Connecting Content with Consumers Volume 7 Issue 22
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A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris -
Investigating Vocabulary in Academic Spoken English
INVESTIGATING VOCABULARY IN ACADEMIC SPOKEN ENGLISH: CORPORA, TEACHERS, AND LEARNERS BY THI NGOC YEN DANG A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in Applied Linguistics Victoria University of Wellington 2017 Abstract Understanding academic spoken English is challenging for second language (L2) learners at English-medium universities. A lack of vocabulary is a major reason for this difficulty. To help these learners overcome this challenge, it is important to examine the nature of vocabulary in academic spoken English. This thesis presents three linked studies which were conducted to address this need. Study 1 examined the lexical coverage in nine spoken and nine written corpora of four well-known general high-frequency word lists: West’s (1953) General Service List (GSL), Nation’s (2006) BNC2000, Nation’s (2012) BNC/COCA2000, and Brezina and Gablasova’s (2015) New-GSL. Study 2 further compared the BNC/COCA2000 and the New-GSL, which had the highest coverage in Study 1. It involved 25 English first language (L1) teachers, 26 Vietnamese L1 teachers, 27 various L1 teachers, and 275 Vietnamese English as a Foreign Language learners. The teachers completed 10 surveys in which they rated the usefulness of 973 non-overlapping items between the BNC/COCA2000 and the New- GSL for their learners in a five-point Likert scale. The learners took the Vocabulary Levels Test (Nation, 1983, 1990; Schmitt, Schmitt, & Clapham, 2001), and 15 Yes/No tests which measured their knowledge of the 973 words. Study 3 involved compiling two academic spoken corpora, one academic written corpus, and one non-academic spoken corpus. -
Marketing-Strategy-Ferrel-Hartline.Pdf
Copyright 2013 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it. Marketing Strategy Copyright 2013 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it. This is an electronic version of the print textbook. Due to electronic rights restrictions, some third party content may be suppressed. Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. The publisher reserves the right to remove content from this title at any time if subsequent rights restrictions require it. For valuable information on pricing, previous editions, changes to current editions, and alternate formats, please visit www.cengage.com/highered to search by ISBN#, author, title, or keyword for materials in your areas of interest. Copyright 2013 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). -
An American in Paris Capitol H-301 Paul Whiteman Released February, 1952
Capitol Albums, 301 to 400 and EP Identifier Gershwin: An American in Paris Capitol H-301 Paul Whiteman Released February, 1952. Gershwin: Rhapsody in Blue Capitol H-302 Leonard Pennario, Piano, with Paul Whiteman & His Orchestra Released February, 1952. An American in Paris/Rhapsody in Blue Capitol P-303 Paul Whiteman Released February, 1952. Combines H-301 and H-302. Later reissued as T-303. Moods for Candlelight Capitol DCN-304 = KCF-304 < L-304 Francis Scott & His Orchestra Released March, 1952. The LP contains two bonus tracks. Reissued later in 1952 as H-304. Keyboard Cocktails Capitol CDF-305 = H-305 Chuy Reyes Released April, 1952. Kitten on the Keys Capitol CCN-306 = CCF-306 < H-306 Ray Turner Released April, 1952. The LP contains two bonus tracks; the first back cover does not mention the bonus tracks. Accordion Powerhouse Capitol DCN-307 = KCF-307 < L-307 Ernie Felice Released April, 1952. The title on the cover is Accordion Power House. The LP contains two bonus tracks. Top Banana Capitol FDR-308 = EDM-308 = S-308 Original Cast featuring Phil Silvers Released January, 1952. With a Song in My Heart Capitol DDN-369 = KDF-309 = L-309 Jane Froman Released March, 1952. Pal Joey Capitol FDR-310 = EDM-310 = S-310 Original Cast Released March, 1952. Sugar Blues Capitol CCN-311 = CCF-311 < H-311 Clyde McCoy Released May/June, 1952. The LP contains two bonus tracks. Dixieland Detour Capitol CCN-312 = CCF-312 < H-312 Pee Wee Hunt Released June 1952. The LP contains two bonus tracks. Circus Parade Capitol DCN-313 = KCF-313 < L-313 Merle Evans Released April, 1952. -
THE PRESS Friday, December 13, 1963 TELEVISION LOG for the WEEK FRIDAY SATURDAY SUNDAY
A-8—THE PRESS Friday, December 13, 1963 TELEVISION LOG FOR THE WEEK FRIDAY SATURDAY SUNDAY. MONDAY WEDNESDAY THURSDAY DECEMBER 16 DECEMBER 13 DECEMBER 14 DECEMBER 15 DECEMBER 18 DECEMBER 19 12:00 ( 2) Burns and Alien 11:00 ( 7) AFL Game 12:00 ( 2) Burns and Alien ( 4) People Will Talk 11:00 ( 2) NFL Game ( 4) People Will Talk 12:00 ( 2) Burns and Alien 12:00 ( 2) Burns and Alien ( 5) Dateline Europe 12:00 ( 2) Sky KKing 12:00 ( 2) Insight ( 5) Cross Current ( 4) People Will Talk ( 4) People Will Talk ( 7) Tennessee ^rme ( 4) Exploring ( 4) Jr. Rose bowl ( 7) Tennessee Ernie ( 5) Overseas Adventure ( 5) Overseas Adventure ( 9) Hour of St. Francis ( 9) Searchlight on ( "<) Ernie Ford (11) Sheriff John (13) Cartoons ( 7) Press Conference Delinquency ( 7) Tennessee Ernie 9) Books and Ideaa (13) Oral Roberts ( 9) Dr. Spock 12:30 ( 2) As World Turns 12:30 ( 2) Do You Know (11) Sheriff John (11) Sheriff John ( 5) TV Bingo (13) Movie (11) Sheriff John (13) Movie ( 7) Father Knows Best ( 5) Movie 12:30 ( 5) Movie ( 9) Mr. D.A. "Tonight We Raid Calali" 12:30 ( 2) As World Turn* (13) Movie 12:30 ( 2) As World Turns 1:00 (2) News Lee J. Cohb (4 ) The Doctors ( 4) The Doctors 12:45 ( 5) Dateline Europe ( 7) Discovery 12:30 ( 2) As World Turns 1:00 ( 2) Password ( 4) Ornamental World ( 5) TV Bingo ( 5) TV Bingo (13) Social Security ( 7) Father Knows Best (4 ) The Doctors ( 7) Father Knows Best ( 4) Loretta Young ( 5) Movie ( 5) TV Bingo ( 5) Douglas Fairbanks ( 9) Mr. -
Live on the Sunset Strip
robert landau Excerpt: Live on the Sunset Strip The street that made music history Robert Landau’s Rock ‘n’ Roll Billboards of the Sunset Strip was published in October 2012 by Angel City Press. Downloaded from http://online.ucpress.edu/boom/article-pdf/2/4/79/381413/boom_2012_2_4_79.pdf by guest on 28 September 2021 The Sunset Strip is that 1.7-mile stretch of Sunset Boulevard that is now part of the city of West Hollywood, connecting Hollywood on the east (where funky Laurel Canyon descends to Sunset and meets Crescent Heights) with Beverly Hills to the west (where Doheny Road climbs to the posh mansions of 90210-land). There are actually many Sunset Strips—versions that live in real time and space, and versions that live in our collective fantasy. The actual landscape of the Strip is typical of Los Angeles, featuring buildings of every imaginable architectural style, a look captured perfectly by artist Ed Ruscha in his 1966 book Every Building on the Sunset Strip. Outdoor advertising permeates the vista, ready to capture the attention of the steady stream of eyeballs that comes with continuously heavy traffic. Billboards of varying sizes are sandwiched between and above colorful hotels, restaurants, offices, gas stations, sleazy strip malls, and trendy retail shops. Now, thanks to digital technology, billboards engulf entire buildings and cover whole city buses, adding even more visual congestion to an already over- saturated urban scene. By day, the Sunset Strip was where the business of the music industry was conducted in the Sixties and Seventies. Both high-rise luxury offices and older, cottage-style buildings have long housed record companies, producers, talent scouts, business managers, personal managers, public relations executives, advertising agencies, design firms, and even a few film, photo, and recording studios. -
Kayak to Klemtu
Presents KAYAK TO KLEMTU A film by Zoe Hopkins Running time: 90 minutes, Canada, 2018 Languages: English, some Hailhzaqvla Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Twitter: @starpr2 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia Kayak to Klemtu Logline 14-year-old Ella is determined to kayak the length of the inside passage to protest an oil pipeline and honour her late uncle’s legacy. Kayak to Klemtu Short Synopsis 14-year-old Ella is determined to travel the length of the Inside Passage by kayak in order to protect her home. She plans to protest a proposed pipeline that would have oil tanker traffic spoil her beloved homeland’s waters. Ella is prepared to handle all of the challenges put in front of by her this adventure, but most of all the challenge of her whacky family. Her neurotic aunt, her cranky uncle, her wayward cousin, and the memory of her late uncle all tag along for the ride, throwing Ella for a loop. From Tla'Amin to Klemtu, British Colombia, this family navigates their blend of cultures and ideals, while their spirits honour the coast as a place for not just Ella, but everyone, to call home. Kayak to Klemtu One Page Synopsis 14-year-old Ella’s Uncle Bear has passed away. It was his dying wish to have Ella testify against the proposed oil pipeline that is going to ruin their home waters. -
Capitol Records.” They Removed That Word from Their Logo in 1951, Helping Us Distinguish First Pressings from Later Copies
Capitol Albums, 180 to 300 Piano Moods CC-180 = CCF-180 < H-180 Diana Lynn [1950] Released November, 1949. The LP has two bonus tracks. Gypsy Dreams Capitol H-181 Jascha & His Gypsy Ensemble Released November, 1949. A reissue of CC-100. Tango Capitol H-182 Georges Tzipine Orchestra Released 1950. A reissue of CC-147. Pete Daily's Dixieland Band CC-183 = CCF-183 < H-183 Pete Daily Released March, 1950 The LP has two bonus tracks that are not listed on the front cover. Paul Weston Conducts Chopin, Debussy, Ravel Capitol H-184 Paul Weston Released late 1949. A reissue of CC-174. Classics in Modern – Capitol H-185 Frank DeVol & His Orchestra Released 1950. A reissue of CC-88. More College Medleys – Capitol H-186 Jan Garber & His Orchestra Released 1950 A reissue of CC-173. Honky Tonk Piano – CC-187 = CCF-187 < H-188 Various Artists Other formats released March, 1950; LP released slightly later. The LP has two bonus tracks. Innovations in Modern Music, Vol. 1 EDL-189 = KDM-189 = P-189 Stan Kenton Released March, 1950 Both the 78 RPM singles and the LP are 12” in diameter. Stan Kenton's Milestones Capitol CDF 190 = H-190 Stan Kenton Released 1950. Records that were actually released during 1950 have the word “Hollywood” underneath “Capitol Records.” They removed that word from their logo in 1951, helping us distinguish first pressings from later copies. Piano Highlights Capitol CCF-191 < H-191 Barclay Allen Released March, 1950. The LP has two bonus tracks. Cocktail Time Capitol CCF-192 < H-192 Ernie Felice Quartet Released March, 1950. -
STANLEY DONEN Chantons Sous La Pluie
STANLEY DONEN Chantons sous la pluie DOSSIER 150 COLLÈGE AU CINÉMA SYNOPSIS En 1927, l’acteur de cinéma Don Lockwood et sa partenaire Lina Lamont assistent à la première de leur nouveau film à Hollywood. Malgré ce qu’il raconte alors au public sur sa carrière et son sens de la dignité, Don a fait beaucoup de compromissions avant de devenir une star. Avec son ami Cosmo Brown, il a tenté de s’imposer au music-hall, puis a débuté obscu- rément au cinéma comme cascadeur jusqu’à ce que le producteur Simpson des studios Monumental Pictures le remarque et fasse de lui le partenaire de la blonde Lina Lamont, aussi belle qu’idiote. Le service de presse du studio les a fiancés pour des raisons publicitaires. L’écervelée Lina croit que leur amour est réel, alors que Don la déteste et ne joue le jeu du couple que pour la galerie et les magazines. Jusqu’au jour où il est séduit par une jeune danseuse inconnue : Kathy Selden. Les dossiers ainsi que des rubriques audiovisuelles Suite au succès du premier film parlant, Don et Lina tournent une production sont disponibles sur le site internet : selon ce procédé, mais l’actrice se révèle incapable de se plier à cette nou- www.transmettrelecinema.com Base de données et lieu interactif, ce site, conçu velle technique. La projection publique est un désastre à cause de la voix de avec le soutien du CNC, est un outil au service crécelle de Lina et des déficiences techniques sur le plan sonore. C’est alors des actions pédagogiques, et de la diffusion d’une culture cinématographique destinée à un que Kathy, Don et Cosmo ont l’idée de transformer ce film de cape et d’épée large public. -
A Tribute to Michael Curtiz 1973
Delta Kappa Alpha and the Division of Cinema of the University of Southern California present: tiz November-4 * Passage to Marseilles The Unsuspected Doctor X Mystery of the Wax Museum November 11 * Tenderloin 20,000 Years in Sing Sing Jimmy the Gent Angels with Dirty Faces November 18 * Virginia City Santa Fe Trail The Adventures of Robin Hood The Sea Hawk December 1 Casablanca t December 2 This is the Army Mission to Moscow Black Fury Yankee Doodle Dandy December 9 Mildred Pierce Life with Father Charge of the Light Brigade Dodge City December 16 Captain Blood The Private Lives of Elizabeth and Essex Night and Day I'll See You in My Dreams All performances will be held in room 108 of the Cinema Department. Matinees will start promptly at 1:00 p.m., evening shows at 7:30 p.m. A series of personal appearances by special guests is scheduled for 4:00 p.m. each Sunday. Because of limited seating capacity, admission will be on a first-come, first-served basis, with priority given to DKA members and USC cinema students. There is no admission charge. * If there are no conflicts in scheduling, these programs will be repeated in January. Dates will be announced. tThe gala performance of Casablanca will be held in room 133 of Founders Hall at 8:00 p.m., with special guests in attendance. Tickets for this event are free, but due to limited seating capacity, must be secured from the Cinema Department office (746-2235). A Mmt h"dific Uredrr by Arthur Knight This extended examination of the films of Michael Only in very recent years, with the abrupt demise of Curtiz is not only long overdue, but also altogether Hollywood's studio system, has it become possible to appropriate for a film school such as USC Cinema. -
Autograph Albums - ITEM 936
Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman -
Convert Finding Aid To
Joseph Abeles: A Preliminary Inventory of His Studio Collection in the Performing Arts Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Abeles, Joseph, circa 1908-1991 Title: Joseph Abeles Studio Collection Inclusive Dates: 1935-1975 Extent: 80 document boxes (33.6 linear feet) Note: This brief collection description is a preliminary inventory. The collection is not fully processed or cataloged; no biographical sketch, descriptions of series, or indexes are available. Access: Open for research. An advance appointment is required to view photographic negatives in the Reading Room. Please contact the Center before requesting this material: [email protected] Administrative Information Acquisition: Purchase, 1978 (R8022) Processed by: Jennifer Hecker, 2001; Martha Estrada and Steven Reyna, 2008; Daniela Lozano, 2012 Repository: Harry Ransom Humanities Research Center, The University of Texas at Austin Abeles, Joseph, circa 1908-1991 Scope and Contents Joseph Abeles (circa 1908-1991), New York theater photographer, established his Talbot Studio in 1935 and formed the Friedman-Abeles Studio with Leo and Sy Friedman in 1957. They were photographers of stage productions and personalities, as well as magazine photo stories about theatrical subjects. This collection of photographic files from Abeles' studio consists predominantly of publicity photographs (some with manuscript notes) for individuals in the performing arts, 1935-1975 (bulk 1950-1970). The collection is arranged in two series, I. Prints (subdivided into A. Portraits and B. Publicity), and II. Negatives (arranged and subdivided to parallel the prints). Approximately 1800 subjects are represented. There are about 11,850 photographic prints (including 8 x 10's, 5 x 7's, proofs, and contact sheets) and 18,500 negatives.