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NYC Jazz Record
execution. Added inventiveness is found on Dresser’s GLOBE UNITY: BRAZIL composition “Yeller Grace”, which blends “Yellow Rose of Texas”, “Amazing Grace” and the National Anthem into a barely recognizable yet fully engaging mix. And they show plenty of versatility, as piano and bass converse equally well within the sweeping, legato passages of “For My Mother” or the jarring, playful bounces of “Big Mama”. But the true highlight is their interplay on Dresser’s composition “Mattress on a Stick”, which leads with a breathtakingly lyrical bass introduction, over Moser’s sparse and haunting choice Patience of chords. Each tune was recorded straight to two Stéphane Kerecki/John Taylor (Zig-Zag Territoires) entirely clean, un-mixed tracks, the depth of the tones All Strung Out astounding, providing a truly intimate experience. Piano Masters Series, Vol. 2 Denman Maroney/Dominic Lash (Kadima Collective) Philippe Baden Powell (Adventure Music) Duetto Mark Dresser/Diane Moser (CIMP) For more information, visit outhere-music.com/zigzag, Tempo (feat. Eddie Gomez) Tania Maria (Naïve) by Sam Spokony kadimacollective.com and cimprecords.com. Moser and Constelação Brazilian Trio (Motéma Music) In these three albums, we find each piano/bass duo Dresser are at Cornelia Street Café Sep. 6th. See Calendar. by Tom Greenland approaching the world of free improvisation with The world’s fifth largest country, home of bossa different modes of thought and intensity. nova, samba and birthplace of Tom Jobim, Airto Patience, by French bassist Stéphane Kerecki and Moreira, Milton Nascimento and Hermeto Pascoal British pianist John Taylor, reveals the strong influence (to name only a few), Brazil has deeply impacted of the classic dynamic that once existed between jazz. -
Jazzweek with Airplay Data Powered by Jazzweek.Com • January 30, 2012 Volume 8, Number 8 • $7.95
JazzWeek with airplay data powered by jazzweek.com • January 30, 2012 Volume 8, Number 8 • $7.95 Jazz Album No. 1: Jimmy Owens, The Monk Smooth Album No. 1: Boney James, Contact Project (IPO) (Verve Forecast) World Music No. 1: Novalima, Karimba (Esl) Smooth Single No. 1: Acoustic Alchemy, “Marrakesh” (Heads Up) JazzWeek relaunch: crowdfunding with perks at http://www.indiegogo.com/jazzweek Jazz Album Charts .................... 3 Jazz Add Dates ....................... 7 Smooth Jazz Album Charts .............4 Jazz Radio Currents ................... 8 Smooth Singles Charts ................. 5 Jazz Radio Panel .................... 11 World Music Album Charts .............. 6 Smooth Jazz Current Tracks............ 13 Smooth Jazz Station Panel............. 14 Jazz Birthdays January 30 February 10 February 20 Roy Eldridge (1911) Chick Webb (1909) Jimmy Yancey (1898) Bobby Hackett (1915) Larry Adler (1914) Bobby Jaspar (1926) Ahmed Abdul-Malik (1927) Sir Roland Hanna (1932) Nancy Wilson (1937) Tubby Hayes (1935) Rufus Reid (1944) Anthony Davis (1951) February 1 Lawrence “Butch” Morris (1947) February 21 Sadao Watanabe (1933) February 12 Al Sears (1910) Joe Sample (1939) Paul Bascomb (1912) Tadd Dameron (1917) February 2 Mel Powell (1923) Nina Simone (1933) Eddie “Lockjaw” Davis (1922) Bill Laswell (1955) Warren Vache (1951) Sonny Stitt (1924) February 13 February 22 Stan Getz (1927) Wingy Manone (1900) Rex Stewart (1907) James “Blood” Ulmer (1942) Wardell Gray (1921) Buddy Tate (1913) February 3 February 14 February 24 Lil Armstrong (1898) -
Baltimore: “Music City” of the Future?
December 2015 Baltimore: “Music City” of the Future? . 1 BCJS at BMA: Don Braden Quintet featuring Vanessa Rubin . 4 BALTIMORE JAZZ ALLIANCE Member Notes, Discounts and Merchandise . 6 Dave Douglas at An die Musik . 7 An Interview with Nico Sarbanes . 8 Jazz Jam Sessions . 10 Ad Rates and Member Sign-up Form . 11 VOLUME XII ISSUE XI THE BJA NEWSLETTER WWW.BALTIMOREJAZZ.COM Baltimore: “Music City” of the Future? By Ken Avis On October 25th the Music Cities Conference in Washington, DC brought together 200 musicians, presenters, and city ad - ministrators from around the world to share experiences con - cerning the value of active music communities and ways to make them thrive. Something is happening out there. In re - cent years, at the city and at national levels, data are being collected, action plans are being implemented, and “live music offices” are being staffed. The evidence is conclusive. Under the right conditions a vibrant music scene positively affects community and economic development. Link it to tourism and it can really bring in the dollars and jobs. Austin, Nashville, New Orleans, and Berlin are clearly “music cities” where festivals, clubs and the supporting in - dustries provide jobs and attract tourist dollars. Austin has been America’s fastest-growing city for the last nine years. Its “cool music city” factor has been key to its success in attract - ing creative talent for the expanding high tech and creative What about Baltimore? Could Baltimore harness its jazz industries. At the other end of the spectrum, Johannesburg, legacy and active arts scene to ramp up quality of life Bogota, and at the national level, Venezuela are actively pur - and attract talent and jobs to revitalize the city ? suing music education and performance programs to address problems of crime and poverty and to develop healthier com - searchable by date, location, and genre, are front and center. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Steve Smith Steve Smith
• SPEED • POWER • CONTROL • ENDURANCE • SPECIAL TECHNIQUE ISSUE STEVESTEVE SMITHSMITH VVITALITAL TTECHECH TTALKALK BBUILDUILD SSUPERUPER CCHOPSHOPS!! BBOZZIOOZZIO,, PPHILLIPSHILLIPS,, BBISSONETTEISSONETTE,, BBELLSONELLSON,, WWECKLECKL,, AANDND MMOREORE TTHEHE TTECHNICALECHNICAL EEDGEDGE HHUNDREDSUNDREDS OOFF GGREATREAT EEXERCISESXERCISES FFOROR YYOUROUR HHANDSANDS AANDND FFEETEET WIN JJOHNOHN DDOLMAYANOLMAYAN Exciting Sights OOFFFF TTHEHE RRECORDECORD And Sounds From Sabian & Hudson Music TTHEHE MMANYANY KKITSITS OOFF BBILLILL BBRUFORDRUFORD $4.99US $6.99CAN 05 WIN A Drum Lesson With Tico Torres 0 74808 01203 9 Contents ContentsVolume 27, Number 5 Cover photo by Alex Solca STEVE SMITH You can’t expect to be a future drum star if you haven’t studied the past. As a self-proclaimed “US ethnic drummer,” Steve Smith has made it his life’s work to explore the uniquely American drumset— and the way it has shaped our music. by Bill Milkowski 38 Alex Solca BUILDING SUPER CHOPS 54 UPDATE 24 There’s more than one way to look at technique. Just ask Terry Bozzio, Thomas Lang, Kenny Aronoff, Bill Bruford, Dave Weckl, Paul Doucette Gregg Bissonette, Tommy Aldridge, Mike Mangini, Louie Bellson, of Matchbox Twenty Horacio Hernandez, Simon Phillips, David Garibaldi, Virgil Donati, and Carl Palmer. Gavin Harrison by Mike Haid of Porcupine Tree George Rebelo of Hot Water Music THE TECHNICAL EDGE 73 Duduka Da Fonseca An unprecedented gathering of serious chops-increasing exercises, samba sensation MD’s exclusive Technical Edge feature aims to do no less than make you a significantly better drummer. Work out your hands, feet, and around-the-drums chops like you’ve never worked ’em before. A DIFFERENT VIEW 126 TOM SCOTT You’d need a strongman just to lift his com- plete résumé—that’s how invaluable top musicians have found saxophonist Tom Scott’s playing over the past three decades. -
LI Israeli Jazz & Film Festival Booklet Website
The Long Island Israeli Yasher Koah Jazz and Film Festival to the to honor the memory of Israel Affairs Committee Warren J.Tuckman for planning, organizing and hosting Presenting the Inaugural Roni BenBen----HurHur Israeli Jazz and his renowned jazz ensemble, featuring vocalist, Amy London and Film Festival honoring the memory Feature Films of Warren Tuckman “Gefilte Fish” by Shelly KlingKling----YousefYousef “On the Road to TelTel----Aviv”Aviv” by Khen Shalem “Loose Ends” by David Reinlib “Sight” by Eran MayMay----RazRaz SHJC Sisterhood Sunday, May 5, 2013 Warren Tuckman was a renaissance man. He had many passions: PROGRAM family, friends, painting, music, bicycling, cooking and Israel. When he had an interest, he always put his Introduction all into it. Music………………………… Roni Ben-Hur and his Everyone who has reached out to me over the last year and a half or Ensemble, including who I’ve spoken to about Warren Vocalist, Amy London, always said what a wonderful man he was. He was kind, funny, Bassist, Santi Debriano engaging, intelligent and easy to talk to; he had so many fine and on drums, Duduka qualities. Da Fonseca My girls and I will remember him as a loving, supportive and involved husband and father. Maddy and Eden loved when To Honor the Memory of Warren would be in his home office at night working on different Warren J. Tuckman………… Richard Tuckman projects playing his jazz music as they fell asleep. The girls enjoyed going to the beach with Warren. Maddy loved taking Israeli Films: pictures and going for bike rides and Eden had fun learning how to cook and make music together. -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings. -
Download 2017 Jazz Festival Program
February 23-25, 2017 Grounded in Tradition. Breaking New Ground. www.uidaho.edu/jazzfest hampjazz ii University of Idaho GENERAL INFORMATION GENERAL Welcome TO THE FESTIVAL AT THE UNIVERSITY OF IDAHO! elcome to 50 years of Vandal tradition – a half century of excellence at the Lionel Hampton Jazz Festival. This signature Vandal event is where key aspects of our mission – teaching, learning and exploration, and community engagement – truly take Wcenter stage. As we gather for a celebration of our festival’s history and its bright future, effectively captured in the “Grounded in Tradition. Breaking New Ground.” theme, we celebrate our students, our teachers both from UI and visiting, and our performers. Our 50th anniversary sees the festival with some changes, intended to refocus and reenergize this great event. For 2017 the Lionel Hampton Jazz Festival returned to our Lionel Hampton School of Music within the College of Letters, Arts and Social Sciences. I thank our School of Music for the way they’ve seamlessly handled this transition intended to improve the overall event experience for students, faculty and attendees. Their behind-the-scenes management is something many attendees may not notice, but will benefit from through a memorable experience. This year we have three days and nights of exciting music education and concerts, with all of it taking place right on campus. Another noticeable change is a shift in the student experience: The festival now offers a competitive track option for student performers. Adjudicators will hand-select soloists and combos from our K-12 participant ranks to perform on the main stage at each evening’s concert, as they did when Lionel performed here. -
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds. -
Billy Drummond U
Ravi Coltrane I EXCLUSIVE Marian McPartland Book Excerpt DOWNBEAT JACK DEJOHNETTE JACK // RAVI RAVI C OLT R ANE // Jack MA R IAN MCPA IAN DeJohnette’s R TLAN D BIG SOUND // JOEL JOEL Joel Harrison H A rr Endless Guitar ISON // BILLY D BILLY Drum School » Billy Drummond R U mm BLINDFOLD TEST ON D » Bill Stewart TRANSCRIPTION » Tommy Igoe MASTER CLASS » Dan Weiss PRO SESSION NOVEMBER 2012 U.K. £3.50 NOVE M B E R 2012 DOWNBEAT.COM NOVEMBER 2012 VOLUME 79 – NuMBER 11 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
2O18-2O19 Annual Report
2018-2019 Annual Report contents welcome 2 WELCOME 3 A YEAR BY THE NUMBERS 4 JAZZ IMMERSION PROGRAMS 7 JAZZ IMMERSION PROGRAM FACULTY 8 MENTOR FELLOWSHIP PROGRAM 9 STANFORD JAZZ FESTIVAL 17 SJW 50/50 VISION 18 YEAR-ROUND PROGRAMS 19 FREE EVENTS 20 PEOPLE AND FINANCES 21 DONORS 22 PARTNERS Stanford Jazz Workshop is neither legally nor financially affiliated with Stanford University. This report summarizes activity from September 1, 2018 through August 31, 2019. On behalf of the Board of Directors of Stanford Jazz Workshop, I am PHOTO CREDITS: TERESA TAM: HTTP://WWW.TERESATAMSTUDIO.COM/ privileged to present this look back JEFFREY DEAN: HTTP://JADIENT.COM/ ANNUAL REPORT DESIGN: SAM MIRANDA at our 2018-19 season. Through facts, stories, and images you will explore what we accomplished for jazz perfor- mance and education. It was the work of many hands: students and families, teachers and performers, staff and volunteers, audiences of all kinds — and the donors whose generosity STANFORD JAZZ WORKSHOP IS NEITHER LEGALLY NOR made everything possible. FINANCIALLY AFFILIATED WITH STANFORD UNIVERSITY. THIS REPORT SUMMARIZES ACTIVITY FROM SEPTEMBER 1, 2018 THROUGH AUGUST 31, 2019. PHOTO CREDITS: TERESA TAM: HTTP://WWW.TERESATAMSTUDIO.COM/ JEFFREY DEAN: HTTP://JADIENT.COM/ ANNUAL REPORT DESIGN: SAM MIRANDA Jim Nadel FOUNDER & ARTISTIC DIRECTOR STANFORDJAZZ.ORG | 2018-2019 ANNUAL REPORT 2 PERFORMANCES by the numbers 11,057 2,156 68 12 29 TOTAL CONCERT ATTENDANCE FREE TICKETS FOR STUDENTS FREE EVENTS STUDENT TICKETED SHOWCASES PERFORMANCES EDUCATION PEOPLE 646 4 200 30 8 $108,236 9 47 123 59 56 462 14 SUMMER WEEKS OF E.P.A.