Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication 4-20-2007 Masks and Sartre's Imaginary: Masked Performance and the Imaging Consciousness William Keith Tims Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Part of the Communication Commons Recommended Citation Tims, William Keith, "Masks and Sartre's Imaginary: Masked Performance and the Imaging Consciousness." Dissertation, Georgia State University, 2007. https://scholarworks.gsu.edu/communication_diss/10 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact
[email protected]. MASKS AND SARTRE’S IMAGINARY : MASKED PERFORMANCE AND THE IMAGING CONSCIOUSNESS by W. KEITH TIMS Under the Direction of Greg Smith ABSTRACT The use of masks in performance and actor training is often linked to the imagination, but there is seldom discussion of the nature of this imaginary link. Using the philosophy of Jean-Paul Sartre (most especially his work The Imaginary ) and the writings of modern mask theorists, this dissertation examines the relationship between masks and the imaging consciousness in both masked actors and the audiences who observe them. We discover that a mask is an analogon for an Other and that a mask authorizes games of identity which play out imaginatively in the performance milieu. In fact, generally speaking, a mask in performance is apprehended in a more imaginative way than a non-masked performance. Further than this, the mask illustrates the basic nature of the human consciousness and identity espoused by Sartre: that who we are is not a product of our psychology, but rather, the product of our imaginations and our choices.