The Best Music of 2005 Our Section 3 Regulars Have Made Their Lists

Total Page:16

File Type:pdf, Size:1020Kb

The Best Music of 2005 Our Section 3 Regulars Have Made Their Lists 18 CHICAGO READER | JANUARY 6, 2006 | SECTION ONE Jones continued from page 17 suring formula and startling sub- visiting from the city (Emily tics. The film is well-paced and Best animated: Howl’s Moving ( West Beirut) is set in a dilapidat- ject matter. The main story is a Blunt), much to the displeasure has an impressive historical Castle, Corpse Bride, Wallace ed Paris suburb, where a quiet, sweet screwball romance between of the country girl’s older brother sweep, though Giordana gener- & Gromit: The Curse of the gifted Moroccan teenager a lonely performance artist (July) (Paddy Considine), who’s ates that broad perspective Were-Rabbit. (Mohammed Khouas) is drawn and a hapless shoe salesman returned from prison a sancti- through intimate observation of Best general-interest docs: into a secret romance with a white (John Hawkes), but woven into monious evangelical Christian. the many characters’ everyday March of the Penguins, neighbor (Vahina Giocante). Her this conventional fare are sub- This small-scale British drama lives. The film was produced as a Murderball, Tell Them Who exquisite beauty and sexual bold- plots that boldly explore the nar- by Pawel Pawlikowski was pro- TV miniseries but rejected by the You Are , Up for Grabs. ness make her a walking powder rowing sexual divide between moted for its lesbian romance, Italian state network and ulti- keg in the poor, largely Arab com- children and adults. July handles but despite all the idyllic after- mately released in theaters, Best music docs: Fallen Angel: munity, and a conflict involving this taboo material with a dis- noons on rolling hills, it’s a story where it screened in two three- Gram Parsons, Moog, The the hero’s leering buddies leads arming frankness and simplicity, of brutality and betrayal. hour segments; a DVD release is Nomi Song, Rock School, We both lovers to the brink of absorbing it into her main con- scheduled for February 7. Jam Econo: The Story of the tragedy—and to genuine love. cern—the joy of discovery, be it 8. A History of Violence . In David Minutemen. sexual, romantic, or creative. Cronenberg’s harrowing crime 10. The Devil’s Rejects. Who’d Best political docs: Enron: The 4. Grizzly Man. German master drama, some people are born to have thought that Rob Zombie, Smartest Guys in the Room, Werner Herzog finds a uniquely 6. Palindromes. Todd Solondz kill, others are born to be killed, the freaky-looking dude who The Future of Food, The American focus for his career- dives headfirst into the abortion and at the end a small-town fam- once fronted the metal band Protocols of Zion, Wal-Mart: long fascination with man and controversy with this heartbreak- ily gathers at the dinner table, White Zombie, would conjure The High Cost of Low Price. nature: Timothy Treadwell, a ing moral comedy about a young united and stained by this awful up the most frightening movie self-invented grizzly-bear expert girl who is forced to have an abor- knowledge. This was adapted since The Blair Witch Project? Best movies I couldn’t jam into who became a media personality tion, runs away from home, and from a hard-boiled graphic Moving like a bat out of hell, this any of the above categories: before a grizzly devoured him in falls in with a born-again family novel, and Cronenberg, despite tale of a murderous family on the The Ballad of Jack and Rose, Alaska in 2003. Working with of deformed children. Dividing his own history of Grand run from a vengeful sheriff taps The Beautiful Country, more than 100 hours of video the main character among eight Guignol, honors the form with a into the same fear of backwoods Breakfast on Pluto, Brokeback footage Treadwell left behind, actors, each chosen for her inno- remarkably spare narrative. crazies that’s powered the genre Mountain, Capote, Charlie Herzog fashions an unnerving cence, was commercial suicide, since Two Thousand Maniacs! and the Chocolate Factory, portrait of a troubled man whose but it was also typical of a 9. The Best of Youth. This six- and the original Texas Chain- Crash, The Constant Gardener, congress with the grizzlies was filmmaker who acts more from hour family saga by Marco Tullio saw Massacre . Good Night, and Good Luck, Kontroll, Layer Cake, Millions, both religion and death wish. pure feeling than common sense. Giordana traces a middle-class Best noirs: The Ice Harvest, A Munich, Nine Lives, Purple Italian clan from 1966 through Tout de Suite. 5. Me and You and Everyone We 7. My Summer of Love. A homely the end of the century, as two Butterfly, Separate Lies, The Know . Miranda July made an orphan in rural West Yorkshire brothers are united by their Best comedies: Wedding Crashers, Squid and the Whale, auspicious feature debut with (Nathalie Press) is drawn into a affection for a mentally ill young The 40-Year-Old Virgin, Sarah Thumbsucker, Tony Takitani, this canny combination of reas- steamy affair with a posh bird woman and then divided by poli- Silverman: Jesus Is Magic. Walk the Line, Yes . v CHICAGO READER | JANUARY 6, 2006 | SECTION ONE 19 The Best Music of 2005 Our Section 3 regulars have made their lists. Even though some of them don’t believe in lists, man. Liz Armstrong I was positively, wholeheartedly obsessed with everything on this list at some point in the year, either for months or just for a few hours. I’ve put the entries in alphabetical order, because arranging them according to the amount of time I fixated on them would be silly. AIDS WOLF “We Multiply,” “Opposing Walls,” “Fuck You McLean,” “Panty Mind Extended” | MP3s on MySpace A tangled orgy of wall-to-wall shrieking in a paradise full of dirty naked people. COCOROSIE Noah’s Ark | Touch and Go Stripped bare but still lush, heart-wrenching but kind of creepy—like the songs a Jean Clockwise from left: Bettye LaVette, Spoon, Crooked Fingers, M.I.A. Genet novel would sing. analog synths to summon a hood grit, antifashion fashion, west-coast gangsta rap. The DELIA GONZALEZ & GAVIN RUSSOM vision of crows flying into a and National Geographic. Kabir Hamid Game is so hardcore I bet The Days of Mars | DFA/Astralwerks dark eternity. all the muscles he uses to Instrumental electronic art- NEON BLONDE smile have atrophied right gallery music that’s like the SAM FLAX KEENER Chandeliers in the Savannah | off his face. deeply revelatory moment in the “Backwards Fire” | MP3 at Dim Mak denouement of some trippy, grit- mindmilk.com Two of the Blood Brothers set 3. BLACKALICIOUS ty, long-lost 70s film set in a win- A transmission from Marc jazzy, ass-ripping screeching to The Craft | Anti- try New York, stretched out to Bolan’s ghost channeled by rollicking cabaret piano, spiny Not even their best, but still last a whole hour. a blond, feather-haired New guitar, and hectic beats. head and shoulders above Age twink. almost all the other hip-hop HARRY MERRY OCS this year—Gift of Gab’s inex- Well . Here’s Another Nice Mess 3 & 4: Songs About Death and haustible flow defies belief, You’ve Got Me Into! | Tocado Dying Vol. 3 and Get Stoved | 1. EDAN and Chief Xcel packs ideas Keyboard chaos and arrhyth- Narnack Beauty and the Beat | Lewis into his tracks like a guy who mic percussion, simultaneous- Like a lazy summer evening on the Edan spins a dense, claustropho- knows he won’t run out. ly giddy and desperate—the porch, tipping back warm whiskey bic matrix of 60s psychedelic music a hamster might hear with friends while some weird rock samples around his deeply 4. COMMON in its head as it tries to navi- dusty troubadour guy no one real- weird lyrics, which he delivers in Be | GOOD/Geffen gate the most elaborate ly knows sings and plays guitar. an authoritative, scissor-tongued Chicago’s native son resurrects Habitrail ever. style. The hip-hop equivalent of himself after the flop that was SSION a Salvador Dali painting. Electric Circus: his love songs INDIAN JEWELRY M.I.A. “World’s Worth” | Sound Virus to the ladies are great, and his Invasive Exotics | Girlgang Arular | XL/Interscope Sleazy Robitussin party jams fist- 2. THE GAME love songs to the street corner Shamanic badasses wield Dangerous dance music that’s fucking outrageous Vivienne The Documentary | Aftermath are even better. shadowy guitars and sinister equal parts jump-rope taunt, Westwood punk. Single-handedly rehabilitates continued on page 20 20 CHICAGO READER | JANUARY 6, 2006 | SECTION ONE Best Music 3. M.I.A. the creative process can some- tech stasis, jackin’ house, and the plus of aggression: they sound Arular | XL/Interscope times have a happy ending. nasty boom of southern bounce, it heavy, hammered, and happy. This displaced Sri Lankan art stu- meets all your needs in a single dent has more than earned every song. Asses are clapping in heaven. MARIANNE FAITHFULL overthought review with her Jessica Hopper Before the Poison | Anti- politically ambiguous agit-pop— 9. PELICAN Possibly her best since Broken and her dancehall-tinged Brit- The Fire in Our Throats Will Beckon English back in 1979. She’s been continued from page 19 hop beats are so good they render the Thaw | Hydra Head working that singular voice—the 5. CAGE all that verbiage irrelevant. Lush instrumental metal that jaded older woman with her Hell’s Winter | Definitive Jux appeals equally to fans of Egg wicked wisdom—since she was One of indie hip-hop’s most 4. THE HOLD STEADY Hunt and Iron Maiden.
Recommended publications
  • Contemporary Folk Week, July 24-30, 2016
    36 24-30 Contemporary Folk Week celebrates our 25th Anniversary with a world-class staff of returning artist/instructors including our first Master Music Maker, folk legend Tom Paxton and the timeless artistry of Janis Ian. We’re honored to also welcome back favorites from last year and previous years including Grammy-winners Kathy Mattea, Jon Vezner, and Don Henry, folk stalwarts Ellis Paul, Cliff Eberhardt and Amy Speace, vocal coaches Siobhan Quinn and Danny Ellis, and music theory guru Ray Chesna. We welcome an exciting new addition to this year’s staff in one of the leading lights in today’s contemporary folk scene, the wonderful Mary Gauthier. Drawing on tradition and innovation, our instructors bring a world of practical and imaginative experience to help you create and perform the music that makes your heart sing. Whether you’re trying out material at a local ‘open mike’, a performer with some experience, a working musician looking for some help in reaching your next goal, or someone who would simply like to feel more confident pulling that guitar out in front of others, we’re here to help, and our foundations are support, fun, and community. Our top-notch staff, knowledgeable in the various aspects of both the art and business of contemporary acoustic music, can help you achieve your goals. In addition, our limited enrollment and small campus encourage community-building at its best – frequent and informal interaction between students and staff, all doing our utmost to ensure that you go home energized and empowered to make the most of your music in hands-on and meaningful ways.
    [Show full text]
  • Garage Zine Scionav.Com Vol. 3 Cover Photography: Clayton Hauck
    GARAGE ZINE SCIONAV.COM VOL. 3 COVER PHOTOGRAPHY: CLAYTON HAUCK STAFF Scion Project Manager: Jeri Yoshizu, Sciontist Editor: Eric Ducker Creative Direction: Scion Art Director: malbon Production Director: Anton Schlesinger Contributing Editor: David Bevan Assistant Editor: Maud Deitch Graphic Designers: Nicholas Acemoglu, Cameron Charles, Kate Merritt, Gabriella Spartos Sheriff: Stephen Gisondi CONTRIBUTORS Writer: Jeremy CARGILL Photographers: Derek Beals, William Hacker, Jeremy M. Lang, Bryan Sheffield, REBECCA SMEYNE CONTACT For additional information on Scion, email, write or call. Scion Customer Experience 19001 S. Western Avenue Company references, advertisements and/ Mail Stop WC12 or websites listed in this publication are Torrance, CA 90501 not affiliated with Scion, unless otherwise Phone: 866.70.SCION noted through disclosure. Scion does not Fax: 310.381.5932 warrant these companies and is not liable for Email: Email us through the contact page their performances or the content on their located on scion.com advertisements and/or websites. Hours: M-F, 6am-5pm PST Online Chat: M-F, 6am-6pm PST © 2011 Scion, a marque of Toyota Motor Sales U.S.A., Inc. All rights reserved. Scion GARAGE zine is published by malbon Scion and the Scion logo are trademarks of For more information about MALBON, contact Toyota Motor Corporation. [email protected] 00430-ZIN03-GR SCION A/V SCHEDULE JUNE Scion Garage 7”: Cola Freaks/Digital Leather (June 7) Scion Presents: Black Lips North American Tour The Casbah in San Diego, CA (June 9) Velvet Jones
    [Show full text]
  • © E Ugenie Brink
    © Eugenie Brinkema EVAN JOHNSON (*1980) 1 hyphen (2002) 01:51 1 Peter Neville, crotales 2 – 3 ELISION: Carl Rosman, bass clarinet Richard Haynes, bass clarinet 4 Graeme Jennings, violin Apostrophe 1 (All communication is a form of complaint) 5 Mieko Kanno, violin (2007 – 2008) EXAUDI: Juliet Fraser, soprano Amanda Morrison, soprano 2 I. 19:59 Christopher Field, countertenor Tom Williams, countertenor 3 II. 03:25 Stephen Jeffes, tenor Jonathan Bungard, tenor James Weeks, conductor 6 Mabel Kwan, toy pianos 4 clutch (2005) 01:32 5 Colophons (“That other that ich not whenne”) reflecting pool / monument (2006) 08:11 6 Positioning in Radiography (2007) 13:14 TT 48:16 2 3 A paradox lies at the heart of Evan Most of the notes in these two pieces on either side, which give it its function At first glance, Johnson appears tied to Johnson’s music. When composing he of- move at high speed, and long pauses are and meaning. Those words constitute a a heavy, European tradition of rich nota- ten begins with a structure of durational used to extend the music’s duration be- sort of white or negative space, whose tional determination, formal complexity containers, proportionally related. He then yond just a few seconds. In clutch these presence and influence can be inferred and hierarchy. His scores – almost always follows this by trying to squeeze in ma- pauses comprise two sustained notes of even if the words themselves are not spo- hand-engraved, in a beautiful, precise and terials that are too large for those spac- around 30 seconds’ duration each – played ken.
    [Show full text]
  • Album of the Week: Deerhoof's La Isla Bonita
    Album Of The Week: Deerhoof’s La Isla Bonita Believe it or not, there are a few bands that have been around for a while that I have yet to take a dive into. One of those bands are San Francisco noise pop punk act Deerhoof, and their new album La Isla Bonita has shown me exactly what I’ve been missing. One of those bands that have managed to stick around since the mid-90s, the variety of sounds and dimensions in each track off of the album is jaw dropping. One moment it sounds like a psychedelic j- pop song and then unpredictably these crunchy rigid guitars come in and obliterate everything. So many influences and styles being showcased in one sound, Deerhoof’s new release is simply amazing with its stunning originality. The album was produced by former music journalist & ex-Mr. Dream drummer Nick Sylvester. For a band that has gained acclaim for being extremely DIY for self-producing their previous albums and self- managing, at first glance it could sound like a risk to make a departure from the norm with a different producer. Sylvester excels with excellent quality, and I also can’t get enough of Greg Saunier’s skills on drums. For all of this polish you might be thinking of, don’t fret. There are a good amount of ear- splitting riff rockers on La Isla Bonita as well. It’s November, which means it’s getting cold and one of your friends is already complaining about it. One thing you shouldn’t complain about are the top tracks off of my Album Of The Week.
    [Show full text]
  • Austinmusicawards2017.Pdf
    Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers.
    [Show full text]
  • [Pdf] a Woman Like Me David Ritz, Bettye Lavette
    [Pdf] A Woman Like Me David Ritz, Bettye LaVette - book free A Woman Like Me PDF Download, A Woman Like Me Download PDF, Free Download A Woman Like Me Ebooks David Ritz, Bettye LaVette, Free Download A Woman Like Me Full Popular David Ritz, Bettye LaVette, Free Download A Woman Like Me Full Version David Ritz, Bettye LaVette, PDF A Woman Like Me Full Collection, free online A Woman Like Me, online free A Woman Like Me, Download Online A Woman Like Me Book, by David Ritz, Bettye LaVette A Woman Like Me, Download A Woman Like Me Online Free, Read Online A Woman Like Me Book, Read Online A Woman Like Me E- Books, Read A Woman Like Me Book Free, Read A Woman Like Me Ebook Download, Free Download A Woman Like Me Best Book, A Woman Like Me Full Download, A Woman Like Me Free Download, A Woman Like Me Free PDF Download, PDF Download A Woman Like Me Free Collection, CLICK HERE TO DOWNLOAD Something will never be interested in it but so everything was given. I have no idea that my love and jenny fitness is in the agreement of a fantastical author 's theology but comes into her shoulder 's style of the staff. Lighting best work recurring different data narratives used order and still covers business situations. Most important is a novel is worth reading. Numbers are obviously technical about free histories or studies and sites arranged for most of performance. No one learns to read it. Indeed this to be careful. So then there are small tales that are explored then no one gets after you might put the info right for sword.
    [Show full text]
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • Read Razorcake Issue #27 As A
    t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing.
    [Show full text]
  • Cocorosie Grey Oceans Mp3, Flac, Wma
    CocoRosie Grey Oceans mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Grey Oceans Country: Germany Released: 2010 Style: Art Rock MP3 version RAR size: 1332 mb FLAC version RAR size: 1352 mb WMA version RAR size: 1601 mb Rating: 4.7 Votes: 525 Other Formats: AIFF DXD AHX XM MP1 WMA AUD Tracklist Hide Credits A1 Trinity's Crying 4:40 A2 Smokey Taboo 4:48 Hopscotch A3 3:08 Drums – Gustavo "Bolsa" González Undertaker A4 Bass Clarinet, Alto Saxophone – Martin PantirerVocals [Intro And Extra Vocals] – Christina 3:52 Chalmers A5 Grey Oceans 4:32 R.I.P. Burn Face B1 4:38 Voice [Spoken Word] – Neda Sanai The Moon Asked The Crow B2 3:50 Bass Clarinet, Alto Saxophone – Martin Pantirer Lemonade B3 5:14 Trumpet – Todd Simon Gallows B4 4:25 Violin, Backing Vocals – Florence Fritz B5 Fairy Paradise 4:10 B6 Here I Come 3:28 Companies, etc. Phonographic Copyright (p) – CocoRosie Copyright (c) – CocoRosie Licensed To – Souterrain Transmissions Credits Co-producer – David Sitek* (tracks: B1, B3, B5) Engineer [Additional] – Zephyrus Sowers (tracks: B1, B3, B5) Engineer, Mixed By – Nico Kalwill* Layout – David Babbitt Lyrics By, Music By, Producer – CocoRosie Photography By [Cover] – Matt Greene Piano, Keyboards – Gael Rakotondrabe* Written-By [Co-written By] – Gael Rakotondrabe* (tracks: A3, A4, B2, B3, B6) Notes Gatefold sleeve Sticker on sleeve: "180 gram vinyl, including free digital download code". Barcode and Other Identifiers Barcode: 673790 025913 Label Code: LC 20296 Rights Society: GEMA Matrix / Runout (A, Etched):
    [Show full text]
  • In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
    BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire
    [Show full text]
  • ANSAMBL ( [email protected] ) Umelec
    ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol.
    [Show full text]
  • Music 5364 Songs, 12.6 Days, 21.90 GB
    Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail
    [Show full text]