DOCSLIB.ORG

Name / Model No. M6 Operating System Customized CPU Model

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Name / Model No. M6 Operating System Customized CPU Model Operating Name / Model No. M6 Customized System CPU model Exynos 7270 14nm No. of cores 2 CPU operating 1GHz DAC ES9018Q2C frequency Virtual QWERTY Keyboard Input method Multi-touch screen keyboard WiFi Streaming， LDAC/HWA/aptX/aptX Special features HD/SBC Bluetooth User interface Customized/FiiO Music support，Airplay with Apple devices，FiiO Link SoC: Samsung Exynos 7270 ， DAC：ES9018Q2C,，Bluetooth chip： Chips used SAMSUNG S5N5C10B01-6330 Connectivity 2.4G，WiFi transmission WiFi Bluetooth 4.2 supported LDAC/HWA/aptX/aptX HD/SBC (HWAAvailable Bluetooth when playing on M6, USB TYPE C Two-way USB2.0 transmit other codecs available when playing on M9 and using as USB DAC) SBC/LDAC (required to Available when playing Bluetooth HWA（LHDC） update to the latest on M6 receive firmware) Supports Windows for AirPlay Supported DLNA now, will support more in the future FiiO Link Supported Display screen Number of Display size 3.2 inches 1600W colours Viewable Display type LG IPS screen Full-view angle Pixel Resolution 480×800 292 density(PPI) Touchscreen 5-finger multi-touch Storage RAM 768MB ROM 4GB ROM Storage expansion Micro SD card available to 2GB type user Maximum storage Theoretically 2TB (only expansion one micro SD card slot) Buttons and ports Physical button+Side Button Buttons volume scroll+Touch N/A customization screen Two-way TYPE C USB2.0（ Headphone out 3.5 mm headphone jack USB Charging/Data (PO) transmisson/USB DAC/USB Audio） 3.5 mm port（shared PO Line out (LO) SPDIF output N/A ） General 53.3mm×92.5mm× Color Black Dimensions 11.5mm Volume 120 steps +/- button Weight about 83g control control Recommended 10-band EQ (±6dB), 9 headphone 16~100Ω Equalizer presets+custom preset impedance Treble control N/A Bass boost N/A Balance control ±5dB Gain control N/A Asynchronous USB DAC USB Audio DSD64/128，DoP/D2P 192kHz/32bit Power specifications Battery 1200mAh Li-polymer USB power adapter DC 5V/2A recommended capacity battery Large charging icon shows on display when Charging Charging indication ＜2.5h（DC5V/2A） it's off, small charging time icon shows on upper right of display when it's on Yes (accurate battery % Deep sleep Battery indication 26 days readings) time Battery Life & Test Conditions 3.5mm headphone output：＞13h M3 open earbuds (27 Ω Volume 57 Load ) Screen OFF Test File MP3 44.1kHz/16bit EQ OFF Bluetooth output：＞15h(SBC) Volume 120 Load BTR1+FH1 Screen OFF Test File MP3 44.1kHz/16bit Others Supports both via zip file Firmware Upgrade Font size N/A and OTA Preinstalled：FiiO Music, Netease Music, MOOV, Tidal, KKBOX APP whitelist：Spotify Third-party Firmware Upgrade Supported 、Qobuz、Roon、 apps support Deezer，QQ Music、 Xiami Music、JOOX、 ES file manager、 Bandcamp、Sony headphones、Himalaya 、Amazon Music、 Radio World、 SoundCloud、 TuneIn Radio (copy the apk file to Micro SD card or internal storage to install) Line output specifications THD+N ＜0.002%（1kHz/10kΩ） SNR ≥117dB (A-weighted) Frequency 10Hz~80 kHz（-3dB） Noise floor ＜3uV response Channel separation ＞112dB Line level 1.5V Headphone out specifications 1（3.5mm port） ≥110mW（16Ω / THD+N Output Output power 1 ＜2Ω ＜1%) impedance ≥70mW（32Ω /THD+N Output power 2 THD+N ＜0.002%（1kHz/32Ω） ＜1%) ≥7mW（300Ω / THD+N Output power 3 Separation ＞75dB ＜1%) Frequency Peak output 10Hz~80 kHz（-3dB） 4.245Vp-p response voltage SNR ≥118dB (A-weighted) Noise floor ＜3uV File format support DSD：DSD64，128（iso”“.dsf”,“.dff”） APE(Fast): 192 kHz/24 bit APE(Normal): 192 kHz/24 bit APE (High): 192kHz/24 bit APE (Extra High): 48kHz/24 bit APE (Insane): 48kHz/24 bit Lossless: FLAC: 192 kHz/24 bit WAV: 192 kHz/64 bit Aiff：192 kHz/24 bit Aif:192 kHz/24 bit WMA Lossless: 96 kHz/24 bit Apple Lossless: 192 kHz/24 bit Lossy compression: MP3，OGG，WMA，AAC... .
Load more

Recommended publications
  • Heos CLI Protocol Specification Version 1 16
    HEOS CLI Protocol Specification 1. Overview 1.1 Supported music services 2. Connection 2.1 Controller Design Guidelines 2.1.1 Driver Initialization 2.1.2 Caveats 2.1.2.1 Compatibility 2.1.2.2 Issues & Solutions 2.1.3 Miscellaneous 3. Command and Response Overview 3.1 Commands 3.2 Responses 4. Command and Response Details 4.1 System Commands 4.1.1 Register for Change Events 4.1.2 HEOS Account Check 4.1.3 HEOS Account Sign In 4.1.4 HEOS Account Sign Out 4.1.5 HEOS System Heart Beat 4.1.6 HEOS Speaker Reboot 4.1.7 Prettify JSON response 4.2 Player Commands 4.2.1 Get Players 4.2.2 Get Player Info 4.2.3 Get Play State 4.2.4 Set Play State 4.2.5 Get Now Playing Media 4.2.6 Get Volume 4.2.7 Set Volume 4.2.8 Volume Up 4.2.9 Volume Down 4.2.10 Get Mute 4.2.11 Set Mute 4.2.12 Toggle Mute 4.2.13 Get Play Mode 4.2.14 Set Play Mode 4.2.15 Get Queue 4.2.16 Play Queue Item 4.2.17 Remove Item(s) from Queue 4.2.18 Save Queue as Playlist 4.2.19 Clear Queue 4.2.20 Move Queue 4.2.21 Play Next 4.2.22 Play Previous 4.2.23 Set QuickSelect [LS AVR Only] 4.2.24 Play QuickSelect [LS AVR Only] 4.2.25 Get QuickSelects [LS AVR Only] 4.2.26 Check for Firmware Update 4.3 Group Commands 4.3.1 Get Groups 4.3.2 Get Group Info 4.3.3 Set Group 4.3.4 Get Group Volume 4.3.5 Set Group Volume 4.2.6 Group Volume Up 4.2.7 Group Volume Down 4.3.8 Get Group Mute 4.3.9 Set Group Mute 4.3.10 Toggle Group Mute 4.4 Browse Commands 4.4.1 Get Music Sources 4.4.2 Get Source Info 4.4.3 Browse Source 4.4.4 Browse Source Containers 4.4.5 Get Source Search Criteria 4.4.6 Search 4.4.7 Play Station 4.4.8 Play Preset Station 4.4.9 Play Input source Limitations for the system when used multi devices.
    [Show full text]
  • Tidal Customer QA
    Q & A Cisco Integrated Customer Experience Cisco Services Q&A for Cisco Tidal Software Products Contents Introduction .................................................................................................................................................................... 1 Cisco Services for Tidal Software Products ................................................................................................................... 1 Cisco Technical Assistance Center Support .................................................................................................................. 2 Cisco Software Application Support plus Upgrades ....................................................................................................... 4 Warranty ........................................................................................................................................................................ 5 Advanced and Other Services ....................................................................................................................................... 5 Introduction This document provides answers to some of the most common questions regarding service offerings and technical support for Cisco® Tidal software products now that Tidal Software is a part of Cisco. Cisco Services for Tidal Software Products Q. What are the Cisco Advanced Services, Technical Services, and Training Services that correspond to legacy Tidal services? A. Below are the services: Advanced Services Cisco Tidal S ervices Name Original
    [Show full text]
  • Hifi Und Musik
    44 44Anker HIFI UND MUSIK 44 August 2019 / Juli ■ 8. Jahrgang ■ Für anspruchsvolle Hörer. Für anspruchsvolle Leser. anspruchsvolle Für Hörer. anspruchsvolle Für 04/2019 S 151 SKR S 151 ■ CH 20,60CH SFR ■ 04/2019 A/IT/BENELUX 14,40 € A/IT/BENELUX 14,40 ■ HIFI UND MUSIK 12,50 € D EDITORIAL DEAR READERS DEAR READERS, Anker Carsten Barnbeck Photography: FIDLEITY It’s those rare experiences that raise up all sorts of questions and every system deserves to have the optimal performance teased out of suddenly force you to see the world anew. Only a few weeks ago, I was it. And when we’ve finally got everything running perfectly, the system enveloped again. I had the exclusive honor and pleasure of spending an is left alone – to properly warm up and burn-in, of course. Then, even intimate hour with German manufacturer Tidal Audio’s top-of-the-line when we sit down with it again, we become enslaved to the intensive system. Simply put, it blew me away. Completely enveloped, I forgot processes of a listening test. everything going on around me for that blissful hour – all the details of which start on page 142 of this issue. But that sublime moment really With all this in mind, I’ve decided to add to my New Year’s resolutions got me thinking: why do I so seldom find myself fully and effortlessly for 2019: spend considerably more time simply sitting in front of the immersed in music nowadays? A question that seems strange to me, system with goosebumps.
    [Show full text]
  • XM:MI-10-Pro-5G-Phone-8GB-256GB Datasheet Overview
    XM:MI-10-Pro-5G-Phone-8GB-256GB Datasheet Get a Quote Overview Related Similar 5G Phones Product Code SIM Battery Chipset Support 5G Bands Size Samsung Galaxy Dual Snapdragon S20 Ultra SM- 5000mAh 5G TDD Sub6: N41(2500)/N78(3500)/N79(4500) 6.9 inches SIM 865+ G9880 Samsung Galaxy Dual Snapdragon Note20 Ultra SM- 4500mAh 5G TDD Sub6: N41(2500)/N78(3500)/N79(4500) 6.9 inches SIM 865+ N9860 Samsung Galaxy Z Dual Snapdragon 3300mAh 5G TDD Sub6: N41(2500)/ N78(3500)/N79(4500) 6.7 inches Flip SM-F7070 SIM 865+ HUAWEI P40 5G Dual 3800mAh Kirin 990 5G NR: n1/n3/n41(2515M-2690MHz)/n77/n78/n79 6.1 inches Phone SIM HUAWEI Mate 40 Dual 4200 5G NR: n1/n3/n28 (TX: 703 MHz-733 MHz, RX: 758 MHz-788 MHz) Kirin 9000E 6.5 inches 5G Phone SIM mAh /n38/n40/n41/n77/n78/n79/n80/n84 iPhone 12 / iPhone Dual 2815 5G A14 Bionic chip 6.1 inches 12 Pro SIM mAh NR: n1/n2/n3/n5/n7/n8/n12/n20/n25/n28/n38/n40/n41/n66/n77/n78/n79 Dual 3687 5G NR: iPhone 12 Pro Max A14 Bionic chip 6.7 inches SIM mAh n1/n2/n3/n5/n7/n8/n12/n20/n25/n28/n38/n40/n41/n66/n77/n78/n79 Xiaomi Mi 10 5G Dual Snapdragon 6.67 4780mAh 5G NR: n1/n3/n41/n78/n79 Phone SIM 865 inches Dual 4500 Snapdragon 6.67 Xiaomi Mi 10 Ultra 5G NR: n1/n3/n41/n78/n79 SIM mAh 865 (7 nm+) inches OPPO Reno4 5G Dual Snapdragon 4020mAh 5G NR: n1/n3/n41/n77/n78/n79 6.4 inches Phone SIM 765G OPPO Find X2 5G Dual Snapdragon 4200mAh 5G NR: n1/n41/n78/n79 6.7 inches Phone SIM 865 Learn More: 5G Devices Get More Information Do you have any question about the Xiaomi MI 10 Pro 5G Phone 8GB+256GB? Contact us now via Live Chat or [email protected].
    [Show full text]
  • Q1 2021 Dolby Laboratories Inc Earnings Call on January 28, 2021 / 10:00PM
    REFINITIV STREETEVENTS EDITED TRANSCRIPT DLB.N - Q1 2021 Dolby Laboratories Inc Earnings Call EVENT DATE/TIME: JANUARY 28, 2021 / 10:00PM GMT OVERVIEW: Co. reported 1Q21 revenue of $390m, GAAP net income of $135.2m and non-GAAP net income of $153.3m. Also reported 1Q21 GAAP net diluted EPS of $1.30 and non-GAAP net diluted EPS of $1.48. Expects 2Q21 revenue to be $280-310m, GAAP diluted EPS to be $0.36-0.51 and non-GAAP diluted EPS to be $0.57-0.72. REFINITIV STREETEVENTS | www.refinitiv.com | Contact Us ©2021 Refinitiv. All rights reserved. Republication or redistribution of Refinitiv content, including by framing or similar means, is prohibited without the prior written consent of Refinitiv. 'Refinitiv' and the Refinitiv logo are registered trademarks of Refinitiv and its affiliated companies. JANUARY 28, 2021 / 10:00PM, DLB.N - Q1 2021 Dolby Laboratories Inc Earnings Call CORPORATE PARTICIPANTS Jason Dea Dolby Laboratories, Inc. - Director of Corporate Finance & IR Kevin J. Yeaman Dolby Laboratories, Inc. - President, CEO & Director Lewis Chew Dolby Laboratories, Inc - Executive Vice President & Chief Financial Officer CONFERENCE CALL PARTICIPANTS James Charles Goss Barrington Research Associates, Inc., Research Division - MD Paul Chung JPMorgan Chase & Co, Research Division - VP & IT Hardware Analyst Steven Bruce Frankel Colliers Securities LLC, Research Division - Senior VP & Director of Research PRESENTATION Operator Ladies and gentlemen, thank you for standing by, and welcome to the Dolby Laboratories Conference Call discussing Fiscal First Quarter Results. (Operator Instructions) As a reminder, this call is being recorded, Thursday, January 28, 2021. I would now like to turn the conference over to Jason Dea, Director of Investor Relations for Dolby Laboratories.
    [Show full text]
  • TIDAL EVENTS and GALACTIC ACTIVITY J .B.Hutchings Dominion
    TIDAL EVENTS AND GALACTIC ACTIVITY J .B.Hutchings Dominion Astrophysical Observatory, Victoria, B .C., Canada S .G .Neff NASA Goddard Space Flight Center, Greenbelt, MD, USA Summary. We report some results from recent and ongoing work which relate to the connection between nuclear activity and tidal interactions. We suggest that tidal events are in general a necessary but not sufEcient condition for nuclear activation. We also suggest that nuclear activity generally develops at a ‘late stage’ of a tidal encounter, following star- formation and dust evaporation, and when the most obvious morphological disturbances may have disappeared. Table 1 summarizes the quantitative results from four programs which relate to the present topic. The full details are found in the references given. Our summary comments follow: 1. QSO imaging. In an investigation of matched samples of radio-loud and radio- quiet QSOs and radio galaxies, the results (Table 1) indicate disturbances of the host galaxy (indicating tidal encounters) in essentially all radio-luminous objects. (In the QSOs it is harder to see the closest companions and disturbances because of the bright nuclear light source.) The fraction (or strength) of interaction is lower in the radio-quiet QSOs. There is a range of Mv and colour for the host galaxies that makes them significantly different by K-S significance tests. The sense of these differences is consistent with different amounts of star-formation in the three types of object, widespread throughout galaxies with initially similar luminosities. 2. Radio evolution. In the references given, we have argued for a general time sequence of radio source evolution from unresolved (C) to one-sided (CL) to triple (T) structures.
    [Show full text]
  • Tidal Download Albums How to Download Tidal Music to Computer
    tidal download albums How to Download Tidal Music to Computer. Tidal is a marvelous music streaming service, ideal for those with a special liking for hi-fidelity audios. It provides two subscription plans – Premium and Hi-Fi, with the former priced at $9.99 per month offering streams at a bitrate of 320kbps (the same audio quality as Spotify) and the latter priced at $19.99 per month offering streams at a bitrate of 1411kbps. Like Spotify, Tidal is available by the Chrome-based Web player or through the Tidal app. Tidal subscribers are authorized to download Tidal music for offline listening. However, like other music streaming services, the downloaded Tidal music are not saved as local files on your computer. They are restricted to be played with the Tidal app and can’t be moved to anywhere else for normal playback. It’s not a difficult job to download music from Tidal to your computer , all you need is a powerful music tool – Tidal Music Converter, which is able to rip music from Tidal as MP3, AAC, WAV, FLAC or AIFF files. Most importantly, it supports 10X faster conversion speed and keeps ID tags & Hi-Fi audio quality after conversion. Now let’s learn more about the program and check the guide about how to use the tool to download Tidal music to your local drive step by step. Tool Required - Tidal Music Converter. Tidal Music Converter is a 100% clean program. It requires no need to install any extra hardware. It’s the only tool you need to download music from Tidal to your local computer.
    [Show full text]
  • MID-YEAR 2019 RIAA MUSIC REVENUES REPORT Joshua P
    MID-YEAR 2019 RIAA MUSIC REVENUES REPORT Joshua P. Friedlander | Senior Vice President, Research & Economics, RIAA In the first half of 2019, the U.S. recorded music market continued the overall trends and double digit growth rates of 2018. Revenue increases were driven by the number of paid subscriptions exceeding 581 million for the first time. Total revenues grew 18% to $5.4 billion at retail in the first half of 2019. Streaming music accounted for 80% of industry revenues. At wholesale value, revenues rose 16% to $3.5 billion. FIGURE 1 FIGURE Streaming Paid subscriptions alone made up 62% of overall industry Revenues from streaming music grew 26% to $4.3 billion revenues, and they accounted for 77% of U.S. streaming for the first half of 2019. This broad category includes music revenues for the first half of 2019. revenues from subscription services (such as paid versions of Spotify, TIDAL, Apple Music, Amazon, and others), digital and customized radio services including those revenues distributed by SoundExchange (like Pandora, SiriusXM, and other Internet radio), and ad-supported on-demand 3 FIGURE streaming services (such as YouTube, Vevo, and ad- supported Spotify). FIGURE 2 FIGURE This category also includes $482 million in revenues from “Limited Tier” paid subscriptions (for services limited by factors such as mobile access, catalog availability, on-demand limitations, or device restrictions). Services like Amazon Prime, Pandora Plus, and other subscriptions are Paid subscriptions continued to be the biggest source included in this category. This category grew slightly as a of revenue for recorded music. Year-over-year growth of percentage of subscription revenues and was up 31% brought total subscription revenues to $3.3 billion.
    [Show full text]
  • Why Music Streaming Services Should Switch to a Per-Subscriber Model
    DIMONT (MEDRANO_10) (DO NOT DELETE) 2/10/2018 10:11 AM Royalty Inequity: Why Music Streaming Services Should Switch to a Per-Subscriber Model JOSEPH DIMONT* Digital music streaming services, like Spotify, Apple Music, and Tidal, currently distribute royalties based on a per-stream model, known as service-centric licensing, while at the same time receive income through subscription fees and advertising revenue. This results in a cross-subsidization between low streaming users and high streaming users, streaming fraud, and a fundamental inequity between the number of subscribers an artist may attract to a service compared to how much they are compensated. Instead, streaming services should distribute royalties by taking each user’s subscription fee and dividing it pro rata based on what the specific user is listening toknown as a subscriber-share modelor user-centric licensing. Many scholars have focused on creating a minimum royalty rate; however, this does little to solve the inherent inequity. Either the music industry should self-regulate by switching to a subscriber-centric model, or the Copyright Royalty Board should make the switch for them. Under a subscriber-centric model, royalty distribution would more accurately reward artists for generating fans, not streams. Each month, the streaming service should take each subscription fee and apportion it out based on the percentages of artists that unique listeners choose to listen to during the subscription period. This change could come through the industry itself, litigation, or regulation, but will likely face resistance from the major record labels and the services themselves. * J.D. Candidate 2018, University of California, Hastings College of the Law.
    [Show full text]
  • Competitor Analysis
    Spotify Tidal Amazon Music Pandora Apple Music Youtube Music Connects to Apple's homepod; can Non-label tracks available; Personalized experience control search with Siri; features can stream videos of fan tailored to what you listen Audio quality and exclusive Beats 1 radio; can search for songs covers, concert clips; more to; can create own content; branding as for the Cheap ($3.99/month) if Highly advanced predictive by typing in lyrics; artists post more mature algorithm for selecting playlists; unlimited offline audience; selection of you have an echo & prime algorithm for music free updates; can listen to already songs you'd like; better sync;new music or show 75,000 music videos; ticket account; lyrics auto pop recommendations; hidely owned music with streamed music; search engine for finding Strengths alerts; pre-sales for some artists up while listening recognized brand for radio; already comes with apple products; songs based on lyrics No free option; music Cannot create or share No desktop app; limited Doesn't offer other discovery and hand playlists; cannot choose a tools/features for discovering services with product like curated playlists are specific song to listen to; lacks new songs; limited to no other competitiors (e.g. No free service tier and lacking; artist profiles don't social features; low audio No free option; fewer songs than podcast support; limited social Weaknesses Amazon and Youtube); expensive monthly cost; have biographies quality compared to competition other streaming services; features Offer different
    [Show full text]
  • 5G, La Vitesse Du Futur
    5G, la vitesse du futur ÉCRAN AMOLED QUADRUPLE CAPTEUR PHOTO 6.4 POUCES 48 MP Un écran qui rend honneur Un appareil photo pour à toutes les couleurs. toutes les situations. VIDÉO ULTRA NUIT & HDR Des vidéos claires à contre-jour comme de nuit. CHARGE RAPIDE 8 GO DE RAM + VOOC 30W 128 GO DE STOCKAGE Recharge complète Une réactivité et en 65 minutes. un confort accrus. PROCESSEUR 5G HAUTE PERFORMANCE Exécutez toutes vos tâches sans ralentissement. Google est une marque de Google LLC / Les images affichées sont données à titre illustratif uniquement. euillezV vous référer au produit réel. DAS OPPO A94 5G : tête (0,992 W/kg); tronc (1,299 W/kg); membres (2,788 W/kg). Le débit d’absorption spécifique (DAS) local quantifie l’exposition de l’utilisateur aux ondes électromagnétiques de l’équipement concerné. Le DAS maximum autorisé est de 2 W/kg pour la tête et le tronc et de 4W/kg pour les membres. CARACTÉRISTIQUES DE BASE Protection écran Dragontrail™ Pro Ratio d’écran 90,8% Dimensions Environ 160.1 x 73.4 x 7.8 mm Définition 2400 x 1080 (FHD+) | 409 PPI Poids Environ 173g Rapport d’écran 20:9 Matériau coque arrière Polymère Type AMOLED Matériau cadre Polymère + Alliage d'aluminium Taux de rafraîchissement 60Hz Système d’exploitation ColorOS 11.1 basé sur Android 11 Fréquence Normal : 135Hz Processeur Mediatek Dimensity 800U d’échantillonnage Mode Jeu : 180Hz (7nm, octa-core, jusqu'à 2.4 GHz) Profondeur de couleurs 16.7 millions (8-bits) Carte graphique (GPU) ARM Mali-G57 MC3 Contraste 1000000:1 Refroidissement Alliage d'aluminium à haute conductivité
    [Show full text]
  • Digital Music Distribution and Royalty Investment
    AudioSwim NASAB Dubai, UAE [email protected] Digital Music Distribution and Royalty Investment 2020 - 2021 Overview AudioSwim​ allows artists to upload, sell and stream their music globally, turning fans into investors. We focus on creating innovative ways for musicians to expand their catalog and careers through fan engagement and investments. Music Distribution and Audio Management ● Get your music streaming in 30+ stores including iTunes, Spotify, Anghami, TikTok, Google Play, Amazon, Tidal, & Deezer! ● We ensure a high degree of confidentiality and security allowing you to gain control and get paid from music streaming and sales. ● We offer daily and weekly analytical reports that help you learn about your fans. Find out who's paying attention to you. ● News, Blogs, Interviews, Podcasts and more about digital music distribution from artists and music industry insiders to help you get ahead. Royalty Reporting and Royalty Investment ● Each artist or band will be able to set the value of their royalty rights being offered at their own discretion, within a limit determined by AudioSwim. The limit is based on prior earnings of previous songs and future potential. ● AudioSwim will provide customized deals that will allow intellectual property holders to sell proportions of their royalty streams in return for lump sum payment. 2 ● Royalties will be sold as investments to your fans who will be able to sell or trade artists royalties in the future. ● The purchase of royalties will ensure that your fans give you the proper support and push needed. ● Remixes, cover versions, and anything with unlicensed samples can not be permitted. All releases undergo a strict quality control assessment prior to release.
    [Show full text]