DOCSLIB.ORG

{PDF EPUB} Walt Disney: the Triumph of the American Imagination

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
{PDF EPUB} Walt Disney: the Triumph of the American Imagination Read Ebook {PDF EPUB} Walt Disney: The Triumph of the American Imagination by Neal Gabler Neal Gabler is the author of five books: An Empire of Their Own: How the Jews Invented Hollywood, Winchell: Gossip, Power and the Culture of Celebrity, Life the Movie: How Entertainment Conquered Reality, Walt Disney: The Triumph of the American Imagination, and, most recently, Barbra Streisand: Redefining Beauty, Femininity and Power for the Yale Jewish Lives series.Cited by: 131Author: Neal GablerReviews: 524Brand: VintageWalt Disney: The Triumph of the American Imagination by ...https://www.goodreads.com/book/show/118824“Walt Disney: The Triumph of the American Imagination” by Neal Gabler was published in 2006 and won the Los Angeles Times Book Prize for Biography. Gabler is an author, journalist and former film critic whose previous books include a biography of Barbra Streisand and a …4/5Ratings: 10KReviews: 662Videos of Walt Disney: The Triumph of The American Imagination … bing.com/videosWatch video25:17Neal Gabler on 'Walt Disney The Triumph of American Imagination'2.2K viewsApr 24, 2014YouTubetheatertalkWatch video8:52Walt Disney The Triumph Of The American Imagination Neal Gabler Book New277 viewsJan 22, 2020YouTubemoviefan8Watch video28:37Walt Disney: The Triumph of American Imagination2.8K viewsAug 13, 2008Internet ArchivejkarushWatch video on thirteen.orgWalt Disney: The Triumph of American Imagination | The ...thirteen.orgWatch video16:26Impact Books: Walt Disney: The Triumph of the American Imagination by …2.8K viewsApr 15, 2017YouTubeTom BilyeuSee more videos of Walt Disney: The Triumph of The American Imagination by Neal GablerWalt Disney - the Triumph of the American Imagination ...https://www.amazon.com/Walt-Disney-Triumph...This item: Walt Disney - the Triumph of the American Imagination by Neal gabler Paperback $20.74 Only 1 left in stock - order soon. Ships from and sold by DaimondInTheRough.4.5/5(323)Format: PaperbackAuthor: Neal gablerWalt Disney: The Triumph of the American Imagination by ...https://www.barnesandnoble.com/w/walt-disney-neal- gabler/1100267673Oct 09, 2007 · The definitive portrait of one of the most important cultural figures in American history: Walt Disney. Walt Disney was a true visionary whose desire for escape, iron determination and obsessive perfectionism transformed animation from a novelty to an art form, first with Mickey Mouse and then with his feature films–most notably Snow White, Fantasia, and Bambi. In his superb biography, Neal Gabler …Brand: Knopf Doubleday Publishing GroupPages: 912Price: $12.99Format: Paperback (Reprint)Walt Disney: The Triumph of the American Imagination ...https://books.google.com/books/about/Walt_Disney.html?id=-a7FyAA9gMoCFrom Neal Gabler, the definitive portrait of one of the most important figures in twentieth-century American entertainment and cultural history. Seven years in the making and meticulously...4.5/5(10)Images of Walt Disney the Triumph of the American Imagination b… bing.com/imagesSee allSee all imagesWalt Disney: The Triumph of the American Imagination ...https://books.google.com/books/about/Walt_Disney.html?id=QZ2o-hTRJsYC8 rows · The definitive portrait of one of the most important cultural figures in American history: Walt ...4.5/5(10)Title Walt Disney: The Triumph of th ... Author Neal Gabler Edition illustrated, reprint Publisher Vintage Books, 2007 See all 8 rows on books.google.comWalt Disney: The Triumph of the American Imagination by ...https://blas.com/walt-disney-neal-gablerOct 30, 2016 · Walt Disney: The Triumph of the American Imagination by Neal Gabler. Summary. Disney’s influence is hard to overstate. He completely changed American culture and its consciousness by bringing in a lighter, more fun world during tough times. He completely changed animation and helped invent graphic design. ... Neal Gabler, Walt Disney on ... Nov 14, 2006 · The portrait of Disney that Mr. Gabler draws in this book is one of a lonely, eccentric, immensely gifted man: an ambitious workaholic, driven more by perfectionism than by dreams of...Author: Michiko KakutaniWalt Disney : The Triumph of the American Imagination by ...https://www.ebay.com/p/52755580Gabler explores accusations that Disney was a red-baiter, an anti-Semite, an embittered alcoholic. But whatever the characterizations of Disney's personal life, he appealed to the nation by demonstrating the power of wish fulfillment and the triumph of the American imagination. Walt Disney showed how one could impose one's will on the world.4.2/5(5)Walt Disney: The Triumph of the American Imagination ...https://www.amazon.co.uk/Walt-Disney-Triumph...Nov 07, 2006 · Gabler starts with the standard bio, that of Walt Disney living first in a rural near-paradise, and then, when his father fails at farming and the family descends into poverty, as a hard-working boy that lost his childhood to several paper routes in support of the family; he was a child laborer.4.6/5(275)Format: Audio CDAuthor: Neal GablerWalt Disney: The Triumph of the American Imagination ...https://www.amazon.com/Walt-Disney-Neal-Gabler-audiobook/dp/B000KLPGP8Gabler shows us the young Walt Disney breaking free of a heartland childhood of discipline and deprivation and making his way to Hollywood. We see the visionary, whose desire for escape honed an innate sense of what people wanted to see on the screen and, when combined with iron determination and obsessive perfectionism, led him to the reinvention of animation.4.6/5(358)9780679757474: Walt Disney: The Triumph of the American ...https://www.abebooks.com/9780679757474/Walt-Disney...Neal Gabler's meticulously researched biography, Walt Disney offers the full story (Gabler is the first writer to gain complete access to the Disney archives) of the American icon. Readers will discover the whole story, witnessing Disney's invention of a "synergistic empire that combined film, television, theme parks, music, book publishing, and merchandise."4/5(9.9K)Format: PaperbackPrice Range: $12.34 - $40.49Walt Disney: The Triumph of the American Imagination ...https://books.google.com/books/about/Walt_Disney.html?id=dZVQAAAAMAAJGabler explores accusations that Disney was a red-baiter, an anti-Semite, an embittered alcoholic. But whatever the characterizations of Disney’s personal life, he appealed to the nation by...4.5/5(13)9780679438229: Walt Disney: The Triumph of the American ...https://www.abebooks.com/9780679438229/Walt- Disney...Synopsis. About this title. From Neal Gabler, the definitive portrait of one of the most important figures in twentieth-century American entertainment and cultural history. Seven years in the making and meticulously researched—Gabler is the first writer to be given complete access to the Disney archives—this is the full story of a man whose work left an ineradicable brand on our culture but …4.1/5(7.1K)Format: HardcoverPrice Range: $42.98 - $101.45Walt Disney: The Triumph of the American Imagination ...https://www.amazon.ca/Walt-Disney- Triumph-American...The definitive portrait of one of the most important cultural figures in American history. Walt Disney was a true visionary whose desire for escape, iron determination and obsessive perfectionism transformed animation from a novelty to an art form, first with Mickey Mouse and then with his feature films–most notably Snow White, Fantasia, and Bambi. In his superb biography, Neal Gabler shows us how, over …4.6/5(369)Price: $26.68Brand: VintageAuthor: Neal Gabler(PDF) Walt Disney: The Triumph of the American Imagination ...https://sites.google.com/a/fugumichigan.web.app/...Walt Disney: The Triumph of the American Imagination by Neal Gabler The definitive portrait of one of the most important cultural figures in American history. Walt Disney was a true visionary whose desire for escape, iron determination and obsessive perfectionism transformed animation from a novelty to an art form, first with Mickey Mouse and ... Nov 30, 2006 · the triumph of the american imagination neal gabler walt disney Please Donate to Help Save PopMatters PopMatters have been informed by our current technology provider that we have until December ... " -- "The Baltimore Sun " " Neal Gablers' "Walt Disney: The Triumph of the American Imagination" is a standout... [Gabler' s} vision of Disney and of Diseny's vision of America is far more complex and shaded than most other authors', and far more objective and reliable...5/5(5)Walt Disney: The Triumph of the American Imagination ...https://books.google.com/books/about/Walt_Disney.html?id=41e-Ru0wRkECIn his superb biography, Neal Gabler shows us how, over the course of two decades, Disney revolutionized the entertainment industry. In a way that was unprecedented and later widely imitated, he...4.5/5(11)Neal Gabler on 'Walt Disney The Triumph of American ...https://www.youtube.com/watch?v=CfUA8BnJtUsOriginal tape date: November 3, 2006.Writer NEAL GABLER discusses his acclaimed biography, WALT DISNEY: THE TRIUMPH OF AMERICAN IMAGINATION. He explains how ... Oct 09, 2007 · Neal Gabler is the author of five books: An Empire of Their Own: How the Jews Invented Hollywood, Winchell: Gossip, Power and the Culture of Celebrity, Life the Movie: How Entertainment Conquered Reality, Walt Disney: The Triumph of the American Imagination, and, most recently, Barbra Streisand: Redefining Beauty, Femininity and Power for the Yale Jewish Lives series.4.6/5(386)Format: PaperbackAuthor: Neal GablerWalt Disney: The Triumph of the American Imagination ...https://books.google.it/books?id=-a7FyAA9gMoCGabler explores accusations
Load more

Recommended publications
  • THE Permanent Crisis of FILM Criticism
    mattias FILM THEORY FILM THEORY the PermaNENT Crisis of IN MEDIA HISTORY IN MEDIA HISTORY film CritiCism frey the ANXiety of AUthority mattias frey Film criticism is in crisis. Dwelling on the Kingdom, and the United States to dem­ the many film journalists made redundant at onstrate that film criticism has, since its P newspapers, magazines, and other “old origins, always found itself in crisis. The erma media” in past years, commentators need to assert critical authority and have voiced existential questions about anxieties over challenges to that author­ N E the purpose and worth of the profession ity are longstanding concerns; indeed, N T in the age of WordPress blogospheres these issues have animated and choreo­ C and proclaimed the “death of the critic.” graphed the trajectory of international risis Bemoaning the current anarchy of inter­ film criticism since its origins. net amateurs and the lack of authorita­ of tive critics, many journalists and acade­ Mattias Frey is Senior Lecturer in Film at film mics claim that in the digital age, cultural the University of Kent, author of Postwall commentary has become dumbed down German Cinema: History, Film History, C and fragmented into niche markets. and Cinephilia, co­editor of Cine-Ethics: riti Arguing against these claims, this book Ethical Dimensions of Film Theory, Prac- C examines the history of film critical dis­ tice, and Spectatorship, and editor of the ism course in France, Germany, the United journal Film Studies. AUP.nl 9789089647177 9789089648167 The Permanent Crisis of Film Criticism Film Theory in Media History explores the epistemological and theoretical founda- tions of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory.
    [Show full text]
  • Walt Disney” Premieres Monday and Tuesday, September 14-15, 2015 9:00-11:00 P.M
    “Walt Disney” Premieres Monday and Tuesday, September 14-15, 2015 9:00-11:00 p.m. ET on PBS TCA Panelists Sarah Colt (Producer/Director) is an independent documentary filmmaker who has worked in public television for nearly two decades. Her previous credits include writing, producing and directing “A Nation Reborn” and “A New Light,” episodes from the special series “God in America,” a co-production of AMERICAN EXPERIENCE and FRONTLINE. Additional AMERICAN EXPERIENCE credits include “Henry Ford,” “The Polio Crusade” and “Geronimo,” part four of the AMERICAN EXPERIENCE special series on native history, “We Shall Remain.” Before starting her own company in 2008, she worked for David Grubin Productions, where she produced the highly acclaimed biography “RFK,” and earned an Emmy Award for Outstanding Science, Nature and Technology for co-producing THE SECRET LIFE OF THE BRAIN, a five-part series. In 2004, Colt was awarded an International Reporting Project Fellowship through Johns Hopkins School of Advanced International Studies and traveled to Namibia to report on the racial imbalance of land ownership in Southern Africa. Colt attended Harvard University, where she began her documentary career as a still photographer. Neal Gabler (Participant) is a distinguished author, cultural historian and television commentator who has been called “one of America’s most important public intellectuals.” His most recent book, Walt Disney: The Triumph of the American Imagination, a New York Times best-seller, was named biography of the year by USA Today and won the Los Angeles Times Book Prize, the second for Gabler. His first book, An Empire of Their Own: How the Jews Invented Hollywood, won the Los Angeles Times Book Prize for History and the Theatre Library Association Award.
    [Show full text]
  • Historicizing the Liminal Superhero
    BOX OFFICE BACK ISSUES: HISTORICIZING THE LIMINAL SUPERHERO FILMS, 1989–2008 by ZACHARY ROMAN A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2020 DISSERTATION APPROVAL PAGE Student: Zachary Roman Title: Box Office Back Issues: Historicizing the Liminal Superhero Films, 1989–2008 This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Peter Alilunas Chairperson Janet Wasko Core Member Erin Hanna Core Member Benjamin Saunders Institutional Representative and Kate Mondloch Interim Vice-Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded December 2020 ii © 2020 Zachary Roman iii DISSERTATION ABSTRACT Zachary Roman Doctor of Philosophy School of Journalism and Communication December 2020 Title: Box Office Back Issues: Historicizing the Liminal Superhero Films, 1989–2008 Although the superhero film became a dominant force in Hollywood early in the 21st century, the formation of the superhero genre can be attributed to a relatively small temporal window beginning in 1989 and ending in 2008. This dissertation argues that a specific group of superhero films that I call the liminal superhero films (LSF) collectively served as the industrial body that organized and created a fully formed superhero genre. The LSF codified the superhero genre, but that was only possible due to several industrial elements at play before they arrived. An increasing industrial appetite for blockbusters coming out of the 1970s, the rise of proprietary intellectual property after the corporate conglomeration that occurred at the end of the 20th century, and finally, the ability of the LSF to mitigate risk (both real and perceived) all led to this cinematic confluence.
    [Show full text]
  • Columbia Chronicle (03/21/1983) Columbia College Chicago
    Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 3-21-1983 Columbia Chronicle (03/21/1983) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (03/21/1983)" (March 21, 1983). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/48 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. Students speak out on Opinionpoli Judge bars Oscar picks ·syrne's write-in campaign pages draft law page s CE'n teriold Vol. 13 No.2 Columbia College, Chicago March 21. 1983 • • • CriSIS In day-care t ~ r ' By Iris Brown Endeley There is a day-care crisis in Illinois. Governor James Thompson's proposed FY 1984 Slate budget, will strike a 1remendous blow to statewide childcare programs. ac­ cording to the Day Care action council of Illinois and the Statewide Human Services Coalition. The Action Council fact sheet states: -There wilt be a 46% reduction in day care slots for employment­ related/ TDC, now called "subsidized day care·•. -The eligibility lor all program s wilt be reduced to maximum of 60 percent.. -At least 44 programs will be forced to close. -The attribute source said "more than 3600 day care slots will Qe ellminaled.
    [Show full text]
  • Disparities for Women Filmmakers in the Film Industry Bobbie Lucas
    Vassar College Digital Window @ Vassar Senior Capstone Projects 2015 Behind Every Great Man There Are More Men: Disparities for Women Filmmakers in the Film Industry Bobbie Lucas Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Lucas, Bobbie, "Behind Every Great Man There Are More Men: Disparities for Women Filmmakers in the Film Industry" (2015). Senior Capstone Projects. Paper 387. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Vassar College “Behind Every Great Man There Are More Men:” Disparities for Women Filmmakers in the Film Industry A research thesis submitted to The Department of Film Bobbie Lucas Fall 2014 ACKNOWLEDGMENTS “Someday hopefully it won’t be necessary to allocate a special evening [Women in Film] to celebrate where we are and how far we’ve come…someday women writers, producers, and crew members will be so commonplace, and roles and salaries for actresses will outstrip those for men, and pigs will fly.” --Sigourney Weaver For the women filmmakers who made films and established filmmaking careers in the face of adversity and misogyny, and for those who will continue to do so. I would like to express my appreciation to the people who helped me accomplish this endeavor: Dara Greenwood, Associate Professor of Psychology Paul Johnson, Professor of Economics Evsen Turkay Pillai, Associate Professor of Economics I am extremely grateful for the valuable input you provided on my ideas and your willing assistance in my research.
    [Show full text]
  • CHAPTER 1 1. Ken Burns, “The Documentary Film: Its Role in The
    Notes CHAPTER 1 1. Ken Burns, “The Documentary Film: Its Role in the Study of History,” text of speech delivered as a Lowell Lecture at Harvard College, 2 May 1991, 6. 2. Ken Burns, telephone interview with the author, 18 February 1993. 3. Ken Burns, interview with the author, 27 February 1996. 4. Neal Gabler, “History’s Prime Time,” TV Guide, 23 August 1997, 18. 5. Shelby Foote, Civil War: A Narrative (Fort Sumter to Perryville, Fredericksburg to Meridan, Red River to Appomattox), 3 vols. (New York: Random House, 1958-1974); David McCullough, The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge (New York: Touchstone, 1972); and Michael Shaara, The Killer Angels (New York: Ballantine, 1974). 6. Ken Burns, “Four O’Clock in the Morning Courage,” in Ken Burns’s The Civil War: Historians Respond, ed. Robert B. Toplin (New York: Oxford, 1996), 157. 7. Ken Burns quoted in “A Filmmaking Career” on the Thomas Jefferson (1997) website at <http://www.pbs.org/jefferson/making/KB_03.htm>. 8. The $3.2 million budget for The Civil War was comprised of contributions by the National Endowment for the Humanities ($1.3 million), General Motors ($1 million), the Corporation for Public Broadcasting and WETA-TV ($350,000), the Arthur Vining Davis Foundation ($350,000), and the MacArthur Foundation ($200,000). General Motors also provided an additional $600,000 for educational materials and promotional outreach. 9. Matt Roush, “Epic TV Film Tells Tragedy of a Nation,” USA Today, 21 September 1990, 1. 10. See Lewis Lord, “‘The Civil War’: Did Anyone Dislike It?” U.S.
    [Show full text]
  • The Life & Legacy of Walt Disney
    The Life & Legacy of Walt Disney Panel Discussion Neal Gabler, Moderator Annenberg School for Communication University of Southern California November 15, 2006 1 The Norman Lear Center Neal Gabler: The Life & Legacy of Walt Disney The Norman Lear Center Neal Gabler The Norman Lear Center is a Neal Gabler, Senior Fellow at the multidisciplinary research and USC Annenberg Norman Lear public policy center exploring Center, is an author, cultural implications of the convergence historian, and film critic. His first of entertainment, commerce, book, An Empire of Their Own: and society. From its base in the How the Jews Invented Hollywood, USC Annenberg School for won the Los Angeles Times Book Communication, the Lear Center Prize and the Theatre Library builds bridges between eleven Association Award. His second schools whose faculty study book, Winchell: Gossip, Power and aspects of entertainment, media, the Culture of Celebrity, was named and culture. Beyond campus, it non-fiction book of the year by Time magazine. Newsweek calls his bridges the gap between the most recent book, Walt Disney: The Triumph of American Imagination, entertainment industry and “the definitive Disney bio.” academia, and between them and the public. For more He appears regularly on the media review program Fox News Watch, information, please visit and writes often for the New York Times and the Los Angeles Times. www.learcenter.org. Gabler has contributed to numerous other publications including Esquire, Salon, New York Magazine, Vogue, American Heritage, The New York Republic, Us and Playboy. He has appeared on many television programs including The Today Show, The CBS Morning News, The News Hour, Entertainment Tonight, Charlie Rose, and Good Morning America.
    [Show full text]
  • The Studio System and Conglomerate Hollywood
    TCHC01 6/22/07 02:16 PM Page 11 PART I THE STRUCTURE OF THE INDUSTRY TCHC01 6/22/07 02:16 PM Page 12 TCHC01 6/22/07 02:16 PM Page 13 CHAPTER 1 THE STUDIO SYSTEM AND CONGLOMERATE HOLLYWOOD TOM SCHATZ Introduction In August 1995 Neal Gabler, an astute Hollywood observer, wrote an op-ed piece for The New York Times entitled “Revenge of the Studio System” in response to recent events that, in his view, signaled an industry-wide transformation (Gabler 1995). The previous year had seen the Seagram buyout of MCA-Universal, Time Warner’s purchase of the massive Turner Broadcasting System, and the launch of Dream- Works, the first new movie studio since the classical era. Then on August 1 came the bombshell that provoked Gabler’s editorial. Disney announced the acquisition of ABC and its parent conglomerate, Cap Cities, in a $19 billion deal – the second- largest merger in US history, which created the world’s largest media company. Disney CEO Michael Eisner also disclosed a quarter-billion-dollar deal with Mike Ovitz of Hollywood’s top talent agency, Creative Artists, to leave CAA and run the Disney empire. For Gabler, the Disney deals confirmed “a fundamental shift in the balance of power in Hollywood – really the third revolution in the relationship between industry forces.” Revolution I occurred nearly a century before with the formation of the Hollywood studios and the creation of a “system” that enabled them to con- trol the movie industry from the 1920s through the 1940s. Revolution II came with the postwar rise of television and the dismantling of the studio system by the courts, which allowed a new breed of talent brokers, “most notably Lew Wasserman of the Music Corporation of America [MCA],” to usurp control of the film industry.
    [Show full text]
  • Columbia Pictures: Portrait of a Studio
    University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.
    [Show full text]
  • American Audiences on Movies and Moviegoing
    University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 2001 American Audiences on Movies and Moviegoing Tom Stempel Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Stempel, Tom, "American Audiences on Movies and Moviegoing" (2001). Film and Media Studies. 7. https://uknowledge.uky.edu/upk_film_and_media_studies/7 American Audiences on Movies and Moviegoing This page intentionally left blank American Audiences on Movies and Moviegoing Tom Stempel THJE UNNERSITY PRESS OlF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright© 2001 by Tom Stempel Published by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College ofKentucky, Eastern Kentucky University, The Filson Club Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 05 04 03 02 01 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Stempel, Tom, 1941- American audiences on movies and moviegoing I by Tom Stempel. p. em. Includes bibliographical references.
    [Show full text]
  • The Pennsylvania State University the Graduate School College Of
    The Pennsylvania State University The Graduate School College of Communications “MOB SISTERS”: WOMEN REPORTING ON CRIME IN PROHIBITION-ERA CHICAGO A Dissertation in Mass Communications by Beth Fantaskey Kaszuba © 2013 Beth Fantaskey Kaszuba Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2013 The dissertation of Beth Fantaskey Kaszuba was reviewed and approved* by the following: Ford Risley Head, Department of Journalism Dissertation Adviser Chair of Committee Ann Marie Major Associate Professor of Communications Russell Frank Associate Professor of Communications Marie Hardin Associate Dean for Undergraduate and Graduate Education *Signatures are on file in the Graduate School ABSTRACT This dissertation examines the work of five women who were employed by the Chicago Tribune as general assignment reporters during the 1920s, and whose unique way of covering the city’s epidemic of crime – with sarcastic humor, a cynical viewpoint and slang-infused prose – merits the creation of a new “category” of female reporter, dubbed here the “mob sister.” Histories of American media generally place women reporters who worked at newspapers prior to World War II into narrowly proscribed roles, leading to a widespread assumption that women were only allowed to cover topics such as fashion, society, and news of interest to homemakers. In addition, most histories tell us that those women who did make the front pages worked either as “stunt girls,” performing daring feats and then writing about their exploits to shock or titillate readers, or as “sob sisters,” covering trials in maudlin prose intended to bring readers to tears. However, a significant number of women broke those barriers during the Prohibition era, especially in Chicago, where the Tribune, in particular, gave women journalists wide latitude to pursue beats traditionally considered more suitable for men in that period.
    [Show full text]
  • Jewish History of Los Angeles
    LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Jewish History Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources DECEMBER 2016 SurveyLA Citywide Historic Context Statement Context: Jewish History Certified Local Government Grant Disclaimers The activity that is the subject of this historic context statement has been financed in part with Federal funds from the National Park Service, Department of Interior, through the California Office of Historic Preservation. However, the contents and opinions do not necessarily reflect the views or policies of the Department of the Interior or the California Office of Historic Preservation, nor does mention of trade names or commercial products constitute endorsement or recommendation by the Department of the Interior or the California Office of Historic Preservation. This program receives Federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act of 1964, Section 504 of the Rehabilitation Act of 1973, and the Age Discrimination Act of 1975 as amended, the Department of the Interior prohibits discrimination on the basis of race, color, national origin, disability, or age in its federally assisted programs. If you believe you have been discriminated against in any program, activity, or facility as described above, or if you desire further information, please write to: Office of Equal Opportunity National Park Service 1849 C Street, N.W. Washington D.C. 20240 Page | 2 SurveyLA Citywide
    [Show full text]