Art Tatum Art Tatum Mp3, Flac, Wma

Art Tatum Art Tatum mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Art Tatum Country: US Released: 1950 MP3 version RAR size: 1282 mb FLAC version RAR size: 1131 mb WMA version RAR size: 1773 mb Rating: 4.2 Votes: 491 Other Formats: DXD TTA MP2 RA ASF WMA MIDI Tracklist A1 I Cover The Waterfront A2 Dancing In The Dark A3 Aunt Hagar's Blues A4 Blue Skies B1 Nice Work If You Can Get It B2 Willow, Weep For Me B3 Dardanella B4 I Gotta Right To Sing The Blues Credits Illustration – WG* Piano – Art Tatum Other versions Category Artist Title (Format) Label Category Country Year H-216 Art Tatum Art Tatum (10") Capitol Records H-216 US 1950 LCA 216 Art Tatum Art Tatum (10") Telefunken Capitol LCA 216 Germany Unknown CCF 216 Art Tatum Art Tatum (3x7", Album) Capitol Records CCF 216 US 1950 T-216 Art Tatum Art Tatum (LP) Capitol Records T-216 Germany Unknown H-216 Art Tatum Art Tatum (10") Capitol Records H-216 Canada 1950 Related Music albums to Art Tatum by Art Tatum Art Tatum - This Is...Art Tatum The Art Tatum • Ben Webster Quartet Featuring Red Callender And Bill Douglass - The Art Tatum • Ben Webster Quartet Art Tatum - Art Tatum Discoveries Art Tatum - Capitol Jazz Classics Volume 3 - Art Tatum Solo Piano Art Tatum - The Complete Capitol Recordings Of Art Tatum Art Tatum - Tatum Is Art - Art Tatum Trio Art Tatum - All Star Tribute to Tatum Art Tatum - Gene Norman Presents Art Tatum at the Piano - Volume 1 Art Tatum - The Genius Of Art Tatum Vol. 3 Art Tatum, Ben Webster, Red Callender, Bill Douglass - The Tatum Group Masterpieces.

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JELLY ROLL MORTON's
1 The TENORSAX of WARDELL GRAY Solographers: Jan Evensmo & James Accardi Last update: June 8, 2014 2 Born: Oklahoma City, Oklahoma, Feb. 13, 1921 Died: Las Vegas, Nevada, May 25, 1955 Introduction: Wardell Gray was the natural candidate to transfer Lester Young’s tenorsax playing to the bebop era. His elegant artistry lasted only a few years, but he was one of the greatest! History: First musical studies on clarinet in Detroit where he attended Cass Tech. First engagements with Jimmy Raschel and Benny Carew. Joined Earl Hines in 1943 and stayed over two years with the band before settling on the West Coast. Came into prominence through his performances and recordings with the concert promoter Gene Norman and his playing in jam sessions with Dexter Gordon.; his famous recording with Gordon, “The Chase” (1947), resulted from these sessions as did an opportunity to record with Charlie Parker (1947). As a member of Benny Goodman’s small group WG was an important figure in Goodman’s first experiments with bop (1948). He moved to New York with Goodman and in 1948 worked at the Royal Roost, first with Count Basie, then with the resident band led by Tadd Dameron; he made recordings with both leaders. After playing with Goodman’s bigband (1948-49) and recording in Basie’s small group (1950-51), WG returned to freelance work on the West Coast and Las Vegas. He took part in many recorded jam sessions and also recorded with Louie Bellson in 1952-53). The circumstances around his untimely death (1955) is unclear (ref.
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Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD.
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African American History of Los Angeles
LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: African American History of Los Angeles Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources NOVEMBER 2017 SurveyLA Citywide Historic Context Statement Context: African American History of Los Angeles Certified Local Government Grant Disclaimers The activity that is the subJect of this historic context statement has been financed in part with Federal funds from the National Park Service, Department of Interior, through the California Office of Historic Preservation. However, the contents and opinions do not necessarily reflect the views or policies of the Department of the Interior or the California Office of Historic Preservation, nor does mention of trade names or commercial products constitute endorsement or recommendation by the Department of the Interior or the California Office of Historic Preservation. This program receives Federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act of 1964, Section 504 of the Rehabilitation Act of 1973, and the Age Discrimination Act of 1975 as amended, the Department of the Interior prohibits discrimination based on race, color, national origin, disability, or age in its federally assisted programs. If you believe you have been discriminated against in any program, activity, or facility as described above, or if you desire further information, please write to: Office of Equal Opportunity National Park Service 1849 C Street, N.W. Washington
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2009 Festival Brochure
ELEVENTH ANNUAL Artisitc Director Jessica Felix James Moody Quartet with special guest Marlena Shaw Randy Weston’s African Rhythms BAy AReA LegendS: Denny Zeitlin - Solo Piano John Handy and the Bay Area Melding Pot Stars of BraziL: Toninho Horta trio with special guest Airto Trio da Paz Leny Andrade with Stephanie ozer esperanza Spalding Quartet Julian Lage group oakland interfaith gospel Choir Richard Howell Quintet Montclair Women’s Big Band Rising Stars Concert with Debbie Poryes trio Jason Bodlovich Quartet Noam Lemish Quintet Jazz tastings – music and wine pairings at tasting rooms around the Plaza and many more performers... Painting (detail): Robin Eschner WWW . HEALDSBURGJAZZFESTIVAL . ORG M A J O R S P O NS or S OFF I C ia L S P O NS or S SA SYST O EM R S A , T I N N C A . S T SRS O S T N A O L I E T Q U U OL IPMENT S BU S I N E SS S P O NS or S HEALDSBURG LODGING GRAPHITE STUDI O COALITION CO MM UNICAT I O N D E S I G N official airline sponsor TA S TI N G R O O M SP O NS OR S GRA N TI N G A G E NC IE S Artiste Winery Steinway Pianos Provided by Bottle Barn/Wine Annex Sherman Clay San Francisco, Topel Winery CA T HE H EALDSBURG J AZZ F ES T IVAL , I NC . IS A 5 0 1 ( C ) ( 3 ) NON - PRO F I T ORGANIZAT ION Friday, May 8: “Havana Nights” Healdsburg Jazz Festival Gala Dinner, Dance, and Auction Celebrating the 11th Anniversary of the Healdsburg Jazz Festival with wine, food, music, and a fund-raising auction to the benefit the Festival’s Education Program.
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The Tatum Group Masterpieces Mp3, Flac, Wma
Art Tatum The Tatum Group Masterpieces mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Tatum Group Masterpieces Country: Yugoslavia Released: 1979 Style: Contemporary Jazz MP3 version RAR size: 1509 mb FLAC version RAR size: 1284 mb WMA version RAR size: 1700 mb Rating: 4.8 Votes: 592 Other Formats: MP3 MPC AAC WMA APE WAV DXD Tracklist Hide Credits Deep Night A1 5:43 Written By – Vallee* - Henderson* This Can't Be Love A2 4:33 Written By – Rodgers* - Hart* Memories Of You A3 7:04 Written By – Razaf* - Blake* Once In A While A4 5:07 Written By – Edwards* - Green* A Foggy Day B1 3:19 Written By – G. & I. Gershwin* Lover Man B2 6:29 Written By – Davis* - Sherman* - Ramirez* You're Mine You B3 6:24 Written By – Green* - Heyman* Makin' Whoopee B4 3:29 Written By – Donaldson* - Kahn* Companies, etc. Licensed From – Polydor International Record Company – MGM Records Credits Bass – Red Callender Clarinet – Buddy DeFranco Drums – Bill Douglass Photography By – Phil Stern Piano – Art Tatum Producer – Norman Granz Notes First edition 1000 copies Barcode and Other Identifiers Matrix / Runout (A): LP 4410 A 181279 Matrix / Runout (B): LP 4410 B 181279 Other versions Category Artist Title (Format) Label Category Country Year Art Tatum, Buddy De Art Tatum, Franco*, Red Buddy De Callender, Bill Pablo 2310-736 Franco*, Red 2310-736 US 1975 Douglass - The Tatum Records Callender, Bill Group Masterpieces Douglass (LP, Album) Art Tatum, Buddy De Art Tatum, Franco*, Red Buddy De Callender, Bill Pablo PN 4028 Franco*, Red PN 4028 Spain 1983 Douglass - The Tatum Records Callender, Bill Group Masterpieces Douglass (LP, Album) Art Tatum, Buddy De Art Tatum, Franco*, Red Buddy De Callender, Bill Pablo CD 2405430-2 Franco*, Red CD 2405430-2 Europe 1990 Douglass - The Tatum Records Callender, Bill Group Masterpieces Douglass (CD, Album, RE, RM) Art Tatum / Buddy Art Tatum / DeFranco / Red Buddy Callender / Bill Pablo PACD-2405-430-2 DeFranco / Douglass - The Tatum PACD-2405-430-2 US 1990 Records Red Callender Group Masterpieces, / Bill Douglass Vol.
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Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor Saxophone Musical Vocabulary
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Main Artist (Group) Album Title Other Artists Date Cannonball Adderley
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Makeshift Hospitals Sprout As Nation Fears More Cases
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African American History of Los Angeles
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Musicians Union of Hollywood
Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2017-4331-HCM ENV-2017-4332-CE HEARING DATE: November 16, 2017 Location: 807-831 North Vine Street; TIME: 10:00 AM 808-820 Lillian Way; PLACE : City Hall, Room 1010 5901 West Waring Avenue 200 N. Spring Street Council District: 13 – O’Farrell Los Angeles, CA 90012 Community Plan Area: Hollywood Area Planning Commission: Central Neighborhood Council: Central Hollywood Legal Description: Seneca Heights Tract, Block H, Lots 8-10 and FR13- FR18 PROJECT: Historic-Cultural Monument Application for the MUSICIANS UNION OF HOLLYWOOD REQUEST: Declare the property a Historic-Cultural Monument OWNER: CV 817 Vine St, LLC 601 S. Figueroa Street, Ste. 3400 Los Angeles, CA 90017 APPLICANT: Hollywood Heritage, Inc. 2100 N Highland Avenue Hollywood, CA 90068 RECOMMENDATION That the Cultural Heritage Commission: 1. Take the property under consideration as a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.10 because the application and accompanying photo documentation suggest the submittal warrants further investigation. 2. Adopt the report findings. VINCENT P. BERTONI, AICP Director of PlanningN1907 [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. Giessinger, Preservation Architect Office of Historic Resources Office of Historic Resources [SIGNED ORIGINAL IN FILE] Melissa Jones, Planning Assistant Office of Historic Resources Attachment: Historic-Cultural Monument Application CHC-2017-4331-HCM 807-831 North Vine Street; 808-820 Lillian Way; 5901 West Waring Avenue Page 2 of 3 SUMMARY The Musicians Union of Hollywood is a two-story commercial building located at 817 Vine Street between Willoughby Avenue and Waring Avenue in Hollywood.
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(P) Red Mitchell
TJD-Online: Red Mitchell Page 1 of 58 [F4693] Add Tony Fruscella Debut : Tony Fruscella (tp) Chick Maures (as) Bill Triglia (p) Red Mitchell (b) Dave Troy (d) New York, December 10, 1948 151A Foo's Spotlite (E)SPJ126 153B Flues - 154B Oh yeah - 155A Little Orgg - 155B Little Orgg - 156A Out of nowhere - 156B Out of nowhere - 163A Flues - Note: All above titles also on Cool N' Blue (Swi)C&B-CD107 [CD] titled "Tony's blues" see 1955 and November 7, 1955 for the rest of this CD. All above titles also on The Jazz Factory JFCD22808 [CD] titled "Tony Fruscella - Complete Studio Recordings"; see various flwg sessions to April 1955 and Stan Getz for rest of this 2 CD set. All above titles also on The Jazz Factory (Sp)JFCD44401 [CD] titled "Tony Fruscella - The Complete Works"; see various flwg sessions to November 7, 1955 and Stan Getz for rest of this 4 CD set. [R5274] Add Joe Roland Joe Roland Quintet : Ray Turner (ts) Joe Roland (vib) Red Mitchell (p) Joe Puma (g) Paul Sziglay (b) Paula Castle (vcl) New York, July 21, 1949 Leaving town tonight (unissued) Derby Harry the eight Rainbow LP708 Free of charge - A fool and his love (unissued) Note: Rainbow issued as by "Chubby Jackson's All Stars" but is is in fact a Joe Roland Group. [V1382] Add Charlie Ventura Charlie Ventura And His Orchestra : Teddy Kaye (p) Red Mitchell (b) replace Roy Kral, Kenny O'Brien, Betty Bennett (vcl) Beverley Brooks (vcl) Jimmy Vanelli (vcl) added New York, August 12, 1949 D9VB284 Boptura (cc,bg,cv vcl) Vic 20-3552, LP3046, RCA (F)NL46031, Fresh Sound (Sp)NL46031 D9VB2144 Feather's den (bb,bb vcl) Vic 20-3635, LPM1135, Fresh Sound (Sp)LPM1135, RCA (F)NL46031, Fresh Sound (Sp)NL45958 D9VB2145 Yankee clipper (betty b vcl) Vic 20-3552, LPM1135, Fresh Sound (Sp)LPM1135, NL45958 D9VB2146 Lotus blue Vic 20/50-0103, LPM1135, Fresh Sound (Sp)LPM1135, RCA (F)NL46031, Fresh Sound (Sp)NL46031 D9VB2147 Honey (jv vcl) RCA (F)NL46031, Fresh Sound (Sp)NL46031 Note: All above titles also on Classics (F)1215 [CD].
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November 2012 Vol
A Mirror and Focus for the Jazz Community November 2012 Vol. 28, No. 11 EARSHOT JAZZSeattle, Washington Paul de Barros Photo by Daniel Sheehan. LETTER FROM THE DIRECTOR Thank you all for another fantastic fewer and further between, and the Earshot Jazz Festival. This year’s pro- pay is getting worse, rather than better gram was one of our most ambitious – and Seattle’s jazz scene is generally yet, showcasing varied aspects of the considered better than those of most ever-expanding universe that is barely American cities. contained under the wide umbrella of The house of jazz does not stand the word jazz. neatly at the intersection of Art and The music in this year’s festival was Commerce. It is well up Art Street, a spectacular, without exception – good distance from Commerce. whether it came from Amsterdam or We absolutely don’t expect jazz art- Mongolia, New York or Cuba. And ists to modify their creative output so JOHN GILBREATH BY BILL UZNAY especially when it came from Seattle. that it can appeal to a wider, popular cial possibility and artistic integrity. The more that Seattle artists are pre- audience. Jazz touches people on its And we understand the need to place sented alongside creative musicians own terms. That’s why we love it. The the long-term creative health of the from around the world, the more we masters of this art form have tradition- art form ahead of its short-term finan- realize what a treasury of jazz we can ally turned away from popular appeal, cial success.
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