culture Industry 28. Select Bibliography 3 Business of Culture in Contemporary India Introduction This report titled the ‘Business of Culture in India’ attempts to compile statistical information as well as analyse the most important business trends in Culture Industry of contemporary India. The report is meant to provide a snapshot of the major components of the culture industry, the economics of the various components as well as a brief sketch of the regulatory environment in the industry. -
PDF ATF Dec12
> 2 < PRENSARIO INTERNATIONAL Commentary THE NEW DIMENSIONS OF ASIA We are really pleased about this ATF issue of world with the dynamics they have for Asian local Prensario, as this is the first time we include so projects. More collaboration deals, co-productions many (and so interesting) local reports and main and win-win business relationships are needed, with broadcaster interviews to show the new stages that companies from the West… buying and selling. With content business is taking in Asia. Our feedback in this, plus the strength and the capabilities of the the region is going upper and upper, and we are region, the future will be brilliant for sure. pleased about that, too. Please read (if you can) our central report. There THE BASICS you have new and different twists of business devel- For those reading Prensario International opments in Asia, within the region and below the for the first time… we are a print publication with interaction with the world. We stress that Asia is more than 20 years in the media industry, covering Prensario today one of the best regions of the world to proceed the whole international market. We’ve been focused International with content business today, considering the size of on Asian matters for at least 15 years, and we’ve been ©2012 EDITORIAL PRENSARIO SRL PAYMENTS TO THE ORDER OF the market and the vanguard media ventures we see attending ATF in Singapore for the last 5 years. EDITORIAL PRENSARIO SRL in its main territories; the problems of the U.S. and As well, we’ve strongly developed our online OR BY CREDIT CARD. -
TRANS-PACIFIC PARTNERS: the Commercial, Capital and Cultural Exchange Between Hong Kong and California
TRANS-PACIFIC PARTNERS: The commercial, capital and cultural exchange between Hong Kong and California LAEDC Hong Kong Report 0918.indd 3 9/18/19 1:35 PM TRANS-PACIFIC PARTNERS: The commercial, capital and cultural exchange between Hong Kong and California Los Angeles County Economic Development Corporation 444 S. Flower Street, 37th Floor • Los Angeles, CA 90071 (888) 4-LAEDC-1 • www.LAEDC.org Supported by: HONG KONG TRADE DEVELOPMENT COUNCIL (HKTDC) SEPTEMBER 2019 This research was commissioned by the Hong Kong Trade Development Council. The LAEDC Institute for Applied Economics provides objective economic and policy research for public agencies and private firms. The group focuses on economic impact studies, regional industry analyses, economic forecasts and issue studies, particularly in workforce development, transportation, infrastructure and environmental policy. LAEDC has made every reasonable effort to ensure that the data contained herein reflect the most accurate and timely information possible and they are believed to be reliable. The report is provided solely for informational purposes and is not to be construed as providing advice, recommendations, endorsements, representations or warranties of any kind whatsoever. LAEDC Hong Kong Report 0918.indd 4 9/18/19 1:35 PM Los Angeles County Economic Development Corporation Table of 4 – Looking Back and Thinking Ahead 20 US-Hong Kong Relations 20 Impacts of Trade War 20 Contents 5 – Tourists & Students – Crossing Shores 23 Tourism between Hong Kong and California 23 1 - Introduction -
Conference Program
PRESENTED BY: IN PARTNERSHIP WITH: October 6, 2017 | Carnesale Commons | UCLA CONFERENCE PROGRAM #UCLALEVRAGE ABOUT OUR PARTNER: VIVE is a first-of-its-kind virtual reality platform, built an optimized for room-scale VR and true-to-life interactions. Built on the SteamVR platform, Vive delivers on the promise of VR with game-changing technology and best-in-class content. Vive has created the strongest ecosystem for VR hardware and software, bringing VR to consumers, developers and enterprises alike. The Vive ecosystem is built around the best VR hardware in market, supported by Vive X, a $100 million accelerator for VR and related technology start-ups, Viveport, a global platform and app store for VR that operates in more than 30 countries, and Vive Studios, its VR content development and publishing initiative. For more information on Vive, please visit https://www.vive.com. WITH THANKS TO OUR SPONSORS: ABOUT THE UCLA ANDERSON CENTER FOR MEMES: The Center for Management of Enterprise in Media, Entertainment & Sports provides students with the world class academic resources and network that are essential to manage and thrive in increasingly complex industries. As the leading center for business thought leadership in media, entertainment & sports, MEMES provides the academic foundation and relevant industry perspective to manage and thrive in an increasingly complex business environment. We offer: Academic Excellence A unique teaching model that partners world-class faculty and leading industry executives to deliver a wide range of courses that bridge academic theory and practical application. Students have the opportunity to engage in real-world projects with leading media, entertainment and sports companies, providing hands-on, valuable experience. -
IMAX CHINA HOLDING, INC. IMAX CHINA Sole Global Coordinator and Sole Sponsor Joint Bookrunners
IMAX CHINA HOLDING, INC. IMAX CHINA HOLDING, INC. GLOBAL OFFERING Incorporated in the Cayman Islands with limited liability Stock code : 1970 Sole Global Coordinator and Sole Sponsor Joint Bookrunners imax_cover_Final_AW.indd 1 22/9/2015 下午2:51 IMPORTANT If you are in any doubt about any of the contents of this prospectus, you should obtain independent professional advice. IMAX CHINA HOLDING, INC. (Incorporated in the Cayman Islands with limited liability) GLOBAL OFFERING Number of Offer Shares : 62,000,000 Shares (comprising 17,825,000 New under the Global Offering Shares and 44,175,000 Sale Shares and subject to the Over-allotment Option) Number of Hong Kong Offer Shares : 6,200,000 New Shares (subject to reallocation) Number of International Offer Shares : 55,800,000 Shares (comprising 11,625,000 New Shares and 44,175,000 Sale Shares and subject to reallocation and the Over-allotment Option) Maximum Offer Price : HK$34.50 per Offer Share plus brokerage of 1.0%, SFC transaction levy of 0.0027% and Stock Exchange trading fee of 0.005% (payable in full on application in Hong Kong dollars and subject to refund) Nominal value : US$0.0001 per Share Stock Code : 1970 Sole Global Coordinator and Sole Sponsor Joint Bookrunners Hong Kong Exchanges and Clearing Limited, The Stock Exchange of Hong Kong Limited and Hong Kong Securities Clearing Company Limited take no responsibility for the contents of this prospectus, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this prospectus.