Raytraced Images for Testing the Reconstruction of Fibre Orientation
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Making a Game Character Move
Piia Brusi MAKING A GAME CHARACTER MOVE Animation and motion capture for video games Bachelor’s thesis Degree programme in Game Design 2021 Author (authors) Degree title Time Piia Brusi Bachelor of Culture May 2021 and Arts Thesis title 69 pages Making a game character move Animation and motion capture for video games Commissioned by South Eastern Finland University of Applied Sciences Supervisor Marko Siitonen Abstract The purpose of this thesis was to serve as an introduction and overview of video game animation; how the interactive nature of games differentiates game animation from cinematic animation, what the process of producing game animations is like, what goes into making good game animations and what animation methods and tools are available. The thesis briefly covered other game design principles most relevant to game animators: game design, character design, modelling and rigging and how they relate to game animation. The text mainly focused on animation theory and practices based on commentary and viewpoints provided by industry professionals. Additionally, the thesis described various 3D animation and motion capture systems and software in detail, including how motion capture footage is shot and processed for games. The thesis ended on a step-by-step description of the author’s motion capture cleanup project, where a jog loop was created out of raw motion capture data. As the topic of game animation is vast, the thesis could not cover topics such as facial motion capture and procedural animation in detail. Technologies such as motion matching, machine learning and range imaging were also suggested as topics worth covering in the future. -
A Guide to Harvard Academics
The 49 A Guide to Harvard Academics 2016-2017 This guide is not the College’s advising resource of record. For the most accurate and up-to-date information on concentration and secondary field requirements, please consult the undergraduate Handbook for Students. Table of Contents Welcome to Harvard .........................................................................................................................4 Fields of Concentration and the 49 Book.......................................................................................5 How to Read the Fields of Concentration in the Handbook for Students.................................6 Academic Advising at Harvard........................................................................................................7 The Advising Relationship ...............................................................................................................8 Building Your Board of Advisors ...................................................................................................9 First-Year Advising ............................................................................................................................10 Sophomore Advising .........................................................................................................................11 Concentration Advising ....................................................................................................................12 Additional Advising Resources .......................................................................................................13 -
Efficient Rendering of Caustics with Streamed Photon Mapping
BULLETIN OF THE POLISH ACADEMY OF SCIENCES TECHNICAL SCIENCES, Vol. 65, No. 3, 2017 DOI: 10.1515/bpasts-2017-0040 Efficient rendering of caustics with streamed photon mapping K. GUZEK and P. NAPIERALSKI* Institute of Information Technology, Lodz University of Technology, 215 Wolczanska St., 90-924 Lodz, Poland Abstract. In this paper, we present the streamed photon mapping method for enhancing the rendering of caustics. In order to achieve a realistic caustic effect, global illumination methods require additional data, which are gathered by creating a caustic map or increasing the number of samples used for rendering. Our method employs a stream of photons with a varying luminance level depending on the material properties of the surface. The application of a concentrated photon stream provides the ability to render caustics effectively without increasing the number of photons in a photon map. Such an approach increases visibility of results, while also allowing for faster computations. Key words: rendering, global illumination, photon mapping, caustics. 1. Introduction 2. Rendering caustics The interaction of light with matter in the real world results The first attempt to simulate a natural caustic effect was the in a variety of optical phenomena. Understanding how those path tracing method, introduced by James Kajiya in 1986 [4]. phenomena occur and where to implement them is crucial for However, the method proved to be highly inefficient. The creating realistic image renders. When observing the reflection caustics were poorly rendered, as the light source was obscure. or refraction of light through curved surfaces, one may notice A significant improvement was introduced both and inde- some characteristic patches of light, referred to as caustics. -
Texture Builder Plugin for Cambam
Texture Builder Plugin for CamBam [Version 1.0.1] Purpose Textured surfaces are commonly used in CNC machining to create interesting or contrasting backgrounds on carved items. Essentially a textured surface suitable for CNC machining is a 2.5D surface with a Z (depth) varying over an X-Y plane. This plugin is built on the following premises: That the surface to be textured is a tessellation of a series of 2.5D tiles. Each tile can be repeated over the surface using some combination of: o Copying o Translating o Scaling o Repeating on an X-Y grid, or around a circular arc in the X-Y plane. The tile element must be predefined (using some other tool) as: o a height cloud (a set of X,Y,Z coordinate points) in a CSV file, o an STL model (Sterolithographic file, in ASCII or Binary formats), o a RAW file (sets of X,Y,Z point triplets defining each surface triangular surface patch, as defined for CamBam, in ASCII format), or o an image file (BMP. GIF, JPG, PNG or TIFF formatted) where the grey scale values are to be interpreted as a height map (in the range 0 to 255). Once the scene is constructed, the complete scene surface can be saved as a XYZ height cloud, an STL file or a RAW file, for input into CamBam, or other CAM modellers. Related Tools and Potential Contributions To build a tile element to form the required texture various support tools can be used to help, each performing a particular task in the process. -
Integrating Open Source Distributed Rendering Solutions in Public and Closed Networking Envi- Ronments
Integrating open source distributed rendering solutions in public and closed networking envi- ronments Seppälä, Heikki & Suomalainen, Niko 2010 Leppävaara Laurea University of Applied Sciences Laurea Leppävaara Integrating open source distributed rendering solutions in public and closed networking environments Heikki Seppälä Niko Suomalainen Information Technology Programme Thesis 02/2010 Laurea-ammattikorkeakoulu Tiivistelmä Laurea Leppävaara Tietojenkäsittelyn koulutusohjelma Yritysten tietoverkot Heikki Seppälä & Niko Suomalainen Avoimen lähdekoodin jaetun renderöinnin ratkaisut julkisiin ja suljettuihin ympäristöihin Vuosi 2010 Sivumäärä 64 Moderni tutkimustiede on yhä enemmän riippuvainen tietokoneista ja niiden tuottamasta laskentatehosta. Tutkimusprojektit kasvavat jatkuvasti, mikä aiheuttaa tarpeen suuremmalle tietokoneteholle ja lisää kustannuksia. Ratkaisuksi tähän ongelmaan tiedemiehet ovat kehittäneet hajautetun laskennan järjestelmiä, joiden tarkoituksena on tarjota vaihtoehto kalliille supertietokoneille. Näiden järjestelmien toiminta perustuu yhteisön lahjoittamaan tietokonetehoon. Open Rendering Environment on Laurea-ammattikorkeakoulun aloittama projekti, jonka tärkein tuotos on yhteisöllinen renderöintipalvelu Renderfarm.fi. Palvelu hyödyntää hajautettua laskentaa nopeuttamaan 3D-animaatioiden renderöintiä. Tämä tarjoaa uusia mahdollisuuksia mallintajille ja animaatioelokuvien tekijöille joilta tavallisesti kuluu paljon aikaa ja tietokoneresursseja töidensä valmiiksi saattamiseksi. Renderfarm.fi-palvelu perustuu BOINC-pohjaiseen -
Openscenegraph 3.0 Beginner's Guide
OpenSceneGraph 3.0 Beginner's Guide Create high-performance virtual reality applications with OpenSceneGraph, one of the best 3D graphics engines Rui Wang Xuelei Qian BIRMINGHAM - MUMBAI OpenSceneGraph 3.0 Beginner's Guide Copyright © 2010 Packt Publishing All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, without the prior written permission of the publisher, except in the case of brief quotations embedded in critical articles or reviews. Every effort has been made in the preparation of this book to ensure the accuracy of the information presented. However, the information contained in this book is sold without warranty, either express or implied. Neither the authors, nor Packt Publishing and its dealers and distributors will be held liable for any damages caused or alleged to be caused directly or indirectly by this book. Packt Publishing has endeavored to provide trademark information about all of the companies and products mentioned in this book by the appropriate use of capitals. However, Packt Publishing cannot guarantee the accuracy of this information. First published: December 2010 Production Reference: 1081210 Published by Packt Publishing Ltd. 32 Lincoln Road Olton Birmingham, B27 6PA, UK. ISBN 978-1-849512-82-4 www.packtpub.com Cover Image by Ed Maclean ([email protected]) Credits Authors Editorial Team Leader Rui Wang Akshara Aware Xuelei Qian Project Team Leader Reviewers Lata Basantani Jean-Sébastien Guay Project Coordinator Cedric Pinson -
2014 3-4 Acta Graphica.Indd
Vidmar et al.: Performance Assessment of Three Rendering..., acta graphica 25(2014)3–4, 101–114 author viewpoint acta graphica 234 Performance Assessment of Three Rendering Engines in 3D Computer Graphics Software Authors Žan Vidmar, Aleš Hladnik, Helena Gabrijelčič Tomc* University of Ljubljana Faculty of Natural Sciences and Engineering Slovenia *E-mail: [email protected] Abstract: The aim of the research was the determination of testing conditions and visual and numerical evaluation of renderings made with three different rendering engines in Maya software, which is widely used for educational and computer art purposes. In the theoretical part the overview of light phenomena and their simulation in virtual space is presented. This is followed by a detailed presentation of the main rendering methods and the results and limitations of their applications to 3D ob- jects. At the end of the theoretical part the importance of a proper testing scene and especially the role of Cornell box are explained. In the experimental part the terms and conditions as well as hardware and software used for the research are presented. This is followed by a description of the procedures, where we focused on the rendering quality and time, which enabled the comparison of settings of different render engines and determination of conditions for further rendering of testing scenes. The experimental part continued with rendering a variety of simple virtual scenes including Cornell box and virtual object with different materials and colours. Apart from visual evaluation, which was the starting point for comparison of renderings, a procedure for numerical estimation and colour deviations of ren- derings using the selected regions of interest in the final images is presented. -
DVD-Ofimática 2014-07
(continuación 2) Calizo 0.2.5 - CamStudio 2.7.316 - CamStudio Codec 1.5 - CDex 1.70 - CDisplayEx 1.9.09 - cdrTools FrontEnd 1.5.2 - Classic Shell 3.6.8 - Clavier+ 10.6.7 - Clementine 1.2.1 - Cobian Backup 8.4.0.202 - Comical 0.8 - ComiX 0.2.1.24 - CoolReader 3.0.56.42 - CubicExplorer 0.95.1 - Daphne 2.03 - Data Crow 3.12.5 - DejaVu Fonts 2.34 - DeltaCopy 1.4 - DVD-Ofimática Deluge 1.3.6 - DeSmuME 0.9.10 - Dia 0.97.2.2 - Diashapes 0.2.2 - digiKam 4.1.0 - Disk Imager 1.4 - DiskCryptor 1.1.836 - Ditto 3.19.24.0 - DjVuLibre 3.5.25.4 - DocFetcher 1.1.11 - DoISO 2.0.0.6 - DOSBox 0.74 - DosZip Commander 3.21 - Double Commander 0.5.10 beta - DrawPile 2014-07 0.9.1 - DVD Flick 1.3.0.7 - DVDStyler 2.7.2 - Eagle Mode 0.85.0 - EasyTAG 2.2.3 - Ekiga 4.0.1 2013.08.20 - Electric Sheep 2.7.b35 - eLibrary 2.5.13 - emesene 2.12.9 2012.09.13 - eMule 0.50.a - Eraser 6.0.10 - eSpeak 1.48.04 - Eudora OSE 1.0 - eViacam 1.7.2 - Exodus 0.10.0.0 - Explore2fs 1.08 beta9 - Ext2Fsd 0.52 - FBReader 0.12.10 - ffDiaporama 2.1 - FileBot 4.1 - FileVerifier++ 0.6.3 DVD-Ofimática es una recopilación de programas libres para Windows - FileZilla 3.8.1 - Firefox 30.0 - FLAC 1.2.1.b - FocusWriter 1.5.1 - Folder Size 2.6 - fre:ac 1.0.21.a dirigidos a la ofimática en general (ofimática, sonido, gráficos y vídeo, - Free Download Manager 3.9.4.1472 - Free Manga Downloader 0.8.2.325 - Free1x2 0.70.2 - Internet y utilidades). -
Cour Art of Illusion
© Club Informatique Pénitentiaire avril 2016 Initiation au dessin 3D avec "Art Of Illusion" Sommaire OBJECTIFS ET MOYENS. ..................................................... 2 LES MATERIAUX. ................................................................ 30 PRESENTATION GENERALE DE LA 3D.......................... 2 Les matériaux uniformes ..................................... 30 La 3D dans la vie quotidienne. .............................. 2 Les matériaux procéduraux................................. 30 Les Outils disponibles. ........................................... 2 LES LUMIERES..................................................................... 31 PRESENTATION GENERALE DE "ART OF ILLUSION"3 Les lumières ponctuelles. .................................... 31 L'aide. ................................................................... 3 Les lumières directionnelles ................................ 32 L'interface. ............................................................ 4 Les lumières de type "spot"................................. 32 Le système de coordonnées................................... 6 Exemples de lumières.......................................... 33 LES OBJETS ............................................................................. 9 LES CAMERAS. ..................................................................... 34 Les primitives. ....................................................... 9 Les filtres sur les caméras.................................... 35 Manipulation des objets. ................................... -
12.Raytracing.Pdf
Základní raytracing Detaily implementace Distribuovaný raytracing Další globální zobrazovací metody Galerie Literatura Raytracing a další globální zobrazovací metody Pavel Strachota FJFI CVUTˇ v Praze 11. kvetnaˇ 2015 Základní raytracing Detaily implementace Distribuovaný raytracing Další globální zobrazovací metody Galerie Literatura Obsah 1 Základní raytracing 2 Detaily implementace 3 Distribuovaný raytracing 4 Další globální zobrazovací metody 5 Galerie Základní raytracing Detaily implementace Distribuovaný raytracing Další globální zobrazovací metody Galerie Literatura Obsah 1 Základní raytracing 2 Detaily implementace 3 Distribuovaný raytracing 4 Další globální zobrazovací metody 5 Galerie Základní raytracing Detaily implementace Distribuovaný raytracing Další globální zobrazovací metody Galerie Literatura Motivace obsah prednáškyˇ až dosud: kroky vedoucí k prímémuˇ zobrazení jednotlivých objekt˚una pr˚umetnuˇ =) vhodné pro zobrazování v reálném caseˇ definice scény, triangulace promítání - maticová transformace rešeníˇ viditelnosti - obrazový a objektový prístup,ˇ více ciˇ méneˇ univerzální algoritmy, z-buffer, prímýˇ výpocetˇ stín ˚u osvetlováníˇ a metody stínování - aplikace osvetlovacíhoˇ modelu na polygonální sít’ mapování textur (bude potrebaˇ i pro globální metody), perspektivneˇ korektní mapování prímoˇ v pr ˚umetnˇ eˇ nyní: globální zobrazovací metody, snaha o fotorealistické zobrazování =) barvu každého pixelu ovlivnujíˇ obecneˇ všechny objekty ve scéneˇ Základní raytracing Detaily implementace Distribuovaný raytracing Další -
3D Scientific Visualization with Blender Brian R
3D Scientific Visualization with Blender Brian R. Kent, Ph.D. Scientist, National Radio Astronomy Observatory www.cv.nrao.edu/~bkent/blender Twitter and Instagram: @VizAstro Watch the live broadcast of this presentation, courtesy of NCSA, at: https://youtu.be/8FqGNdvEVWo?t=539 Interesting in learning more? Book and tutorials available at: http://www.cv.nrao.edu/~bkent/blender/ https://www.youtube.com/VisualizeAstronomy Twitter and Instagram: @VizAstro Brian R. Kent, Ph.D. Scientist, National Radio Astronomy Observatory Overview - 3D Scientific Visualization with Blender • Science domain and data of astronomy • What and why we need to visualize data • All about the visualization tool Blender • Examples • Intro to using the interface Dr. Brian R. Kent 3D Visualization NRAO Radio Telescopes Dr. Brian R. Kent 3D Visualization Dr. Brian R. Kent 3D Visualization Astrophysical Phenomena Dr. Brian R. Kent 3D Visualization Dr. Brian R. Kent 3D Visualization Dr. Brian R. Kent 3D Visualization Dr. Brian R. Kent 3D Visualization What do we do in observational astronomy? Caltech/NRAO/NASA/STScI Remote sensing and planetary exploration Dr. Brian R. Kent 3D Visualization Remote Sensing ● Imaging from the ground or space of phenomena that we can’t physically reach ● The entire physical Universe is our laboratory ● Spectroscopy ○ Dynamics and kinematics, chemistry ● Imaging ○ Earth looking out, and from orbit looking at planets ● Time-series ○ Asteroid identification, light-curves for planet finding, and pulsar timing for general relativity Dr. Brian R. Kent 3D Visualization Astrophysical Simulations ● N-body simulations ● Smoothed Particle Hydrodynamics ● Numerical Relativity ● Models of… ○ Interacting Binary Stars ○ Active Galactic Nuclei Jets ○ Black Holes ○ Interacting Galaxies Data from Matt Wood, Texas A&M University-Commerce Dr. -
Mimicking POV-Ray Photorealistic Rendering with Accelerated Opengl Pipeline
Mimicking POV-Ray Photorealistic Rendering with Accelerated OpenGL Pipeline J. Peč iva P. Zemč ík J. Navrátil Brno University of Technology Brno University of Technology Brno University of Technology Božetě chova 2 Božetě chova 2 Božetě chova 2 612 66 Brno, Czech Republic 612 66 Brno, Czech Republic 612 66 Brno, Czech Republic [email protected] [email protected] [email protected] ABSTRACT Traditional ray tracing algorithms tend to provide photorealistic results but at high computing costs. Rendering times of minutes or days are not exceptional. On the other side, hardware accelerated OpenGL rendering can provide real-time interaction with virtual environment with unnoticeable rendering times. This paper attempts to bring these two together and attempts to give an answer on the difficulty of implementing real-time photorealistic rendering. The paper presents case study on mimicking of POV-Ray photorealistic rendering with accelerated OpenGL pipeline. The study shows the opportunity to accelerate some photorealistic algorithms by real-time approaches while, on the other side, it locates the parts that are difficult to replace by traditional real-time rendering paradigms. Particularly, it is shown how to implement primary and shadow rays and POV-Ray-like material model using accelerated OpenGL pipeline using modern shader techno- logy. On the other side, the difficulties of reflected and refracted rays implementation using real-time rendering approaches is discussed. Keywords photorealistic rendering, POV-Ray, OpenGL, raytracing, shaders 1 Introduction graphics usually tend to provide poor results on advanced scene lighting setups. If real-time photorealistic visualizations would be Photorealistic rendering is a very important domain in computer possible, they would provide high quality visualizations, making graphic because of the realism that is often expected from architects and designers much more time effective while graphics applications.