DOCSLIB.ORG

Cour Art of Illusion

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

© Club Informatique Pénitentiaire avril 2016 Initiation au dessin 3D avec "Art Of Illusion" Sommaire OBJECTIFS ET MOYENS. ..................................................... 2 LES MATERIAUX. ................................................................ 30 PRESENTATION GENERALE DE LA 3D.......................... 2 Les matériaux uniformes ..................................... 30 La 3D dans la vie quotidienne. .............................. 2 Les matériaux procéduraux................................. 30 Les Outils disponibles. ........................................... 2 LES LUMIERES..................................................................... 31 PRESENTATION GENERALE DE "ART OF ILLUSION"3 Les lumières ponctuelles. .................................... 31 L'aide. ................................................................... 3 Les lumières directionnelles ................................ 32 L'interface. ............................................................ 4 Les lumières de type "spot"................................. 32 Le système de coordonnées................................... 6 Exemples de lumières.......................................... 33 LES OBJETS ............................................................................. 9 LES CAMERAS. ..................................................................... 34 Les primitives. ....................................................... 9 Les filtres sur les caméras.................................... 35 Manipulation des objets. .................................... 10 Les courbes. ........................................................ 11 RENDU.................................................................................... 36 Les maillages de type "Spline". ........................... 13 Remarques sur le rendu. ..................................... 36 Les maillages de type "triangle". ........................ 14 Le lancer de rayon. .............................................. 36 Exemples de rendu et de caméra. ....................... 37 LES OUTILS DE MODELISATION. .................................. 15 Ensemble (duplication). ...................................... 15 ENVIRONNEMENT. ............................................................ 38 Extrusion. ............................................................ 16 ANIMATION. ......................................................................... 38 Modélisation Booléennes. ................................... 17 Présentation de l'animation ................................ 38 Peau. .................................................................. 18 Tour. ................................................................... 18 EXPORTATION DES DONNEES, BIBLIOTHEQUES D'OBJETS. .............................................................................. 38 Tubes. ................................................................. 19 PLUG-IN, SCRIPTS, EXTENSIONS. ................................ 39 LES TEXTURES. .................................................................... 20 PREFERENCES ..................................................................... 39 Textures uniformes. ............................................ 20 ANNEXES. .............................................................................. 40 Le système de gestion des couleurs ..................... 21 Touches de raccourcis ......................................... 40 Les textures "image"........................................... 22 Glossaire anglais/français................................... 41 Textures procédurales 2D et 3D. ......................... 24 Table des illustrations ......................................... 42 L'application des textures sur les objets. ............. 28 Index. .................................................................. 43 Application de textures sur les maillages. ........... 28 Exemples de projection de textures..................... 29 © CLIP avril 2016 Club Informatique Pénitentiaire 1/43 Initiation au dessin 3D avec "Art Of Illusion" Objectifs et moyens. Le but de cette formation est de fournir aux élèves une approche pratique des techniques de dessin 3D. Devenir un professionnel expérimenté dans ce domaine demande de nombreuses années de pratique, notre but n'est donc pas de faire de vous des experts, mais plutôt de vous présenter les différentes démarches et techniques liées au dessin en trois dimensions. Présentation générale de la 3D. La 3D dans la vie quotidienne. Depuis une vingtaine d'années le dessin et l'animation 3D ont envahi notre quotidien. Publicité, cinéma, éducation, conception de produits utilisent des techniques de dessin en 3 dimensions. Les Outils disponibles. De nombreux outils de dessin 3D sont disponibles tant sur PC que sur Mac. Les principaux logiciels gratuits sont les suivants : Art Of http://www.artofillusion.org/ Le logiciel que nous allons étudier durant cette formation. Il est Illusion gratuit, en français et dispose des principales fonctions d'un grand logiciel de 3D. SketchUp http://sketchup.google.com/intl/fr/ Ce logiciel édité par Google est d'une approche très différente des logiciels classiques de dessin 3D, il est basé essentiellement sur les techniques d'extrusion. Ce logiciel est utilisé par "Google Maps" pour permettre le placement de représentation de monuments sur ses cartes. Blender http://www.blender.org/ Un incontournable des logiciels de dessin 3D, son usage est très répandu. Toutefois son interface est quelque peu déroutante et demande un long apprentissage. 3DSMax http://www.autodesk.fr/ 3D studio max n'est pas gratuit loin s'en faut, mais sa puissance et l'étendue de ses fonctions le rendent incontournable. 3DS est utilisé notamment par l'industrie du cinéma. D'autres outils 3D spécialisés sont disponibles : Architecture http://www.livecad.net/FR/ Architecte 3D est un logiciel de conception d’architecture en 3D, mais 3D aussi d'aménagement/décoration d'intérieur. Il est simple à utiliser et l'interface est agréable et intuitive. Ses rendus 3D sont réalistes et l'on peut importer des plans 2D. Terragen http://www.planetside.co.uk/ Terragen est un puissant logiciel de création de paysages, dont la prise en main est tout de même complexe pour des non-initiés. Bryce http://www.daz3d.com Bryce est un Shareware orienté vers la création de paysage. Moins puissant que Terragen mais plus simple d'utilisation. Anim8or http://www.anim8or.com Spécialisé dans la conception d’objets animés et la création de paysage. © CLIP avril 2016 Club Informatique Pénitentiaire 2/43 Initiation au dessin 3D avec "Art Of Illusion" Présentation générale de "Art Of Illusion" "Art Of Illusion" est un logiciel de modélisation d'objets 3D, de création de textures, de création d'animation et de rendu, écrit en 1999 par Peter Eastman. Depuis cette date, un groupe de passionnés assure son développement. Il est open source1, gratuit et disponible en français2. "Art Of Illusion" est écrit avec le langage Java (donc utilisable sur la plupart des systèmes d'exploitations : Windows, Mac, Linux…), sa version actuelle (Février 2016) est la 3.02. "Art Of Illusion" dispose d'un système d'extension (plugin) permettant d'étendre ses fonctionnalités et/ou de modifier son interface. (Voir Plug-in, scripts, extension page 39). L'aide. Il n'existe pas par défaut de système d'aide pour "Art Of Illusion" pour l'installer voir la section : Plug-in, scripts, extension page 39. Vous trouverez toutefois de l'aide sur Internet notamment : x http://www.artofillusion.org/ Figure 1 - page d'accueil de Artofillusion.org La page incontournable de l'aide de "Art Of Illusion", avec notamment une section documentation, tutoriels, forum etc. C'est à partir de cette adresse que vous pouvez télécharger le programme. Ce site est intégralement en anglais. x http://www.housepixels.com/aoimanual/contents.html Manuel d'aide en anglais. x http://edutechwiki.unige.ch/fr/Art_of_Illusions Une page de présentation générale en français. x http://reprap.org/wiki/AoI Une page de présentation de quelques trucs et astuces en anglais. x http://www.friendlyskies.net/aoiforum/ Forum d'usage général en anglais, mais avec une partie réservée aux français. http://www.friendlyskies.net/aoiforum/viewforum.php?id=16 x http://sourceforge.net/projects/aoi/forums/forum/47783 Forum d'usage général en anglais. 1 Open source signifie que le code du programme est public et donc modifiable par chacun sous les conditions de la General Public License. 2 La traduction n'est pas parfaite, quelques boîtes de dialogue sont incomplètement traduites. © CLIP avril 2016 Club Informatique Pénitentiaire 3/43 Initiation au dessin 3D avec "Art Of Illusion" L'interface. La fenêtre principale. L'écran principal de "Art Of Illusion. L'écran principal de "Art Of Illusion" est constitué de 6 zones : 1 Le menu. 2 Zone d'affichage et de dessins suivant quatre plans possibles. 3 Zone présentant la liste des objets du dessin3. 4 Zone de propriété de l'objet sélectionné (saisie de coordonnées, de positions…) 5 Zone de gestion du temps pour l'animation. 6 Zone de messages et informations. 7 Zone d'icônes (voir Figure 3, page 5). Figure 2 - l'écran principal. Dans un premier temps nous n'utiliserons pas la zone 5 de gestion de l'animation, afin d'agrandir la zone d'affichage des vues nous allons la "replier" en cliquant sur le triangle pointé vers le bas (dans la région cerclée de rouge sur la Figure 2). Pour faire à nouveau apparaître cette zone il suffit de cliquer sur le triangle pointé vers le haut. Afin de ne voir plus qu'une seule vue au
Recommended publications
  • Developing an Execution Plan for Scan to BIM Raghavendra Bhat Stantec

    Developing an Execution Plan for Scan to BIM Raghavendra Bhat Stantec

    CES469694 Developing an Execution Plan for Scan to BIM Raghavendra Bhat Stantec Joseph Huang Stantec Learning Objectives • Discover requirements for a Scan-to-BIM job • Learn how to define and set standards for level of accuracy and level of development • Learn how to save time in handling and modeling from large-size point clouds • Learn about QC workflows using Revit templates, Navisworks, and Virtual Reality Description The quality of a Scan to BIM (Building Information Modeling) model can vary, depending on the surveyor, instrument used, field conditions, especially on the requirements specified. There are, however, no industry standards templates available to follow. This class will focus on the essentials for developing a Scan to BIM execution plan. Starting form providing & clarifying scope of work to define LOD requirements shall be discussed. There are a lot of potential risks that need to be identified and highlighted when picking up a Scan to BIM job. We will discuss some of these cases with project examples. Basic tools like Revit, ReCap, Navisworks available can help us through this process of visualizing model mistakes and getting a quality product. We will learn several tips that can assist us while facing the quality control of a model replicated from a point cloud. Those tips will also help us locate where the focus should go in each case. The goal of this class is, therefore, not only to learn the available tools, but also to analyze the current gaps in setting up Scan to BIM project execution plan. The agenda we will
  • Making a Game Character Move

    Making a Game Character Move

    Piia Brusi MAKING A GAME CHARACTER MOVE Animation and motion capture for video games Bachelor’s thesis Degree programme in Game Design 2021 Author (authors) Degree title Time Piia Brusi Bachelor of Culture May 2021 and Arts Thesis title 69 pages Making a game character move Animation and motion capture for video games Commissioned by South Eastern Finland University of Applied Sciences Supervisor Marko Siitonen Abstract The purpose of this thesis was to serve as an introduction and overview of video game animation; how the interactive nature of games differentiates game animation from cinematic animation, what the process of producing game animations is like, what goes into making good game animations and what animation methods and tools are available. The thesis briefly covered other game design principles most relevant to game animators: game design, character design, modelling and rigging and how they relate to game animation. The text mainly focused on animation theory and practices based on commentary and viewpoints provided by industry professionals. Additionally, the thesis described various 3D animation and motion capture systems and software in detail, including how motion capture footage is shot and processed for games. The thesis ended on a step-by-step description of the author’s motion capture cleanup project, where a jog loop was created out of raw motion capture data. As the topic of game animation is vast, the thesis could not cover topics such as facial motion capture and procedural animation in detail. Technologies such as motion matching, machine learning and range imaging were also suggested as topics worth covering in the future.
  • A Guide to Harvard Academics

    A Guide to Harvard Academics

    The 49 A Guide to Harvard Academics 2016-2017 This guide is not the College’s advising resource of record. For the most accurate and up-to-date information on concentration and secondary field requirements, please consult the undergraduate Handbook for Students. Table of Contents Welcome to Harvard .........................................................................................................................4 Fields of Concentration and the 49 Book.......................................................................................5 How to Read the Fields of Concentration in the Handbook for Students.................................6 Academic Advising at Harvard........................................................................................................7 The Advising Relationship ...............................................................................................................8 Building Your Board of Advisors ...................................................................................................9 First-Year Advising ............................................................................................................................10 Sophomore Advising .........................................................................................................................11 Concentration Advising ....................................................................................................................12 Additional Advising Resources .......................................................................................................13
  • Brian Paint Breakdown 1.Qxd

    Brian Paint Breakdown 1.Qxd

    Digital Matte Painting Reel Breakdown Brian LaFrance Run Time: 2 Minutes 949-302-2085 [email protected] Big Hero 6: Baymax and Hiro Flying Sequence Description: Lead Set Extension Artist. helped develop sky pano from source HDR's, which fed lighting dept. 360 degree seaming of ocean/sky horizon, land, atmosphere blending. Painted East Bay city. Made 3d fog volumes in houdini, rendered with scene lighting for reference, which informed the painting of multiple fog lay- ers, which were blended into the scene using zdepth "slices" for holdouts, integrating the fog into the landscape. Software Used: Photoshop, Maya, Nuke, Houdini, Terragen, Hyperion(Disney Prop. Rendering software) Big Hero 6: Bridge Description: Painted sky, ground fog slices and lights, projected in nuke. Software Used: Photoshop, Maya, Nuke, Terragen, Hyperion Big Hero 6: City Description: Painted sky, moving ground fog clouds. Clouds integrated into digital set using zdepth "slices" for holdouts, integrating fog into the landscape. Software Used: Photoshop, Maya, Nuke R.I.P.D.: City Shots Description: Blocked out city compositions with simple geometry, projected texture onto that geometry. Software Used: Photoshop, Rampage (Rhythm and Hues Prop. Projection software) The Seventh Son: Multiple Shots Description: Modeled simple geom, sculpted in zbrush for balcony shot, textured/lit/rendered in mental ray, painted over in photoshop, projected onto modeled or simplified geometry in rampage. Software Used: Photoshop, Maya, Mental Ray, Zbrush, Rampage Elysium: Earth Description: Provided a Terragen "Planet Rig" to Image Engine for them to render views of earth, as well as a large render of whole earth to be used as source for matte painting(s).
  • Science Fiction Artist In-Depth Interviews

    Science Fiction Artist In-Depth Interviews

    DigitalArtLIVE.com DigitalArtLIVE.com SCIENCE FICTION ARTIST IN-DEPTH INTERVIEWS THE FUTURE OCEANS ISSUE ARTUR ROSA SAMUEL DE CRUZ TWENTY-EIGHT MATT NAVA APRIL 2018 VUE ● TERRAGEN ● POSER ● DAZ STUDIO ● REAL-TIME 3D ● 2D DIGITAL PAINTING ● 2D/3D COMBINATIONS We visit Portugal, to talk with a master of the Vue software, Artur Rosa. Artur talks with Digital Art Live about his love of the ocean, his philosophy of beauty, and the techniques he uses to make his pictures. Picture: “The Sentinels” 12 ARTUR ROSA PORTUGAL VUE | PHOTOSHOP | POSER | ZBRUSH WEB DAL: Artur, welcome back to Digital Art Live magazine. We last interviewed you in our special #50 issue of the old 3D Art Direct magazine. That was back in early 2015, when we mainly focussed on your architectural series “White- Orange World” and your forest pictures. In this ‘Future Oceans’ themed issue of Digital Art Live we’d like to focus on some of your many ocean colony pictures and your recent sea view and sea -cave pictures. Which are superb, by the way! Some of the very best Vue work I’ve seen. Your recent work of the last six months is outstanding, even more so that the work you made in the early and mid 2010s. You must be very pleased at the level of achievement that you can now reach by using Vue and Photoshop? AR: Thank you for having me again, and thank you for the compliment and feedback. I’m humbled and honoured that my work may be of interest for your readers. To be honest, I’m never quite sure if my work is getting better or worse.
  • An Introduction to Building 3D Crime Scene Models Using Sketchup

    An Introduction to Building 3D Crime Scene Models Using Sketchup

    ARTICLE Original Article An Introduction to Building 3D Crime Scene Models Using SketchUp Elissa St. Clair1, Andy Maloney2, and Albert Schade III3 1 Naval Criminal Investigative Service, 2 FORident Software, 3 Berks County District Attorney’s Office, Forensic Services Unit ABSTRACT ARTICLE INFORMATION Crime scene investigators generally have two options when they need to create a three-dimensional (3D) Received: 11 May 2012 model of a crime scene: enlist the services of an expert 3D modeller who specializes in graphic modelling or Revised: 20 July 2012 learn one of the full-fledged modelling tools to create the model themselves. Many modelling tools have a Accepted: 22 September 2012 very steep learning curve, so the time required to invest in learning a tool to get even a simple result is often prohibitive. In this article, we introduce SketchUp (version 8) as a relatively easy-to-use tool for modelling Citation: St. Clair E, Maloney A, crime scenes in 3D, give an example of how the software can be applied, and provide resources for further Schade A. An Introduction to Building 3D Crime Scene Models information. Using SketchUp. J Assoc Crime Scene Reconstr. 2012:18(4);29-47. Author Contacts: Keywords: Crime scene sketching, 3D visualization, software modelling, crime scene models, SketchUp, [email protected], [email protected], Trimble, crime scene reconstruction, forensic science [email protected] Introduction modelling or computer aided design (CAD) to Computer graphics have been used to enhance produce a meaningful 3D model. As a result, the visualization of shapes and structures across investigators have been limited in terms of a wide variety of disciplines since the 1970s, which scenes they can model in 3D because of when the capability to produce computerized the time-consuming and expensive nature of 3D models was first developed [1].
  • Maaston Mallintaminen Visualisointikäyttöön

    Maaston Mallintaminen Visualisointikäyttöön

    MAASTON MALLINTAMINEN VISUALISOINTIKÄYTTÖÖN LAHDEN AMMATTIKORKEAKOULU Tekniikan ala Mediatekniikan koulutusohjelma Teknisen Visualisoinnin suuntautumisvaihtoehto Opinnäytetyö Kevät 2012 Ilona Moilanen Lahden ammattikorkeakoulu Mediatekniikan koulutusohjelma MOILANEN, ILONA: Maaston mallintaminen visualisointikäyttöön Teknisen Visualisoinnin suuntautumisvaihtoehdon opinnäytetyö, 29 sivua Kevät 2012 TIIVISTELMÄ Maastomallit ovat yleisesti käytössä peli- ja elokuvateollisuudessa sekä arkkitehtuurisissa visualisoinneissa. Mallinnettujen 3D-maastojen käyttö on lisääntynyt sitä mukaa, kun tietokoneista on tullut tehokkaampia. Opinnäytetyössä käydään läpi, millaisia maastonmallintamisen ohjelmia on saatavilla ja osa ohjelmista otetaan tarkempaan käsittelyyn. Opinnäytetyössä käydään myös läpi valittujen ohjelmien hyvät ja huonot puolet. Tarkempaan käsittelyyn otettavat ohjelmat ovat Terragen- sekä 3ds Max - ohjelmat. 3ds Max-ohjelmassa käydään läpi maaston luonti korkeuskartan ja Displace modifier -toiminnon avulla, sekä se miten maaston tuominen onnistuu Google Earth-ohjelmasta Autodeskin tuotteisiin kuten 3ds Max:iin käyttäen apuna Google Sketchup -ohjelmaa. Lopuksi vielä käydään läpi ohjelmien hyvät ja huonot puolet. Casessa mallinnetaan maasto Terragen-ohjelmassa sekä 3ds Max- ohjelmassa korkeuskartan avulla ja verrataan kummalla mallintaminen onnistuu paremmin. Maasto mallinnettiin valituilla ohjelmilla ja käytiin läpi saatavilla olevia maaston mallinnusohjelmia. Lopputuloksena päädyttiin, että valokuvamaisen lopputuloksen saamiseksi Terragen
  • Texture Builder Plugin for Cambam

    Texture Builder Plugin for Cambam

    Texture Builder Plugin for CamBam [Version 1.0.1] Purpose Textured surfaces are commonly used in CNC machining to create interesting or contrasting backgrounds on carved items. Essentially a textured surface suitable for CNC machining is a 2.5D surface with a Z (depth) varying over an X-Y plane. This plugin is built on the following premises: That the surface to be textured is a tessellation of a series of 2.5D tiles. Each tile can be repeated over the surface using some combination of: o Copying o Translating o Scaling o Repeating on an X-Y grid, or around a circular arc in the X-Y plane. The tile element must be predefined (using some other tool) as: o a height cloud (a set of X,Y,Z coordinate points) in a CSV file, o an STL model (Sterolithographic file, in ASCII or Binary formats), o a RAW file (sets of X,Y,Z point triplets defining each surface triangular surface patch, as defined for CamBam, in ASCII format), or o an image file (BMP. GIF, JPG, PNG or TIFF formatted) where the grey scale values are to be interpreted as a height map (in the range 0 to 255). Once the scene is constructed, the complete scene surface can be saved as a XYZ height cloud, an STL file or a RAW file, for input into CamBam, or other CAM modellers. Related Tools and Potential Contributions To build a tile element to form the required texture various support tools can be used to help, each performing a particular task in the process.
  • Nitin Singh - Senior CG Generalist

    Nitin Singh - Senior CG Generalist

    Nitin Singh - Senior CG Generalist. Email: [email protected] Montreal, Canada Website: www.NitinSingh.net HONORS & AWARDS * VISUAL EFFECTS SOCIETY AWARDS (VES) 2014 (Outstanding Created Environment in a Commercial or Broadcast Program) for Game Of Thrones ( Project Lead ) “The Climb”. * PRIMETIME EMMY AWARDS 2013 ( as Model and Texture Lead ) for Game of Thrones. “Valar Dohaeris” (Season 03) EXPERIENCE______________________________________________________________________________________________ Environment TD at Framestore, Montreal (Feb.05.2018 - June.09.2018) Projects:- The Aeronauts, Captain Marvel. * procedural texturing and lookDev for full CG environments. * Developing custom calisthenics shaders for procedural environment texturing and look development. * Making clouds procedurally in Houdini, Layout, Lookdev, and rendering of Assets / Shots in FrameStore's proprietary rendering engine. Software's Used: FrameStore's custom texturing and lighting tools, Maya, Arnold, Terragen 4. __________________________________________________________________________________________________________ Environment Pipeline TD at Method Studios (Iloura), Melbourne (Feb.05.2018 - June.09.2018) Projects:- Tomb Raider, Aquaman. * Developing custom pipeline tools for layout and Environment Dept. using Python and PyQt4. * Modeling and texturing full CG environment's with Substance Designer and Zbrush. *Texturing High res. photo-real textures for CG environments and assets. Software's Used: Maya, World Machine, Mari, Zbrush, Mudbox, Nuke, Vray 3.0, Photoshop,
  • Simulated Imagery Rendering Workflow for UAS-Based

    Simulated Imagery Rendering Workflow for UAS-Based

    remote sensing Article Simulated Imagery Rendering Workflow for UAS-Based Photogrammetric 3D Reconstruction Accuracy Assessments Richard K. Slocum * and Christopher E. Parrish School of Civil and Construction Engineering, Oregon State University, 101 Kearney Hall, 1491 SW Campus Way, Corvallis, OR 97331, USA; [email protected] * Correspondence: [email protected]; Tel.: +1-703-973-1983 Academic Editors: Gonzalo Pajares Martinsanz, Xiaofeng Li and Prasad S. Thenkabail Received: 13 March 2017; Accepted: 19 April 2017; Published: 22 April 2017 Abstract: Structure from motion (SfM) and MultiView Stereo (MVS) algorithms are increasingly being applied to imagery from unmanned aircraft systems (UAS) to generate point cloud data for various surveying and mapping applications. To date, the options for assessing the spatial accuracy of the SfM-MVS point clouds have primarily been limited to empirical accuracy assessments, which involve comparisons against reference data sets, which are both independent and of higher accuracy than the data they are being used to test. The acquisition of these reference data sets can be expensive, time consuming, and logistically challenging. Furthermore, these experiments are also almost always unable to be perfectly replicated and can contain numerous confounding variables, such as sun angle, cloud cover, wind, movement of objects in the scene, and camera thermal noise, to name a few. The combination of these factors leads to a situation in which robust, repeatable experiments are cost prohibitive, and the experiment results are frequently site-specific and condition-specific. Here, we present a workflow to render computer generated imagery using a virtual environment which can mimic the independent variables that would be experienced in a real-world UAS imagery acquisition scenario.
  • Deadline User Manual Release 7.1.2.1

    Deadline User Manual Release 7.1.2.1

    Deadline User Manual Release 7.1.2.1 Thinkbox Software June 11, 2015 CONTENTS 1 Introduction 1 1.1 Overview.................................................1 1.2 Feature Set................................................5 1.3 Supported Software...........................................8 1.4 Render Farm Considerations....................................... 28 1.5 FAQ.................................................... 34 2 Installation 45 2.1 System Requirements.......................................... 45 2.2 Licensing................................................. 48 2.3 Database and Repository Installation.................................. 49 2.4 Client Installation............................................ 75 2.5 Submitter Installation.......................................... 91 2.6 Upgrading or Downgrading Deadline.................................. 95 2.7 Relocating the Database or Repository................................. 97 2.8 Importing Repository Settings...................................... 98 3 Getting Started 101 3.1 Application Configuration........................................ 101 3.2 Submitting Jobs............................................. 105 3.3 Monitoring Jobs............................................. 112 3.4 Controlling Jobs............................................. 121 3.5 Archiving Jobs.............................................. 152 3.6 Monitor and User Settings........................................ 156 3.7 Local Slave Controls........................................... 164 4 Client Applications
  • DVD-Ofimática 2014-07

    DVD-Ofimática 2014-07

    (continuación 2) Calizo 0.2.5 - CamStudio 2.7.316 - CamStudio Codec 1.5 - CDex 1.70 - CDisplayEx 1.9.09 - cdrTools FrontEnd 1.5.2 - Classic Shell 3.6.8 - Clavier+ 10.6.7 - Clementine 1.2.1 - Cobian Backup 8.4.0.202 - Comical 0.8 - ComiX 0.2.1.24 - CoolReader 3.0.56.42 - CubicExplorer 0.95.1 - Daphne 2.03 - Data Crow 3.12.5 - DejaVu Fonts 2.34 - DeltaCopy 1.4 - DVD-Ofimática Deluge 1.3.6 - DeSmuME 0.9.10 - Dia 0.97.2.2 - Diashapes 0.2.2 - digiKam 4.1.0 - Disk Imager 1.4 - DiskCryptor 1.1.836 - Ditto 3.19.24.0 - DjVuLibre 3.5.25.4 - DocFetcher 1.1.11 - DoISO 2.0.0.6 - DOSBox 0.74 - DosZip Commander 3.21 - Double Commander 0.5.10 beta - DrawPile 2014-07 0.9.1 - DVD Flick 1.3.0.7 - DVDStyler 2.7.2 - Eagle Mode 0.85.0 - EasyTAG 2.2.3 - Ekiga 4.0.1 2013.08.20 - Electric Sheep 2.7.b35 - eLibrary 2.5.13 - emesene 2.12.9 2012.09.13 - eMule 0.50.a - Eraser 6.0.10 - eSpeak 1.48.04 - Eudora OSE 1.0 - eViacam 1.7.2 - Exodus 0.10.0.0 - Explore2fs 1.08 beta9 - Ext2Fsd 0.52 - FBReader 0.12.10 - ffDiaporama 2.1 - FileBot 4.1 - FileVerifier++ 0.6.3 DVD-Ofimática es una recopilación de programas libres para Windows - FileZilla 3.8.1 - Firefox 30.0 - FLAC 1.2.1.b - FocusWriter 1.5.1 - Folder Size 2.6 - fre:ac 1.0.21.a dirigidos a la ofimática en general (ofimática, sonido, gráficos y vídeo, - Free Download Manager 3.9.4.1472 - Free Manga Downloader 0.8.2.325 - Free1x2 0.70.2 - Internet y utilidades).