Jazzweek with Airplay Data Powered by Jazzweek.Com • January 30, 2012 Volume 8, Number 8 • $7.95

Total Page:16

File Type:pdf, Size:1020Kb

Jazzweek with Airplay Data Powered by Jazzweek.Com • January 30, 2012 Volume 8, Number 8 • $7.95 JazzWeek with airplay data powered by jazzweek.com • January 30, 2012 Volume 8, Number 8 • $7.95 Jazz Album No. 1: Jimmy Owens, The Monk Smooth Album No. 1: Boney James, Contact Project (IPO) (Verve Forecast) World Music No. 1: Novalima, Karimba (Esl) Smooth Single No. 1: Acoustic Alchemy, “Marrakesh” (Heads Up) JazzWeek relaunch: crowdfunding with perks at http://www.indiegogo.com/jazzweek Jazz Album Charts .................... 3 Jazz Add Dates ....................... 7 Smooth Jazz Album Charts .............4 Jazz Radio Currents ................... 8 Smooth Singles Charts ................. 5 Jazz Radio Panel .................... 11 World Music Album Charts .............. 6 Smooth Jazz Current Tracks............ 13 Smooth Jazz Station Panel............. 14 Jazz Birthdays January 30 February 10 February 20 Roy Eldridge (1911) Chick Webb (1909) Jimmy Yancey (1898) Bobby Hackett (1915) Larry Adler (1914) Bobby Jaspar (1926) Ahmed Abdul-Malik (1927) Sir Roland Hanna (1932) Nancy Wilson (1937) Tubby Hayes (1935) Rufus Reid (1944) Anthony Davis (1951) February 1 Lawrence “Butch” Morris (1947) February 21 Sadao Watanabe (1933) February 12 Al Sears (1910) Joe Sample (1939) Paul Bascomb (1912) Tadd Dameron (1917) February 2 Mel Powell (1923) Nina Simone (1933) Eddie “Lockjaw” Davis (1922) Bill Laswell (1955) Warren Vache (1951) Sonny Stitt (1924) February 13 February 22 Stan Getz (1927) Wingy Manone (1900) Rex Stewart (1907) James “Blood” Ulmer (1942) Wardell Gray (1921) Buddy Tate (1913) February 3 February 14 February 24 Lil Armstrong (1898) Rob McConnell (1935) Michel Legrand (1932) Snooky Young (1919) February 15 David “Fathead” Newman (1933) Bob Stewart (1945) Harold Arlen (1905) February 25 February 4 Nathan Davis (1937) Ida Cox (1896) Tony Fruscella (1927) Kirk Lightsey (1937) Ake Persson (1932) John Stubblefield (1945) Henry Threadgill (1944) Larry Gelb (1952) February 7 February 16 February 26 Eubie Blake (1883) Machito (1912) Yosuke Yamashita (1942) February 8 Pete Christlieb (1945) February 27 Lonnie Johnson (1889) February 17 Freddie Keppard (1890) February 9 Buddy Defranco (1923) Mildred Bailey (1907) Walter Page (1900) Roger “Buck” Hill (1927) Dexter Gordon (1923) Barbara Donald (1942) Herbie Lewis (1941) Chuck Wayne (1923) Bill Evans (sax) (1958) February 18 February 28 Emil Barnes (1892) Svend Asmussen (1916) February 19 Willie Bobo (1934) David Murray (1955) Charles Gayle (1939) For daily, online access to the data behind the charts, please contact Doug Hall at (610) 578-0800 x120 or [email protected] jazzweek.com • January 30, 2012 JazzWeek 2 airplay data JazzWeek Jazz Album Chart Jan. 30, 2012 powered by TW LW 2W Peak Artist Title Label TW LW +/- Weeks Reports Adds 1 1 11 1 Jimmy Owens The Monk Project IPO 209 179 30 4 50 0 2 12 32 2 Chick Corea Further Explorations Concord Jazz 148 115 33 3 44 1 3 2 2 1 Houston Person So Nice HighNote 137 150 -13 13 38 0 4 39 – 4 Gary Smulyan Smul’s Paradise Capri 130 55 75 2 47 1 4 5 1 1 Christian McBride Big Band The Good Feeling Mack Avenue 130 126 4 17 35 0 6 3 5 1 Pat Martino Undeniable: Live At Blues Alley HighNote 127 138 -11 13 36 0 7 9 4 2 George Benson Guitar Man Concord Jazz 123 121 2 18 27 0 8 15 9 8 Hendrik Meurkens Live At Bird’s Eye Zoho 120 107 13 13 23 0 9 12 2 2 James Carter At The Crossroads Emarcy 116 115 1 16 34 0 10 7 8 7 Christian McBride Conversations With Christian Mack Avenue 115 123 -8 13 38 0 11 37 – 11 Bruce Babad A Tribute To Paul Desmond Primrose Lane 113 58 55 2 34 2 12 6 6 4 Joey DeFrancesco 40 HighNote 102 125 -23 15 30 0 12 31 27 1 Ted Rosenthal Out Of This World Playscape 102 65 37 18 37 0 14 14 13 13 Yotam Brasil JLP 96 114 -18 15 26 0 15 19 6 1 Poncho Sanchez & Terence Blanchard Chano y Dizzy Concord Jazz 93 88 5 19 29 0 16 30 – 16 Christian Tamburr Places Tamburr Worldwide 88 66 22 3 26 1 17 28 21 17 3 Cohens Family Anzic 87 73 14 12 23 0 18 38 – 18 Mike Wofford & Holly Hofmann Turn Signal Capri 84 57 27 3 27 1 18 25 14 9 Mike Longo To My Surprise CAP 84 75 9 16 28 0 20 29 – 20 Jamie Ousley A Sea Of Voices T.I.E. 81 72 9 3 32 1 20 21 10 8 Stanley Jordan Friends Mack Avenue 81 80 1 17 26 0 22 23 16 3 Larry Vuckovich Somethin’ Special Tetrachord 78 77 1 24 19 0 23 16 28 4 Rene Marie Black Lace Freudian Slip Motema 76 97 -21 16 29 0 24 24 24 21 Bill O’Connell Triple Play Plus Three Zoho 75 76 -1 16 22 0 25 55 42 25 Reuben Wilson Revisited American Showplace 74 48 26 17 25 0 26 17 30 17 David Murray David Murray Cuban Ensemble Plays Nat Motema 73 92 -19 16 19 0 King Cole - En Espanol 27 56 – 27 Jack DeJohnette Sound Travels eOne 72 47 25 2 29 1 27 – – 27 Josh Rzepka Into The Night Self-Released 72 25 47 2 16 2 27 26 14 14 Phil Norman Encore Mama 72 74 -2 14 27 0 30 42 – 30 Etta James The Dreamer Verve Forecast 71 52 19 11 23 0 31 45 34 18 Sophie Milman In The Moonlight eOne 70 51 19 18 25 0 31 22 20 2 Roy Haynes Roy-Alty Dreyfus 70 79 -9 19 29 0 31 – – 31 Paul Meyers Welcome Home Little Chin 70 24 46 2 30 1 34 – 57 27 Eddie Daniels & Roger Kellaway Live At The Library Of Congress IPO/Light Works 68 34 34 9 36 0 34 18 26 2 John Scofield A Moment’s Peace Emarcy 68 91 -23 17 21 0 36 42 32 12 The Tierney Sutton Band American Road BFM Jazz 64 52 12 21 28 0 36 32 12 1 Warren Wolf Warren Wolf Mack Avenue 64 63 1 24 27 0 38 52 – 38 Vince Mendoza Nights On Earth Horizontal 63 49 14 3 23 0 38 52 39 22 Cinque Catch A Corner Alma 63 49 14 15 20 0 40 33 31 31 David Budway A New Kiss MAXJAZZ 62 62 0 9 22 1 40 20 16 10 Ron Carter Ron Carter’s Great Big Band Sunnyside 62 83 -21 23 24 0 42 45 – 42 Colin Stranahan Anticipation Capri 61 51 10 13 16 1 43 – – 43 Sunnie Paxson Bohemian Sun Roxboro 60 44 16 9 21 1 44 47 36 36 Evan Cobb Falling Up Self-Released 57 50 7 10 13 0 45 – 60 2 Cedar Walton The Bouncer High Note 56 35 21 24 32 0 46 47 40 1 Tony Bennett Duets II RPM/Columbia 55 50 5 18 17 0 46 34 42 8 Cory Weeds Just Like That Cellar Live 55 59 -4 18 14 0 48 26 37 10 Mary Louise Knutson In The Bubble Meridian Jazz 54 74 -20 17 15 0 49 – 50 35 Various Artists Miles Espanol eOne 53 42 11 14 23 0 49 47 49 3 Wynton Marsalis & Eric Clapton Wynton Marsalis & Eric Clapton Play The Reprise 53 50 3 20 16 0 Blues Most Added (a station’s first seven spins detected = add) Increased Airplay Chartbound Bruce Babad A Tribute To Paul Desmond (Primrose Gary Smulyan Smul’s Paradise (Capri) +75 Janice Finlay Anywhere But Here (Self-Released) Lane) +2 Bruce Babad A Tribute To Paul Desmond Aaron Goldberg & Ali Jackson Yes! (Sunnyside) Josh Rzepka Into The Night (Self-Released) +2 (Primrose Lane) +55 Lisa Casalino Introducing Lisa Casalino (Self-Released) (17 more at +1) Josh Rzepka Into The Night (Self-Released) +47 Carmen Lundy Night And Day (Afrasia) Paul Meyers Welcome Home (Little Chin) +46 Dennis Rollins 11th Gate (Motema) Ted Rosenthal Out Of This World (Playscape) +37 Eric Reed Something Beautiful (WJ3) Eddie Daniels & Roger Kellaway Live At The Library Of New World Jazz Project Brave New World (Tahoe Blue) Congress (IPO/Light Works) +34 Yuko Kishimoto Songbook (Planet Arts) Chick Corea Further Explorations (Concord Jazz) +33 Marlene Rosenberg Bassprint (Origin) Jimmy Owens The Monk Project (IPO) +30 Jacqui Naylor Lucky Girl (Ruby Star) Pat Metheny Orchestrion (Nonesuch) +30 Danny Grissett Stride (Criss Cross) +29 jazzweek.com • January 30, 2012 All monitored airplay data is owned by Mediaguide, Inc. ©2012 Mediaguide, Inc. JazzWeek 3 airplay data JazzWeek Smooth Album Chart Jan. 30, 2012 powered by TW LW 2W Peak Artist Title Label TW LW +/- Weeks Reports Adds 1 1 3 1 Boney James Contact Verve Forecast 35 33 2 47 3 0 2 2 2 1 Fourplay Let’s Touch The Sky Heads Up 34 29 5 67 3 0 3 21 11 3 George Benson Guitar Man Concord Jazz 30 16 14 17 5 0 3 3 5 1 Acoustic Alchemy Roseland Heads Up 30 28 2 20 4 0 5 16 8 5 Richard Elliot In The Zone Artistry/Mack Avenue 28 17 11 21 4 0 5 3 8 3 Paul Taylor Prime Time eOne/Peak 28 28 0 40 2 0 7 5 7 4 Rick Braun Sings With Strings Artistry/Mack Avenue 26 27 -1 29 2 0 8 6 8 2 Eumir Deodato The Crossing NuGroove 2.0/SMC 23 25 -2 36 2 0 9 7 4 1 Brian Lenair Eye Of The Storm Grits And Gravy 22 22 0 21 2 0 10 10 11 10 Bob Baldwin NewUrbanJazz.com 2/Re-Vibe Trippin ’N’ Rhythm 21 20 1 29 2 0 10 9 11 1 Carlos Cannon Steppin’ Up The Game Cannon 21 21 0 44 1 0 12 21 17 12 Maysa Motions Of Love Shanachie 20 16 4 13 2 0 12 21 27 11 Larry Carlton Plays The Sound Of Philadelphia 335 20 16 4 48 2 0 14 11 24 11 Michael Franks Time Together Shanachie 19 19 0 31 3 0 15 21 17 15 Wayman Tisdale The Wayman Tisdale Story Rendezvous 18 16 2 14 3 0 15 12 24 11 Louie Cruz Beltran Paint The Rhythm Corniche 18 18 0 13 1 0 15 16 17 13 Andy Snitzer Traveler Native Language 18 17 1 24 2 0 18 28 17 9 Rahni Song Breakin’ The Rules Hush 17 15 2 10 1 0 18 16 27 12 Kim Waters This Heart Of Mine Shanachie 17 17 0 16 1 0 18 12 48 12 Mark Stephens Dream Of The Peaceful Warrior Groove Junkie 17 18 -1 18 1 0 18 21 34 18 Michael J.
Recommended publications
  • NYC Jazz Record
    execution. Added inventiveness is found on Dresser’s GLOBE UNITY: BRAZIL composition “Yeller Grace”, which blends “Yellow Rose of Texas”, “Amazing Grace” and the National Anthem into a barely recognizable yet fully engaging mix. And they show plenty of versatility, as piano and bass converse equally well within the sweeping, legato passages of “For My Mother” or the jarring, playful bounces of “Big Mama”. But the true highlight is their interplay on Dresser’s composition “Mattress on a Stick”, which leads with a breathtakingly lyrical bass introduction, over Moser’s sparse and haunting choice Patience of chords. Each tune was recorded straight to two Stéphane Kerecki/John Taylor (Zig-Zag Territoires) entirely clean, un-mixed tracks, the depth of the tones All Strung Out astounding, providing a truly intimate experience. Piano Masters Series, Vol. 2 Denman Maroney/Dominic Lash (Kadima Collective) Philippe Baden Powell (Adventure Music) Duetto Mark Dresser/Diane Moser (CIMP) For more information, visit outhere-music.com/zigzag, Tempo (feat. Eddie Gomez) Tania Maria (Naïve) by Sam Spokony kadimacollective.com and cimprecords.com. Moser and Constelação Brazilian Trio (Motéma Music) In these three albums, we find each piano/bass duo Dresser are at Cornelia Street Café Sep. 6th. See Calendar. by Tom Greenland approaching the world of free improvisation with The world’s fifth largest country, home of bossa different modes of thought and intensity. nova, samba and birthplace of Tom Jobim, Airto Patience, by French bassist Stéphane Kerecki and Moreira, Milton Nascimento and Hermeto Pascoal British pianist John Taylor, reveals the strong influence (to name only a few), Brazil has deeply impacted of the classic dynamic that once existed between jazz.
    [Show full text]
  • Baltimore: “Music City” of the Future?
    December 2015 Baltimore: “Music City” of the Future? . 1 BCJS at BMA: Don Braden Quintet featuring Vanessa Rubin . 4 BALTIMORE JAZZ ALLIANCE Member Notes, Discounts and Merchandise . 6 Dave Douglas at An die Musik . 7 An Interview with Nico Sarbanes . 8 Jazz Jam Sessions . 10 Ad Rates and Member Sign-up Form . 11 VOLUME XII ISSUE XI THE BJA NEWSLETTER WWW.BALTIMOREJAZZ.COM Baltimore: “Music City” of the Future? By Ken Avis On October 25th the Music Cities Conference in Washington, DC brought together 200 musicians, presenters, and city ad - ministrators from around the world to share experiences con - cerning the value of active music communities and ways to make them thrive. Something is happening out there. In re - cent years, at the city and at national levels, data are being collected, action plans are being implemented, and “live music offices” are being staffed. The evidence is conclusive. Under the right conditions a vibrant music scene positively affects community and economic development. Link it to tourism and it can really bring in the dollars and jobs. Austin, Nashville, New Orleans, and Berlin are clearly “music cities” where festivals, clubs and the supporting in - dustries provide jobs and attract tourist dollars. Austin has been America’s fastest-growing city for the last nine years. Its “cool music city” factor has been key to its success in attract - ing creative talent for the expanding high tech and creative What about Baltimore? Could Baltimore harness its jazz industries. At the other end of the spectrum, Johannesburg, legacy and active arts scene to ramp up quality of life Bogota, and at the national level, Venezuela are actively pur - and attract talent and jobs to revitalize the city ? suing music education and performance programs to address problems of crime and poverty and to develop healthier com - searchable by date, location, and genre, are front and center.
    [Show full text]
  • Jack Dejohnette's Drum Solo On
    NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Steve Smith Steve Smith
    • SPEED • POWER • CONTROL • ENDURANCE • SPECIAL TECHNIQUE ISSUE STEVESTEVE SMITHSMITH VVITALITAL TTECHECH TTALKALK BBUILDUILD SSUPERUPER CCHOPSHOPS!! BBOZZIOOZZIO,, PPHILLIPSHILLIPS,, BBISSONETTEISSONETTE,, BBELLSONELLSON,, WWECKLECKL,, AANDND MMOREORE TTHEHE TTECHNICALECHNICAL EEDGEDGE HHUNDREDSUNDREDS OOFF GGREATREAT EEXERCISESXERCISES FFOROR YYOUROUR HHANDSANDS AANDND FFEETEET WIN JJOHNOHN DDOLMAYANOLMAYAN Exciting Sights OOFFFF TTHEHE RRECORDECORD And Sounds From Sabian & Hudson Music TTHEHE MMANYANY KKITSITS OOFF BBILLILL BBRUFORDRUFORD $4.99US $6.99CAN 05 WIN A Drum Lesson With Tico Torres 0 74808 01203 9 Contents ContentsVolume 27, Number 5 Cover photo by Alex Solca STEVE SMITH You can’t expect to be a future drum star if you haven’t studied the past. As a self-proclaimed “US ethnic drummer,” Steve Smith has made it his life’s work to explore the uniquely American drumset— and the way it has shaped our music. by Bill Milkowski 38 Alex Solca BUILDING SUPER CHOPS 54 UPDATE 24 There’s more than one way to look at technique. Just ask Terry Bozzio, Thomas Lang, Kenny Aronoff, Bill Bruford, Dave Weckl, Paul Doucette Gregg Bissonette, Tommy Aldridge, Mike Mangini, Louie Bellson, of Matchbox Twenty Horacio Hernandez, Simon Phillips, David Garibaldi, Virgil Donati, and Carl Palmer. Gavin Harrison by Mike Haid of Porcupine Tree George Rebelo of Hot Water Music THE TECHNICAL EDGE 73 Duduka Da Fonseca An unprecedented gathering of serious chops-increasing exercises, samba sensation MD’s exclusive Technical Edge feature aims to do no less than make you a significantly better drummer. Work out your hands, feet, and around-the-drums chops like you’ve never worked ’em before. A DIFFERENT VIEW 126 TOM SCOTT You’d need a strongman just to lift his com- plete résumé—that’s how invaluable top musicians have found saxophonist Tom Scott’s playing over the past three decades.
    [Show full text]
  • LI Israeli Jazz & Film Festival Booklet Website
    The Long Island Israeli Yasher Koah Jazz and Film Festival to the to honor the memory of Israel Affairs Committee Warren J.Tuckman for planning, organizing and hosting Presenting the Inaugural Roni BenBen----HurHur Israeli Jazz and his renowned jazz ensemble, featuring vocalist, Amy London and Film Festival honoring the memory Feature Films of Warren Tuckman “Gefilte Fish” by Shelly KlingKling----YousefYousef “On the Road to TelTel----Aviv”Aviv” by Khen Shalem “Loose Ends” by David Reinlib “Sight” by Eran MayMay----RazRaz SHJC Sisterhood Sunday, May 5, 2013 Warren Tuckman was a renaissance man. He had many passions: PROGRAM family, friends, painting, music, bicycling, cooking and Israel. When he had an interest, he always put his Introduction all into it. Music………………………… Roni Ben-Hur and his Everyone who has reached out to me over the last year and a half or Ensemble, including who I’ve spoken to about Warren Vocalist, Amy London, always said what a wonderful man he was. He was kind, funny, Bassist, Santi Debriano engaging, intelligent and easy to talk to; he had so many fine and on drums, Duduka qualities. Da Fonseca My girls and I will remember him as a loving, supportive and involved husband and father. Maddy and Eden loved when To Honor the Memory of Warren would be in his home office at night working on different Warren J. Tuckman………… Richard Tuckman projects playing his jazz music as they fell asleep. The girls enjoyed going to the beach with Warren. Maddy loved taking Israeli Films: pictures and going for bike rides and Eden had fun learning how to cook and make music together.
    [Show full text]
  • Download 2017 Jazz Festival Program
    February 23-25, 2017 Grounded in Tradition. Breaking New Ground. www.uidaho.edu/jazzfest hampjazz ii University of Idaho GENERAL INFORMATION GENERAL Welcome TO THE FESTIVAL AT THE UNIVERSITY OF IDAHO! elcome to 50 years of Vandal tradition – a half century of excellence at the Lionel Hampton Jazz Festival. This signature Vandal event is where key aspects of our mission – teaching, learning and exploration, and community engagement – truly take Wcenter stage. As we gather for a celebration of our festival’s history and its bright future, effectively captured in the “Grounded in Tradition. Breaking New Ground.” theme, we celebrate our students, our teachers both from UI and visiting, and our performers. Our 50th anniversary sees the festival with some changes, intended to refocus and reenergize this great event. For 2017 the Lionel Hampton Jazz Festival returned to our Lionel Hampton School of Music within the College of Letters, Arts and Social Sciences. I thank our School of Music for the way they’ve seamlessly handled this transition intended to improve the overall event experience for students, faculty and attendees. Their behind-the-scenes management is something many attendees may not notice, but will benefit from through a memorable experience. This year we have three days and nights of exciting music education and concerts, with all of it taking place right on campus. Another noticeable change is a shift in the student experience: The festival now offers a competitive track option for student performers. Adjudicators will hand-select soloists and combos from our K-12 participant ranks to perform on the main stage at each evening’s concert, as they did when Lionel performed here.
    [Show full text]
  • JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
    JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds.
    [Show full text]
  • 2O18-2O19 Annual Report
    2018-2019 Annual Report contents welcome 2 WELCOME 3 A YEAR BY THE NUMBERS 4 JAZZ IMMERSION PROGRAMS 7 JAZZ IMMERSION PROGRAM FACULTY 8 MENTOR FELLOWSHIP PROGRAM 9 STANFORD JAZZ FESTIVAL 17 SJW 50/50 VISION 18 YEAR-ROUND PROGRAMS 19 FREE EVENTS 20 PEOPLE AND FINANCES 21 DONORS 22 PARTNERS Stanford Jazz Workshop is neither legally nor financially affiliated with Stanford University. This report summarizes activity from September 1, 2018 through August 31, 2019. On behalf of the Board of Directors of Stanford Jazz Workshop, I am PHOTO CREDITS: TERESA TAM: HTTP://WWW.TERESATAMSTUDIO.COM/ privileged to present this look back JEFFREY DEAN: HTTP://JADIENT.COM/ ANNUAL REPORT DESIGN: SAM MIRANDA at our 2018-19 season. Through facts, stories, and images you will explore what we accomplished for jazz perfor- mance and education. It was the work of many hands: students and families, teachers and performers, staff and volunteers, audiences of all kinds — and the donors whose generosity STANFORD JAZZ WORKSHOP IS NEITHER LEGALLY NOR made everything possible. FINANCIALLY AFFILIATED WITH STANFORD UNIVERSITY. THIS REPORT SUMMARIZES ACTIVITY FROM SEPTEMBER 1, 2018 THROUGH AUGUST 31, 2019. PHOTO CREDITS: TERESA TAM: HTTP://WWW.TERESATAMSTUDIO.COM/ JEFFREY DEAN: HTTP://JADIENT.COM/ ANNUAL REPORT DESIGN: SAM MIRANDA Jim Nadel FOUNDER & ARTISTIC DIRECTOR STANFORDJAZZ.ORG | 2018-2019 ANNUAL REPORT 2 PERFORMANCES by the numbers 11,057 2,156 68 12 29 TOTAL CONCERT ATTENDANCE FREE TICKETS FOR STUDENTS FREE EVENTS STUDENT TICKETED SHOWCASES PERFORMANCES EDUCATION PEOPLE 646 4 200 30 8 $108,236 9 47 123 59 56 462 14 SUMMER WEEKS OF E.P.A.
    [Show full text]
  • Make It New: Reshaping Jazz in the 21St Century
    Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of
    [Show full text]
  • 2009 Festival Brochure
    ELEVENTH ANNUAL Artisitc Director Jessica Felix James Moody Quartet with special guest Marlena Shaw Randy Weston’s African Rhythms BAy AReA LegendS: Denny Zeitlin - Solo Piano John Handy and the Bay Area Melding Pot Stars of BraziL: Toninho Horta trio with special guest Airto Trio da Paz Leny Andrade with Stephanie ozer esperanza Spalding Quartet Julian Lage group oakland interfaith gospel Choir Richard Howell Quintet Montclair Women’s Big Band Rising Stars Concert with Debbie Poryes trio Jason Bodlovich Quartet Noam Lemish Quintet Jazz tastings – music and wine pairings at tasting rooms around the Plaza and many more performers... Painting (detail): Robin Eschner WWW . HEALDSBURGJAZZFESTIVAL . ORG M A J O R S P O NS or S OFF I C ia L S P O NS or S SA SYST O EM R S A , T I N N C A . S T SRS O S T N A O L I E T Q U U OL IPMENT S BU S I N E SS S P O NS or S HEALDSBURG LODGING GRAPHITE STUDI O COALITION CO MM UNICAT I O N D E S I G N official airline sponsor TA S TI N G R O O M SP O NS OR S GRA N TI N G A G E NC IE S Artiste Winery Steinway Pianos Provided by Bottle Barn/Wine Annex Sherman Clay San Francisco, Topel Winery CA T HE H EALDSBURG J AZZ F ES T IVAL , I NC . IS A 5 0 1 ( C ) ( 3 ) NON - PRO F I T ORGANIZAT ION Friday, May 8: “Havana Nights” Healdsburg Jazz Festival Gala Dinner, Dance, and Auction Celebrating the 11th Anniversary of the Healdsburg Jazz Festival with wine, food, music, and a fund-raising auction to the benefit the Festival’s Education Program.
    [Show full text]
  • Booking Information
    Rufus Reid - Booking Information Skip to Contact Info >> “Hues Of A Different Blue” Featuring the “Out Front” Trio of Rufus Reid, Steve Allee (piano) & Duduka Da Fonseca (drums), with very special guests, legendary saxophonist Bobby Watson, trumpeter Freddie Hendrix, saxophonist J.D. Allen & master Brazilian composer/ guitarist Toninho Horta. Produced by Suzi Reynolds, released 2012 by Motéma Music. Reid’s latest outing, Hues of a Different Blue, continues his legacy as one of the most important voices on upright to date. Since their previous recording, Out Front, the fantastic chemistry of the Out Front Trio (Reid w/Steve Allee and Duduka Da Fonseca) has only grown stronger and deeper, plainly evident in their reading of Reid's new compositions and the standards that comprise Hues of a Different Blue. Rufus Reid has created an album of music that can best be described with one word, unforgettable; clearly for the musicians, but most importantly, for the listeners. “Hues” should be considered a sterling, definitive exemplar of what an ideal jazz album should be –fabulous musicianship in service of the music, expansive tunes played with succinctness and restraint, and variety. Jazz Inside Magazine Containing excellent musicianship, a marvelous performance from bassist Rufus Reid, charts that sizzle and music full of rich melodies, Hues of A Different Blue is an obvious success deserving of critical acclaim from critics and audiences alike. EJazz News His latest outing, Hues of a Different Blue, continues his legacy as one of the most important voices on upright to date. Reid has created a musically diverse and compositionally rich collection of tunes that will leave any listener captivated.
    [Show full text]
  • Sunday Night Jazz Monthly Open Jam Sessions Sundays
    JOHN PIZZARELLI MARQUIS HILL MASSIMO FARAO FEAT. JIMMY COBB © Sergey Ushakov {2015} www.just-look.biz © Sergey Ushakov {2015} 1 Dixon Lane, Tarrytown, NY MARCH & APRIL 2018 914-631-1000 FRIDAYS & BRAZILIAN MUSIC SUNDAY NIGHT SATU R DAYS SUNDAYS! JAZZ (7 & 9:30 PM SETS) (4 & 6 PM SETS) (8 PM) Mar. 2 & 3 Mar. 4 Mar. 11 JOEY DEFRANCESCO TRIO EMPATHIA JAZZ DUO + AKIRA TANA & Mar. 9 & 10 HELIO ALVES & OTONOWA QUARTET ROGERIO BOCCATO THE ROYAL BOPSTERS Mar. 18 FEAT. NEA JAZZ MASTER Mar. 11 ANDREA BRACHFELD SHEILA JORDAN RODRIGO BONELLI & QUARTET Mar. 16 & 17 BRASIL TRIO Supported by Chamber Music America JOHN PIZZARELLI TRIO Mar. 18 Mar. 25 Mar. 23 & 24 JOE CARTER BRIAN Q. TORFF & SAMBA RIO QUARTET RICKY FORD QUARTET NEW DUKE FEAT. MARK SOSKIN, JEROME HARRIS & MAR. 25 Apr. 1 BARRY ALTSCHUL RICHARD BOUKAS & MARTIN WIND SEXTET Mar. 30 & 31 QUARTETO MODERNO FEAT. INGRID JENSEN, PETE LEVIN & MÖBIUS Apr. 8 SCOTT ROBINSON, GARY VERSACE, MAUCHA ADNET & FEAT. CHRIS PASIN, NANNY ASSIS & RICHARD SORCE PROJECT DUDUKA DA FONSECA LENNY WHITE Original Brazilian / Latin Jazz Apr. 15 Apr. 6 & 7 Apr. 15 TAMUZ NISSIM MARQUIS HILL BLACKTET MINAS BRAZILIAN SOUNDS Apr. 22 Apr. 13 & 14 FEAT. ORLANDO HADDAD AND GENE PERLA QUARTET GARY SMULYAN/ PATRICIA KING HADDAD TOM HARRELL QUINTET Apr. 22 Apr. 29 FEAT. RENEE ROSNES MAURICIO ZOTTARELLI STEVE SLAGLE QUARTET Plays the music of Donald Byrd & Pepper Adams QUARTET Apr. 20 & 21 Apr. 29 MONTHLY OPEN MASSIMO FARAÒ QUINTET PORTINHO QUARTET JAM SESSIONS FEAT. PHILIP HARPER, JERRY WELDON, NICOLA BARBON & JIMMY COBB SUNDAYS Apr. 27 & 28 (8 – 10 PM) ERIC ALEXANDER QUARTET Mar.
    [Show full text]