DOCSLIB.ORG

Carlsbadmusicfestival 2018-Program CS6 Ver.3.Indd 1 8/22/2018 11:16:06 PM Carlsbad Music Festival

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Carlsbadmusicfestival 2018-Program CS6 Ver.3.Indd 1 8/22/2018 11:16:06 PM Carlsbad Music Festival 15th annual CARLSBAD MUSIC FESTIVAL august 24-26, 2018 EVENT PROGRAM Adventurous music by the beach www.carlsbadmusicfestival.org CarlsbadMusicFestival_2018-Program CS6 Ver.3.indd 1 8/22/2018 11:16:06 PM CARLSBAD MUSIC FESTIVAL Excellent acoustics just up the coast. SEASON OPENER Festival Program Table Of Contents TICKETED CONCERT PROGRAMS & BIOS . 2 Bach + Glass: FESTIVAL SCHEDULE . 14 FREE CONCERTS ARTIST BIOS . 18 with Simone Dinnerstein A Far Cry CARLSBAD MUSIC FESTIVAL DONORS . .24 SPONSORS & PARTNERS . 26 FRIDAY | SEP 14 | 8 PM Program: Bach–Brandenburg Concerto No. 3 and Keyboard Concerto in G Minor, STAFF . 27 2018 Kennedy Center Honors Awardee Philip Glass–Symphony No. 3 and Southern California debut of Piano Concerto No. 3 VENUE MAP . .28 Packages and Tickets on Sale Now! 1 University Dr., Aliso Viejo, CA 92656 | 949.480.4278 | [email protected] | www.performingarts.soka.edu 1 CarlsbadMusicFestival_2018-Program10061R_CMF_FP8-24.indd 1 CS6 Ver.3.indd 2-1 7/31/18 10:46 AM 8/22/2018 11:16:06 PM Ticketed Concert Programs & Bios DANIEL PATE, PERCUSSION Friday, august 24 •5:15-6:00 St Michael’s Chapel PROGRAM: robert Honstein: An Economy of Means (2015) daniel Wohl: Kin (2015) BIO: Percussionist Daniel Pate is an international performer, collaborator, curator, researcher, and educator. He is constantly working to expand the concept of the contemporary percussionist through adventurous programming, diverse commissions and engaging performances that feature exciting electronic and visual elements. Dr. Pate works to create an inviting concert environment grounded in personal emotions and topics where audiences can experience these works both visually and aurally in a way that is familiar to them. GYAN RILEY Friday, august 24 • 7:00-8:00 The Mission Church PROGRAM: Gyan Riley will be performing music from his new album Sprig BIO: Gyan Riley’s diverse work now focuses on his own compositions, improvisation, and contemporary classical repertoire. Gyan has been commissioned by the Kronos Quartet, New Music USA, the Carnegie Hall Corporation, the American Composers Forum, and the New York Guitar Festival. He has performed with Zakir Hussain, Lou reed, John Zorn, the Kronos Quartet, iva Bittova, the Bang- On-a-Can all-stars, the san Francisco symphony, the Philadelphia Chamber Orchestra, and his father, the composer/pianist/vocalist Terry Riley. Various tours have taken him throughout Europe, Canada, Latin America and the US, both as a soloist and in various ensembles. Gyan resides in 2903 Carlsbad Blvd. in Carlsbad New York City and frequently performs with the duo Probosci, the trio Eviyan, and the electric guitar quartet Dither. Gyan has four solo CD titles and many ensemble/collaborative recordings, frontporchgallery.org (760) 795-6120 most recently working with the Tzadik Records label in New York. Fine Art & Gallery Store Wed-Fri Noon-6 pm Sat & Sun 11 am-5 pm 2 3 CarlsbadMusicFestival_2018-Program CS6 Ver.3.indd 2-3 8/22/2018 11:16:07 PM JULIANNA BARWICK HAUSMANN QUARTET Friday, august 24 • 8:15-9:15 saturday, august 25 • 12:45-1:45 The Mission Church St. Michael’s Chapel BIO: PROGRAM: Julianna Barwick is singer and composer who builds hypnotic and expansive songs through Caroline shaw: Entr’acte (2011) the layering and looping her often-wordless singing and synthesizers. rooted in church singing, tina tallon: selective defrosting (2012) Barwick achieves the effect of massed voices through the electronic manipulation of her own solo rhiannon giddens: At the Purchaser’s Option (2017) voice. Her albums have been widely critically-acclaimed at outlets such as Pitchfork and NPr. Missy Mazzoli: Quartet for Queen Mab (2015) Erwin Schulhoff Five Pieces (1923) ISAAC SCHANKLER BIO: The Hausmann Quartet has established itself as an integral part of the cultural life of Southern saturday, august 25 • 12:00-12:30 California since its arrival in san diego in 2010. as faculty artists-in-residence at san diego St. Michael’s Church State University they teach and organize the chamber music program, engage in interdisciplinary collaborations with other departments and visit local schools for concerts and clinics on PROGRAM: behalf of the School of Music and Dance. Their latest endeavor is Haydn Voyages: Music at the repeat substance - isaac schankler; composition, accordion and electronics Maritime, a quarterly concert series on a historic ferry boat exploring the string quartet repertoire BIO: through Haydn’s quartet cycle. They pioneered interactive programs for students, adult amateur Isaac Schankler is a composer, accordionist, and electronic musician living in Los Angeles. musicians and local seniors and homeless as Ensemble-in-residence at Mainly Mozart with Schankler’s recent performances and commissions include works for the Nouveau Classical support from the Irvine Foundation, National Endowment for the Arts and ACMP. Founded in the Project, the ray-Kallay duo, Friction Quartet, gnarwhallaby, the Los angeles Percussion Quartet, summer of 2004 at Lyricafest, they have recently been hailed as “Excellent” by u-t san diego Lorelei Ensemble, Juventas New Music Ensemble, flutist Meerenais him, and bass-baritone and “an accomplished young foursome with a luscious sound and an experimental bent” (repeat Nicholas Isherwood. Recent honors include awards and grants from Meet the Composer, the Performances), and maintain an active performance schedule throughout North america and National Opera Association, the American Composers Forum, the Atlantic Center for the Arts, Asia. The members of the Hausmann Quartet are violinists Isaac Allen and Bram Goldstein, and the American Prize. violist Angela Choong and cellist Alex Greenbaum. 4 5 CarlsbadMusicFestival_2018-Program CS6 Ver.3.indd 4-5 8/22/2018 11:16:07 PM TASHA SMITH GODINEZ, HARP saturday, august 25 • 3:30-4:30 Carlsbad Inn’s Village Terrace PROGRAM: Michael Byron: In the Village of Hope (2013) andres Martin: Postales del Alma (2012) BIO: A champion for contemporary harp music, Tasha Smith is continuously commissioning and searching for willing and talented composers. She is passionate about breaking the perceived boundaries of her instrument and creating new sound while augmenting the repertoire for the harp. some of the composers writing for Ms. smith godinez are: Michael Byron, andres Martin, Jose gurria-Cardenas, Michael Vincent Waller, Christopher garcia, Christopher adler, Bekah MAIN STAGE Simms, William David Cooper and Paolo Germiniani. Ms. Smith Godinez’ discography includes a self-released solo album, Postcards from the soul (2014) and her recording of Michael Byron’s SERIES solo harp work, in the Village of Hope, on the Cold Blue record label (2015). she is currently ON SALE NOW! working on her third album, a compilation of all new works for harp, with a planned release in THE MARRIAGE 2019. OF FIGARO Subscribe today! Darlene Marcos Shiley Tasha has studied with Isabelle Perrin, Elena Mashkovtseva and Susan Allen. She holds Lead Production Sponsor performance degrees from both san diego state university (Bachelor’s 2005, Master’s 2010) and l’Ecole Normale de Musique alfred Corot in Paris, France (2006). Ms. smith godinez has held October 20–28, 2018 the position of principal harpist for both the Orquesta de Baja California (tijuana, Mexico) and the grossmont symphony Orchestra (san diego, California) and as section harpist with the san RIGOLETTO Diego Symphony. February 2–10, 2019 CARMEN March 30–April 7, 2019 dētour SERIES ALL IS CALM ON SALE NOW! THE CHRISTMAS TRUCE OF 1914 December 7–9, 2018 THREE DECEMBERS March 8–10, 2019 ONE AMAZING NIGHT 2019 STEPHEN COSTELLO & STEPHEN POWELL May 15, 2019 sdopera.org/carlsbadmusic | (619) 533-7000 PHOTO: JEFF ROFFMAN PHOTOGRAPHY 6 7 2018–19 SEASON 2018–19 CarlsbadMusicFestival_2018-Program CS6 Ver.3.indd 6-7 8/22/2018 11:16:10 PM STEPHANIE RICHARDS + ANDREW MUNSEY QUINTET saturday, august 25 • 6:30-7:30 The Mission Church MUSICIANS: Stephanie Richards, trumpet Brian Walsh, bass clarinet Joshua White, piano Dave Tranchina, bass Andrew Munsey, drums BIO: steph richards and andrew Munsey join forces to co-lead a new project with the talents of creative musicians Joshua White (piano), Brian Walsh (bass clarinet) and dave tranchina (bass). With a decade of experience creating music together, these musicians will explore compositions by Richards and Munsey that thrive at the praxis of improvisation and structure. Hailed as “spellbinding” (NPr) and “one of the leading trumpet players and improvisors” (Free Jazz Collective), steph richards has built a compelling presence in the creative music scene, having worked alongside pioneering creative musicians Anthony Braxton, Henry Threadgill and John Zorn and performance artists Yoko Ono and Laurie Anderson. As a composer, her works have premiered at Carnegie Hall, the Blue Note and Lincoln Center. Her recently released debut album *FuLLMOON,* acclaimed by the New york times as “a bold pronouncement” is out on Relative Pitch Records. Richards is a Yamaha Performing Artist and is on faculty at UC San Diego. Andrew B. Munsey is drummer, composer, and recording engineer who has performed and premiered works at Lincoln Center, the Walt Disney Concert Hall, and Symphony Space, while his work as an engineer and editor can beheard on recordings from the Bridge, New World, Hathut, Innova, No Business and NNA Tapes recording labels. His work as a sound designer, mixing engineer, and composer has been exhibited and screened at the Guggenheim Museum, Centre Pompidou (Fr), Fridericianum (dE), Van gogh Museum (NL), Anthology Film Archives, and the Library of Congress with festivals including the International Film Festival Rotterdam, the Sundance and Toronto Film Festivals. 8 9 CarlsbadMusicFestival_2018-Program CS6 Ver.3.indd 8-9 8/22/2018 11:16:12 PM DONNACHA DENNEHY A ndrew Anderson Andrew Anderson is a musician deeply invested in the performance of contemporary music, COMPOSER PORTRAIT CONCERT in both solo and collaborative settings. As a collaborator, he has worked as vocal coach and saturday, august 25 • 8:00-9:00 performer for the Southern California premiere of the Ned Rorem opera Our Town.
Load more

Recommended publications
  • Annual Report 2015–2016
    ANNUAL REPORT 2015–2016 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT 1 CONTENTS Reflections on the 2015–16 Season 2 Oscar S. Schafer, Chairman 4 Matthew VanBesien, President 6 Alan Gilbert, Music Director 8 Year at a Glance 10 Our Audiences 12 The Orchestra 14 The Board of Directors 20 The Administration 22 Conductors, Soloists, and Ensembles 24 Serving the Community 26 Education 28 Expanding Access 32 Global Immersion 36 Innovation and Preservation 40 At Home and Online 42 Social Media 44 The Archives 47 The Year in Pictures 48 The Benefactors 84 Lifetime Gifts 86 Leonard Bernstein Circle 88 Annual Fund 90 Education Donors 104 Heritage Society 106 Volunteer Council 108 Independent Auditor’s Report 110 2 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT THE SEASON AT A GLANCE Second Line Title Case Reflections on the 2015–16 Season 2 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT 3 REFLECTIONS ON THE 2015–16 SEASON From the New York Philharmonic’s Leadership I look back on the Philharmonic’s 2015–16 season and remember countless marvelous concerts that our audiences loved, with repertoire ranging from the glory of the Baroque to the excitement of the second NY PHIL BIENNIAL. As our Music Director, Alan Gilbert has once again brought excitement and inspiration to music lovers across New York City and the world. I also look back on the crucial, impactful developments that took place offstage. Throughout the season our collaboration with Lincoln Center laid a strong foundation for the renovation of our home.
    [Show full text]
  • PASIC 2010 Program
    201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space.
    [Show full text]
  • Read Razorcake Issue #27 As A
    t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing.
    [Show full text]
  • Concerts from the Library of Congress 2012-2013
    Concerts from the Library of Congress 2012-2013 LIBRARY LATE ACME & yMusic Friday, November 30, 2012 9:30 in the evening sprenger theater Atlas performing arts center The McKim Fund in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson; the fund supports the commissioning and performance of chamber music for violin and piano. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Please take note: UNAUTHORIZED USE OF PHOTOGRAPHIC AND SOUND RECORDING EQUIPMENT IS STRICTLY PROHIBITED. PATRONS ARE REQUESTED TO TURN OFF THEIR CELLULAR PHONES, ALARM WATCHES, OR OTHER NOISE-MAKING DEVICES THAT WOULD DISRUPT THE PERFORMANCE. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. THE LIBRARY OF CONGRESS Atlas Performing Arts Center FRIDAY, NOVEMBER 30, 2012, at 9:30 p.m. THE mckim Fund In the Library of Congress American Contemporary Music Ensemble Rob Moose and Caleb Burhans, violin Nadia Sirota, viola Clarice Jensen, cello Timothy Andres, piano CAROLINE ADELAIDE SHAW Limestone and Felt, for viola and cello DON BYRON Spin, for violin and piano (McKim Fund Commission) JOHN CAGE (1912-1992) String Quartet in Four Parts (1950) Quietly Flowing Along Slowly Rocking Nearly Stationary Quodlibet MICK BARR ACMED, for violin, viola and cello Intermission *Meet the Artists* yMusic Alex Sopp, flutes Hideaki Aomori, clarinets C.J.
    [Show full text]
  • In This Issue
    FALL 2019 IN THIS ISSUE JONATHAN BISS CELEBRATING BEETHOVEN: PART I November 5 DANISH STRING QUARTET November 7 PILOBOLUS COME TO YOUR SENSES November 14–16 GABRIEL KAHANE November 23 MFA IN Fall 2019 | Volume 16, No. 2 ARTS LEADERSHIP FEATURE In This Issue Feature 3 ‘Indecent,’ or What it Means to Create Queer Jewish Theatre in Seattle Dialogue 9 Meet the Host of Tiny Tots Concert Series 13 We’re Celebrating 50 Years Empowering a new wave of Arts, Culture and Community of socially responsible Intermission Brain arts professionals Transmission 12 Test yourself with our Online and in-person trivia quiz! information sessions Upcoming Events seattleu.edu/artsleaderhip/graduate 15 Fall 2019 PAUL HEPPNER President Encore Stages is an Encore arts MIKE HATHAWAY Senior Vice President program that features stories Encore Ad 8-27-19.indd 1 8/27/19 1:42 PM KAJSA PUCKETT Vice President, about our local arts community Sales & Marketing alongside information about GENAY GENEREUX Accounting & performances. Encore Stages is Office Manager a publication of Encore Media Production Group. We also publish specialty SUSAN PETERSON Vice President, Production publications, including the SIFF JENNIFER SUGDEN Assistant Production Guide and Catalog, Official Seattle Manager ANA ALVIRA, STEVIE VANBRONKHORST Pride Guide, and the Seafair Production Artists and Graphic Designers Commemorative Magazine. Learn more at encorespotlight.com. Sales MARILYN KALLINS, TERRI REED Encore Stages features the San Francisco/Bay Area Account Executives BRIEANNA HANSEN, AMELIA HEPPNER, following organizations: ANN MANNING Seattle Area Account Executives CAROL YIP Sales Coordinator Marketing SHAUN SWICK Senior Designer & Digital Lead CIARA CAYA Marketing Coordinator Encore Media Group 425 North 85th Street • Seattle, WA 98103 800.308.2898 • 206.443.0445 [email protected] encoremediagroup.com Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas.
    [Show full text]
  • Program Notes
    Advance Program Notes Crash Ensemble Wednesday, March 25, 2015, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. Crash Ensemble Donnacha Dennehy: Turn (arrangement for Crash Ensemble 2015) Dan Truman: Marbles (2015) world premiere Intermission Eric Lyon: Dualities (2015) world premiere Michael Gordon: Dry (2013) U.S. premiere Musicians Conductor Anna Cashell, violin Alan Pierson Lisa Dowdall, viola Kate Ellis, cello Production Malachy Robinson, double bass Susan Doyle, flute Adrian Hart, production manager and electronics Deirdre O’Leary, clarinet/bass clarinet Valerie Francis , front of house sound engineer Roddy O’Keeffe, trombone Alex Petcu, percussion Management Isabelle O’Connell, piano John Godfrey, electric guitar Kate Ellis, artistic director Donnacha Dennehy, artistic partner Neva Elliott, CEO Jonathan Pearson, tour/concerts manager Program Notes TURN (2013-14; arrangement for Crash Ensemble, 2015; U.S. premiere) DONNACHA DENNEHY This intricate, detailed piece is one of the most overtly melodic of my purely instrumental works in years. Gently lunging melodies combine to produce a bustling tapestry of sound. Turn literally turns over its phrases, varying upon each repetition. Once I decided to dedicate this piece to my mother, an inveterate knitter, it struck me: that’s exactly what a turn is in knitting, a reworking on top of an already established stitched pattern! On a larger level Turn pushes towards build-ups that end each time with a literal turn in direction. This in a major way constitutes the modus operandi of the piece.
    [Show full text]
  • Nicholas Phan | Tenor Gabriel Kahane | Piano Sunday, July 18, 2021 | 2PM NICHOLAS PHAN Tenor GABRIEL KAHANE Piano
    Nicholas Phan | Tenor Gabriel Kahane | Piano Sunday, July 18, 2021 | 2PM NICHOLAS PHAN Tenor GABRIEL KAHANE Piano Sunday, July 18, 2021 | 2pm Herbst Theatre I. SCHUBERT Frühlingsglaube, D. 686 MATTHEW Final Privacy Song ZAPRUDER SCHUBERT Lied eines Schiffers an die Dioskuren, D. 360 II. SARAH KIRKLAND How Graceful Some Things Are, SNIDER Falling Apart SCHUBERT Im Haine, D. 738 CAROLINE SHAW And So III. SCHUBERT Aus Heliopolis I, D. 753 SARAH KIRKLAND Mad Song SNIDER ESPERANZA Little Fly SPALDING 2 IV. SCHUBERT Frühlingssehnsucht from Schwanengesang, D. 957 Nachtstück, D. 672 V. SCHUBERT Des Fischers Liebesglück, D. 933 VI. GABRIEL KAHANE Final Privacy Song (World Premiere) Commissioned by San Francisco Performances Matthew Zapruder’s poem, which provides the text for the work, was commissioned for the occasion by the composer. VII. SCHUBERT Wandrers Nachtlied II, D. 768 Nicholas Phan is represented by Opus 3 Artists 470 Park Avenue South, 9th Floor, New York, NY 10016 opus3artists.com Gabriel Kahane is represented by MKI Artists One Lawson Lane, Suite 320, Burlington, VT 05401 mkiartists.com Hamburg Steinway Model D, Pro Piano, San Francisco 3 ARTIST PROFILES Nicholas Phan is SF Performances’ Vocal Artist-in-Residence Emer- itus (2014–18) and appears for the third time in a mainstage con- cert. SF Performances presents Gabriel Kahane for the fourth time. Described by the Boston Globe as “one of the world’s most re- markable singers,” American tenor Nicholas Phan is increas- ingly recognized as an artist of distinction. An artist with an incredibly diverse repertoire that spans nearly 500 years of music, he performs regularly with the world’s leading orches- tras and opera companies.
    [Show full text]
  • IMMA Collection: Freud Project 2016 - 2021 Introduction
    IMMA FREUD CENTRE IMMA Collection: Freud Project 2016 - 2021 Introduction Since 2016 IMMA has presented the IMMA Collection: Freud Project, a five year loan to the Collection of 52 works by Lucian Freud (1922-2011), one of the greatest realist painters of the 20th century. 2021 is the final year of the Freud Project at IMMA and as we emerge from the global effect of Covid-19 we are delighted to bring to our audiences as our concluding programme or ‘finissage’, a combination of digital and physical elements, the exhibition The Artist’s Mother: Lucie and Daryll – a response by Chantal Joffe; The Maternal Gaze, a series of short videos by 22 artists and creatives in response to the theme of the Artist’s Mother and Soul Outsider, a new contemporary music commission composed by Deirdre Gribbin and performed by Crash Ensemble, in a recording that accompanies Freud’s portraits in the Freud Centre. www.imma.ie/whats-on/imma-collection-freud-project-the-artists-mother Front cover Lucian Freud, The Painter’s Mother Resting I, 1976, Oil on canvas, 90.2 x 90.2 cm, Collection Irish Museum of Modern Art, On Loan, Private Collection © The Lucian Freud Archive / Bridgeman Images 2 Chantal Joffe My Mother with Fern, 2017, Oil on canvas, 40.8 x 31.3 cm © The artist 3 The Artist’s Mother: Lucie and Daryll - a response by Chantal Joffe Room One We invited artist Chantal Joffe to begin a dialogue with Lucian Freud’s portraits of his mother as part of our ongoing programme in the context of the Freud Project.
    [Show full text]
  • Gerald Barry's the Intelligence Park
    Gerald Barry’s opera The Intelligence Park at IMMA Gerald Barry’s opera, The Intelligence Park, widely regarded as one of the most innovative and compelling operas of recent times, will be presented in a concert performance at the Irish Museum of Modern Art on Wednesday 18 May 2011. Described by The Irish Times in 1990 as “the most original piece of music to come out of Ireland this century”, the opera is set in Dublin in 1753 and embraces love, power, prison and an eclipse of the sun. Presented in collaboration with Crash Ensemble, the production forms part of an exciting season of performances being staged at IMMA in May to mark the 20th anniversary of the Museum’s foundation in 1991. The Intelligence Park, to a libretto by Vincent Deane, tells of a composer, Robert Paradies, who has lost the power to write but rediscovers it through his obsession with an Italian singer, the castrato Serafino. However, a triangular love affair involving Paradies, Serafino and Jerusha – the daughter of a wealthy merchant whom Paradies has been advised to marry but who is also the object of Serafino’s affections – complicates matters, bringing with it anger, betrayal and a conflict between private love and public duty. When first produced in London for the Institute of Contemporary Arts/Almeida Festival in 1990, it met with an extraordinary critical response. For The London Evening Standard it was “a clenched fist of an opera.” The Independent said that “the joy of the opera… is that it is driven by music of an energy and pace unheard of in most contemporary work.
    [Show full text]
  • Surface Tension (2015)* Donnacha Dennehy (B
    Third Coast Percussion Third Coast percussion at Notre Dame made possible through the generosity of Shari and Tom Crotty. DeBartolo Performing Arts Center Presenting Series SAT, JAN 30 AT 7:30 P.M. LEIGHTON CONCERT HALL University of Notre Dame Notre Dame, Indiana Visit Sorin’s or Rohr’s at Morris Inn for a front row seat to a culinary performance, where dinner is always the star of the show. Morris Inn is proud to partner with the DeBartolo Performing Arts Center. OFFICIAL HOTEL OF DEBARTOLO PERFORMING ARTS CENTER 130 MORRIS INN // NOTRE DAME, IN 46556 // 574.631.2000 // MORRISINN.ND.EDU THIRD COAST PERCUSSION Sean Connors Robert Dillon Peter Martin David Skidmore with David Friend and Oliver Hagen, pianos and keyboards Surface Tension (2015)* Donnacha Dennehy (b. 1970) -Intermission- Sextet (1984) Steve Reich (b. 1936) 1. 2. 3. 4. 5. *World Premiere Donnacha Dennehy’s Surface Tension was written for Third Coast Percussion, and commissioned by the University of Notre Dame’s DeBartolo Performing Arts Center and the Metropolitan Museum of Art. Additional funding provided by the Elizabeth F. Cheney Foundation. PROGRAM NOTES Born in Dublin, Donnacha Dennehy returned to Ireland after studies abroad at the University of Illinois, IRCAM (France) and the Netherlands. In 1997, he founded the Crash Ensemble, Dublin’s now renowned new music group, who performed many of Dennehy’s landmark works, including Grá Agus Bás (with the singer Iarla O’ Lionaird) and That the Night Come (with Dawn Upshaw). Dennehy joined the music faculty at Princeton University in 2014. His musical vocabulary draws on the scientific sonic analysis of French Spectralism, the intense repetitive energy of Dutch and American minimalism and his own Irish heritage.
    [Show full text]
  • APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH Axis.Wmg.Com 4/22/17 RSD AUDIO & VIDEO RECAP
    2017 NEW RELEASE SPECIAL APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH axis.wmg.com 4/22/17 RSD AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Le Soleil Est Pres de Moi (12" Single Air Splatter Vinyl)(Record Store Day PRH A 190295857370 559589 14.98 3/24/17 Exclusive) Anni-Frid Frida (Vinyl)(Record Store Day Exclusive) PRL A 190295838744 60247-P 21.98 3/24/17 Wild Season (feat. Florence Banks & Steelz Welch)(Explicit)(Vinyl Single)(Record WB S 054391960221 558713 7.98 3/24/17 Store Day Exclusive) Cracked Actor (Live Los Angeles, Bowie, David PRH A 190295869373 559537 39.98 3/24/17 '74)(3LP)(Record Store Day Exclusive) BOWPROMO (GEM Promo LP)(1LP Vinyl Bowie, David PRH A 190295875329 559540 54.98 3/24/17 Box)(Record Store Day Exclusive) Live at the Agora, 1978. (2LP)(Record Cars, The ECG A 081227940867 559102 29.98 3/24/17 Store Day Exclusive) Live from Los Angeles (Vinyl)(Record Clark, Brandy WB A 093624913894 558896 14.98 3/24/17 Store Day Exclusive) Greatest Hits Acoustic (2LP Picture Cure, The ECG A 081227940812 559251 31.98 3/24/17 Disc)(Record Store Day Exclusive) Greatest Hits (2LP Picture Disc)(Record Cure, The ECG A 081227940805 559252 31.98 3/24/17 Store Day Exclusive) Groove Is In The Heart / What Is Love? Deee-Lite ECG A 081227940980 66622 14.98 3/24/17 (Pink Vinyl)(Record Store Day Exclusive) Coral Fang (Explicit)(Red Vinyl)(Record Distillers, The RRW A 081227941468 48420 21.98 3/24/17 Store Day Exclusive) Live At The Matrix '67 (Vinyl)(Record Doors, The ECG A 081227940881 559094 21.98 3/24/17
    [Show full text]
  • A Shape for Queerness: Glimpses, Loops, Holes, Language
    A Shape for Queerness: Glimpses, Loops, Holes, Language A Support Paper for the Exhibition titled A Wreath of Snakes, A Lexicon Devil, A Hole in Time, A Single Thought Submitted to the Faculty of Graduate Studies and Research in Partial Fulfillment of the Requirements For the Degree of Masters of Fine Art in Visual Arts University of Regina by James Nicholas Wilson Regina, Saskatchewan April 2019 ©2019: James Wilson UNIVERSITY OF REGINA FACULTY OF GRADUATE STUDIES AND RESEARCH SUPERVISORY AND EXAMINING COMMITTEE James Nicholas Wilson, candidate for the degree of Master of Fine Arts Visual Arts, has presented an Exhibition titled, A Wreath of Snakes, A Lexicon Devil, A Hole in Time, A Single Thought and a Support Paper titled A Shape for Queerness: Glimpses Loops, Holes, Language, in an oral examination held on February 13, 2019. The following committee members have found the thesis acceptable in form and content, and that the candidate demonstrated satisfactory knowledge of the subject material. External Examiner: Mr. John G. Hampton, MacKenzie Art Gallery Co-Supervisor: Dr. Risa Horowitz, Department of Visual Arts Co-Supervisor: Prof. Sean Whalley, Department of Visual Arts Committee Member: Prof. David Garneau, Department of Visual Arts Committee Member: Prof. Leesa Streifler, Department of Visual Arts Chair of Defense: Dr. Darlene Juschka, Department of Women’s & Gender Studies Revised Oct.4/06 1 i Abstract A Wreath of Snakes, A Lexicon Devil, A Hole in Time, A Single Thought is a sculptural installation of 24 large-scale drawings and an artist’s book. The work is concerned with the formation of consciousness and the ways that the shared experience of queerness affects notions of time, lineage and orientation.
    [Show full text]