Capitol Records.” They Removed That Word from Their Logo in 1951, Helping Us Distinguish First Pressings from Later Copies
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THE CHRONICLE Gold Found
Gold found Former Rice head football coach Fred Gold smith was tapped to lead the Duke pro THE CHRONICLE gram. See Sports, page 17 for details. THURSDAY. JANUARY 6. 1994 DUKE UNIVERSITY DURHAM. NORTH CAROLINA CIRCULATION: 15.000 VOL. 89, NO. 72 Keohane voices concerns to Secretary of Education By MICHAEL SAUL cation to designate an agency of the regulations that report ment of Education to achieve ing them the skills necessary President Nan Keohane and in each state to review institu edly give government agencies [accountability in administer to get jobs and pay back their 17 other university presidents tions of higher education. In the authority to investigate a ing federal financial aid funds] debt. The Higher Education Act voiced concerns about regula- 1991, loan defaults cost the gov school's curriculum, tenure pro should focus on correcting the guarantees loans and outright tions that could jeopardize post- ernment $3.6 billion, up from cess and graduation rates have abuses by a limited number of grants for post-secondary edu secondary schools' autonomy in about $200 million 10 years sparked an outcry of criticism institutions rather than ex cation, providing $11.7 billion a meeting with Education Sec earlier. from university officials nation panding the federal role into in student aid in 1992. retary Richard Riley Wednes The university presidents wide. the management of institu The presidents questioned day. told Riley that they supported The department is scheduled tional academic affairs," language in preliminary drafts Motivated by abuses in the the act but asserted that the to release the proposed regula Keohane wrote in a statement. -
Alshire Records Discography
Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M. -
From King Records Month 2018
King Records Month 2018 = Unedited Tweets from Zero to 180 Aug. 3, 2018 Zero to 180 is honored to be part of this year's celebration of 75 Years of King Records in Cincinnati and will once again be tweeting fun facts and little known stories about King Records throughout King Records Month in September. Zero to 180 would like to kick off things early with a tribute to King session drummer Philip Paul (who you've heard on Freddy King's "Hideaway") that is PACKED with streaming audio links, images of 45s & LPs from around the world, auction prices, Billboard chart listings and tons of cool history culled from all the important music historians who have written about King Records: “Philip Paul: The Pulse of King” https://www.zeroto180.org/?p=32149 Aug. 22, 2018 King Records Month is just around the corner - get ready! Zero to 180 will be posting a new King history piece every 3 days during September as well as October. There will also be tweeting lots of cool King trivia on behalf of Xavier University's 'King Studios' historic preservation collaborative - a music history explosion that continues with this baseball-themed celebration of a novelty hit that dominated the year 1951: LINK to “Chew Tobacco Rag” Done R&B (by Lucky Millinder Orchestra) https://www.zeroto180.org/?p=27158 Aug. 24, 2018 King Records helped pioneer the practice of producing R&B versions of country hits and vice versa - "Chew Tobacco Rag" (1951) and "Why Don't You Haul Off and Love Me" (1949) being two examples of such 'crossover' marketing. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot. -
An American in Paris Capitol H-301 Paul Whiteman Released February, 1952
Capitol Albums, 301 to 400 and EP Identifier Gershwin: An American in Paris Capitol H-301 Paul Whiteman Released February, 1952. Gershwin: Rhapsody in Blue Capitol H-302 Leonard Pennario, Piano, with Paul Whiteman & His Orchestra Released February, 1952. An American in Paris/Rhapsody in Blue Capitol P-303 Paul Whiteman Released February, 1952. Combines H-301 and H-302. Later reissued as T-303. Moods for Candlelight Capitol DCN-304 = KCF-304 < L-304 Francis Scott & His Orchestra Released March, 1952. The LP contains two bonus tracks. Reissued later in 1952 as H-304. Keyboard Cocktails Capitol CDF-305 = H-305 Chuy Reyes Released April, 1952. Kitten on the Keys Capitol CCN-306 = CCF-306 < H-306 Ray Turner Released April, 1952. The LP contains two bonus tracks; the first back cover does not mention the bonus tracks. Accordion Powerhouse Capitol DCN-307 = KCF-307 < L-307 Ernie Felice Released April, 1952. The title on the cover is Accordion Power House. The LP contains two bonus tracks. Top Banana Capitol FDR-308 = EDM-308 = S-308 Original Cast featuring Phil Silvers Released January, 1952. With a Song in My Heart Capitol DDN-369 = KDF-309 = L-309 Jane Froman Released March, 1952. Pal Joey Capitol FDR-310 = EDM-310 = S-310 Original Cast Released March, 1952. Sugar Blues Capitol CCN-311 = CCF-311 < H-311 Clyde McCoy Released May/June, 1952. The LP contains two bonus tracks. Dixieland Detour Capitol CCN-312 = CCF-312 < H-312 Pee Wee Hunt Released June 1952. The LP contains two bonus tracks. Circus Parade Capitol DCN-313 = KCF-313 < L-313 Merle Evans Released April, 1952. -
Trevor Tolley Jazz Recording Collection
TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre. -
THE PRESS Friday, December 13, 1963 TELEVISION LOG for the WEEK FRIDAY SATURDAY SUNDAY
A-8—THE PRESS Friday, December 13, 1963 TELEVISION LOG FOR THE WEEK FRIDAY SATURDAY SUNDAY. MONDAY WEDNESDAY THURSDAY DECEMBER 16 DECEMBER 13 DECEMBER 14 DECEMBER 15 DECEMBER 18 DECEMBER 19 12:00 ( 2) Burns and Alien 11:00 ( 7) AFL Game 12:00 ( 2) Burns and Alien ( 4) People Will Talk 11:00 ( 2) NFL Game ( 4) People Will Talk 12:00 ( 2) Burns and Alien 12:00 ( 2) Burns and Alien ( 5) Dateline Europe 12:00 ( 2) Sky KKing 12:00 ( 2) Insight ( 5) Cross Current ( 4) People Will Talk ( 4) People Will Talk ( 7) Tennessee ^rme ( 4) Exploring ( 4) Jr. Rose bowl ( 7) Tennessee Ernie ( 5) Overseas Adventure ( 5) Overseas Adventure ( 9) Hour of St. Francis ( 9) Searchlight on ( "<) Ernie Ford (11) Sheriff John (13) Cartoons ( 7) Press Conference Delinquency ( 7) Tennessee Ernie 9) Books and Ideaa (13) Oral Roberts ( 9) Dr. Spock 12:30 ( 2) As World Turns 12:30 ( 2) Do You Know (11) Sheriff John (11) Sheriff John ( 5) TV Bingo (13) Movie (11) Sheriff John (13) Movie ( 7) Father Knows Best ( 5) Movie 12:30 ( 5) Movie ( 9) Mr. D.A. "Tonight We Raid Calali" 12:30 ( 2) As World Turn* (13) Movie 12:30 ( 2) As World Turns 1:00 (2) News Lee J. Cohb (4 ) The Doctors ( 4) The Doctors 12:45 ( 5) Dateline Europe ( 7) Discovery 12:30 ( 2) As World Turns 1:00 ( 2) Password ( 4) Ornamental World ( 5) TV Bingo ( 5) TV Bingo (13) Social Security ( 7) Father Knows Best (4 ) The Doctors ( 7) Father Knows Best ( 4) Loretta Young ( 5) Movie ( 5) TV Bingo ( 5) Douglas Fairbanks ( 9) Mr. -
Gabe Baltazar Stan Kenton Presents Gabe Baltazar Mp3, Flac, Wma
Gabe Baltazar Stan Kenton Presents Gabe Baltazar mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Stan Kenton Presents Gabe Baltazar Country: US Released: 1979 Style: Cool Jazz MP3 version RAR size: 1812 mb FLAC version RAR size: 1980 mb WMA version RAR size: 1870 mb Rating: 4.3 Votes: 544 Other Formats: XM AIFF APE WMA VOC MMF MP4 Tracklist Hide Credits When Johnny Comes Marching Home A1 3:35 Arranged By – Don MenzaWritten-By – Traditional What's New A2 5:56 Arranged By – Bill HolmanComposed By – Haggart*, Burke* Gabe A3 4:00 Composed By, Arranged By – Angel Peña* A Time For Love A4 Arranged By – Angel Peña*Arranged By [Strings] – Chuck HooverComposed By – Mandel*, 5:03 Webster* Take The A Train B1 Arranged By – Don MenzaComposed By – Billy StrayhornSoloist – Bob Cooper, Conte 4:22 Condoli* Love Song B2 6:40 Composed By, Arranged By – Don Menza Spanish Boots B3 6:45 Composed By, Arranged By – Don Menza Companies, etc. Copyright (c) – Creative World Records Phonographic Copyright (p) – Creative World Records Recorded At – Capitol Studios Published By – Warner Bros. Music Published By – Tempo Music Published By – Rondon Music Credits Bass – Chuck Domonico* Cello – Igor Horoshevsky, Ray Kelley Contractor – Hy Lesnick Drums – Earl Palmer, John Guerin, Steve Schaeffer Engineer – Hugh Davies French Horn – Art Maebe, George Price, Richard Perissi, Vince DeRosa* Graphics – Lexington Avenue West Guitar – Tommy Tedesco Harp – Dorothy Remsen Liner Notes – Stan Kenton Mastered By – Dave Ellsworth Percussion – Dale Anderson Photography -
Great Escape Vol. 5
THE GREAT ESCAPE!* ♪ *“Anything that is good jazz is a great escape. When you’re involved in playing or listening to great jazz, no one can get to you.” -Woody Herman Vol. 1 No. 5 November/December 2007 Presented by: www.dixieswing.com Buddy Hughes: One Night on the Stand with Thornhill By Bob Knack While rummaging through my record room recently, I the most exciting band ever.” In the review, DB magazine came across a dusty cardboard box containing a morsel of real reported that Vannerson had recently left the band leaving treasure. It was an October 21, 1946 copy of Downbeat Thornhill without a personal manager or press agent making it Magazine, with the headline, “Claude Thornhill, Band of the difficult for the band to compete for bookings. Year”. The article highly praised the Thornhill band reviewed “After playing some smaller eastern ballrooms and “live” at the Hotel Pennsylvania in New York City. theatres,” Buddy continues, “the appearance at the It saved the highest accolades for the guy singer, Pennsylvania was a big event for the band, and had the Buddy Hughes, saying he had “the freshest, best voice to be attention of show business and band personalities who packed heard with a band”. I asked my friend and Glen Ellyn, Illinois the place for the big night”. “I was introduced by my manager resident, Buddy to reminisce about this night and his time with to Mildred Bailey, Paula Kelly and the Modernaires, Les Brown the CT band, and, as always, he brought the era back to mind (with his arranging pad in hand), singer Buddy Clark and many with his stories as if it were yesterday. -
B E E N W E R E W E '
VOLUME XXXVI BIG BAND JUMP NEWSLETTER JANUARY-FEBRUARY 1995 UPCOMING BBJ PROGRAM TITLES Hackett plays his mellow cornet, combinations develop. The very best of Lionel Hampton both sings and plays the late 40’s Sauter-Finegan will be January 7-8,1995 (This list- sweet and swing, Bobby Haggart’s heard, some very old but very good VOCALISTS ing repeat- contributions include playing, writ Artie Shaw, Bobby Sherwood’s short 1936 TO 1948/ ed from ing and arranging, and Woody lived band will perform and to lighten PIANO PLAYERS previous Herman swings without restraint. issue for the overall sound, the talented George new subscriber convenience.) The vo- January 21-22, 1995 W hile we Shearing will contribute his excellent calists KEATING/ were piano magic. have al- KAEMPFERT/ checking w a y s KENTON & KRUPA out artists February 18-19, 1995 Truth is, been alphabeti BROWN/BARNET this foolin' with us, cally, we ran across four varied sounds BUTTERFIELD around in but they in the “K’s”. The seldom-heard Brit & BASIE the old were part ish orchestra of Johnny Keating, the r e c o r d ofthe Big German 60’s thumping recording of stacks in the back room is more fun Bands in Bert Kaempfert, the later 40’s Stan than an older adult ought to have. For the era Kenton from radio transcriptions, and this one we’ve teamed Les Brown, covered Gene Krupa’s excellent band, so often by this under-rated. This alphabetical tie-in is Charlie Barnet, Count Basie and the hour, not fun! seldom-heard Billy Butterfield. -
Record Dreams Catalog
RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores. -
Eihhfltrko KEITH's Way, Closes Saturday Night, Goes Into the Books As a Failure
housework now, and you sense some- sacrificing money, but Snnabella 'For Me and how that she isn’t _AMUSEMENTS. My Gal’ Tells Tyrone Leaves kidding when she knows what it is not to have any. says she enjoys it. The lovely French girl already has Wis/iinaten Showing/ I’m not a But Annabella “Maybe such good turned down a movie contract which Of maid,” she'' “but I am williams.. Vaudeville With continues, would interfere with her travel, and B^emlynSTAA *'TM STAMt IQOK OOW fast. rvy Song I clean the bedrooms and she'll probably have chances at at Heels scrub the bathrooms and I am not others. Yj RODDY MeOOWELL.. For, in "Secret Mission.” • Stays bored STAR .A THS PHD pi pep Judy Garland, Gene HOLLYWOOD. because it is fun to see things she's returning to films for the first; Kelly’, made clean. % When Husband Tyrone Power time since she and Power were an All these for t Featured dons a Marine uniform, some day plans sticking close married in 1939. During those three Shadows George Murphy to will soon. Wife Annabella doesn't intend Ty involve some sacrifice. years, she spurned offers from al- You In New Palace Feature to say good-by. She’s going to stay may sneer at a movie actress most every studio in town. Ueiicon _ mil as close to him as just possible. amusements" ORCHID' By ANDREW R. KELLEY. “At first, Tyrone will have his AMUSEMENTS. ggjggjjgjgg "For Me and My GaP treats the old-time three-and-four-a-day training in San Diego, so far as we vaudeville so affectionately, and is flavored with such heart-warming know.