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JACK RUTBERG FINE ARTS Reflections Through Time
JACK RUTBERG FINE ARTS 357 N. La Brea Avenue ∙ Los Angeles, CA 90036 ∙ Tel (323) 938-5222 ∙ www.jackrutbergfinearts.com FOR IMMEDIATE RELEASE Contact: Jack Rutberg (323) 938-5222 [email protected] June 13 – September 30, 2015 Reflections Through Time Los Angeles, CA – Celebrated L.A. contemporary artist Ruth Weisberg is the subject of a new exhibition entitled “Ruth Weisberg: Reflections Through Time,” opening with a reception for the artist from 6:00 to 9:00 p.m. on Saturday, June 13, at Jack Rutberg Fine Arts, located at 357 North La Brea Avenue in Los Angeles. The exhibition extends through September 30. “Ruth Weisberg: Reflections Through Time” expands upon the recent Weisberg exhibition at the University of Tennessee, Knoxville, presented on the occasion of receiving the prestigious 2015 Printmaker Emeritus Award from the Southern Graphics Council, the largest international body of “Waterbourne,” 1973, Lithograph, 30 1/4 x 42 1/4 Inches printmakers in North America. (The SGC’s previous awardee, in 2014, was Wayne Thiebaud.) Included in “Reflections Through Time” are selected works, such as Weisberg’s iconic “Waterbourne” (1973). Here the artist joins both symbolic and literal reflections of light, and in this case, a personal passage of impending motherhood and the emergence of woman. Other works in the exhibition, including her most recent work “Harbor” (2015), engage reflections on personal history and of the convergence of art history and cultural experience. “Reflections Through Time” reveals Weisberg’s decades-long interest in re-imagining the works of past masters such as Velazquez, Watteau, Blake, Titian, Veronese, Cagnacci, Corot, and Giacometti. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
59˚ 42 Issue Four
issue four 59˚ 42 14 12 03 Editor’s Letter 22 04 Disposed Media Gaming 06 Rev Says... 07 Wishlist 08 Gamer’s Diary 09 BigLime 10 News: wii 11 Freeware 12 User Created Gaming 14 Shadow Of The Colossus 16 Monkey Island 17 Game Reviews Music 19 Festivals 21 Good/Bad: The New Emo 26 22 Mogwai 23 DoorMat 24 Music Reviews Films 26 Six Feet Under 28 Silent Hill 30 U-Turn 31 Film Reviews Comics 33 Marvel’s Ultimates Line 35 Scott Pilgrim 36 Wolverine 37 Comic Reviews Gallery 33 42 Next Issue... Publisher Tim Cheesman Editors Andrew Revell/Ian Moreno-Melgar Art Director Andrew Campbell Contributors Dan Gassis/Jason Brown/Jason Robbins/Adam Parker/Robert Florence/Keith Andrew /Jamie Thomson/Danny Badger Designers Peter Wright/Rachel Wild Cover-art Melanie Caine [© Disposable Media 2006. // All images and characters are retained by original company holding.] DM4/EDITOR’S LETTER So we’ve changed. We’ve CHANGE IS GOOD.not been around long, but we’re doing ok. We think. But we’ve changed as we promised we would in issue 1 to reflect both what you asked for, and also what we want to do. It’s all part of a long term goal for the magazine which means there’ll be more issues more often, as well as the new look and new content. You might have noticed we’ve got a new website as well; it’ll be worth checking on a very frequent basis as we update it with DM news, and opinion. We’ve also gone and done the ‘scene’ thing and set up a MySpace page. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
6Th Annual Kaiser Permanente San Jose Jazz Winter Fest Presented By
***For Immediate Release: Thursday, January 14, 2016*** 6th Annual Kaiser Permanente San Jose Jazz Winter Fest Presented by Metro Thursday, February 25 - Tuesday, March 8, 2016 Cafe Stritch, The Continental, Schultz Cultural Arts Hall at Oshman Family JCC (Palo Alto), Trianon Theatre, MACLA, Jade Leaf Eatery & Lounge and other venues in Downtown San Jose, CA Event Info: sanjosejazz.org/winterfest Tickets: $10 - $65 "Winter Fest has turned into an opportunity to reprise the summer's most exciting acts, while reaching out to new audiences with a jazz-and-beyond sensibility." –KQED Arts National Headliners: John Scofield Joe Lovano Quartet Regina Carter Nicholas Payton Trio Delfeayo & Ellis Marsalis Quartet Marquis Hill Blacktet Bria Skonberg Regional Artists: Jackie Ryan J.C. Smith Band Chester ‘CT’ Thompson Jazz Beyond Series Co-Curated with Universal Grammar KING Kneedelus Kadhja Bonet Next Gen Bay Area Student Ensembles Lincoln Jazz Band SFJAZZ High School All Stars Combo Homestead High School Jazz Combo Los Gatos High School Jazz Band San Jose State University Jazz Combo San Jose Jazz High School All Stars San Jose, CA -- Renowned for its annual Summer Fest, the iconic Bay Area institution San Jose Jazz kicks off 2016 with dynamic arts programming honoring the jazz tradition and ever-expanding definitions of the genre with singular concerts curated for audiences within the heart of Silicon Valley. Kaiser Permanente San Jose Jazz Winter Fest 2016 presented by Metro continues its steadfast commitment of presenting a diverse array of some of today’s most distinguished artists alongside leading edge emerging musicians with an ambitious lineup of more than 25 concerts from February 25 through March 8, 2016. -
Concert & Dance Listings • Cd Reviews • Free Events
CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 4 Number 6 Nov-Dec 2004 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers Music and Poetry Quench the Thirst of Our Soul FESTIVAL IN THE DESERT BY ENRICO DEL ZOTTO usic and poetry rarely cross paths with war. For desert dwellers, poetry has long been another way of making war, just as their sword dances are a choreographic represen- M tation of real conflict. Just as the mastery of insideinside thisthis issue:issue: space and territory has always depended on the control of wells and water resources, words have been constantly fed and nourished with metaphors SomeThe Thoughts Cradle onof and elegies. It’s as if life in this desolate immensity forces you to quench two thirsts rather than one; that of the body and that KoreanCante Folk Flamenco Music of the soul. The Annual Festival in the Desert quenches our thirst of the spirit…Francis Dordor The Los Angeles The annual Festival in the Desert has been held on the edge Put On Your of the Sahara in Mali since January 2001. Based on the tradi- tional gatherings of the Touareg (or Tuareg) people of Mali, KlezmerDancing SceneShoes this 3-day event brings together participants from not only the Tuareg tradition, but from throughout Africa and the world. Past performers have included Habib Koité, Manu Chao, Robert Plant, Ali Farka Toure, and Blackfire, a Navajo band PLUS:PLUS: from Arizona. -
Issue No. 38 July/August 2016 3 Addictive Deep House Cut Effectively Put EYE His Name on the Map in the Electronic of the Music Scene
That's So 90's Alan Walker Kevin Gates Hayden James Foals Robert DeLong and more THE STORM ISSUE NO. 38 REPORT JULY/AUGUST 2016 TABLE OF CONTENTS 4 EYE OF THE STORM That's So 90's What Goes Around Comes Around 5 STORM TRACKER STORM Festivals Part 2 6 STORM FORECAST What to look forward to this month. Award Shows, Concert Tours, Album Releases, and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Ellie Rowsell, the lead singer of Wolf Alice. Photo provided by management ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA Hello STORM Readers! The STORM Report is a compilation of up-and-coming bands and Nostalgia is a powerful emotion – and one artists who are worth watching. Only those showing the most that marketers frequently use to excite and promising potential for future commercial success make it onto our engage their consumers. As we look back monthly list. at 2016 so far, we’ve observed a decided yearning for a return to the 1990s. An How do we know? inaugural “I Love the 90s Tour” kicks off this month featuring performances by Vanilla Through correspondence with industry insiders and our own ravenous Ice, Salt N Peppa, Kid N Play, Coolio and media consumption, we spend our month gathering names of artists more; “MTV Classic” debuts on August 1 who are “bubbling under”. We then extensively vet this information, and features programming entirely from the analyzing an artist’s print & digital media coverage, social media 90s and early 2000s; The Backstreet Boys growth, sales chart statistics, and various other checks and balances to are back in the studio working on a country ensure that our list represents the cream of the crop. -
Outside Lands 2019: What’S Good? Welp…
Outside Lands 2019: What’s good? Welp… 48hills.org/2019/03/outside-lands-2019-whats-good-welp Daniel Bromfield March 28, 2019 ALL EARS The monster that is Outside Lands (August 9-11, Golden Gate Park) coasts less on San Francisco’s rock ’n’ roll reputation these days than when the music festival was new—which means on the one hand the music is more youth-oriented, and on the other we get a lot of the same artists who’ve been making the festival rounds for a few years. Last year’s fest was dull aside from Janelle Monàe’susualextravaganza and an astonishing but poorly-attended Janet Jackson set. This year’s lineup, its 12th, was just announced: It finds a happy medium, with some predictable perennials—Childish Gambino, Hozier, The Lumineers, Twenty One Pilots—and a nice cast of oddities. 1/5 https://youtu.be/HF1z7IQYfWA Only two real ’60s icons show up. Expect a hell of a sing-along from Paul Simon, retired and now freshly un-retired. And Mavis Staples, who’ll perform not long after her 80th birthday, is still a fearsome presence and has made some of the best music of her career in the last decade (check out 2010’s You Are Not Alone). Nineties nostalgia is in vogue, hence sets by Counting Crows, Edie Brickell & New Bohemians, and, of all the bands in the world, Blink-182. The Killers, so dull at 2014’s fest, were a distressing early rumor. Blink might be a cheap nostalgia ploy, but at least they’re a fun one. -
ART BRUT Announce Bang Bang Rock & Roll Album Reissue
ART BRUT Announce Bang Bang Rock & Roll Album Reissue - Includes exclusive new foreword from Ezra Furman (read in full) + Secret Track + Previously Unreleased Material https://soundcloud.com/alcopop/sets/art-brut-bang-bang-rock-roll/s-9GDta Released 3rd April 2020 via Alcopop! Records x Fierce Panda Preorder: http://ilovealcopop.co.uk/ Upcoming March 2020 UK Tour Dates w/ The Subways For more information please contact Jamie Otsa at Wall of Sound PR: [email protected] ART BRUT are delighted to announce that they will be reissuing their seminal 2005 album Bang Bang Rock & Roll on Alcopop! Records x Fierce Panda, released on 3rd April 2020. To celebrate the album release, the band are popping to Hamburg and Berlin in April 2020 to perform the album in full, but first come their UK tour dates with The Subways, which begin this week and run throughout March 2020 (see below for full listings). Commenting on the news, front man Eddie Argos says: “It feels great to be rereleasing this album on vinyl, and not just because the prices for the original on eBay were getting stupid. Some of these songs were so immediate and spontaneous that they contain thoughts that popped into my head as we recorded them. I’m proud that they have withstood 15 years of scrutiny and we still get to blast them out with complete joy in our hearts. Roll on Berlin and and Hamburg—I can’t wait to rock the fuck out. Hooray.” Almost 15 years to the day since it dropped back in 2005, all of the album tracks have been remastered and are sounding even better than before. -
Judge's Order to Allow Women to Go Topless in Fort Collins
Volume 126, No. 96 Thursday, March 2, 2017 NEWS More Clark controversy PAGE 4 OPINION PHOTO ILLUSTRATION BY KAITLYN ANCELL. COLLEGIAN Accept yourself, but be healthy Judge’s order to allow women PAGE 8 to go topless in Fort Collins By Katie Marshall ten in order to maintain public rado State University. According to the Associated @katie_marshall3 order and to protect children, ac- CSU does not currently en- Press, Denver does not have any cording to the Fort Collins City force a dress code for students. gender-specifi c indecency laws. If a woman chooses to walk Council. It did have two excep- Instead, CSU recommends for In Jackson’s order, he stated around Fort Collins topless, she tions: women who were breast- students to wear what is com- that Fort Collins has not pre- may now do so without citation. feeding and girls younger than fortable to attend class. sented any evidence that shows A federal judge in Denver 10 would be able to be topless in The complaint was original- that womens’ breasts endanger blocked the Fort Collins ban on public. ly fi led in May 2016 by Brittany children. females being topless on Feb. 22. City attorney Carrie Dag- Hoagland and Samantha Six. “Simply put, Fort Collins Fort Collins voted to keep this gett issued a statement on Feb. They accused Fort Collins of vi- has not shown the Court that a ban in place on Oct. 20, 2015, af- 22 stating that the city would no olating the free speech clause in law permitting public exposure ter much debate. -
Um Clique Na Década
MEG./MEGEG./EG.EG /AMANAA NANAIMAGEIMAGIMMAGEMAGA S/CORS/COS CORCORBISBIBIS ESTEESTESTESTETE SUPLESUPLUPLEUPLEMENTOMENTMEMENTN O FAZFAFAZA PARTEPARTPARPARTEARTARTETE INTEINTNTENTTETEGRANTGRANGRAGRANRARANTANANTEEDA DADA EDIÇÃEDIÇEDIDIÇÃDIÇDIÇIÇÃÇÃONºOON NºNº 72187217221821218 DODOPÚO PÚ PÚBLICOBLICOLICOCOO,,EN EEN NÃOÃO POPODEESEES SE SERRVENRVERV VENVEVENDIDODIDDIDOI SEPAREPAREPAEPAPARADAMEADAMADAADAMEDAMEAMAM NTENTETE www.ipsilon.pt 8 S Um clique Um e J x a t n a e - f i e r o i r 2 a 0 A cultura nosanos00 A cultura na década 1 0 Espaço Em época Público as minhas referências do “shoegazing” dos de balanço, vão para dois projectos anos 80, o que, por si só, não resisti a estreantes: os semi- poderá levar a pensar escrevinhar obscuros Girls (de que se trata de mais também as minhas Christopher Owen) e os uns teenagers pseudo- escolhas. Dos consensuais XX. Ambos deprimidos. Desenganem- consagrados, haveria criaram obras notáveis, se. Não cabendo em muito por onde escolher ainda que, bastante nenhuma das categorias mas limitar-me-ei a distantes musicalmente. anteriores, seria pecado referir duas hipóteses: Se o primeiro prima pela capital deixar de referir o os escoceses Camera diferença e intensidade segundo trabalho de Elvis Obscura e o veterano (elejo o tema “Hellhole Perkins (“Elvis Perkins in norte-americano Bill Retrace” como épico do Dearland”). Callahan. No entanto, ano), os segundos movem- António Freitas, radialista, curiosamente, este ano se num terreno devedor 38 anos David Maranha em aventuras além-fronteiras no início de 2010 A editora Roaratorio prepara-se para lançar, no final de Fevereiro, um novo álbum do português David Maranha. “Antarctica”, o sucessor de “Marches of the New World” (décimo lugar na lista de música pop do Ípsilon, em 2007), terá o selo da casa editorial norte- americana, que já lançou trabalhos Flash de gente como Chris Corsano, Ben Chasny (Six Organs of Admittance), Joe McPhee e Vibracathedral Orchestra.