3 Awesome Ways to Experience Rome, Easter Rome & Italy with Wsa!

Total Page:16

File Type:pdf, Size:1020Kb

3 Awesome Ways to Experience Rome, Easter Rome & Italy with Wsa! WEEKEND STUDENT ADVENTURES 3 AWESOME WAYS TO EXPERIENCE ROME, EASTER ROME & ITALY WITH WSA! 1. SPRING BREAK ITALY & EASTER ROME Take in the stunning Tuscan countryside, trace the cobblestones in Florence, lean up against the tower in Pisa, explore the rugged Italian Riviera, hike the trails of the Cinque Terre, and get lost in Venice, the city of canals. Includes deluxe bus transfer throughout, EVERYTHING in the Easter Rome Package and more! More info on page 2. Duration: 8 days, 7 nights Price: €749 Departures: April 13th—20th (fly into eniceV on April 13, leave from Rome April 20) April 17th—24th (fly into Rome on April 17, fly out ofenice V April 24) 2. EASTER ROME PACKAGE ONLY Experience Easter Mass with Pope Francis in Rome! Our whirlwind tour packs in the can't- miss sites of the Eternal City, and zips you throughout town to our favorite student dinner and nightlife hangouts. More info on page 3. Duration: 4 days, 3 nights Price: €399 Departures: April 17th—20th (fly in and out of Rome) 3. WSA's STANDARD ROME On a short 3-day visit, we skip the line into the Colosseum and Vatican, hit our favorite nightlife venues, explore the cobblestone alleyways and take in the city on evening passegiatas through beautiful piazzas. More info on page 4. Duration: 3 days, 2 nights (opt into Thursday arrival) Price: €199 Departures: Multiple weekends throughout the semester (fly in and out of Rome) Find more details on each trip on pages 2-4, and FAQ on page 5. PRAGUE | AMSTERDAM | ROME | PARIS | SWISS ALPS | DUBLIN | KRAKOW | BERLIN | BARCELONA | BUDAPEST TWITTER.COM/WSAEUROPE WSAEUROPE.COM FACEBOOK.COM/WSAEUROPE SPRING BREAK ITALY & EASTER ROME TRIP SUMMARY APRIL 13th ITINERARY Experience the magic of Italy with us as we explore Venice, the Italian Riviera, Cinque Terre, Pisa, Florence, Tuscany and spend D1: Arrive into Venice anytime Easter in Rome! Our package is designed to jive perfectly with your Spring Break, and to maximize your time and fun in some of D2: Tour of Venice, and move on Europe's most breathtaking destinations. to the famous Cinque Terre D3: The day is yours to hike the DEPARTURE DATES & HOW OUR TRIP WORKS trails, sample fresh pesto and We've got two great tours of Italy lined up. Our Spring Break Italy tour explore the amazing coastline includes everything over Easter Rome plus a 5-day tour of Italy. Cap your tour or kick it off with Easter weekend in Rome depending on your D4: Photo op at the leaning tower schedule. of Pisa and on to Florence in the morning to see Michelangelo's April 13th—20th: Fly into Venice on the 13th, and fly out of Rome on the 20th. Optional extra night to depart on the 21st. David and sample fresh gelato April 17th—24th: Fly into Rome on the 17th, and fly out of eniceV on D5: --> Rome and get ready for the 24th. Easter weekend! INCLUDED D6: Renaissance Rome, Vatican P 7 nights in our favorite budget accommodations across Italy museums, Sistine Chapel, P Deluxe bus transfers throughout Italy P Skip-the-line entry to the Colosseum, Ancient Forum, Pantheon, St. Peter's Basilica, dinner in Vatican Museums, Sistine Chapel, St. Peter’s Basilica, Academia in Trastevere Florence & Doge's Palace in Venice D7: Ancient Rome, Colosseum, P Orientational walking tours in each stop along the way P Tickets to Easter Mass at St. Peter's Basilica with Pope Francis Forum, Pantheon & dinner party P 3 Groups dinners at our favorite authentic Italian eateries at our favorite student restaurant P Full-time expertise and service of your awesome WSA Europe guide D8: Easter Mass with Pope P Fun group of fellow backpackers (35 max) P All breakfasts and all local transportation Francis! Depart at any time, or make arrangements to stick NOT INCLUDED/OPTIONS around! P Flights - Meet us at the hostel, and we'll take it from there! P Join us at our favorite affordable restaurants for fun, cheap meals APRIL 17th DEPARTURE SPRING BREAK ITALY & EASTER ROME: €749 This tour starts on Thursday, April Two Departures: April 13—20 and April 17—24 17th in Rome. Days 1-4 are in Rome, then the itinerary above is GETTING THERE Rome has two airports: Fiumicino (FCO) and Ciampino (CIA) with easy mirrored to finish in Venice. & cheap city-center connections. Venice has two airports: Marco Polo (30 mins to Venice) and Treviso (budget airlines, 1.25hrs to Venice). GET IN TOUCH WITH QUESTIONS AT [email protected] PRAGUE | AMSTERDAM | ROME | PARIS | SWISS ALPS | DUBLIN | KRAKOW | BERLIN | BARCELONA | BUDAPEST TWITTER.COM/WSAEUROPE WSAEUROPE.COM FACEBOOK.COM/WSAEUROPE WSA's EASTER ROME TRIP SUMMARY Dive deep into Italian culture on the best weekend to be here. We're excited to show you Rome as a local, introduce you to our favorite sights, restaurants, student hangouts and local guides. Easter Mass tickets with Pope Francis are included! Ciao for now- INCLUDED P 3 nights in Rome’s best hostel (Thurs, Fri, Sat) WEEKEND BREAKDOWN P Skip-the-line entry into the Colosseum, Ancient Forum, Pantheon, THURS/FRI: arrival, check in, Vatican City, St. Peter’s Basilica P Evening walks throught medieval Trastevere & famous nightlife spots WSA meet ‘n greet P Tickets to Easter Mass at St. Peter's Basilica with Pope Francis FRI: breakfast, orientation, P Unforgettable 4-course dinner in the shadow of the Pantheon tour of ancient rome, coliseum, P Full-time expertise and service of a professional WSA Europe guide ancient forum, pantheon, P Fun group of fellow backpackers P 3 breakfasts and all local transportation spanish steps, trevi fountain, dinner, gelato & nightlife NOT INCLUDED/OPTIONS SAT: breakfast, tour of the P Flights- Meet us at the hostel, and we'll take it from there! vatican city, st. peter’s, free P Join us at our favorite affordable restaurants for fun, cheap meals time, evening tour of trastevere, dinner, more gelato & nightlife EASTER ROME: €399 FAQ SUN: breakfast, easter mass April 17—20, 2014 Q: When should I get my flights? with the pope at st. peter’s A: Get in any time Thursday, and GETTING THERE stick around 'til Sunday afternoon Rome has two airports: Fiumicino to catch Mass. Opt into Sunday MEET YOUR GUIDE (FCO) and Ciampino (CIA) night if you like as well! Andy Steves with easy & cheap city-center Q: Where can I read up on WSA’s brings a connections. Use SkyScanner.net, testimonials? lifetime of CheapoAir.com, and Kayak.com to A: Please check them out! They’re European travel find the cheap flights. Research all online at WSAEurope.com. experience to train options & timetables at Q: How do the group meals work? the table and www.sbb.ch. A: We include all breakfasts, one he’s passionate lunch and one great group dinner. CURRENCY about sharing Q: Is Thursday night included? Euro (€) €1:$1.33USD the lessons, tips and tricks A: Yes! Our Easter package he’s learned from many years CONTACT includes Thursday night in the backpacking, touring and leading [email protected] price. with his father, Rick. PRAGUE | AMSTERDAM | ROME | PARIS | SWISS ALPS | DUBLIN | KRAKOW | BERLIN | BARCELONA | BUDAPEST TWITTER.COM/WSAEUROPE WSAEUROPE.COM FACEBOOK.COM/WSAEUROPE ANDY STEVES’ WSA ROME { THE ETERNAL CITY } TRIP SUMMARY Get ready to experience the sights, sounds and delicious tastes of Roma through our favorite vistas, restaurants and student hangouts. Meet our local friends, try the city's best gelato and make sense of Italy's lovable chaos with WSA! Buon viaggio! INCLUDED P 2 nights in Rome’s top-rated hostel (Fri, Sat) WEEKEND BREAKDOWN P Skip-the-line entry into the Colosseum, Ancient Forum, Pantheon, Vatican Museums, Sistine Chapel, St. Peter’s Basilica & more THURS/FRI: arrival, check in, P Evening walks through medieval Trastevere & famous night spots WSA meet ‘n greet P Gelato 101 lesson and multiple taste-testing opportunities FRI: breakfast, orientation, tour P Option for incredible 4-course dinner in the shadow of the Pantheon P Full-time expertise and service of a professional WSA Europe guide of ancient rome, colosseum, P Fun group of fellow backpackers (30 max) ancient forum, pantheon, P 3 breakfasts and all local transportation spanish steps, trevi fountain, dinner, gelato & nightlife NOT INCLUDED/OPTIONS P RT Transportation- Meet us at the hostel and we'll take it from there! SAT: vatican museums, st. P Join us at our favorite affordable restaurants for fun, cheap meals peter’s, free afternoon, evening P Opt-in to an extra night at the hostel on Thursday for early arrivals tour of trastevere, dinner, more gelato & nightlife PACKAGE PRICE: €199 FAQ SUN: breakfast, options for Q: Where can I see what student sunday market or picnic in the GETTING THERE say about this trip?? city park Rome has two airports: Fiumicino A: Please check them out! They’re (FCO) and Ciampino (CIA) with all online at WSAEurope.com. easy city-center connections. Use MEET YOUR WSA GUIDE Q: How do the group meals work? SkyScanner.net, CheapoAir.com, Meet Giorgio, A: We’ve selected our favorite and Kayak.com to find the cheap our brave restaurants based on authenticity, flights. Buses are the cheapest Roman tour budget and fun environment. All transfer to the center. guide excited are welcome to join, or you can to show you CURRENCY branch out on your own. around his Euro (€) €1: $1.33USD Q: What should I do if I want to home town. arrive Thursday night? While currently QUESTIONS? A: Just check the box during the studying Medicine, he enjoys [email protected] booking process and it’s as easy taking breaks to play rugby and as that! show friends the hidden gems across Rome.
Recommended publications
  • The Life of Michelangelo Buonarroti by John Addington Symonds</H1>
    The Life of Michelangelo Buonarroti by John Addington Symonds The Life of Michelangelo Buonarroti by John Addington Symonds Produced by Ted Garvin, Keith M. Eckrich and PG Distributed Proofreaders THE LIFE OF MICHELANGELO BUONARROTI By JOHN ADDINGTON SYMONDS TO THE CAVALIERE GUIDO BIAGI, DOCTOR IN LETTERS, PREFECT OF THE MEDICEO-LAURENTIAN LIBRARY, ETC., ETC. I DEDICATE THIS WORK ON MICHELANGELO IN RESPECT FOR HIS SCHOLARSHIP AND LEARNING ADMIRATION OF HIS TUSCAN STYLE AND GRATEFUL ACKNOWLEDGMENT OF HIS GENEROUS ASSISTANCE CONTENTS CHAPTER page 1 / 658 I. BIRTH, BOYHOOD, YOUTH AT FLORENCE, DOWN TO LORENZO DE' MEDICI'S DEATH. 1475-1492. II. FIRST VISITS TO BOLOGNA AND ROME--THE MADONNA DELLA FEBBRE AND OTHER WORKS IN MARBLE. 1492-1501. III. RESIDENCE IN FLORENCE--THE DAVID. 1501-1505. IV. JULIUS II. CALLS MICHELANGELO TO ROME--PROJECT FOR THE POPE'S TOMB--THE REBUILDING OF S. PETER'S--FLIGHT FROM ROME--CARTOON FOR THE BATTLE OF PISA. 1505, 1506. V. SECOND VISIT TO BOLOGNA--THE BRONZE STATUE OF JULIUS II--PAINTING OF THE SISTINE VAULT. 1506-1512. VI. ON MICHELANGELO AS DRAUGHTSMAN, PAINTER, SCULPTOR. VII. LEO X. PLANS FOR THE CHURCH OF S. LORENZO AT FLORENCE--MICHELANGELO'S LIFE AT CARRARA. 1513-1521. VIII. ADRIAN VI AND CLEMENT VII--THE SACRISTY AND LIBRARY OF S. LORENZO. 1521-1526. page 2 / 658 IX. SACK OF ROME AND SIEGE OF FLORENCE--MICHELANGELO'S FLIGHT TO VENICE--HIS RELATIONS TO THE MEDICI. 1527-1534. X. ON MICHELANGELO AS ARCHITECT. XI. FINAL SETTLEMENT IN ROME--PAUL III.--THE LAST JUDGMENT AND THE PAOLINE CHAPEL--THE TOMB OF JULIUS.
    [Show full text]
  • The Sextine Chapel Pdf, Epub, Ebook
    THE SEXTINE CHAPEL PDF, EPUB, EBOOK Herve Le Tellier | 91 pages | 26 Jul 2011 | Dalkey Archive Press | 9781564785756 | English | Normal, IL, United States The Sextine Chapel PDF Book You can find it in the central part of the vault. More specifically, the heavenly beauty associated with the divine. Although this is a ticketed and timed event, all tickets will be honored as space allows. The spacious exhibit is located in the North Atrium conveniently steps away from parking and vehicle drop-off areas. The overall structure of the ceiling paintings was designed by Michelangelo himself, via Wiki Commons. Peter there in CNN reporter's 9-month-old baby dies on Christmas Eve. Can I take photos inside the exhibit? Kit stole sideward glances at Lucy, who hummed, twisting her hair around her fingers in a compulsive fashion. The publication of this book is a big deal; the Vatican museums have never before authorized a publication of its kind, and the work will never be reprinted. Both at work and at home, Mia is surrounded by books, and enjoys writing about great works of fiction and poetry. Talking about visitors, it is also prohibited to take photos inside the Sistine Chapel. At the heart of their work was beauty. Views Read Edit View history. Le Tellier—also the secretary of the group, a journalist, mathematician, food critic, teacher, and regular guest on a French cult literary quiz show—has written these wonderfully elegant permutations of love and its attendant complications. La chapelle Sextine - France. The Mall of America is wheelchair friendly and also offers a variety of guest services such as stroller and wheelchair rental.
    [Show full text]
  • And Yet Another Papal Commission for Funerary Sculpture.I Ji;Ij1ii!Jmr.Ll 1Iii Lit F
    "Art and death do not go well together," lamented Michelangelo in a famous letter, as he faced middle age and yet another papal commission for funerary sculpture.I ji;iJ1II!Jmr.ll_ 1IIi lIt f . I . hat, however, is precisely what Pope Clement VII called on him to 'I do-unite art and death-when. in f1520 he directed the already renowned Hi/ Iorty-five-year-old artist to execute a -.I funerary chapel to house the remains of ', ., four members of the Medici family. jU :r /I # I InI. response, Michelangelo created j one of the most enigmatic sculptural groups of his career. The allegorical f I1 human figures, called Day, Night, Dawn, ~:1I /0 and Dusk, have intrigued viewers ever since the artist left them strewn about the 17 chapel floor in 1534, when he left 0 I I Florence for Rome, never to return. U IRF IJ1 lq*." _- N I I :t: j0 _- F 01 I, Le !1 r t -\ t I .1 ''..I zIIIt , i V Even though it is the only one of his sculptural groups resid- Lorenzo in Florence. Mchelangelo worked on the project Spo- ing in its original setting, we can only conjecture at what radically for fourteen years, but of the four tombs, he only Michelangelo had in mind when he conceived the still-incom- partially completed two. plete decoration in the Medici chapel. The artist conceived each tomb as a cohesive ensemble uni- Pope Clement VII (formerly Giulio de' Medici) charged fying architecture and sculpture. In a central niche, an effigy MIichelangelo worked on -i X ithe project sporadically for fourteen years, but of the four tombs, he only partially completed two.
    [Show full text]
  • Lesson 09: Michelangelo- from High Renaissance to Mannerism
    East Tennessee State University Digital Commons @ East Tennessee State University Art Appreciation Open Educational Resource 2020 Lesson 09: Michelangelo- From High Renaissance to Mannerism Marie Porterfield Barry East Tennessee State University, [email protected] Follow this and additional works at: https://dc.etsu.edu/art-appreciation-oer Part of the Art and Design Commons, and the History of Art, Architecture, and Archaeology Commons Editable versions are available for this document and other Art Appreciation lessons at https://dc.etsu.edu/art-appreciation-oer. Recommended Citation Barry, Marie Porterfield, "Lesson 09: Michelangelo- rF om High Renaissance to Mannerism" (2020). Art Appreciation Open Educational Resource. East Tennessee State University: Johnson City. https://dc.etsu.edu/art-appreciation-oer/10 This Book Contribution is brought to you for free and open access by Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Art Appreciation Open Educational Resource by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. “Michelangelo from High Renaissance to Mannerism” is part of the ART APPRECIATION Open Educational Resource by Marie Porterfield Barry East Tennessee State University, 2020 Introduction This course explores the world’s visual arts, focusing on the development of visual awareness, assessment, and appreciation by examining a variety of styles from various periods and cultures while emphasizing the development of a common visual language. The materials are meant to foster a broader understanding of the role of visual art in human culture and experience from the prehistoric through the contemporary. This is an Open Educational Resource (OER), an openly licensed educational material designed to replace a traditional textbook.
    [Show full text]
  • Michelangelo Buonarotti
    MICHELANGELO BUONAROTTI Portrait of Michelangelo by Daniele da Volterra COMPILED BY HOWIE BAUM Portrait of Michelangelo at the time when he was painting the ceiling of the Sistine Chapel. by Marcello Venusti Hi, my name is Michelangelo di Lodovico Buonarroti Simoni, but you can call me Michelangelo for short. MICHAELANGO’S BIRTH AND YOUTH Michelangelo was born to Leonardo di Buonarrota and Francesca di Neri del Miniato di Siena, a middle- class family of bankers in the small village of Caprese, in Tuscany, Italy. He was the 2nd of five brothers. For several generations, his Father’s family had been small-scale bankers in Florence, Italy but the bank failed, and his father, Ludovico di Leonardo Buonarroti Simoni, briefly took a government post in Caprese. Michelangelo was born in this beautiful stone home, in March 6,1475 (546 years ago) and it is now a museum about him. Once Michelangelo became famous because of his beautiful sculptures, paintings, and poetry, the town of Caprese was named Caprese Michelangelo, which it is still named today. HIS GROWING UP YEARS BETWEEN 6 AND 13 His mother's unfortunate and prolonged illness forced his father to place his son in the care of his nanny. The nanny's husband was a stonecutter, working in his own father's marble quarry. In 1481, when Michelangelo was six years old, his mother died yet he continued to live with the pair until he was 13 years old. As a child, he was always surrounded by chisels and stone. He joked that this was why he loved to sculpt in marble.
    [Show full text]
  • Bill Viola / Michelangelo Main Galleries 26 January – 31 March 2019
    Bill Viola / Michelangelo Main Galleries 26 January – 31 March 2019 Supported by With grateful thanks to John Studzinski CBE Supported by Dunard Fund In January 2019, the Royal Academy of Arts will bring together the work of the pioneering video artist, Honorary Royal Academician Bill Viola (b. 1951), with drawings by Michelangelo (1475 -1564). Though working five centuries apart and in radically different media, these artists share a deep preoccupation with the nature of human experience and existence. Bill Viola / Michelangelo will create an artistic exchange between these two artists and will be a unique opportunity to see major works from Viola’s long career and some of the greatest drawings by Michelangelo, together for the first time. It will be the first exhibition at the Royal Academy largely devoted to video art and has been organised in partnership with Royal Collection Trust. The exhibition will comprise 12 major video installations by Viola, from 1977 to 2013, to be shown alongside 15 works by Michelangelo. They include 14 highly finished drawings, considered to be the high point of Renaissance drawing, as well as the Royal Academy’s ‘Taddei Tondo’. It will propose a dialogue between the two artists, considering Viola as an heir to a long tradition of spiritual and affective art, which makes use of emotion as a means of connecting viewers with its subject matter. It also aims to recapture the spiritual and emotional core of Michelangelo, beyond the awesome grandeur of his works. Viola first encountered the works of the Italian Renaissance in Florence in the 1970s where he spent some of his formative years.
    [Show full text]
  • Teachers' Resource
    TEACHERS’ RESOURCE MICHELANGELO’S DREAM 18 FEBRUARY – 16 MAY 2010 CONTENTS 1: INTRODUCTION TO THE EXHIBITION 2: UNDERSTANDING THE DREAM 3: MY SOUL TO MESSER TOMMASO 4: DRAWN IN DREAMS 5: MICHELANGELO’S POETRY 6: MICHELANGELO AND MUSIC 7: REGARDÉ: SONNETS IN MICHELANGELO’S AGE 8: IMAGE CD The Teachers’ Resources are intended for use by secondary schools, colleges and teachers of all subjects for their own research. Each essay is marked with suggested links to subject areas and key stage levels. We hope teachers and educators will use these resources to plan lessons, help organise visits to the gallery or gain further insight into the exhibitions at The Courtauld Gallery. FOR EACH ESSAY CURRICULUM LINKS ARE MARKED IN RED. Cover image and right: Michelangelo Buonarroti The Dream (Il Sogno) To book a visit to the gallery or to discuss c.1533 (detail) any of the education projects at Black chalk on laid paper The Courtauld please contact: Unless otherwise stated all images [email protected] © The Samuel Courtauld Trust, 0207 848 1058 The Courtauld Gallery, London WELCOME The Courtauld Institute of Art runs an exceptional programme of activities suitable for young people, school teachers and members of the public, whatever their age or background. We offer resources which contribute to the understanding, knowledge and enjoyment of art history based upon the world-renowned art collection and the expertise of our students and scholars. The Teachers’ Resources and Image CDs have proved immensely popular in their first year; my thanks go to all those who have contributed to this success and to those who have given us valuable feedback.
    [Show full text]
  • FROM DARKNESS to LIGHT WRITERS in MUSEUMS 1798-1898 Edited by Rosella Mamoli Zorzi and Katherine Manthorne
    Mamoli Zorzi and Manthorne (eds.) FROM DARKNESS TO LIGHT WRITERS IN MUSEUMS 1798-1898 Edited by Rosella Mamoli Zorzi and Katherine Manthorne From Darkness to Light explores from a variety of angles the subject of museum ligh� ng in exhibi� on spaces in America, Japan, and Western Europe throughout the nineteenth and twen� eth centuries. Wri� en by an array of interna� onal experts, these collected essays gather perspec� ves from a diverse range of cultural sensibili� es. From sensi� ve discussions of Tintore� o’s unique approach to the play of light and darkness as exhibited in the Scuola Grande di San Rocco in Venice, to the development of museum ligh� ng as part of Japanese ar� s� c self-fashioning, via the story of an epic American pain� ng on tour, museum illumina� on in the work of Henry James, and ligh� ng altera� ons at Chatsworth, this book is a treasure trove of illumina� ng contribu� ons. FROM DARKNESS TO LIGHT FROM DARKNESS TO LIGHT The collec� on is at once a refreshing insight for the enthusias� c museum-goer, who is brought to an awareness of the exhibit in its immediate environment, and a wide-ranging scholarly compendium for the professional who seeks to WRITERS IN MUSEUMS 1798-1898 proceed in their academic or curatorial work with a more enlightened sense of the lighted space. As with all Open Book publica� ons, this en� re book is available to read for free on the publisher’s website. Printed and digital edi� ons, together with supplementary digital material, can also be found at www.openbookpublishers.com Cover image:
    [Show full text]
  • Michelangelo's Florentine Pieta: the Missing
    Michelangelo'sFlorentine Pieta: The MissingLeg 43 LEO STEINBERG The Christ in Michelangelo's Florentine Pieth (Fig. 1) is short tracing the motif backward in time---that the slung leg (its sex one leg, and yet the missing limb is rarely missed, so well interchangeable and in Italy usually assigned to the woman) does the figure in its truncated state seem to work. Some even becomes progressively less profane, almost solemn in context. regard the lack of the other leg as an aesthetic gain.' It is to In the quarter-century that immediately follows Michel- those who take this position or who for any reason whatever angelo's abandonment of the Pieta, i.e., before 1580, the slung deplore the attempt to put back what Michelangelo had re- leg occurs only in allegories, or in Biblical and mythological moved that I offer this consideration: Michelangelo certainly scenes (Figs. 8 and 9). By 1550 the motif is assimilated to did not conceive a Christ with amputations. He planned a scenes of Lot and his daughters-perhaps because the sexual whole, and whatever that whole was meant to embody he act represented is at the opposite pole from trivial or private lived with for some eight years until the mid-1550's when he lust, being rather a desperate if misguided attempt to save the destroyed the work. And any thought that Michelangelo en- human race from extinction (Figs. 10 and 11). In a very few tertained for nearly a decade is worth thinking again. Hence instances the slung leg motif occurs in Lesbian situations- we may well ask how the missing member completes Michel- once in a drawing by Giulio Campi where Jupiter, in Diana's angelo's group.
    [Show full text]
  • Michael Angelo Buonarroti by Charles Holroyd
    The Project Gutenberg EBook of Michael Angelo Buonarroti by Charles Holroyd This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.guten- berg.org/license Title: Michael Angelo Buonarroti Author: Charles Holroyd Release Date: September 19, 2006 [Ebook 19332] Language: English ***START OF THE PROJECT GUTENBERG EBOOK MICHAEL ANGELO BUONARROTI*** Michael Angelo Buonarroti By Charles Holroyd, Keeper of the National Gallery of British Art, with Transla- tions of the Life of the Master by His Scholar, Ascanio Condivi, and Three Dialogues from the Portuguese by Francisco d'Ollanda London Duckworth and Company New York Charles Scribner's Sons 1903 MICHAEL ANGELO From an early proof of the engraving by GIULIO BONASONI (In the Print Room of the British Museum) Contents Preface . ix Illustrations . xii PART I . 1 CHAPTER I . 3 CHAPTER II . 19 CHAPTER III . 25 CHAPTER IV . 29 CHAPTER V . 37 CHAPTER VI . 39 CHAPTER VII . 47 CHAPTER VIII . 51 CHAPTER IX . 61 CHAPTER X . 67 CHAPTER XI . 71 PART II . 85 CHAPTER I . 87 CHAPTER II . 99 CHAPTER III . 107 CHAPTER IV . 125 CHAPTER V . 131 CHAPTER VI . 141 CHAPTER VII . 189 CHAPTER VIII . 203 CHAPTER IX . 233 CHAPTER X . 249 CHAPTER XI . 277 APPENDIX . 285 FIRST DIALOGUE . 287 SECOND DIALOGUE . 305 viii Michael Angelo Buonarroti THIRD DIALOGUE . 320 THE WORKS OF MICHAEL ANGELO . 343 A LIST OF THE PRINCIPAL BOOKS CONSULTED BY THE AUTHOR .
    [Show full text]
  • FIRENZE Checked
    ! FLORENCE: LIVING BEAUTY Where Florence is the capital city of Tuscany Region. It is the most populated city in its Region. Weather This city has a very humid subtropical climate, with hot The capital city of Toscana (Tuscany), Firenze (Florence) is and humid summers and cool the mecca of art, history, and culture for not only the winters. region, but also all of Europe. Known as, ‘the birthplace of the Italian Renaissance,’ Florence possesses some of the greatest works of art of all time, from artists like Michelangelo, Leonardo da Vinci, Giotto, and Dante Alighieri, to name a few. Flanked by sandstone hills of the south and foothills sprawling out from the Apennine Mountains, Florence has an all-season splendor that adds to any vacation, any time of the year. Though the temperatures fluctuate greatly from summer to winter, each season has something to offer. The best time visit is spring to early summer and autumn, especially November during the grape and olive harvest. December can be also be a surprisingly pleasant time to visit with its crisp air, sunny days, and very few tourists. Florence is the heart of Renaissance Italy and one of Italy www.helloitalytours.com !1 ! Food Specialities and Europe’s most visited cities. Everything from interesting museums, beautiful churches like the famed Il Duomo di Firenze, and priceless works of Bistecca alla Fiorentina: This historical artwork can be found in Florence. flagship Tuscan steak is made from the region’s Chianina breed of cattle which are known for their ACTIVITIES AND TOURS tenderness and flavor.
    [Show full text]
  • Michelangelo and Pope Paul III, 1534-49
    Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2015 Michelangelo and Pope Paul III, 1534-49: Patronage, Collaboration and Construction of Identity in Renaissance Rome Erin Christine Sutherland Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Classical Archaeology and Art History Commons Recommended Citation Sutherland, Erin Christine, "Michelangelo and Pope Paul III, 1534-49: Patronage, Collaboration and Construction of Identity in Renaissance Rome" (2015). Arts & Sciences Electronic Theses and Dissertations. 451. https://openscholarship.wustl.edu/art_sci_etds/451 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Art History & Archaeology Dissertation Examination Committee: William E. Wallace, chair Marisa Bass Daniel Bornstein Nathaniel Jones Angela Miller Michelangelo and Pope Paul III, 1534-49: Patronage, Collaboration and Construction of Identity in Renaissance Rome by Erin Sutherland A dissertation presented to the Graduate School of Arts & Sciences of Washington University in partial fulfillment of
    [Show full text]