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WDR 3 Jazz, 25. November 2015 African Heartbeat – Der Schlagzeuger Louis Moholo 22:00 – 23:00 Stand: 23.11.2015 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de/ Moderation: Bert Noglik Redaktion: Bernd Hoffmann Laufplan 1. Dorkay House K: Dudu Pukwana BLUE NOTES Ogun CD OGCD 24; LC: 03519 CD: Blue Note Legacy: Live In South Afriac 1964 4:20 2. Travelling Somewhere K: Chris McGregor THE CHRIS MCGREGOR GROUP Fledg'ling FLED 3059 CD: Very Urgent 6:14 3. Ismite Is Might K: Chris McGregor BROTHERHOOD OF BREATH Ogun CD OGCD 001; LC 0351 CD: Brotherhood Of Breath - Live At Willisau 4:28 4. Khanya Apho Ukhona K: Louis Moholo-Moholo LOUIS MOHOLO OCTET Intakt CD 009; LC 03519 CD: Louis Moholo - Spirits Rejoice! 7:46 5. Blues For Nick K: Dudu Pukwana BLUE NOTES Ogun CD OGCD 028; LC 0351 CD: Blue Notes For Johnny 4:39 6. I'll Look All Over Afrika For You K: Traditionrell LOUS MOHOLO VIVA LA BLACK Ogun CD OGCD 006; LC 0351 CD: Louis Moholo - Viva La Black - Freedom Tour (Live In South Africa 1993) 3:30 7. Sonke K: Pheto LOUIS MOHOLO - MOHOLO SEPTET Ogun CD OGCD 018; LC 0351 CD: Louis Moholo - Bra Louis - Bra Tebs 5:42 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz, 25. November 2015 African Heartbeat – Der Schlagzeuger Louis Moholo 22:00 – 23:00 Stand: 23.11.2015 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de/ 8. Canto General K: Pino Minafra LIVIO MINAFRA / LOUIS MOHOLO Incipit Records, INC 203 CD: Born Free 5:42 9. You Ain't Gonna Know Me 'Cos You Think You Know Me K: Mongezi Feza wie Titel 4 5:06 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 2 .

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The Free Music of Buenos Aires
I n Search O f Outside the festival circuit and distanced by economic upheaval Spaces the free music of Buenos Aires has developed its own survival tactics, from “The music we’ve chosen to play,” says multi-reed otherwise, enough at least to host some friends, his instrumentalist Luis Conde, “is a space where we’re horns and her Steinway baby grand, along with the performances in always standing in the midst of a crisis, a crisis of upright in the hallway, both inherited from her family. people’s homes to public the elements.” Improvised music is not for the faint Like him, she is in her early fifties and took a winding of heart, and in Buenos Aires, it seems, even less so. path to her practice as an improvisor, from an early happenings. By Jason Yet the music is flourishing there – the audiences at and extensive training in classical and contemporary Weiss. Photography by events I attended over a trip in 2016 were no smaller music, with studies at La Plata and in Scotland. For than at home in Brooklyn, and the music is every bit his part Conde started studying music intensively Angeles Peña as engaging. As in European or American cities, the when he was 26. To underline the precariousness of music survives on a DIY homemade spirit to subvert the experimental musician’s life in Argentina, Galante conventions and construct its own presence. Yet notes there is little state support for improvised the struggle is waged against greater odds. “We music, “nor for art practices that are hard to classify find our support in the vortex of the crisis, the like ours”.
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