2009 Festival Brochure
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Students Occupy Cusack House; Eleven Arrested
-------------------------S o VOL. 13 NO. XS- FOOTHILL COLLEGE, LOS ALTOS HILLS, CALIF. 94022 Friday, April 30, 1971 The old Griffin-Cusack house located near the district offices on the Foothill Campus. Students occupy Cusack house; Student occupation of the Cusack house Tuesday morning Eleven arrested Mitch Carter, now known as No.5, poses for arrest mug shots Rocky Tripodi emphasizes student demands LATE BULLETIN: At press time not vacated. to abandon it when warned by (late Wed. afternoon) Eleven students remained in Campus Police and Dean of Administration members were the house, while most moved to Instruction and Acting still meeting to determine what to the porch. Two detectives and Superintendent Kenneth Griffin do about students who re-entered 14 Santa Clara County Sheriff’s that occupancy was illegal and the house after a noon rally in tac squad officers entered the force would be used, if necessary Hyde Park. ASFC President building and the arrests ensued. to remove them. Carlos Rios and Rocky Tripodi Over 50 people occupied the “We intend on holding the represented students at some of porch, shouting, singing, Cusack House until the t h e meetings. Additional chanting and stomping as they administration gives us a ‘yes’ on administrators’ meetings were watched the activities through our using it as a student center,” scheduled for Wednesday the front windows of the house. Rocky Tripodi, a leader of the evening. By 10 p.m. the officers had occupants, told the Campus lead the arrested students from Council. Council passed a the building in several small Eleven Foothill students were motion on Tuesday morning arrested following Tuesday’s groups. -
Art Tatum Art Tatum Mp3, Flac, Wma
Art Tatum Art Tatum mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Art Tatum Country: US Released: 1950 MP3 version RAR size: 1282 mb FLAC version RAR size: 1131 mb WMA version RAR size: 1773 mb Rating: 4.2 Votes: 491 Other Formats: DXD TTA MP2 RA ASF WMA MIDI Tracklist A1 I Cover The Waterfront A2 Dancing In The Dark A3 Aunt Hagar's Blues A4 Blue Skies B1 Nice Work If You Can Get It B2 Willow, Weep For Me B3 Dardanella B4 I Gotta Right To Sing The Blues Credits Illustration – WG* Piano – Art Tatum Other versions Category Artist Title (Format) Label Category Country Year H-216 Art Tatum Art Tatum (10") Capitol Records H-216 US 1950 LCA 216 Art Tatum Art Tatum (10") Telefunken Capitol LCA 216 Germany Unknown CCF 216 Art Tatum Art Tatum (3x7", Album) Capitol Records CCF 216 US 1950 T-216 Art Tatum Art Tatum (LP) Capitol Records T-216 Germany Unknown H-216 Art Tatum Art Tatum (10") Capitol Records H-216 Canada 1950 Related Music albums to Art Tatum by Art Tatum Art Tatum - This Is...Art Tatum The Art Tatum • Ben Webster Quartet Featuring Red Callender And Bill Douglass - The Art Tatum • Ben Webster Quartet Art Tatum - Art Tatum Discoveries Art Tatum - Capitol Jazz Classics Volume 3 - Art Tatum Solo Piano Art Tatum - The Complete Capitol Recordings Of Art Tatum Art Tatum - Tatum Is Art - Art Tatum Trio Art Tatum - All Star Tribute to Tatum Art Tatum - Gene Norman Presents Art Tatum at the Piano - Volume 1 Art Tatum - The Genius Of Art Tatum Vol. -
NYC Jazz Record
execution. Added inventiveness is found on Dresser’s GLOBE UNITY: BRAZIL composition “Yeller Grace”, which blends “Yellow Rose of Texas”, “Amazing Grace” and the National Anthem into a barely recognizable yet fully engaging mix. And they show plenty of versatility, as piano and bass converse equally well within the sweeping, legato passages of “For My Mother” or the jarring, playful bounces of “Big Mama”. But the true highlight is their interplay on Dresser’s composition “Mattress on a Stick”, which leads with a breathtakingly lyrical bass introduction, over Moser’s sparse and haunting choice Patience of chords. Each tune was recorded straight to two Stéphane Kerecki/John Taylor (Zig-Zag Territoires) entirely clean, un-mixed tracks, the depth of the tones All Strung Out astounding, providing a truly intimate experience. Piano Masters Series, Vol. 2 Denman Maroney/Dominic Lash (Kadima Collective) Philippe Baden Powell (Adventure Music) Duetto Mark Dresser/Diane Moser (CIMP) For more information, visit outhere-music.com/zigzag, Tempo (feat. Eddie Gomez) Tania Maria (Naïve) by Sam Spokony kadimacollective.com and cimprecords.com. Moser and Constelação Brazilian Trio (Motéma Music) In these three albums, we find each piano/bass duo Dresser are at Cornelia Street Café Sep. 6th. See Calendar. by Tom Greenland approaching the world of free improvisation with The world’s fifth largest country, home of bossa different modes of thought and intensity. nova, samba and birthplace of Tom Jobim, Airto Patience, by French bassist Stéphane Kerecki and Moreira, Milton Nascimento and Hermeto Pascoal British pianist John Taylor, reveals the strong influence (to name only a few), Brazil has deeply impacted of the classic dynamic that once existed between jazz. -
1982-12 and 1983-01
AIRWAVES . A Service of Continuing Education and Extension l5i1 University of Minnesota, Duluth Vol. 3 Number 7 December 1982 January 1983 Dick Paske and Leif Brush rehearse Leif Brush Work . to be Broadcast on KUMD 1 I\UMU §taff Station Managtt ... .... Tum Livingston Program Ditt<;tor .......•. John Zi~gltr ,\Ht. Progr~m Dirtt~or .. ... Paul Schmnz •:nginttring .. •. ... .• .•.. Kirk Kint~n fo the LiJener Producn/Outruch ..••.• . Jran Johnson AIRWAVES is the bi-month! y program guide of KUMD, which is the 100,000 watt public radio station at the ..., By Tom. Uvlngeton, Station Manager University of Minnesota-Duluth, broadcasting at 103.3 fm. KUMD is part of University Media Resources, a· Marathon Holly Near Jottings: department of Continuing Education Our fall fundraiser drive fell short of 'The November I 0th concert in Superior Our satellite dish installation will be and Extension at the University of other fall efforts as 350 people pledged by womens musician Holly Near was a complete some time this month, and we Minnesota. KUMD's program philosophy is to provide the highest just under $13,000. Thanks to everyone tremendous success. A near-sellout, the will be adding Jazz Allve and NPR who called! Why did we do less than we concert was a great energy generator for Playhouse at that time. Thanks to quality non-commercial program- hoped? Was it the economy, our new everyone involved, and received rave C.S. Zidek, whose generouse challenge ming, including music, news and programming, or something else? reviews in both Rag Times Magazine match helped the Folk Migrations public affairs, and information Please share your thoughts with us, and and The Duluth News Tribune & program to a total of $1,200 for one programs, K UMD encourages if you didn't renew during the Herald. -
Marlena Shaw out of Different Bags Mp3, Flac, Wma
Marlena Shaw Out Of Different Bags mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Out Of Different Bags Country: US Released: 1967 Style: Soul-Jazz MP3 version RAR size: 1107 mb FLAC version RAR size: 1251 mb WMA version RAR size: 1159 mb Rating: 4.4 Votes: 287 Other Formats: WAV VOX VQF DXD ASF DTS DMF Tracklist A1 Matchmaker, Matchmaker 2:58 A2 The Eyes Of Love (Carol's Theme) 2:30 A3 Nothing But Tears 2:50 A4 Will I Find My Love Today 3:20 A5 It Sure Is Groovy 2:35 A6 I've Gotten Over You 3:10 B1 Ahmad's Blues 3:05 B2 A Couple Of Losers 2:35 B3 I Stayed Too Long At The Fair 3:05 B4 Alone Together 3:07 B5 Somewhere In The Night (Naked City Theme) 2:20 Companies, etc. Recorded At – Ter Mar Studios Manufactured By – Chess Producing Corp. Credits Artwork [Cover Art] – Jerry Griffith Engineer [Recording] – Doug Brand Photography By [Cover Image] – Don S. Bernstein Producer, Arranged By – Richard Evans Notes Recorded October, 1967, at Ter Mar Studios, Chicago. Same picture sleeve as the regular release. Other versions Category Artist Title (Format) Label Category Country Year LPS 803 Marlena Shaw Out Of Different Bags (LP, Album) Cadet LPS 803 US 1967 CAS 803 Marlena Shaw Out Of Different Bags (LP, Album) Cadet CAS 803 Canada 1968 LPS 803 Marlena Shaw Out Of Different Bags (LP, Album) Cadet LPS 803 Japan 1983 Out Of Different Bags (LP, Album, LP 803 Marlena Shaw Cadet LP 803 US 1967 Mono) Out Of Different Bags (CD, Album, UCCC-9128 Marlena Shaw Cadet UCCC-9128 Japan 2005 Ltd, RE, RM, Pap) Related Music albums to Out Of Different Bags by Marlena Shaw Kitty Kallen - Matchmaker, Matchmaker Marlena Shaw - The Spice Of Life Lynn Thomas - Unreturned Love / (Stayed) Too Long At The Fair Con O'Neill & Warwick Evans - A Tribute To The Blues Brothers (Recorded Live At The Whitehall Theatre) Carol Leigh - Go Back Where You Stayed Last Night Marlena Shaw - Looking Thru The Eyes Of Love Brother Jack McDuff - Getting Our Thing Together Ahmad Jamal - Macanudo Ramsey Lewis - Goin' Latin Bo Diddley, Little Walter, Muddy Waters - Super Blues. -
Liebman Expansions
MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
For Immediate Release
FOR IMMEDIATE RELEASE June 15, 2010 Contact: Joyce Evans San Jose Jazz Office: 408-288-7557 x2310 [email protected] SAN JOSE JAZZ ANNOUNCES ARTISTS FOR 21ST AT&T SAN JOSE JAZZ FESTIVAL Silicon Valley's Premier Summer Event Brings All-Star International Lineup to Downtown San Jose, August 13-15, 2010 San Jose, CA – San Jose Jazz today announced the artist roster for the upcoming AT&T San Jose Jazz Festival. Held the second weekend in August, this year's line up has an international flavor coupled with a diverse lineup that will please lovers of all genres of music. Past festivals have drawn over 100,000 people from Silicon Valley, California, and across the United States. "San Jose is becoming a world-class, international city and this edition of the jazz festival mirrors that growth from a regional event to one that is gaining recognition and fame across the globe," said Geoff Roach, CEO of San Jose Jazz. "As jazz continues to evolve into many different formats and forms, the goal of the festival is to embrace and showcase the artists driving the art form. We seek to present music not only from internationally known artists but also from the world-class talent that exists here in the Bay Area." Festival highlights include: Standards Updated - Modern takes on the classic jazz repertoire John Handy John is a consummate world musician and teacher who’s devoted his life to using music to elevate the human spirit. His soulful and fiery saxophone style is instantly recognizable to generations of jazz fans world-wide. -
Zzcalifornia Aconservatory
a conservatory california zz EDITION 14.0 2014 – 2015 general catalog California Jazz Conservatory Academic Calendar 2014 – 2015* Spring Semester 2014 Auditions for Spring 2014 By Appointment Academic and Administrative Holiday Jan 20 First Day of Spring Instruction Jan 21 Last Day to Add / Drop a Class Jan 31 Academic and Administrative Holiday Feb 17 Spring Recess March 24 – March 30 Auditions for Fall 2014 By Appointment Last Day of Instruction May 11 Final Examinations and Juries May 12 – 16 Commencement May 17 Fall 2014 Enrollment Deposit Due On or before June 1 Fall 2014 Registration On or before August 4 Fall Semester 2014 Auditions for Fall 2014 By Appointment New Student Orientation Aug 14 First Day of Fall Instruction Aug 18 Academic and Administrative Holiday Sept 1 Last Day to Add/Drop a Class Sept 2 Academic and Administrative Holiday Nov 24 – Nov 30 CJC academic calendar Spring 2015 Enrollment Deposit Due On or before Dec 1 Spring 2015 Registration Jan 5 – 9 Last Day of Instruction Dec 7 Final Examinations and Juries Dec 8 – 14 Commencement Dec 20 Winter Recess Dec 15 – Jan 19 Spring Semester 2015 Auditions for Spring 2015 By Appointment Academic and Administrative Holiday Jan 19 First Day of Spring Instruction Jan 20 Last Day to Add / Drop a Class Feb 3 Academic and Administrative Holiday Feb 16 Spring Recess March 23 – March 29 Auditions for Fall 2015 By Appointment Last Day of Instruction May 10 Final Examinations and Juries May 11 – 15 Commencement May 16 A Z Z C J O N A S Fall 2015 Enrollment Deposit Due On or before June 1 I E Fall 2015 Registration August 3 – 7 N R R V O A D F S T E E I V * Please note: Edition 14 of the CJC 2014–2015 General Catalog C O L E N L R O E A I covers the time period of July 15, 2014 – July 14, 2015. -
JELLY ROLL MORTON's
1 The TENORSAX of WARDELL GRAY Solographers: Jan Evensmo & James Accardi Last update: June 8, 2014 2 Born: Oklahoma City, Oklahoma, Feb. 13, 1921 Died: Las Vegas, Nevada, May 25, 1955 Introduction: Wardell Gray was the natural candidate to transfer Lester Young’s tenorsax playing to the bebop era. His elegant artistry lasted only a few years, but he was one of the greatest! History: First musical studies on clarinet in Detroit where he attended Cass Tech. First engagements with Jimmy Raschel and Benny Carew. Joined Earl Hines in 1943 and stayed over two years with the band before settling on the West Coast. Came into prominence through his performances and recordings with the concert promoter Gene Norman and his playing in jam sessions with Dexter Gordon.; his famous recording with Gordon, “The Chase” (1947), resulted from these sessions as did an opportunity to record with Charlie Parker (1947). As a member of Benny Goodman’s small group WG was an important figure in Goodman’s first experiments with bop (1948). He moved to New York with Goodman and in 1948 worked at the Royal Roost, first with Count Basie, then with the resident band led by Tadd Dameron; he made recordings with both leaders. After playing with Goodman’s bigband (1948-49) and recording in Basie’s small group (1950-51), WG returned to freelance work on the West Coast and Las Vegas. He took part in many recorded jam sessions and also recorded with Louie Bellson in 1952-53). The circumstances around his untimely death (1955) is unclear (ref. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. MARIAN McPARTLAND NEA Jazz Master (2000) Interviewee: Marian McPartland (March 20, 1918 – August 20, 2013) Interviewer: James Williams (March 8, 1951- July 20, 2004) Date: January 3–4, 1997, and May 26, 1998 Repository: Archives Center, National Museum of American History Description: Transcript, 178 pp. WILLIAMS: Today is January 3rd, nineteen hundred and ninety-seven, and we’re in the home of Marian McPartland in Port Washington, New York. This is an interview for the Smithsonian Institute Jazz Oral History Program. My name is James Williams, and Matt Watson is our sound engineer. All right, Marian, thank you very much for participating in this project, and for the record . McPARTLAND: Delighted. WILLIAMS: Great. And, for the record, would you please state your given name, date of birth, and your place of birth. McPARTLAND: Oh, God!, you have to have that. That’s terrible. WILLIAMS: [laughs] McPARTLAND: Margaret Marian McPartland. March 20th, 1918. There. Just don’t spread it around. Oh, and place of birth. Slough, Buckinghamshire, England. For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 WILLIAMS: OK, so I’d like to, as we get some of your information for early childhood and family history, I’d like to have for the record as well the name of your parents and siblings and name, the number of siblings for that matter, and your location within the family chronologically. Let’s start with the names of your parents. -
Michael Hashim Program
GENEVA CONCERTS presents Saturday, March 1, 2014 • 7:30 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2013-2014 SEASON Saturday, 19 October 2013, 7:30 p.m. BalletX Still@Life / Silt / The Last Glass Friday, 8 November 2013, 7:30 p.m. Rochester Philharmonic Orchestra Christoph Campestrini, conductor Barry Snyder, piano (1966 Van Cliburn Silver Medalist) Stravinsky: The Fairy’s Kiss: Divertimento Mozart: Piano Concerto No.23 in A Major, K.488 Tchaikovsky: Symphony No. 5 in E Minor, Op. 64 Friday, 31 January 2014, 7:30 p.m. Rochester Philharmonic Orchestra Fabien Gabel, conductor Philippe Quint, violin (four-time Grammy Award nominee) Debussy: Prelude to the Afternoon of a Faun Saint-Saëns: Violin Concerto No. 3 Ravel: Une barque sur l’océan (A Boat on the Ocean) Ravel: Tzigane Stravinsky: Firebird Suite (1919) Saturday, 1 March 2014, 7:30 p.m. Michael Hashim’s New York All-Stars! An elegant quintet of piano, bass, guitar, drums, and Geneva’s own Michael Hashim on saxophone. Friday, 28 March 2014, 7:30 p.m. River City Brass The 17-piece ensemble has delighted audiences with its signature style, building upon the tradition of brass bands popularized in Great Britain and the U.S. Programs subject to change. Performed at the Smith Opera House 82 Seneca Street, Geneva, New York These concerts are made possible by generous underwriting from the Williams Family Foundation and by a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Saturday, March 1, 2014 at 7:30 p.m. Michael Hashim, saxophone Michael Howell, guitar Kelly Friesen, bass Steve Einerson, piano Taro Okamoto, drums We will honor at least two of the traditions of the Duke Ellington band tonight, the first being to feature the outstanding ability of each band member on specialty numbers.