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Jack Costello - in the Mix - Volume 7 (Les Expérience Technoïdes) (XXL Mix) Mixed by Jack Costello
Jack Costello - In The Mix - Volume 7 (Les Expérience Technoïdes) (XXL Mix) Mixed by Jack Costello Style: Tech-House, Techno, Minimal, Minimal-Techno BPM: 125 - 145 Tracks: 67 Playtime Total: 06:14:23 Recording Date: 22.06.2019 (C) & (P) by StereoFunk Studio in Assosiation with I’m in Love with the Deejay. For Promotion Only! Reproduction Or Other Commercial Use Of This Recording In Whole Or In Part Is Prohibited! Tracklist: Dubfire - The End To My Beginning (Original Mix) Billy Kenny - Just Came For The Music (Rave Mix) Sebjak, Fahlberg - Kindergarten Disco (Original Mix) David Tort & Dj Ruff - Wild Girl (Original Mix) Matt Lange feat. Kerry Leva - In Me (Extended Mix) Alan Fitzpatrick & Wheats - M27 (Wheats Extended Edit) FISHER (OZ) - You Little Beauty (Extended Mix) Dosem - All Locations (Extended Mix) yotto - Walls (Joris Voorn Extended Mix) Dido - Give You Up (Mark Knight Remix) Booka Shade - Trespass 2019 (Mark Knight Extended Mix) Energy 52 - Caf del Mar (Tale Of Us Renaissance Remix) Pretty Pink - Woodtales (Extended Mix) Gorgon City - Delicious (Extended Mix) FISHER (OZ) - Losing It (Extended Mix) Siege - Thinking (Original Mix) Mathias D. - Last Time (Original Mix) Kastis Torrau & Donatello - Synthesis (Olivier Weiter Remix) Jack Back vs. Cevin Fisher - 2000 Freaks Come Out (Original Mix) DJ PP - To The Bass (Original Mix) Green Velvet, Doorly & Hauswerks - My Frequency (Original Mix) DJ Lora - 20 Girls (Mark Knight Extended Edit) Booka Shade - Trespass 2019 (Mark Knight Extended Mix) Felix Kröcher - Provident (Victor Ruiz Remix) Milani & The Cabas - Ashfield (Original Mix) Jam & Spoon - Stella (Kölsch Remix) Boris Brejcha & Samantha Nova - Blue Violet Crimson (XXX) (Original Mix) Westend - Beet It (Original Mix) Carl Cox - Dr. -
Fictitious Commodities: a Theory of Intellectual Property Inspired by Karl Polanyi’S “Great Transformation”
Fordham Intellectual Property, Media and Entertainment Law Journal Volume 29 XXIX Number 4 Article 4 2019 Fictitious Commodities: A Theory of Intellectual Property Inspired by Karl Polanyi’s “Great Transformation” Alexander Peukert Goethe University, Frankfurt, [email protected] Follow this and additional works at: https://ir.lawnet.fordham.edu/iplj Part of the Intellectual Property Law Commons, International Law Commons, and the Science and Technology Law Commons Recommended Citation Alexander Peukert, Fictitious Commodities: A Theory of Intellectual Property Inspired by Karl Polanyi’s “Great Transformation”, 29 Fordham Intell. Prop. Media & Ent. L.J. 1151 (2019). Available at: https://ir.lawnet.fordham.edu/iplj/vol29/iss4/4 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Intellectual Property, Media and Entertainment Law Journal by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. Fictitious Commodities: A Theory of Intellectual Property Inspired by Karl Polanyi’s “Great Transformation” Cover Page Footnote Professor Dr. iur., Goethe University, Frankfurt am Main, [email protected]. This article is available in Fordham Intellectual Property, Media and Entertainment Law Journal: https://ir.lawnet.fordham.edu/iplj/vol29/iss4/4 Fictitious Commodities: A Theory of Intellectual Property Inspired by Karl Polanyi’s “Great Transformation” Alexander Peukert* The puzzle this Article addresses is this: how can it be explained that intellectual property (IP) laws and IP rights (IPRs) have continuously grown in number and expanded in scope, territorial reach, and duration, while at the same time have been contested, much more so than other branches of property law? This Article offers an explanation for this peculiar dynamic by applying insights and concepts of Karl Polanyi’s book “The Great Transformation” to IP. -
AUSTRALIAN SINGLES REPORT June 19, 2017 Compiled by the Music Network© FREE SIGN UP
AUSTRALIAN SINGLES REPORT June 19, 2017 Compiled by The Music Network© FREE SIGN UP Hot 100 Aircheck spins, weighted with audience data & time of spins #1 hot 100 despacito (remix) 1 Luis Fonsi | UMA DESPACITO (REMIX) There's nothing holdin' me b... Luis Fonsi & Daddy Yankee ft. Justin Bieber | UMA 2 Shawn Mendes | UMA galway girl 3 Ed Sheeran | WMA From Latin hit to commercial radio triumph, Luis Fonsi’s Despacito (Remix) has pushed its way to the i'm the one top of the Hot 100, ousting DJ Khaled’s I’m The One, which falls to #4. This has opened the door for 4 DJ Khaled | SME/UMA Shawn Mendes’ There’s Nothing Holdin’ Me Back and Ed Sheeran’s persistent Galway Girl to take up Malibu the remaining spots in the Top 3. 5 Miley Cyrus | SME 6 Strip That down Liam Payne’s Strip That Down can’t be overlooked at #6. The One Direction star seems to be Liam Payne | EMI gathering serious momentum as the official acoustic version of the track is serviced to radio this week. 7 Slow hands Niall Horan | EMI His buddies Harry Styles and Niall Horan aren’t far behind. Styles’ Sign Of The Times restores its spot something just like this 8 The Chainsmokers & Coldp... in the Top 10 this week, landing at #9 after peaking at #3 at the beginning of May, while Horan’s Slow sign of the times Hands remains parked at #7 for another week. 9 Harry Styles | SME your song 10 Rita Ora | WMA that's what i like 11 Bruno Mars | WMA Bad Liar #1 MOST ADDED TO RADIO 12 Selena Gomez | UMA The cure 2U 13 Lady Gaga | UMA David Guetta ft. -
Download Working Paper 54
DIME Working Papers on INTELLECTUAL PROPERTY Sponsored by the Dynamics of Institutions and 6th Framework Programme Markets in Europe is a network RIGHTS of the European Union of excellence of social scientists in Europe, working on the eco- http://www.dime-eu.org/working-papers/wp14 nomic and social consequences of increasing globalization and the rise of the knowledge economy. http://www.dime-eu.org/ Emerging out of DIME Working Pack: ‘The Rules, Norms and Standards on Knowledge Exchange’ Further information on the DIME IPR research and activities: http://www.dime-eu.org/wp14 This working paper is submitted by: Ben O'Hara Music Industry (Business) Centre For Performing Arts, Box Hill Institute Email: b.o'[email protected] Technology, copyright law and the future: the Australian contemporary music industry This is Working Paper No 54 (April 2008) The Intellectual Property Rights (IPR) elements of the DIME Network currently focus on research in the area of patents, copy- rights and related rights. DIME’s IPR research is at the forefront as it addresses and debates current political and controversial IPR issues that affect businesses, nations and societies today. These issues challenge state of the art thinking and the existing analytical frameworks that dominate theoretical IPR literature in the fields of economics, management, politics, law and regula- tion- theory. Ben O'Hara Music Industry (Business) Centre For Performing Arts Box Hill Institute PO.Box 2014 Box Hill 3128 Tel: (+61 3) 9286-9657 Fax: (+61 3) 9286-9704 e-mail: b.o'[email protected] Technology, copyright law and the future: the Australian contemporary music industry. -
November 4 November 11
NOVEMBER 4 ISSUE NOVEMBER 11 Orders Due October 7 23 Orders Due October 14 axis.wmg.com 11/1/16 AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Hope, Bob Bob Hope: Hope for the Holidays (DVD) TL DV 610583538595 31845-X 12.95 9/30/16 Last Update: 09/20/16 For the latest up to date info on this release visit axis.wmg.com. ARTIST: Bob Hope TITLE: Bob Hope: Hope for the Holidays (DVD) Label: TL/Time Life/WEA Config & Selection #: DV 31845 X Street Date: 11/01/16 Order Due Date: 09/30/16 UPC: 610583538595 Box Count: 30 Unit Per Set: 1 SRP: $12.95 Alphabetize Under: H ALBUM FACTS Genre: Television Description: HOPE FOR THE HOLIDAYS... There’s no place like home for the holidays. And there really was no place like Bob Hope’s home for the holidays with Bob, Dolores and the Hope family. They invited friends from the world of entertainment and sports to celebrate and reminisce about vintage seasonal sketches in the 1993 special Bob Hope’s Bag Full of Christmas Memories. Bob Hope’s TV Christmas connection began on December 24, 1950, with The Comedy Hour. Heartwarming and fun—that’s the way Bob planned it. No Christmas party would be complete without music, while flubbed lines in some sketches remain intact and a blooper really hits below the belt. The host of Christmases past hands out laughs galore! HIGHLIGHTS INCLUDE: A compilation of Bob’s monologues from his many holiday tours for the USO Department store Santas Robert Cummings and Bob swap stories on the subway Redd Foxx and Bob play reindeer reluctant to guide Santa’s sleigh -
Ib an Mendoza
IBIZA FORMENTERA NIGHT IBAN MENDOZA SINCE 2007 N&D MAGAZINE | NIGHT • AÑO XI • N°2 | JUNIO/JUNE/GIUGNO 2017 ESPAÑOL ENGLISH ITALIANO • • Showde churrasco cooking MÚSICA EN VIVO, 12 CORTES DE LA ESPECTÁCULOS Y MEJOR CARNE DE PARQUE PARA LOS NIÑOS LATINOAMÉRICA SIN CARTA, SIN NORMAS, SIN LÍMITE! • CARRETERA SANTA GERTRUDIS, KM 0,5 (CA NA PALAVA) • RESERVAS: [email protected] | (+34) 971 50 88 80 LUXURY CAR RENTAL - REAL ESTATE - YACHT CHARTER - PRIVATE JETS - VIP SERVICES IBIZA MARBELLA BARCELONA WWW.RENTTOPLUX.COM • [email protected] +34 672 769 911 • +34 674 511 168 10 WEEDITORIAL YEARS THIS ISLAND 10 10 C.E.O. Founder YEARS YEARS Christian Dori ARE Y U NIGHT R DAY? Hola Amigos de Night&Day, Hello Friends of Night&Day, Ciao Amici di Night&Day, El futurólogo Alvin Toffler The recently passed away futurologist, Il recentemente scomparso recientemente fallecido definió elAlvin Toffler, defined change as the futurologo, Alvin Toffler definiva il cambio como el proceso por el cual el process by which the future invades our cambiamento come il processo col futuro invade nuestras vidas. lives. quale il futuro invade le nostre vite. El futuro ha invadido Ibiza y Formentera. The future has invaded Ibiza and Il futuro ha invaso Ibiza e Formentera. Cada año, grandes y pequeñas novedades Formentera. Every year, small or big news Ogni anno piccole o grandi novità si se suman y trasforman las dos islas. adds up and transforms the two islands. sommano e trasformano le due isole. La novedad más impresionante es sin The most impressive news is definitely the La più imponente novità è sicuramente duda la apertura del nuevo local Hï, opening of the new club Hï, which has taken l'apertura del nuovo locale Hï, ubicato situado donde estaba el antiguo Space, over old Space location, and that you're dove era l'antico Space, di cui parleremo del que vamos a hablar en la revista. -
Neuerwerbungen Musik-Cds Zur Ausleihe Juni 2020
NEUERWERBUNGEN MUSIK-CDS ZUR AUSLEIHE JUNI 2020 NEUERWERBUNGEN MUSIK-CDS ZUR AUSLEIHE JUNI 2020 Inhalt Vokalmusik: Gesang für Einzelstimmen .................................................................... 3 Vokalmusik: Chorgesang .......................................................................................... 3 Vokalmusik: Porträts ................................................................................................. 3 Bühnenwerke. Dramatische Musik ............................................................................ 4 Instrumentalmusik: Einzelinstrumente ...................................................................... 4 Instrumentalmusik: Kammermusik ........................................................................... 4 Instrumentalmusik: Werke für Soloinstrumente und Orchester ................................. 5 Instrumentalmusik: Orchesterwerke ......................................................................... 5 Instrumentalmusik: Porträts ...................................................................................... 5 Außereuropäische Volks- und Kunstmusik. Europäische Volksmusik ......................... 6 Jazz ........................................................................................................................... 6 Rockmusik. Popmusik ............................................................................................... 8 Folkmusic. Song. Chanson ...................................................................................... 12 Thematische -
D'eurockéennes
25 ans d’EUROCKÉENNES LE CRÉDIT AGRICOLE FRANCHE-COMTÉ NE VOUS LE DIT PAS SOUVENT : IL EST LE PARTENAIRE INCONTOURNABLE DES ÉVÉNEMENTS FRANCs-COMTOIS. IL SOUTIENT Retrouvez le Crédit Agricole Franche-Comté, une banque différente, sur : www.ca-franchecomte.fr Caisse Régionale de Crédit Agricole Mutuel de Franche-Comté - Siège social : 11, avenue Elisée Cusenier 25084 Besançon Cedex 9 -Tél. 03 81 84 81 84 - Fax 03 81 84 82 82 - www.ca-franchecomte.fr - Société coopérative à capital et personnel variables agréée en tant qu’établissement de crédit - 384 899 399 RCS Besançon - Société de courtage d’assurance immatriculée au Registre des Intermédiaires en Assurances sous le n° ORIAS 07 024 000. ÉDITO SOMMAIRE La fête • 1989 – 1992 > Naissance d’un festival > L’excellence et la tolérance, François Zimmer .......................................................p.4 > Une grosse aventure, Laurent Arnold ...................................................................p.5 continue > « Caomme un pèlerinage », Laurent Arnold ........................................................p.6 Les Eurockéennes ont 25 ans. Qui l’eut > Un air de Woodstock au pied du Ballon d’Alsace, Thierry Boillot .......................p.7 cru ? Et si aujourd’hui en 2013, un doux • 1993 – 1997 > Les Eurocks, place incontournable rêveur déposait sur la table le dossier d’un grand et beau festival de musiques > Les Eurocks, précurseurs du partenariat, Lisa Lagrange ..................................... p.8 actuelles (selon la formule consacrée), > Internet : le partenariat de -
OP 323 Sex Tips.Indd
BY PAUL MILES Copyright © 2010 Paul Miles This edition © 2010 Omnibus Press (A Division of Music Sales Limited) Cover and book designed by Fresh Lemon ISBN: 978.1.84938.404.9 Order No: OP 53427 The Author hereby asserts his/her right to be identified as the author of this work in accordance with Sections 77 to 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage or retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages. Exclusive Distributors Music Sales Limited, 14/15 Berners Street, London, W1T 3LJ. Music Sales Corporation, 257 Park Avenue South, New York, NY 10010, USA. Macmillan Distribution Services, 56 Parkwest Drive Derrimut, Vic 3030, Australia. Printed by: Gutenberg Press Ltd, Malta. A catalogue record for this book is available from the British Library. Visit Omnibus Press on the web at www.omnibuspress.com For more information on Sex Tips From Rock Stars, please visit www.SexTipsFromRockStars.com. Contents Introduction: Why Do Rock Stars Pull The Hotties? ..................................4 The Rock Stars ..........................................................................................................................................6 Beauty & Attraction .........................................................................................................................18 Clothing & Lingerie ........................................................................................................................35 -
Development of Musical Ideas in Compositions by Tortoise
DEVELOPMENT OF MUSICAL IDEAS IN COMPOSITIONS BY TORTOISE Reiner Krämer Prologue For more than 25 years, the Chicago-based experimental rock band Tortoise has crossed over multiple popular music genres (ambient music, krautrock, dub, electronica, drums and bass, reggae, etc.) as well as different types of jazz music, and has made use of minimalist Western art music.1 The group is often labeled a pioneer of the »post-rock« genre. Allegedly, Simon Reynolds first used the term in his review of the album Hex by the English east Lon- don band Bark Psychosis (Reynolds 1994a) and shortly afterwards in his arti- cle »Shaking the Rock Narcotic« (Reynolds 1994b: 28-32). In connection to Tortoise he used »post-rock« in his review article of their 1996 album Mil- lions Now Living Will Never Die (Reynolds 1996). Reynolds describes music he labels as ›post-rock‹ where bands use guitars »in [non-rock] ways« to manipulate »timbre and texture rather than riff[s]« and »augment rock's basic guitar-bass-drums lineup with digital technology such as samplers and sequencers« (Reynolds 2017: 509). Most members of Tortoise act as multi- instrumentalists that play different combinations of instruments at different times. As Jeanette Leech (2017: 16) has stated, a typical Tortoise stage set- up can feature vibraphones, marimbas, two drum sets, and a multitude of synthesizers. With regards to the instrumental setup Leech draws up paral- lels with progressive rock of the 1970s but points to one decisive difference within the genres: »for Tortoise, the range of instrumentation [is] about creating mood, not showboating« (ibid.). -
©2011 Campus Circle • (323) 939-8477 • 5042 Wilshire Blvd
©2011 CAMPUS CIRCLE • (323) 939-8477 • 5042 WILSHIRE BLVD., #600 LOS ANGELES, CA 90036 • WWW.CAMPUSCIRCLE.COM • ONE FREE COPY PER PERSON TIME “It’s a heightened, almost hallucinatory sensual experience, and ESSENTIAL VIEWING FOR SERIOUS MOVIEGOERS.” RICHARD CORLISS THE NEW YORK TIMES “A COSMIC HEAD MOVIE OF THE MOST AMBITIOUS ORDER.” MANOHLA DARGIS HOLLYWOOD WEST LOS ANGELES EXCLUSIVE ENGAGEMENTS START FRIDAY, MAY 27 at Sunset & Vine (323) 464-4226 at W. Pico & Westwood (310) 281-8233 FOX SEARCHLIGHT FP. (10") X 13" CAMPUS CIRCLE - 4 COLOR WEDNESDAY: 5/25 ALL.TOL-A1.0525.CAM CC CC JL JL 4 COLOR Follow CAMPUS CIRCLE on Twitter @CampusCircle campus circle INSIDE campus CIRCLE May 25 - 31, 2011 Vol. 21 Issue 21 Editor-in-Chief 6 Yuri Shimoda [email protected] Film Editor 4 14 [email protected] Music Editor 04 FILM MOVIE REVIEWS [email protected] 04 FILM PROJECTIONS Web Editor Eva Recinos 05 FILM DVD DISH Calendar Editor Frederick Mintchell 06 FILM SUMMER MOVIE GUIDE [email protected] 14 MUSIC LIGHTNING IN A BOTTLE Editorial Interns Intimate and adventurous music festival Dana Jeong, Cindy KyungAh Lee takes place over Memorial Day weekend. 15 MUSIC STAR WARS: IN CONCERT Contributing Writers Tamea Agle, Zach Bourque, Kristina Bravo, Mary Experience the legendary score Broadbent, Jonathan Bue, Erica Carter, Richard underneath the stars at Hollywood Bowl. Castañeda, Amanda D’Egidio, Jewel Delegall, Natasha Desianto, Stephanie Forshee, Jacob Gaitan, Denise Guerra, Ximena Herschberg, 15 MUSIC REPORT Josh -
Andrew WK Lets Absurdism Flow at Largo | Pop & Hiss
Live review: Andrew W.K. lets absurdism flow at Largo | Pop ... http://latimesblogs.latimes.com/music_blog/2009/10/live-revie... Like 72K Subscribe/Manage Account Place Ad LAT Store Jobs Cars Real Estate Rentals Classifieds Custom Publishing ENTERTAINMENT LOCAL U.S. WORLD BUSINESS SPORTS ENTERTAINMENT HEALTH LIVING TRAVEL OPINION DEALS Weekly Ad MOVIES TELEVISION MUSIC CELEBRITY ARTS & CULTURE COMPANY TOWN CALENDAR THE ENVELOPE FINDLOCAL IN THE NEWS: JUSTIN BIEBER 'CELEBRITY APPRENTICE' DAVID SCHWIMMER 'GAME OF THRONES' PRINCESS BEATRICE Search Pop & Hiss L.A. Times on Facebook Like 72K THE L.A. TIMES MUSIC BLOG Supreme Court orders California to release tens of thousands of prison inmates « Previous Post | Pop & Hiss Home | Next Post » 16,402 people shared this. In Joplin, there was no time to Live review: Andrew W.K. lets absurdism flow at Largo prepare 459 people shared this. October 9, 2009 | 3:28 pm (0) (2) Comments (0) Senate votes to extend Patriot Act 313 people shared this. advertisement Stay connected: About the Bloggers The musician lets his avant-garde tendencies soar with the Calder Quartet. Chris Barton Andrew W.K. had just finished a piano-and-string-quartet version of his pop-metal hit "Party Hard" August Brown on Thursday night when a young man from the audience bum-rushed the stage at Largo at the Gerrick Kennedy Coronet. There he stood, seemingly waiting for another of W.K.'s jubilant rockers like "Party Til You Randy Lewis Puke" or "It's Time to Party." Todd Martens Ann Powers Instead, W.K. (whose given last name is Wilkes-Krier) and the renowned chamber group the Calder Randall Roberts Quartet opted to play two versions of John Cage's entirely silent composition "4:33." Margaret Wappler It made for a bit of a transcendently awkward moment for the enthusiastic fan, who rifled in his pockets and looked genuinely confused at this turn of events.