Twelve Letters from the Romantic Circle (1798-1799)
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Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Xian, Qiao-Shuang, "Rediscovering Frédéric Chopin's "Trois Nouvelles Études"" (2002). LSU Doctoral Dissertations. 2432. https://digitalcommons.lsu.edu/gradschool_dissertations/2432 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. REDISCOVERING FRÉDÉRIC CHOPIN’S TROIS NOUVELLES ÉTUDES A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Qiao-Shuang Xian B.M., Columbus State University, 1996 M.M., Louisiana State University, 1998 December 2002 TABLE OF CONTENTS LIST OF EXAMPLES ………………………………………………………………………. iii LIST OF FIGURES …………………………………………………………………………… v ABSTRACT …………………………………………………………………………………… vi CHAPTER 1. INTRODUCTION…………………………………………………………….. 1 The Rise of Piano Methods …………………………………………………………….. 1 The Méthode des Méthodes de piano of 1840 -
On Not Interpreting the Roar
University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 10-5-2017 On Not Interpreting the Roar Simina Banu University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Banu, Simina, "On Not Interpreting the Roar" (2017). Electronic Theses and Dissertations. 7236. https://scholar.uwindsor.ca/etd/7236 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. ON NOT INTERPRETING THE ROAR by Simina Banu A Creative Writing Project Submitted to the Faculty of Graduate Studies through the Department of English Language, Literature and Creative Writing in Partial Fulfillment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario, Canada © 2017 Simina Banu On Not Interpreting the Roar by Simina Banu APPROVED BY __________________________________________________ J. Mboudjeke Languages, Literatures and Cultures __________________________________________________ L. Cabri English Language, Literature and Creative Writing __________________________________________________ S. -
Athenaeum Fragments 18 Ideas 94 Index 111
This content downloaded from 165.123.34.86 on Fri, 05 Jun 2020 21:35:30 UTC All use subject to https://about.jstor.org/terms Philosophical Fragments Friedrich Schlegel Translated by Peter Firchow Foreword by Rodolphe Gasche University of Minnesota Press Minneapolis London This content downloaded from 165.123.34.86 on Fri, 05 Jun 2020 21:35:30 UTC All use subject to https://about.jstor.org/terms Copyright © 1991 by the Regents of the University of Minnesota Philosophical Fragments originally appeared in Friedrich Schlegel's Lucinde and the Fragments. Copyright © 1971 by the University of Minnesota. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290, Minnesota, MN 55401-2520 http://www.upress.umn.edu Printed in the United States of America on acid-free paper Third printing 1998 Library of Congress Cataloging-in-Publication Data Schlegel, Friedrich von, 1772-1829. [Aphorisms. English] Philosophical fragments / Friedrich Schlegel ; translated by Peter Firchow : foreword by Rodolphe Gasche. p. cm. Includes bibliographical references and index. ISBN 0-8166-1901-8 1. Philosophy—Quotations, maxims, etc. I. Title. B3086.S53A6413 1991 193—dc20 90-19957 A CIP catalog record for this book is available from the British Library The University of Minnesota is an equal-opportunity -
Towards a Poetics of Becoming: Samuel Taylor Coleridge's and John Keats's Aesthetics Between Idealism and Deconstruction
Towards a Poetics of Becoming: Samuel Taylor Coleridge’s and John Keats’s Aesthetics Between Idealism and Deconstruction Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät IV (Sprach- und Literaturwissenschaften) der Universität Regensburg eingereicht von Charles NGIEWIH TEKE Alfons-Auer-Str. 4 93053 Regensburg Februar 2004 Erstgutachter: Prof. Dr. Rainer EMIG Zweitgutachter: Prof. Dr. Dieter A. BERGER 1 TABLE OF CONTENTS PAGE DEDICATION .............................................................................................................. I ACKNOWLEDGMENTS ........................................................................................... II ABSTRACT ............................................................................................................... VI English........................................................................................................................ VI German...................................................................................................................... VII French...................................................................................................................... VIII INTRODUCTION Aims of the Study......................................................................................................... 1 On the Relationship Between S. T. Coleridge and J. Keats.......................................... 5 Certain Critical Terms................................................................................................ -
A. W. Schlegel and the Nineteenth-Century Damnatio of Euripides Ernst Behler
BEHLER, ERNST, A. W. Schlegel and the Nineteenth-Century "Damnatio" of Euripides , Greek, Roman and Byzantine Studies, 27:4 (1986:Winter) p.335 A. W. Schlegel and the Nineteenth-Century Damnatio of Euripides Ernst Behler N HIS 1802-04 Berlin lectures on aesthetics, August Wilhelm Schle I gel claimed that his younger brother Friedrich (in his essay On the Study of Greek Poetry U795]), had been the first in the modern age to discern the "immeasurable gulf" separating Euripides from Aeschylus and Sophocles, thereby reviving an attitude the Greeks themselves had assumed towards the poet. The elder Schlegel noted that certain contemporaries of Euripides felt the "deep decline" both in his tragic art and in the music of the time: Aristophanes, with his unrelenting satire, had been assigned by God as Euripides' "eternal scourge"; 1 Plato, in reproaching the poets for fostering the passionate state of mind through excessive emotionalism, actually pointed to Euripides (SK I 40). Schlegel believed that his younger brother's observation of the profound difference between Euripides and the two other Greek tragedians was an important intuition that required detailed critical and comparative analysis for sufficient development (SK II 359). By appropriating this task as his own, August Wilhelm Schlegel inaugurated a phenomenon that we may describe as the nineteenth-century damnatio of Euripides. The condemnation of Euripides by these early German romantics was no extravagant and isolated moment in their critical activity: it constituted a central event in the progressive formation of a new literary theory. Their pronouncements must be seen in the context of a larger movement, towards the end of the eighteenth century, that transformed the critical scene in Europe: the fall of the classicist doctrine and the rise of the new literary theory of romanticism. -
Romantik 08 2019
Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 Romantik Journal for the Study of Romanticisms Editors Cian Duffy(Lund University), Karina Lykke Grand (Aarhus University), Thor J. Mednick (University of Toledo), Lis Møller (Aarhus University), ElisabethOx- feldt (UniversityofOslo), Ilona Pikkanen (Tampere University and the Finnish Literature Society), Robert W. Rix (University of Copenhagen), and AnnaLena Sandberg (University of Copenhagen) Advisory Board Charles Armstrong (UniversityofBergen), Jacob Bøggild (University of Southern Denmark, Odense), David Fairer (University of Leeds), Karin Hoff (Georg-August-Universität Göttingen),Stephan Michael Schröder (University of Cologne), David Jackson (University of Leeds),Christoph Bode (LMU München), CarmenCasaliggi (Cardiff Metropolitan University), Gunilla Hermansson (University of Gothernburg), Knut Ljøgodt (Nordic Institute of Art, Oslo), and Paula Henrikson (Uppsala University) Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 Romantik Journal for the Study of Romanticisms Volume 08|2019 V&Runipress Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2019, Vandenhoeck & Ruprecht GmbH & Co. -
Novalis's Magical Idealism
Symphilosophie International Journal of Philosophical Romanticism Novalis’s Magical Idealism A Threefold Philosophy of the Imagination, Love and Medicine Laure Cahen-Maurel* ABSTRACT This article argues that Novalis’s philosophy of magical idealism essentially consists of three central elements: a theory of the creative or productive imagination, a conception of love, and a doctrine of transcendental medicine. In this regard, it synthesizes two adjacent, but divergent contemporary philosophical sources – J. G. Fichte’s idealism and Friedrich Schiller’s classicism – into a new and original philosophy. It demonstrates that Novalis’s views on both magic and idealism, not only prove to be perfectly rational and comprehensible, but even more philosophically coherent and innovative than have been recognised up to now. Keywords: magical idealism, productive imagination, love, medicine, Novalis, J. G. Fichte, Schiller RÉSUMÉ Cet article défend l’idée selon laquelle trois éléments centraux composent ce que Novalis nomme « idéalisme magique » pour désigner sa philosophie propre : la conception d’une imagination créatrice ou productrice, une doctrine de l’amour et une théorie de la médecine transcendantale. L’idéalisme magique est en cela la synthèse en une philosophie nouvelle et originale de deux sources philosophiques contemporaines, à la fois adjacentes et divergentes : l’idéalisme de J. G. Fichte et le classicisme de Friedrich Schiller. L’article montre que les vues de Novalis tant sur la magie que sur l’idéalisme sont non seulement réellement rationnelles et compréhensibles, mais philosophiquement plus cohérentes et novatrices qu’on ne l’a admis jusqu’à présent. Mots-clés : idéalisme magique, imagination productrice, amour, médecine, Novalis, J. G. -
Within the Context of Searching for a National Identity, the Search for a Female Identity Also Arises in Don Quijote by Miguel
ENVIRONMENTAL SURROUNDINGS DEFINING NATIONAL IDENTITIES by MEGAN TRENHOLM (Under the Direction of Susan Quinlan) ABSTRACT Throughout this thesis, three books will be discussed: A Bagaceira by José Américo de Almeida, Iracema by José de Alencar, and A Senhora by José de Alencar as well. These works will be interlinked based on their principle female characters and how their feminine characteristics are always in comparison with their environmental surroundings. Because they all deal with the flora and fauna of a specific historic place based on where the specific story takes place, all of them also correspond with the search for a national identity. In addition to the search for a national identity, each female character exemplifies the Persephone – Demeter myth and cyclical events that pertain to fertility. All of these works attempt to center on ecofeminism and the search for a “matrifocal” society rather than a patriarchal society. INDEX WORDS: Brazilian national identity, Persephone – Demeter, Objectification, Environment, Journey, Historic place, Matriarchy, Ecofeminism, Iracema, A Bagaceira, A Senhora, Alencar, Almeida, Woman and Nature, 19th Century Brazil ENVIRONMENTAL SURROUNDINGS DEFINING NATIONAL IDENTITIES by MEGAN TRENHOLM B.A., University of Georgia, 2004 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2006 © 2006 Megan Trenholm All Rights Reserved ENVIRONMENTAL SURROUNDINGS DEFINING NATIONAL IDENTITIES by MEGAN TRENHOLM Major Professor: Susan Quinlan Committee: Robert Moser Betina Kaplan Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia August 2006 DEDICATION I am eternally grateful to my parents, who never lose faith in me…Thank you. -
SCHILLER, NOVALIS, and the CONCEPT of AUFHEBUNG Hammam Aldouri
Cosmos and History: The Journal of Natural and Social Philosophy, vol. 15, no. 1, 2019 BEFORE HEGEL: SCHILLER, NOVALIS, AND THE CONCEPT OF AUFHEBUNG Hammam Aldouri ABSTRACT: Philosophical explorations of the concept of Aufhebung (sublation, supersession) immediately prior to its formulation in Hegel’s work have remained relatively absent within the context of both Hegel scholarship and German Idealism studies. Hegel is often simply represented as the originator of the concept and the latter is understood almost exclusively within his oeuvre. This essay addresses this lack by offering an exposition of the notion as it unfolds in two works from 1795-1796: Friedrich Schiller’s Letters on the Aesthetic Education of Man and Novalis’ Fichte Studies. In these works, we find distinctive examinations of Aufhebung understood as the name of a process in which a subject comprehends itself in relation to its own processual development. My guiding premise is that without an adequate comprehension of the way in which Aufhebung is constructed and comprehended in the last years of the eighteenth century, we cannot establish the vantage point from which to reconstruct Hegel’s early conception of the notion, a conception which begins to emerge in his earliest Frankfurt writings in 1797, as a contribution to the constellation of post-Kantian conceptions. Keywords: Aufhebung, Schiller, Novalis, Aesthetic Education, Fichte Studies INTRODUCTION The concept of Aufhebung (sublation, supersession) is, without question, one of the most contested and discussed concepts of Hegel’s philosophical enterprise th th 1 and its critical reception in the 19 and 20 centuries. One distinctive 1 So much so, in fact, that it has led philosopher’s such as Jean-Luc Nancy to state that there is “no great study of Hegel that is not a study on the Aufhebung.” Nancy 2001, 158n7. -
The Concept of Bildung in Early German Romanticism
CHAPTER 6 The Concept of Bildung in Early German Romanticism 1. Social and Political Context In 1799 Friedrich Schlegel, the ringleader of the early romantic circle, stated, with uncommon and uncharacteristic clarity, his view of the summum bonum, the supreme value in life: “The highest good, and [the source of] ev- erything that is useful, is culture (Bildung).”1 Since the German word Bildung is virtually synonymous with education, Schlegel might as well have said that the highest good is education. That aphorism, and others like it, leave no doubt about the importance of education for the early German romantics. It is no exaggeration to say that Bildung, the education of humanity, was the central goal, the highest aspiration, of the early romantics. All the leading figures of that charmed circle—Friedrich and August Wilhelm Schlegel, W. D. Wackenroder, Friedrich von Hardenberg (Novalis), F. W. J. Schelling, Ludwig Tieck, and F. D. Schleiermacher—saw in education their hope for the redemption of humanity. The aim of their common journal, the Athenäum, was to unite all their efforts for the sake of one single overriding goal: Bildung.2 The importance, and indeed urgency, of Bildung in the early romantic agenda is comprehensible only in its social and political context. The young romantics were writing in the 1790s, the decade of the cataclysmic changes wrought by the Revolution in France. Like so many of their generation, the romantics were initially very enthusiastic about the Revolution. Tieck, Novalis, Schleiermacher, Schelling, Hölderlin, and Friedrich Schlegel cele- brated the storming of the Bastille as the dawn of a new age. -
Duncan Macmillan James Macpherson's Fragments of Ancient
Duncan Macmillan: Introduction 5 INTRODUCT I ON Duncan Macmillan James MacPherson’s Fragments of Ancient Poetry was published in 1760. Within the year, we learn from Howard Gaskill, it was translated into French by Diderot himself.1 In the two and a half centuries that have passed since then, the work has been translated into practically every literary language under the sun and it is likely that, somewhere, it has always been in print. That would be a remarkable bibliographic history for any book, but for a work whose exact nature was a matter of controversy from the day it was published and which has been routinely debunked as a fraud, it is truly extraordinary; nor does Ossian’s topicality seem to be fading even now in this post-modern era. On the contrary, the occasion for the conference whose transactions are recorded in this volume was the exhibition at the UNESCO building in Paris of Calum Colvin’s remarkable series of images, Ossian, Fragments of Ancient Poetry. It is a title which invokes MacPherson directly and the work itself is a striking witness to his enduring topicality. Among the essays below, the artist has contributed an illuminating commentary on his own work, backed by Tom Normand’s contribution which further examines it in the context of the photographic image and its role in the preservation, generation and perhaps even the creation of memory. Ossian, too, is in part at least a created memory. That analogy with an art form not invented till forty years after MacPherson’s death is typical of the way in which, for all that it is deliberately archaic, Ossian appears paradoxically also to be precociously modern. -
Inhaltsverzeichnis (Mit Angabe Des Erstdrucks)
Inhaltsverzeichnis (mit Angabe des Erstdrucks) Geleitwort (Erich Loos) IX Vorwort (Angelica Rieger, Hans W. Eirich, Christof Weiand) XI La biche blanche et le chevalier ou les avatars d'Eros et d'Agape (in: Corps ecrit 6, Paris 1983, p. 149-158) 1 Der Garten in der höfischen Literatur Frankreichs (in: RF 98, Frankfurt/M, Klostermann, 1986, S. 17-35) 8 Perceval et les reveries de Peau (in: Corps ecrit 16, Paris, 1985, p. 57-64) 23 Imagerie et structure des Lais de Marie de France (in: Atti del XIV. Congresso Internazionale di Linguistica e Filologia Romanza, Napoli, Macchiaroli, 1981, p. 381-396) 29 Prolegomenes ä I'iconographie des ceuvres de Marie de France (in: Orbis medievalis, Festschrift R.R.Bezzola, Bern, Francke 1978, p. 329-343) 40 Die altfanzösischen Verspurgatorien (in: ZRPh 88, Tübingen, Niemeyer, 1972, S. 389-402) 52 Bestiaires et lapidaires: un genre litteraire? (in: Actes du XVIIIe Congres International de Linguistique et de Philologie Romanes, t. VI, Tübingen, Niemeyer, 1988, p. 136-147) 63 Die Trobadorlyrik im Spiegel der poetischen Gattungen (in: Die französische Lyrik, hg.v. Dieter Janik, Darmstadt, Wissenschaftliche Buchgesell- schaft, 1987, S. 1-61) 73 Petrarca und die Erinnerung. Versuch einer Anwendung der Staigerschen Grund- begriffe (in: GRM XV, Heidelberg, Winter, 1965, S. 245-250) 120 II dantesco "mal perverso" (Inferno V, 93) (in: Strumenti critici 46, Bologna, II Mulino 1981, p. 435-441) 126 VI Inhaltsverzeichnis Pier della Vigna o la Poesia del Segno. Per una rilettura del canto XIII dell' "Inferno". (in: Medioevo Romanzo V, Napoli, Macchiaroli, 1978, p. 85-99) 131 La pensee de Bachelard et la litterature medievale (in: G.Bachelard.