{PDF EPUB} Super Stupor #1 by RK Milholland

Total Page:16

File Type:pdf, Size:1020Kb

{PDF EPUB} Super Stupor #1 by RK Milholland Read Ebook {PDF EPUB} Super Stupor #1 by R.K. Milholland R. K. Milholland. R. K. Milholland (Randal Keith Milholland) was born on 25 November, 1975, is an Author and Artist. Discover R. K. Milholland's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 45 years old? Popular As Randal Keith Milholland Occupation Author and Artist Age 45 years old Zodiac Sign Sagittarius Born 25 November 1975 Birthday 25 November Birthplace N/A Nationality. We recommend you to check the complete list of Famous People born on 25 November. He is a member of famous Author with the age 45 years old group. R. K. Milholland Height, Weight & Measurements. At 45 years old, R. K. Milholland height not available right now. We will update R. K. Milholland's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible. Physical Status Height Not Available Weight Not Available Body Measurements Not Available Eye Color Not Available Hair Color Not Available. Dating & Relationship status. He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children. Family Parents Not Available Wife Not Available Sibling Not Available Children Not Available. R. K. Milholland Net Worth. His net worth has been growing significantly in 2019-2020. So, how much is R. K. Milholland worth at the age of 45 years old? R. K. Milholland’s income source is mostly from being a successful Author. He is from . We have estimated R. K. Milholland's net worth, money, salary, income, and assets. Super Stupor #1 by R.K. Milholland. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 660480113eaa4ab5 • Your IP : 116.202.236.252 • Performance & security by Cloudflare. R. K. Milholland. Randal Keith Milholland (born November 25, 1975 [1] ), better known as R. K. Milholland, is an American webcomic author. His works include Something Positive , New Gold Dreams , Midnight Macabre , Classically Positive and Super Stupor . Contents. History Comics Something Positive New Gold Dreams Super Stupor References External links. History. Raised in Bedford, Texas, Milholland attended Harwood Junior High and Trinity High School in neighboring Euless, Texas. [2] During high school he won several awards for his editorial cartoons. [3] [4] He went on to enroll in the art department at the University of North Texas where he spent four years. Milholland moved to Boston in the spring of 1999. He worked odd jobs, including stints at a dot com startup, scientific non-profit, medical billing and medical research companies. During this time he started the Something Positive webcomic, in response to a criticism from his friend, voice actress Clarine Harp, that he should "do something positive" with his life. The protagonist in this comic, Davan, is loosely based on Milholland and the stories are often inspired by real life experiences. Davan's best friend Aubrey Chorde is based on Harp. In June 2004, faced with increasing complaints about his lateness in updating the comic, Milholland challenged his readership to donate enough money to pay for a year of his salary so that he could quit his job and become a full-time cartoonist. [2] [5] [6] To his surprise, this amount was reached and surpassed in less than a month, making Milholland one of the successful pioneers of micropatronage. Since then, his webcomic has expanded into many realms of merchandising. [7] [8] Milholland has relocated to Texas and travels the con circuit frequently. He also sometimes performs in community theater, especially children's theater. In 2017, he moved to Georgia. [9] Comics. Something Positive. Something Positive 1937. Starting on September 7, 2007, Milholland launched a third spin-off from Something Positive, this one also taking place in the same continuity as the original but taking place many years earlier. Something Positive 1937 follows the relationship of Fred's father Vester Macintire and his cousin Davan (Davan of S*P' s namesake, first mentioned in the comic's May 8, 2007 strip). The comic is in black and white and for a time featured in a sidebar next to the original, with archives available on the same page as the original strip. Milholland has said in news posts he expects the story to last for a few years, and provided it with its own website on September 24, 2007. The strip stopped updating in 2008. Midnight Macabre. Midnight Macabre is another spin-off from Something Positive . It features Gaspar Baugh, the father of Something Positive secondary character Lisa Baugh, as he attempts to resurrect a horror TV show presenting Midnight movies. New Gold Dreams. New Gold Dreams is a strip that spoofs the conventions of the heroic fantasy genre. It also ties in with Milholland's interest in role-playing games, as the comic is portrayed as a game run by Pee-Jee, one of the main strip's cast members; some of the characters in New Gold Dreams have the same appearance and personality as regular S*P characters. The comic started on April 2, 2004 but has been entirely on hiatus since the 20th issue in August 2005. Super Stupor. Super Stupor is a superhero comic, which mocks the conventions of the genre. Four self-published volumes of the strip are currently available from the Rhymes With Witch store. Related Research Articles. Webcomics are comics published on a website or mobile app. While many are published exclusively on the web, others are also published in magazines, newspapers, or comic books. Bob and George was a sprite-based webcomic which parodied the fictional universe of Mega Man. It was written by David Anez, who at the time was a physics instructor living in the American Midwest. The comic first appeared on April 1, 2000 and ran until July 28, 2007. It was updated daily, with there being only 29 days without a comic in its seven years of production and with 2568 comics being made altogether. Sinfest is a long-running American webcomic by Tatsuya Ishida. Updating daily, Sinfest started as a black comedy strip in January 2000. It covers such topics as American politics, organized religion, and radical feminism. Questionable Content is a slice-of-life webcomic written and drawn by Jeph Jacques. It was launched on August 1, 2003. The plot originally centered on Marten Reed, an indie rock aficionado; his anthropomorphized personal computer Pintsize; his roommate, Faye Whitaker; their mutual friend, Dora Bianchi; and their neighbor Hannelore Ellicott-Chatham. However, over time a supporting cast of characters has grown to include employees of the local coffee shop, neighbors, and androids. QC 's storytelling style combines romantic melodrama, situational comedy, and sexual humor, while considering questions of relationships, sexuality, dealing with emotional trauma, and, as of late, artificial intelligence and futurism. Queen of Wands is a webcomic that began on July 22, 2002, and ended on February 23, 2005. The comic is a loose adaptation of events in the life of the artist, Aeire. The story's tone shifts back and forth from comedic installments to more serious and dramatic chapters. In 2004, it won Outstanding Romantic Comic from the Web Cartoonist's Choice Awards. VG Cats is a webcomic written and drawn by Canadian cartoonist Scott Ramsoomair. Published on its own website, it featured the adventures of a pair of anthropomorphic cats, who often played the roles of characters in popular video games that are parodied in the strip. Strips were usually presented in a large format and in full color. The author generally set Mondays as days for updating the comic; however, the update schedule had a reputation of being incredibly sporadic; he frequently mocked his tardiness in updating in various strips due to personal reasons, drawing nude drawings on Patreon and frequent convention appearances. As of March 2018, the site had approximately 380 comics listed in its main archives. Based on this archive alone, VG Cats averaged 25 comics a year while it was at its peak. During 2017-2018 that average has gone down to 5 comics a year. The last posted comic was uploaded on March 26, 2018. Scott updated the comic on May 22, 2020, adding a completely different website. Later changes included comic #381, which was planned to be released in February 2020, and the removal of ads, because Scott said he "doesn't think he's okay with what they are anymore." Copper is a 2002 webcomic by Kazu Kibuishi. Consisting of a series of short stories, Copper has a very irregular schedule, with a long hiatus that lasted from 2009 to 2016. Kibuishi's webcomic was nominated for an Eisner Award in digital comics, and the work was compiled into a print volume in 2010. Oh My Gods! is a webcomic written and illustrated by Shivian Montar Balaris.
Recommended publications
  • Foregrounding Narrative Production in Serial Fiction Publishing
    University of Rhode Island DigitalCommons@URI Open Access Dissertations 2017 To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing Gabriel E. Romaguera University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Romaguera, Gabriel E., "To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing" (2017). Open Access Dissertations. Paper 619. https://digitalcommons.uri.edu/oa_diss/619 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. TO START, CONTINUE, AND CONCLUDE: FOREGROUNDING NARRATIVE PRODUCTION IN SERIAL FICTION PUBLISHING BY GABRIEL E. ROMAGUERA A DISSERTATION SUBMITTED IN PARTIAL FULLFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2017 DOCTOR OF PHILOSOPHY DISSERTATION OF Gabriel E. Romaguera APPROVED: Dissertation Committee: Major Professor Valerie Karno Carolyn Betensky Ian Reyes Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2017 Abstract This dissertation explores the author-text-reader relationship throughout the publication of works of serial fiction in different media. Following Pierre Bourdieu’s notion of authorial autonomy within the fields of cultural production, I trace the outside influence that nonauthorial agents infuse into the narrative production of the serialized. To further delve into the economic factors and media standards that encompass serial publishing, I incorporate David Hesmondhalgh’s study of market forces, originally used to supplement Bourdieu’s analysis of fields.
    [Show full text]
  • MAD SCIENCE! Ab Science Inc
    MAD SCIENCE! aB Science Inc. PROGRAM GUIDEBOOK “Leaders in Industry” WARNING! MAY CONTAIN: Vv Highly Evil Violations of Volatile Sentient :D Space-Time Materials Robots Laws FOOT table of contents 3 Letters from the Co-Chairs 4 Guests of Honor 10 Events 15 Video Programming 18 Panels & Workshops 28 Artists’ Alley 32 Dealers Room 34 Room Directory 35 Maps 41 Where to Eat 48 Tipping Guide 49 Getting Around 50 Rules 55 Volunteering 58 Staff 61 Sponsors 62 Fun & Games 64 Autographs APRIL 2-4, 2O1O 1 IN MEMORY OF TODD MACDONALD “We will miss and love you always, Todd. Thank you so much for being a friend, a staffer, and for the support you’ve always offered, selflessly and without hesitation.” —Andrea Finnin LETTERS FROM THE CO-CHAIRS Anime Boston has given me unique growth Hello everyone, welcome to Anime Boston! opportunities, and I have become closer to people I already knew outside of the convention. I hope you all had a good year, though I know most of us had a pretty bad year, what with the economy, increasing healthcare This strengthening of bonds brought me back each year, but 2010 costs and natural disasters (donate to Haiti!). At Anime Boston, is different. In the summer of 2009, Anime Boston lost a dear I hope we can provide you with at least a little enjoyment. friend and veteran staffer when Todd MacDonald passed away. We’ve been working long and hard to get composer Nobuo When Todd joined staff in 2002, it was only because I begged. Uematsu, most famous for scoring most of the music for the Few on staff imagined that our three-day convention was going Final Fantasy games as well as other Square Enix games such to be such an amazing success.
    [Show full text]
  • Game Developer
    THE LEADING GAME INDUSTRY MAGAZINE vo L 1 8 N o 9 o c T o b er 2011 INSIDE: R ea c ti v E game ar c hite c tures w ith R x d e pa r T m e NTS 2 GAME PLAN By Brandon Sheffield [EDITORIAL] Interactive History CoNTeNTS.1011 volUme 18 NUmBer 09 4 HEADS UP DISPLAY [ ne w S ] New games for vintage consoles, Michael Jackson visits Sega, and ASCII Animator released. 27 TOOL BOX By David Hellman [REVIE w ] Corel Painter 12 p o ST m o r T e m 34 THE INNER PRODUCT By Peter Drescher [PROGRAMMING] 20 bulletstorm Programming FMOD for Android BulleTsTorm is a colorful skillshot-fest that took 3.5 years to make. It 40 DESIGN OF THE TIMES By Soren Johnson [DESIGN] didn't perform quite to expectations at retail, but the experiment was Taking Feedback by all other metrics a success. This straight-shooting design-focused postmortem discusses everything from emergent feature discoveries 42 PIXEL PUSHER By Steve Theodore [ART] to downloadable demo woes. By Adrian Chmielarz Get The Memo 44 the business By Kim Pallister [ business ] F e aTU r e S Efficiency...For Whom? 6 game changers 46 GDC jobs By Mathew Kumar [ career ] The game industry is a dynamic and fluidly-changing one. But who Recruitment at GDC Online (and what) are the companies and concepts that are shaping the 47 AURAL FIXATION By Jesse Harlin [SOUND] game industry today? Our answer to this question is 20 companies, Separation Anxiety processes, and concepts that are changing the game.
    [Show full text]
  • PDF UTC Schedule
    Flights of Foundry 2021 A Art/Illustration D Audio/Podcasting C Comics F Guest of Honor I Industry Biz L Limited Access P Poetry O Prose T Translation W Writing APRIL 16 • FRIDAY 14:00 – 14:25 W Diane Turnshek - Reading Courtyard Speakers: Diane Turnshek I'll read shorter and shorter fiction as I walk around to different spots in my very small house until I tell my story with a negative word count. Small is beautiful! Happy to welcome you folks to my tiny house tour and tiny reading. 15:00 – 15:25 W Gregory Wilson - Reading Courtyard Speakers: Gregory Wilson From my most recent bio--please let me know if you need more information! Gregory A. Wilson is Professor of English at St. John's University in New York City, where he teaches creative writing, speculative fiction, and various other courses in literature. In addition to academic work, he is the author of the epic fantasy The Third Sign, the graphic novel Icarus, the dark fantasy Grayshade, and the D&D adventure/sourcebook Tales and Tomes from the Forbidden Library. He also has short stories in a number of anthologies, and has several projects forthcoming in 2021. He co- hosts the critically acclaimed actual play Speculate! The Podcast for Writers, Readers, and Fans (speculatesf.com) podcast, is a member of the Gen Con Writers' Symposium and co-coordinator of the Origins Library, and is a regular panelist at conferences nationally and internationally. He is the lead vocalist and trumpet player for The Road, a long running progressive rock band with three albums to its credit, and is the lead writer for Chosen Heart, a video game currently in production.
    [Show full text]
  • Geek Cultures: Media and Identity in the Digital Age Jason Tocci University of Pennsylvania, [email protected]
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2009 Geek Cultures: Media and Identity in the Digital Age Jason Tocci University of Pennsylvania, [email protected] Follow this and additional works at: http://repository.upenn.edu/edissertations Part of the Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Other Communication Commons, Social and Cultural Anthropology Commons, and the Sociology Commons Recommended Citation Tocci, Jason, "Geek Cultures: Media and Identity in the Digital Age" (2009). Publicly Accessible Penn Dissertations. 953. http://repository.upenn.edu/edissertations/953 This paper is posted at ScholarlyCommons. http://repository.upenn.edu/edissertations/953 For more information, please contact [email protected]. Geek Cultures: Media and Identity in the Digital Age Abstract This study explores the cultural and technological developments behind the transition of labels like 'geek' and 'nerd' from schoolyard insults to sincere terms identity. Though such terms maintain negative connotations to some extent, recent years have seen a growing understanding that "geek is chic" as computers become essential to daily life and business, retailers hawk nerd apparel, and Hollywood makes billions on sci-fi, hobbits, and superheroes. Geek Cultures identifies the experiences, concepts, and symbols around which people construct this personal and collective identity. This ethnographic study considers geek culture through multiple sites and through multiple methods, including participant observation at conventions and local events promoted as "geeky" or "nerdy"; interviews with fans, gamers, techies, and self-proclaimed outcasts; textual analysis of products produced by and for geeks; and analysis and interaction online through blogs, forums, and email.
    [Show full text]
  • Zines and Minicomics Collection
    http://oac.cdlib.org/findaid/ark:/13030/c85t3pmt No online items Guide to the Zines and Minicomics Collection Finding Aid Authors: Anna Culbertson and Adam Burkhart. © Copyright 2014 Special Collections & University Archives. All rights reserved. 2014-05-01 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Guide to the Zines and MS-0278 1 Minicomics Collection Guide to the Zines and Minicomics Collection 1985 Special Collections & University Archives Overview of the Collection Collection Title: Zines and Minicomics Collection Dates: 1985- Bulk Dates: 1995- Identification: MS-0278 Physical Description: 42.25 linear ft Language of Materials: EnglishSpanish;Castilian Repository: Special Collections & University Archives 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Access Terms This Collection is indexed under the following controlled access subject terms. Topical Term: American poetry--20th century Anarchism Comic books, strips, etc. Feminism Gender Music Politics Popular culture Riot grrrl movement Riot grrrl movement--Periodicals Self-care, Health Transgender people Women Young women Accruals: 2002-present Conditions Governing Use: The copyright interests in these materials have not been transferred to San Diego State University. Copyright resides with the creators of materials contained in the collection or their heirs. The nature of historical archival and manuscript collections is such that copyright status may be difficult or even impossible to determine. Requests for permission to publish must be submitted to the Head of Special Collections, San Diego State University, Library and Information Access.
    [Show full text]
  • Quick Guide Is Online
    SAN DIEGO SAN DIEGO MARRIOTT CONVENTION MARQUIS & MARINA CENTER JULY 18–21 • PREVIEW NIGHT JULY 17 QUICKQUICK GUIDEGUIDE SCHEDULE GRIDS • EXHIBIT HALL MAP • CONVENTION CENTER & HOTEL MAPS HILTON SAN DIEGO BAYFRONT MANCHESTER GRAND HYATT ONLINE EDITION INFORMATION IS SUBJECT TO CHANGE MAPu HOTELS AND SHUTTLE STOPS MAP 1 28 10 24 47 48 33 2 4 42 34 16 20 21 9 59 3 50 56 31 14 38 58 52 6 54 53 11 LYCEUM 57 THEATER 1 19 40 41 THANK YOU TO OUR GENEROUS SHUTTLE 36 30 SPONSOR FOR COMIC-CON 2013: 32 38 43 44 45 THANK YOU TO OUR GENEROUS SHUTTLE SPONSOR OF COMIC‐CON 2013 26 23 60 37 51 61 25 46 18 49 55 27 35 8 13 22 5 17 15 7 12 Shuttle Information ©2013 S�E�A�T Planners Incorporated® Subject to change ℡619‐921‐0173 www.seatplanners.com and traffic conditions MAP KEY • MAP #, LOCATION, ROUTE COLOR 1. Andaz San Diego GREEN 18. DoubleTree San Diego Mission Valley PURPLE 35. La Quinta Inn Mission Valley PURPLE 50. Sheraton Suites San Diego Symphony Hall GREEN 2. Bay Club Hotel and Marina TEALl 19. Embassy Suites San Diego Bay PINK 36. Manchester Grand Hyatt PINK 51. uTailgate–MTS Parking Lot ORANGE 3. Best Western Bayside Inn GREEN 20. Four Points by Sheraton SD Downtown GREEN 37. uOmni San Diego Hotel ORANGE 52. The Sofia Hotel BLUE 4. Best Western Island Palms Hotel and Marina TEAL 21. Hampton Inn San Diego Downtown PINK 38. One America Plaza | Amtrak BLUE 53. The US Grant San Diego BLUE 5.
    [Show full text]
  • A Rhetorical Analysis of User-Generated Machinima" (2009)
    Clemson University TigerPrints All Theses Theses 5-2009 Deus Ex Machinima: A Rhetorical Analysis of User- Generated Machinima Sean Callot Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Callot, Sean, "Deus Ex Machinima: A Rhetorical Analysis of User-Generated Machinima" (2009). All Theses. 562. https://tigerprints.clemson.edu/all_theses/562 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. DEUS EX MACHINIMA: A RHETORICAL ANALYSIS OF USER-GENERATED MACHINIMA A Thesis Presented to the Graduate School of Clemson University In Partial Fulfi llment Of the Requirements for the Degree Master of Arts Professional Communication by Sean Jacques Cecil Callot May 2009 Accepted by: Dr. Jan Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Tharon Howard ABSTRACT Beginning with corporate demonstrations and continuously evolving into today, machinima has become a major expressive art form for the gamer generation. Machinima is the user-centered production of video presentations using pre-rendered animated content, as generated from video games. The term “machinima” is a combination of “machine” (from which the video content is derived) and “cinema” (the ultimate end product). According to Paul Marino and other members of the machinima community, Hugh Hancock, the creator of Machinima.com, fi rst coined the term in 2000. Video productions of this kind have been used in various capacities for the past several years, including instruction or marketing, as well as rapid prototyping of large-scale cinema projects (Marino).
    [Show full text]
  • Comics in Special Collections: Purposeful Collection Development for Promoting Inclusive History
    Comics in Special Collections: Purposeful Collection Development for Promoting Inclusive History Caitlin McGurk and Jenny E. Robb In 2005, the Masters of American Comics exhibition organized by two prestigious Los Angeles museums, the Hammer Museum and the Museum of Contemporary Art, featured “work by 15 masters of comic art, ranging from the early twentieth- century Sunday pages of Winsor McCay to the contemporary graphic novels of Chris Ware.”1 While this exhibit was an important milestone in the legitimization of comics as an art form, it also garnered criticism for its selection of all male, heterosexual, cis-gendered, and white artists for inclusion in the canon it was at- 1 Ann Philbin and Jeremy Strick, “Director’s Foreword,” in Masters of American Comics, eds. John Carlin, Paul Karasik, and Brian Walker (New Haven: Yale University Press, 2005), 11. It should be noted that the authors go on to say “Narrowing the selection from the wide range of artists who have produced comics over the last century was a challenging process, and we hope this exhibition will open the doors for future museum presentations that refect the diversity in the medium as it further evolves in the twenty-frst century.” Comics and Critical Librarianship tempting to establish.2 Similarly, in 2016, Angouleme’s Festival International de la Bande Dessinée (FIBD) created a controversy in the comics community when a list of thirty candidates for its lifetime achievement Grand Prix award was cir- culated without a single non-male artist included. Both of these occurred in spite of the dramatic increase in female creators, LGBTQ persons, and people of color choosing to tell their stories through comics in the last twenty-fve years.
    [Show full text]
  • Intermediality and Affective Reception in Fan Cultures
    Productive fandom : intermediality and affective reception in fan cultures Citation for published version (APA): Lamerichs, N. A. S. (2014). Productive fandom : intermediality and affective reception in fan cultures. Maastricht University. https://doi.org/10.26481/dis.20140326nl Document status and date: Published: 01/01/2014 DOI: 10.26481/dis.20140326nl Document Version: Publisher's PDF, also known as Version of record Please check the document version of this publication: • A submitted manuscript is the version of the article upon submission and before peer-review. There can be important differences between the submitted version and the official published version of record. People interested in the research are advised to contact the author for the final version of the publication, or visit the DOI to the publisher's website. • The final author version and the galley proof are versions of the publication after peer review. • The final published version features the final layout of the paper including the volume, issue and page numbers. Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal.
    [Show full text]
  • Bcsfazine #458 • Felicity Walker
    The Newsletter of the British Columbia Science Fiction Association #458 $3.00/Issue July 2011 In This Issue: This Month in BCSFA....................................................0 About BCSFA...............................................................0 Letters of Comment......................................................1 Calendar......................................................................5 News-Like Matter.......................................................11 Open Letter to Webcomic Creators (Michael Bertrand)...15 New Indian Act? Or New Canadians? (Taral Wayne)...17 Three Errata and an Enigma (Kathleen Moore)...........19 Upcoming Nifty Film Projects (R. Graeme Cameron)....19 VCON GOH Change: Larry Niven (R. Graeme Cameron)...20 Art Credits..................................................................21 Why You Got This.......................................................22 BCSFAzine © July 2011, Volume 39, #7, Issue #458 is the monthly club newsletter published by the British Columbia Science Fiction Association, a social organiza- tion. ISSN 1490-6406. Please send comments, suggestions, and/or submissions to Felicity Walker (the editor), at felicity4711@ gmail .com or #209–3851 Francis Road, Richmond, BC, Canada, V7C 1J6. BCSFAzine solicits electronic submissions and black-and-white line illustrations in JPG, GIF, BMP, PNG, or PSD format, and offers printed contrib- utors’ copies as long as the club budget allows. BCSFAzine is distributed monthly at White Dwarf Books, 3715 West 10th Aven- ue, Vancouver, BC, V6R 2G5; telephone 604-228-8223; e-mail whitedwarf@ deadwrite.com. Single copies C$3.00/US$2.00 each. This Month in BCSFA Sunday 17 July @ 7 PM: BCSFA meeting—at Ray Seredin’s, 707 Hamilton Street (recreation room), New Westminster. Call 604-521-0254 for direc- tions. (August meeting is Sunday 21 August 2011, same hours, same location.) Thursday 21 July @ 7 PM: July Book Discussion at the Grind gallery & café, 4124 Main Street (near the corner of Main and King Edward), Vancouver.
    [Show full text]
  • Foregrounding Narrative Production in Serial Fiction Publishing Gabriel E
    University of Rhode Island DigitalCommons@URI Open Access Dissertations 2017 To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing Gabriel E. Romaguera University of Rhode Island, [email protected] Follow this and additional works at: http://digitalcommons.uri.edu/oa_diss Terms of Use All rights reserved under copyright. Recommended Citation Romaguera, Gabriel E., "To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing" (2017). Open Access Dissertations. Paper 619. http://digitalcommons.uri.edu/oa_diss/619 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. TO START, CONTINUE, AND CONCLUDE: FOREGROUNDING NARRATIVE PRODUCTION IN SERIAL FICTION PUBLISHING BY GABRIEL E. ROMAGUERA A DISSERTATION SUBMITTED IN PARTIAL FULLFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2017 DOCTOR OF PHILOSOPHY DISSERTATION OF Gabriel E. Romaguera APPROVED: Dissertation Committee: Major Professor Valerie Karno Carolyn Betensky Ian Reyes Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2017 Abstract This dissertation explores the author-text-reader relationship throughout the publication of works of serial fiction in different media. Following Pierre Bourdieu’s notion of authorial autonomy within the fields of cultural production, I trace the outside influence that nonauthorial agents infuse into the narrative production of the serialized. To further delve into the economic factors and media standards that encompass serial publishing, I incorporate David Hesmondhalgh’s study of market forces, originally used to supplement Bourdieu’s analysis of fields.
    [Show full text]