WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The Touch of Iconoclasm Pitcher, B. This is a copy of the accepted author manuscript of the following article: Pitcher, B. (2018) The Touch of Iconoclasm, European Journal of Cultural Studies, First Published April 10, 2018, DOI: 10.1177/1367549418761794. The final definitive version is available from the publisher Sage at: https://dx.doi.org/10.1177/1367549418761794 © The Author(s) 2018 The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail
[email protected] The touch of iconoclasm – European Journal of Cultural Studies Title: The touch of iconoclasm Abstract: This article reflects on some depicted, intentional acts of iconoclasm undertaken by Isis in Northern Iraq, and viewed as online videos. It attempts to consider what makes these moving images compelling to audiences who share an orientation to the protection and preservation of ancient artefacts. In doing so it prompts a reflection on their circulation as part of stories that get told about cultural heritage, and particularly the simple civilizational oppositions that get set up between ‘Western’ and ‘Islamic’ culture. Centring on the significance of the sensation of touch to practices of cultural inscription, it suggests that the Northern Iraq videos animate forms of synaesthesic material engagement that are denied by the modernist technologies of museum culture.