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Eliane Elias April 10-14 - Birdland CD Release + Interview Music from “Man of La Mancha” PG

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Eliane Elias April 10-14 - Birdland CD Release + Interview Music from “Man of La Mancha” PG Celebrating International Jazz Day April 30th Eliane Elias April 10-14 - Birdland CD Release + Interview Music from “Man Of La Mancha” PG. 14 Duduka da Fonseca Trio “plays Dom Salvador “ CD Release + Interview PG.22 PG 1 WWW.BOSSAMAGAZINE.COM | BMF |ASUOS PRODUCTIONS | BRAZILIAN ART AND MUSIC | NEW YORK - APRIL 2018 |EDITION #9 News | Events | Performances | Culture ADVERTISING KIT ADVERTISE YOUR BUSINESS AT BOSSA MAGAZINE ———————–-—— PG 5 ———————–—-- EDITOR’S NOTE & EDITORIAL TEAM ———————–-—— PG 6-7 --———————– JAZZ INFLUENCE ON BRAZILIAN MUSIC 14 ELIANE ELIAS AND VICE VERSA - ARTICLE ———————–-—— PG 8-9 ———————— BRAZILIAN JAZZ HISTORY ———————–-—— PG 10 —— —————–— EVENT LIST ———————–-—— PG 11——————–—–— BRAZILIAN PERCUSSION—ARTICLE ———————–-—— PG 12-13 ——————— 22 DUDUKA DA FONSECA ELIANE ELIAS— INTERVIEW + CD RELEASE ———————–-—— PG 14-17 ——————— ADRIANO SANTOS—INTERVIEW ———————–-—— PG 18-19—— ————–– ALEXANDRE KAUTZ– INTERVIEW ———————–-—— PG 20-21 ————–—–— DUDUKA DA FONSECA—INTERVIEW + CD RELEASE ———————–-—— PG 22-23 ———–——–— 44 ADRIANO SANTOS Published by Asuos Productions, Inc. Supported by Brazilian Music Foundation, Org. PG 2 WWW.BOSSAMAGAZINE.COM | BMF |ASUOS PRODUCTIONS | BRAZILIAN ART AND MUSIC | NEW YORK - APRIL 2018 |EDITION #9 Monthly Magazine NELSON FREIRE—CONCERT & FILM ———————–-—— PG 25 —————–—–— CYRO BAPTISTA — ARTICLE ———————–-—— PG 27 ————–——–— LUIZ EBERT—INTERVIEW ———————–-—— PG 28-29 —————–— 48 CYRO BAPTISTA MAURICIO ZOTTARELLI—INTERVIEW ———————–-—— PG 30-31 —————–— SCOTT KETTNER—INTERVIEW ———————–-—— PG 32-33————–—–— YGOR SAUNIER — INTERVIEW ———————–-—— PG 34-35———–——–— VANDERLEI PEREIRA—INTERVIEW ———————–-—— PG 36-38 —————–— 52 MAURICIO ZOTTARELLI AMAZON SMILE— SHOP AND DONATE! ———————–-—— PG 39 ————–——–— CAZUZA - THE TIME NEVER STOPS! ———————–-—— PG 40-41-—————–— BRAZILIAN MUSIC FOUNDATION MEMBERSHIP PROGRAM—BECOME A MEMBER! ———————–-—— PG 42-43-—————–— 32 SCOTT KETTNER Editor In Chief - Madalena Sousa [email protected] PG 3 WWW.BOSSAMAGAZINE.COM | BMF |ASUOS PRODUCTIONS | BRAZILIAN ART AND MUSIC | NEW YORK - APRIL 2018 |EDITION #9 ADVERTISEMENT PG 4 WWW.BOSSAMAGAZINE.COM | BMF |ASUOS PRODUCTIONS | BRAZILIAN ART AND MUSIC | NEW YORK - APRIL 2018 |EDITION #9 BOSSA MAGAZINE Digital Advertising Kit ADVERTISE YOUR PRODUCTS AND SERVICES TO OVER 3 MILLION READERS! 1 out of every 5 readers spends over $800 on direct response products and Single Full page services per year.Half page horizontal 8 1/2(H) x 5 1/2(W) 4 1/8(H) x 5 1/2(W) —————————— Expose your business Salon around the world through MUSIC! 4310 34th Ave ——————————Long Island City, NY 11101 (718) 707-0005 www.dmsalonnyc.com Reach out to readers from all over the world. ADVERTISE YOUR New York City is a Mecca PRODUCTS AND for Music and a great 1/4 Regular SERVICES TO place to network. 4 1/8(H) x 2 3/4(W) OVER 3 MILLOREADERS! _________ —————————— 1/8 Worldwide reference in playalong songbooks of the Regular 1/2 Vertical Brazilian instrumental Ask about our 8 1/2(H) x 2 3/4(W) music! https://www.choromusic.com 1 out of every 5 readers FIRST-TIME Spends over $800 on direct response products and ser- vices per year. ADVERTISER ____________ 2 1/16(H) x 2 3/4(W) Reach all types of audience. Art and Music is overall the DISCOUNTS most advertised services in the world. Millions of peo- ple are connected to either [email protected] one or both. ____________ Tel. ( 917) 400-1578 Specifications Deadline—15th of the month prior. Preferred art work—Press ready .pdf format - for price kit please contact: [email protected] PG 5 WWW.BOSSAMAGAZINE.COM | BMF |ASUOS PRODUCTIONS | BRAZILIAN ART AND MUSIC | NEW YORK - APRIL 2018 |EDITION #9 Editor’s Note ossa Magazine’s April edition, will be talking about Brazilian Jazz in celebration of International Jazz Day, April 30th. Brazilian music gives much thanks to the Jazz influence in Brazilian culture, because it was through this connection that the Brazilian music became world-renowned. Thanks to Stan Getz, Charlie Byrd, and Creed Taylor for taken the Bossa Nova to be played at Carnegie Hall in November of 1962. B Bossa Nova was played worldwide in the 60’s and even today revered by Americans and other countries. Almost everyone knows "The Girl from Ipanema", the song written in 1962, by Antônio Carlos Jobim (music), and by Vinicius de Moraes (Portuguese lyrics). Stan Getz recorded the album Getz/Gilberto in 1963 with Antônio Carlos Jobim, João Gilberto and his wife, Astrud Gilberto. The song "The Girl from Ipanema" won a Grammy Award. The piece became one of the most well-known Latin jazz tracks. Getz/Gilberto won two Grammys (Best Album and Best Single). “The Girl From Ipanema” went on to become the second-most recorded popular song in history, behind “Yesterday”. It was a worldwide hit in the mid-1960's and won a Grammy for Record of the Year in 1965. While Astrud Gilberto's version of the song is perhaps the best known, the tune has been covered an estimated 150 times, including by Madonna and Amy Winehouse and of course by Frank Sinatra. Read more on “Influences of American Jazz in Brazilian music and vice versa”’ article on pages 8 to 10. This month we will also present “Part I” of the Brazilian Percussion with just a few Drummers and Percussionists that are proudly spreading Brazilian Jazz in New York City and around the world, along with their histories. “Stay tuned for Part II “. Bossa Magazine would like to invite you to join us in the celebration of Jazz Day and Brazilian Jazz Month. The sound of Brazilian Jazz will echo in the city of New York and many other cities, celebrating communion, freedom and peace among the people! Check out the event list! I hope you enjoy April’s edition and will help support Bossa Magazine fulfill its mission. Thank you all for your support! Madalena Sousa Madalena Sousa Brazilian Music Foundation Founder/President/CEO Editor In Chief- Bossa Magazine PG 6 WWW.BOSSAMAGAZINE.COM | BMF |ASUOS PRODUCTIONS | BRAZILIAN ART AND MUSIC | NEW YORK - APRIL 2018 |EDITION #9 Editorial team BOSSA MAGAZINE PROMOTES Madalena Sousa: Editor In Chief Mila Schiavo: Contributor Jaime Whittekiend: Proofreader Exhibitions , Concerts, Interviews, Reviews, History, Education, Become one of our collaborators! Lectures, Workshops, and more… Contact: Brazilian Art and Music [email protected] ONLINE MAGAZINE www.bossamagazine.com Published by Asuos Productions Supported by: Brazilian Music Foundation PG 7 WWW.BOSSAMAGAZINE.COM | BMF |ASUOS PRODUCTIONS | BRAZILIAN ART AND MUSIC | NEW YORK - APRIL 2018 |EDITION #9 The influence of Jazz on Brazilian music and vice-versa. Br azilian music's important songs, Since the beginning of the 20th century, Coincidentally, in the same era, a well- composers and artists, evolved and the influence of Jazz became more and known Brazilian saxophonist said it was revealed itself as one of the richest music more clear. Brazilian instrumentalists, with impossible to improvise on Brazilian in the world. There are several styles that the exception of the weeping interpreters, music . However, sometime later, he they base this image on and qualify the the traditional music and the Northeastern adopted the jazz improvisation into his music of the country as one of the most Rhythms, were influenced by Jazz musi- records. beautiful, since its beginning with the cians. The seed of this merger was planted incorporation of European music, black in April 1953 by the guitarist Laurindo "Brazilliance" was edited in Brazil by and indigenous. The Brazilian musicality is Almeida and the saxophonist Bud Shank Musidisc and gained the immediate portrayed in well-crafted melodies, rich with the recording of the album sympathy of a new generation of harmonies and rhythms that are hardly "Brazilliance" in Los Angeles. musicians who would be icons of bossa assimilated by foreigners, but even with so nova and later of samba-jazz. Hundreds of many attributes, ironically, the music of bossa nova and samba-jazz records were Brazil was supported in foreign culture to edited in the United States, Europe and enlarge in large scale. Japan. This appreciation abroad caused a sudden change of opinion in the middle "Jazz has always been very influential in Brazilian musica, with the return of samba- several musical segments, and it has been jazz to the repertoire of the younger with the predominance of the American musicians. Before, Carlos Lyra took a model after the end of the second world nationalist stance by writing influence of war, that the urban layers of Rio de Janeiro Jazz, which has the verses: “poor samba lived an update to "modern" standards my gone mixing, modernizing and lost, due to imports of materials from the US. blaming the influences musicals coming from outside the country on the Brazilian "The relationship between jazz and song”, the bossa nova itself was built Brazilian music are much more intimate through elements of American music. that may appear. It is an intimacy that sur- prises after its finding. Their origins are This influence generated a new movement exactly the same, coming from the black Released: 1961 that strengthened in the late 1950’s and culture brought by African slaves origi- Genre: Jazz early 1960’s, knwon as Bossa Nova. That nating from the same regions of the west Style: Bossa Nova samba consisted of elements of different coast of the African continent. The slaves languages or "different Samba" as some worked hard, exhaustively, day and night, On this disk the Brazilian guitarist and jazz artists used to call it, and it was played by without any rest. The only soothing for the saxophonist have introduced an unusual high-class social boys. It was in Nara Leão's pain was the corner where they chanted innovation: The improvisations of Shank apartment in Rio de Janeiro, where the during the work, the lamentations at night, playing Brazilian repertoire in jazz Bossa Nova meetings occurred, where the chanting religious during the language. Shank laid the foundations of musicians like Roberto Menescal, Ronaldo mass, and the lullabies of slave mothers.
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