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Stability and Change in Rhythmic Patterning Across a Composer's
Stability and Change in Rhythmic Patterning Across a Composer’s Lifetime: A Study of Four Famous Composers Using the nPVI Equation Joseph R. Daniele & Aniruddh D. Patel Figures 2, 3, and 4 of are displayed within this paper in grayscale. See print color plate for color versions of these figures. For direct embedding of the color figures, refer to the PDF online at http://mp.ucpress.edu/ 256 Joseph R. Daniele & Aniruddh D. Patel STABILITY AND CHANGE IN RHYTHMIC PATTERNING ACROSS A COMPOSER’S LIFETIME:ASTUDY OF FOUR FAMOUS COMPOSERS USING THE NPVI EQUATION JOSEPH R. DANIELE of German and Austrian instrumental classical music University of California, Berkeley between *1600 and 1950. Analyzing 3,195 themes from 21 composers, we found that the average degree ANIRUDDH D. PATEL of durational contrast between notes in musical themes Tufts University (as measured by the normalized pairwise variability index, or nPVI) increased steadily over historical time, HISTORICAL TRENDS IN THE RHYTHM OF WESTERN a trend not seen in Italian classical music during this European instrumental classical music between *1650 same time period. This finding proved relevant to ideas and 1950 have recently been studied using the nPVI in historical musicology regarding the changing influ- equation. This equation measures the average degree ence of Italian music on Austro-German classical music of durational contrast between adjacent events in (see Daniele & Patel, 2013, for details). Our findings a sequence (such as notes in a musical theme). These were based on assigning each composer a single nPVI historical studies (e.g., Daniele & Patel, 2013, Hansen value, representing the mean nPVI of his themes from A et al., in press) have relied on assigning each composer’s Dictionary of Musical Themes (Barlow & Morgenstern, music a mean nPVI value in order to search for broad 1983). -
MP3502 04 Temperley 193..199
Rhythmic Variability in European Vocal Music 193 RHYTHMIC VARIABILITY IN EUROPEAN VOCAL MUSIC DAVID TEMPERLEY to have higher variability in syllable length than French Eastman School of Music of the University of Rochester (Grabe & Low, 2002). Several subsequent studies have further explored cross-cultural correlations between RHYTHMIC VARIABILITY IN THE VOCAL MUSIC OF music and language using nPVI. Huron and Ollen four European nations was examined, using the nPVI (2003) repeated Patel and Daniele’s procedure with measure (normalized pairwise variability index). It was a larger sample of instrumental melodies, and again predicted that English and German songs would show found English melodies to have higher nPVI than higher nPVI than French and Italian ones, mirroring French; they also found that German instrumental mel- the differences between these nations in speech rhythm, odies had relatively low nPVI, which is notable since the and in accord with previous studies of instrumental speech nPVI of German is relatively high. Daniele and music. Surprisingly, there was no evidence of this pat- Patel (2013) suggest that this may be due to the influ- tern, and some evidence of the opposite pattern: nPVI ence of Italian music on German composers (Italian is higher in French and Italian vocal music than in speech, like French, has fairly low nPVI); they show that English and German vocal music. This casts doubt on the nPVI of German instrumental music increases in the theory that the differences in instrumental rhythm the 19th century, as Italian influence wanes. This line between these nations are due to differences in speech of reasoning is pursued by Hansen, Sadakata, and Pearce rhythm. -
Archivio D'autore: Le Carte Di Fabrizio De André
STRUMENTI CXCIV OSCADELLI M ANO F TE Nella facciata anteriore della sovracoperta: e S Particolare di una stesura, di mano di Fabrizio De André, del testo della canzone Crêuza de ABBRINI (AFDA, G.V.28 [1997, novembre]). F mä ante © «Fondazione Fabrizio De André onlus». ARTA M Nella facciata posteriore della sovracoperta: Fabrizio De André in concerto al Teatro Tenda di Firenze (gennaio 1982). Archivio d’Autore: Fotografia di Lorenzo Maffei. le carte di Fabrizio De André © «Archivio Lorenzo Maffei». Inventario a cura di Inventario Archivio d’Autore: le carte di Fabrizio De André d’Autore: le carteArchivio di Fabrizio Le scansioni dei documenti sono state realizza- te presso l’Università degli studi di Siena, Inventario a cura di Sistema Bibliotecario di Ateneo. MARTA FABBRINI e STE F ANO MOSCADELLI I curatori e l’editore del volume ringraziano Introduzione di la «Fondazione Fabrizio De André onlus» e STE F ANO MOSCADELLI l’«Archivio Lorenzo Maffei» per aver messo gentilmente a disposizione i documenti che R O M A compaiono nelle facciate della sovracoperta. 2012 MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI La riproduzione sotto qualsiasi forma di tali DIREZIONE GENERALE PER GLI ARCHIVI documenti non può avvenire senza specifica 2012 autorizzazione da parte degli aventi diritto. PUBBLICAZIONI DEGLI ARCHIVI DI STATO STRUMENTI CXCIV STRUMENTI CXCIV 978-88-7125-323-7 N SB I Archivio d’Autore: OSCADELLI M le carte di Fabrizio De André ANO F TE e S ABBRINI Inventario a cura di F MARTA FABBRINI e STE F ANO MOSCADELLI ARTA M Introduzione di STE -
Italian: Rosso Come Il Cielo) Is a 2005 Italian Drama Film Written and Directed by Cristiano Bortone and Starring Luca Capriotti and Paolo Sassanelli
Rosso come il cielo Red Like the Sky (Italian: Rosso come il cielo) is a 2005 Italian drama film written and directed by Cristiano Bortone and starring Luca Capriotti and Paolo Sassanelli. It is based on the childhood experiences of sound editor Mirco Mencacci. Mirco Mencacci (born 1961) is a famous Italian sound designer who works with all aspects of sound, within art (film, music). Mencacci was born in Tuscany in Italy. When he was 4 years old, he was rendered blind due to a shotgun accident in his grandfather’s garden. He moved in Genoa at the age of 7 to attend a disabled school, specifically for the blind children. His story inspired the Italian autobiographical film Red like the Sky which illustrates the conditions of schools for disabled students in Italy in the 1970s. In 1981, Mencacci founded the SAM recording-facility in Lari, Italy. Since 2001, he has been fighting a personal battle against noise pollution which the second biggest pollutant in the world. In the cinema field, Mencacci has crafted sound design for international films that have screened in over one hundred film festivals across the world, such as the Venice Film Festival, the San Francisco International Film Festival, Eye Honors New York, the Milwaukee Film Festival, and the Hamburg International Short Film Festival. Mencacci is the inventor of the Spherical Sound System, which he uses in his cinematographic works. In 2016 he was invited by Dolby to the Casa del Cinema in Rome in to demonstrate his system to audiences. Red Like the Sky - won the Audience Awards at the São Paulo International Film Festival and at the Sydney Film Festival. -
30 Giugno 6 Luglio 2014
17* GENOVA 30 GIUGNO FILM 6 LUGLIO 2014 FESTIVAL 17* GENOVA 30 GIUGNO FILM 6 LUGLIO 2014 FESTIVAL DIREZIONE ARTISTICA E ORGANIZZATIVA Cristiano Palozzi Antonella Sica ASSISTENTE ALLA DIREZIONE Caterina Nascimbene SEGRETERIA ORGANIZZATIVA Associazione Culturale Daunbailò con la collaborazione di Thierry Bousseau RESPONSABILE TECNICO Raffaello Cantatore ASSISTENTI DI SALA Marika Cirillo Valeria Deplano Alessandra Gatti Ketlin Maffessoni Vanessa Sarti laia UFFICIO STAMPA Bonsai Film - Genova con la collaborazione di Davide Bressanin COMUNICAZIONE Bonsai Film – Genova collaborazione alla redazione del catalogo Alessandra Gatti FOTOGRAFO UFFICIALE Stefania Bianucci PROGETTO GRAFICO Matteo G. Palmieri SITO INTERNET Nunzio Gaeta (Cybear) Si ringrazia per la collaborazione tecnica: Luca Mattighello Fausto Chierchini Eugenia Oczoli Edvin Xifaj 2 - GENOVA FILM FESTIVAL 2014 Dedicato a Claudio G. Fava IL GENOVA FILM FESTIVAL RINGRAZIA (in ordine alfabetico) Angelo Berlangieri E inoltre: Nicola Borrelli Paolo Odone Carla Sibilla Daniele Biello Egidio Camponizzi Maurizio Caviglia Genovafilmservice Daniele D’Agostino Marina D’Andrea Genova Palazzo Ducale Anna Galleano Fondazione per la Cultura Elena Manara Sindacato Nazionale Critici Milena Palattella Cinematografici Italiani Carla Turinetto Claudio Bertieri Natalino Bruzzone Cecchi Gori HV Jacopo Chessa International Video 80 Oreste De Fornari Steve Della Casa Media One Entertainment Aldo De Scalzi Mira Films Gianluca De Serio Massimiliano De Serio Strani Film Maria Linda Germi Surf Film Martina Germi -
Fred L. Holmes a £
1948-CENTENNIAL EDITION-1948 M1 'A V, FRED L. HOLMES A £ OLD WORLD WISCONSIN AROUND EUROPE IN THE BADGER STATE Other Books by FRED L. HOLMES “Abraham Lincoln Traveled This Way” “George Washington Traveled This Way” “Alluring Wisconsin” “Badgei Saints and Sinners” “The Voice of Trappist Silence” •• OLD WORLD WISCONSIN Around Europe Jn the Badger State BY FRED L. HOLMES ILLUSTRATED WITH PHOTOGRAPHS, AND SKETCHES BY MAX FERNEKES “We are what we are because we stand on the shoulders of those who have preceded us. May we so live that those who follow us may stand on our shoulders.” —Anon. COPYRICHT, 1944 FRED L. HOLMES All rights reserved including the right to reproduce this book or parts thereof in any form whatever. First printing, May, 1944 Second printing, September, 1944 TO LOUIS W. BRIDGMAN A CLASSMATE AT THE UNIVERSITY OF WISCONSIN ALWAYS MY FRIEND WHOSE MANY SERVICES HAVE BEEN MOST HELPFUL 6 0 ea>. "7? »«•*• "ASIANS r_/?REN xmicm CM (l I swedes finns / . •toil ■*|HIK«TDH IMAMS /4»amti*wa« Russians 0 ICELANDERS A. V • 'MMIIC MiaoiT M«M vj T. SWEDES (ltC**U *Kll y • cuifo* f imiuu #«lM«i. OTjfx^xxt BELGIANS Russians FRENCH if* ••out "t • »IU»*9 ^ . udi*>H OANES ' 1 «IIUI«IUI BOHEMIANS 1 HOLLANDERS j HOLLANDERS GERMANS MAOIIOM • CORNISH « -T MOnt( OANES ) YANKEELAND V _ SERBIANS / MAP Of WISCONSIN SHOWING RACIAL GROUPS AND PRINCIPAL LOCALITIES WHERE THEIR SETTLEMENTS ARE LOCATED PREFACE Through many questionings and wanderings in my native state, I have formed an appreciation, beyond ordi¬ nary measure, of the people who are Wisconsin. -
Antonio Catania
Antonio Catania Attore LINGUE: Francese (Fluente) ALTRE ABILITA': * Dialetti: Siciliano; Romagnolo; Lombardo. Formazione Civica Scuola d'Arte Drammatica del Piccolo Teatro di Milano. E’ tra i soci fondatori del teatro dell’Elfo che ebbe una lunga vita con la direzione artistica con Elio de Capitani e Gabriele Salvatores. E’ stato tra gli interpreti e protagonisti di spettacolo che hanno segnato un periodo artistico di rilievo nel panorama del teatro milanese. Comedians, Nemico di classe, il Sogno di una notte di mezza estate, sono solo alcuni esempi di spettacoli di “rottura” nei testi o nelle messe in scena che hanno dato il via a tutto quel panorama artistico che ha caratterizzato la linea negli anni successivi di quella storica compagnia. Cinema (Attore) Bar Sport, 2011 regia di Massimo Martelli (in uscita) Boris - Il Film, 2011 regia di L. Verduscolo, M Torre, D. Marengo (in uscita) La Bella Gente, 2011 regia di Ivano De Matteo (in uscita) La Peggior Settimana Della Mia Vita , 2011 regia di A. Genovesi (in uscita) Diverso Da Chi, 2009 regia di Umberto Riccioni Piede Di Dio, 2008 regia di Luigi Sardiello Prova A Volare, 2007 regia di Lorenzo Cicconi Massi 442-il Gioco Piu' Bello Del Mondo, 2006 regia di Francesco Lagi Il Caimano, 2006 regia di Nanni Moretti Notturno Bus, 2006 regia di Davide Marengo Appuntamento A Ora Insolita, 2006 regia di Stefano Coletta La Cura Del Gorilla, 2005 regia di Carlo Sigon Liscio, 2005 regia di Claudio Antonini Il Motore Del Mondo, 2004 regia di Lorenzo Cicconi Massi L'amore E' Eterno...finche' Dura, 2003 regia di Carlo Verdone Ma Che Colpa Abbiamo Noi, 2002 regia di Carlo Verdone La Leggenda Di Al,john E Jack, 2002 regia di Aldo,Giovanni e Giacomo e M. -
DA VINCI a Film by Yuri Ancarani Italy, 25 Min Colour No Dialogues Da
DA VINCI a flm by Yuri Ancarani Italy, 25 min colour no dialogues Da Vinci is the title of the fnal chapter of Yuri Ancarani's trilogy, which is centred on the theme of work. Conceived and made as artist documentaries, the frst two chapters, as well as being able to boast several important names, such as Maurizio Cattelan as producer, were presented at the 67th and 68th Venice Film Festivals. The three chapters will become a feature flm in episodes which will be presented as a special event in 2013. The flm Da Vinci is entirely set inside an operating room, an imaginative journey into a microcosm where the hope and expectation felt from the outside are confused with the clear and rational objectivity of the machine and the surgeons. An unintentional drama is triggered by the working process, with time marked by the waiting, moments of pathos, a sense of routine normality that leads us viewers to be fascinated by such serenity and professionalism in the doctors and operating room staff. Ancarani sought and captured the innovation of the Da Vinci system which consists of this: the patient's body who will never be touched directly by the hands of the physician, but only by the arms of the robot. During the course of the entire operation the extraordinary images captured by the robot will guide, in addition to our own, the expert eyes of the physician surgeon. The flm has been shown in an International Premiere on November 15, 2012 at the Rome Film Festival , in the new section entitled "Cinema of the twenty-frst century", in collaboration with the MAXXI National Museum of XXI century Art. -
Puerto Escondido (G
14.12.2017 Puerto Escondido (G. Salvatores - Italia 1992) - Opinione - Peyote all'amatriciana Opinioni Shopping Il Mio Ciao Ok ! Pubblicita Home > Cultura e Spettacolo > Cinema > Tutti i film > P > Puerto Escondido (G. Salvatores Italia 1992) > Opinioni Opinione su Pubblicita Puerto Escondido (G. Salvatores Italia 1992) Valutazione complessiva (2): Tutte le opinioni su Puerto Escondido (G. Salvatores Italia 1992) Modifica la tua opinione Opinione Leggi tutta l'Opinione Peyote all'amatriciana brest 18.04.2016 Vantaggi: Una nuova fuga salvatoregna, ma… Azione per questa opinione Svantaggi: Modifica la tua opinione … è arduo trasporre il romanzo con l'andamento Scrivi un commento lento del bandolero stanco . Su di me: Recensioni di TUTTI i film che ho visto al cinema nella mia vita, Aggiungi brest agli Autori preferiti dal passato al presente (ad oggi: ... Richiedi le Opinioni di brest Continua... Iscritto da: 07.02.2001 Opinioni: 981 Fiducie ricevute: 533 Leggi di più su questo prodotto Altre Opinioni Migliore/Peggiore In media l'opinione è' stata valutata Eccellente da 23 utenti Ciao OTTIMO ABATANTUONO molto utile (Reinserisco la recensione nella categoria film, essendomi stata rimossa quella caricata sotto la categoria DVD) Odissea italomessicana del bauscia Mario Tozzi (Diego Abatantuono), vicedirettore di banca costretto traslocare in fretta e furia la sua vita oltre Atlantico a causa del commissario Viola (Renato Carpentieri) poliziotto pluriomicida della/nella questura di Milano. Le valutazioni dell'Opinione Giunto sulla sponda di un altro oceano, l’emigrante di lusso («… eh, in Italia abbiamo la cucina più buona e il campionato più bello del mondo…»)(*) prova a costruire una minima rete di relazioni per la sua sussistenza, e s’imbatte in una coppia di connazionali già da tempo adottati da quel luogo primitivo e solatio, Anita (Valeria Golino) e Alex (Claudio Bisio), nei cui espedienti si trova ad essere immancabilmente invischiato: passi per l’incauto Questa Opinione su Puerto Escondido (G. -
Staging Shakespeare. Renato Sarti's
Staging Shakespeare. Renato Sarti’s “rude mechanicals” (tragic) comedy by Maddalena Giovannelli Plato, The Symposium: the night is over, the cocks begin to crow, and the diners are sleeping after their discussions and wine. Only three guests stay awake, interweaving questions and answers. They are the philosopher Socrates, the writer of tragedies Agathon, and playwright Aristophanes: “The same person,” according to Socrates, “should know how to write comedy and tragedy; anybody who excels at tragedy will also be a master of comedy.” Shakespeare’s work, seeing its many registers and styles, seems to fully confirm Socrates’ statement. But too often, on the most important stages in Italy, the tragic dimension of Shakespeare’s plays prevails, and the actors seem to orient their actorial style in that direction. Yet with the Bard you can laugh, in actual fact you must laugh. Renato Sarti, director of Milan’s “Teatro della Cooperativa” (Cooperativa Theatre), artistic director and playwright, seems to embody, through his own theatrical productions, the versatility of genre Socrates advocated. Sarti’s artistic output includes plays inspired by a need to preserve historical memory and which investigate deeply dramatic moments in Italy’s recent history. I me ciamava per nome: 44.787 (They called me by my Name: 44,787) tells the story of the concentration camp, Risiera of San Sabba, while Nome di battaglia Lia (Lia, My Fighter’s Name) is the tragic story of a woman partisan. There are also works of a comical and farcical nature, such as Io santo tu beato (I Saint, You Blessed), an acerbic satire on the figure of Father Pio. -
ERBA Un Film Di Juliane Biasi Hendel
presentano I L COLORE DELL’ERBA un film di Juliane Biasi Hendel Hai mai pensato di vedere un film a occhi chiusi? Film riconosciuto di Interesse Culturale con contributo economico del Ministero dei Beni e delle Attività Culturali e del Turismo - Direzione Generale per il Cinema Realizzato con il sostegno di Trentino Film Commission, Piemonte Doc Film Fund, Rai 3 (Doc 3) E con il patrocinio di UICI - Unione Italiana Ciechi ed Ipovedenti e I.RI.FO.R - Torino DATA DI USCITA 18 gennaio 2016 Distribuzione UFFICIO STAMPA CONTATTI INDYCA UFFICIO STAMPA LOCALE Giulia Ghigi Simone Catania Paolo Morelli [email protected] [email protected] [email protected] www.indycafilm.com/docs/il-colore-dellerba /thecolourofgrass @infoindyca I L COLORE DELL’ERBA Regia JULIANE BIASI HENDEL Protagoniste GIORGIA PIZZINI e GIONA XHEKA HAXIRAJ Sound designer MIRCO MENCACCI Sound Team S.A.M. – SPHERICALSOUND Musiche Originali NIKI LA ROSA Cinematografia ALESSANDRA BRANCATI Montaggio JULIANE BIASI HENDEL MARCO REZOAGLI Prodotto da INDYCA Produttore SIMONE CATANIA (Indyca) Produttore Delegato LAURA D’AMORE (Indyca) In associazione con KURAJ In collaborazione con TRENTINO FILM COMMISSION e con RAI 3 – DOC 3 Con il sostegno di PIEMONTE DOC FILM FUND FONDO REGIONALE PER IL DOCUMENTARIO Con il patrocinio di U.I.C.I. - Unione Italiana dei Ciechi e degli Ipovedenti Onlus I.RI.FO.R. – Istituto per la Ricerca, la Formazione e la Riabilitazione Onlus - Sezioni Provinciali di Torino Distribuzione italiana INDYCA Vendite Internazionali VITAGRAPH Durata 59’ Anno 2016 Ufficio Stampa GIULIA GHIGI Ufficio Stampa Locale PAOLO MORELLI 1 I L COLORE DELL’ERBA ______________________________________________________________________ Sinossi L’adolescenza è un’età sorprendente, rivoluzionaria, persino spiazzante. -
Integrated Report 2018
SHAPING THE FUTURE TODAY FUTURE THE SHAPING Consolidated Disclosure of Non-Financial Information in accordance with Italian Legislative Decree no. 254/2016 2018 Integrated Report Integrated Report Integrated Consolidated Disclosure of Non-Financial Information in accordance with Italian 2018 | 2018 Legislative Decree no. 254/2016 5 Financial capital 53 Contents 5.1 Value added produced and distributed 54 5.2 Relations with shareholders 55 5.3 A2A in the sustainability ratings 57 5.4 Ethical finance 57 Letter to stakeholders 2 5.5 Capital expenditure 59 Methodological Note 4 6 Manufacturing capital 61 6.1 The manufacturing capital in the Environment Business Unit 62 1 Th e A2A Group and its business model 7 6.2 The manufacturing capital in the Generation and Trading Business Unit 65 1.1 Th e Group 8 6.3 The manufacturing capital in the Networks & District Heating Business Unit 68 1.2 Size of the organization and geographical location 8 1.3 A2A’s value chain 12 7 Natural capital 75 1.4 Th e A2A business model 14 7.1 Group environmental management 79 7.2 The natural capital in the Environment Business Unit 85 2 Governance 17 7.3 The natural capital in the Generation and Trading Business Unit 88 2.1 Sustainability governance 18 7.4 The natural capital in the Networks & District Heating Business Unit 91 2.2 Corporate governance guidelines 20 2.3 Analysis and management of risks and opportunities 24 8 Human capital 95 8.1 Responsible management of human capital 98 3 Sustainability strategy 29 8.2 Health and safety at work 100 3.1 Background