African American History of Los Angeles
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Art Tatum Art Tatum Mp3, Flac, Wma
Art Tatum Art Tatum mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Art Tatum Country: US Released: 1950 MP3 version RAR size: 1282 mb FLAC version RAR size: 1131 mb WMA version RAR size: 1773 mb Rating: 4.2 Votes: 491 Other Formats: DXD TTA MP2 RA ASF WMA MIDI Tracklist A1 I Cover The Waterfront A2 Dancing In The Dark A3 Aunt Hagar's Blues A4 Blue Skies B1 Nice Work If You Can Get It B2 Willow, Weep For Me B3 Dardanella B4 I Gotta Right To Sing The Blues Credits Illustration – WG* Piano – Art Tatum Other versions Category Artist Title (Format) Label Category Country Year H-216 Art Tatum Art Tatum (10") Capitol Records H-216 US 1950 LCA 216 Art Tatum Art Tatum (10") Telefunken Capitol LCA 216 Germany Unknown CCF 216 Art Tatum Art Tatum (3x7", Album) Capitol Records CCF 216 US 1950 T-216 Art Tatum Art Tatum (LP) Capitol Records T-216 Germany Unknown H-216 Art Tatum Art Tatum (10") Capitol Records H-216 Canada 1950 Related Music albums to Art Tatum by Art Tatum Art Tatum - This Is...Art Tatum The Art Tatum • Ben Webster Quartet Featuring Red Callender And Bill Douglass - The Art Tatum • Ben Webster Quartet Art Tatum - Art Tatum Discoveries Art Tatum - Capitol Jazz Classics Volume 3 - Art Tatum Solo Piano Art Tatum - The Complete Capitol Recordings Of Art Tatum Art Tatum - Tatum Is Art - Art Tatum Trio Art Tatum - All Star Tribute to Tatum Art Tatum - Gene Norman Presents Art Tatum at the Piano - Volume 1 Art Tatum - The Genius Of Art Tatum Vol. -
Negroes Are Different in Dixie: the Press, Perception, and Negro League Baseball in the Jim Crow South, 1932 by Thomas Aiello Research Essay ______
NEGROES ARE DIFFERENT IN DIXIE: THE PRESS, PERCEPTION, AND NEGRO LEAGUE BASEBALL IN THE JIM CROW SOUTH, 1932 BY THOMAS AIELLO RESEARCH ESSAY ______________________________________________ “Only in a Negro newspaper can a complete coverage of ALL news effecting or involving Negroes be found,” argued a Southern Newspaper Syndicate advertisement. “The good that Negroes do is published in addition to the bad, for only by printing everything fit to read can a correct impression of the Negroes in any community be found.”1 Another argued that, “When it comes to Negro newspapers you can’t measure Birmingham or Atlanta or Memphis Negroes by a New York or Chicago Negro yardstick.” In a brief section titled “Negroes Are Different in Dixie,” the Syndicate’s evaluation of the Southern and Northern black newspaper readers was telling: Northern Negroes may ordain it indecent to read a Negro newspaper more than once a week—but the Southern Negro is more consolidated. Necessity has occasioned this condition. Most Southern white newspapers exclude Negro items except where they are infamous or of a marked ridiculous trend… While his northern brother is busily engaged in ‘getting white’ and ruining racial consciousness, the Southerner has become more closely knit.2 The advertisement was designed to announce and justify the Atlanta World’s reformulation as the Atlanta Daily World, making it the first African-American daily. This fact alone probably explains the advertisement’s “indecent” comment, but its “necessity” argument seems far more legitimate.3 For example, the 1932 Monroe Morning World, a white daily from Monroe, Louisiana, provided coverage of the black community related almost entirely to crime and church meetings. -
Master's Thesis
I Know I Am Someone: Michael Jackson, Thriller, and American Identity by Sara Tenenbaum B.A. in American Studies, May 2006, Brandeis University A Thesis submitted to The Faculty of the Columbian College of Arts and Sciences of George Washington University in partial fulfillment of the degree requirements for the degree of Master of Arts May 15, 2011 Thesis Directed by James A. Miller Professor of English and American Studies © Copyright 2011 by Sara Tenenbaum All rights reserved ii Abstract of Thesis "I Know I Am Someone: Michael Jackson, Thriller, and American Identity" This thesis addresses the cultural phenomenon surrounding Michael Jackson's 1982 album Thriller and uses it as a lens through which to view and analyze the development of a distinct American, primarily youth, identity in 1983 and 1984. It is structured using a three-prong approach that first analyzes the sonic work of the music of Thriller, second explores the characteristics of Michaelmania and the youth identity being constructed within the Michael Jackson pop explosion, and third analyzes the backlash from both the white and African American communities against Jackson in that time to illuminate his subversion and danger to the status quo. I argue that Jackson's act of profound crossover during the Thriller era triggered within the American youth an equally profound act of identity formation that transcended racial stratification in America's past and created a foundational part of our contemporary identity that moves slightly beyond America's troubled racial history. Using both the voices of his fans and his critics to tease out the work his person and his music did in the early 1980's, I advocate we keep Jackson and his work foregrounded in our study of popular culture in the late 20th and early 21st centuries, as his pop explosion fundamentally and permanently effected how Americans understand ourselves and our relations with each other. -
Entertainment Industry, 1908-1980 Theme: Residential Properties Associated with the Entertainment Industry, 1908-1980
LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Entertainment Industry, 1908-1980 Theme: Residential Properties Associated with the Entertainment Industry, 1908-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources October 2017 SurveyLA Citywide Historic Context Statement Entertainment Industry/Residential Properties Associated with the Entertainment Industry, 1908-1980 TABLE OF CONTENTS Preface 1 Contributors 1 Theme Introduction 1 Theme: Residential Properties Associated with the Entertainment Industry 3 Sub-theme: Residential Properties Associated with Significant Persons in the Entertainment Industry, 1908-1980 13 Sub-theme: Entertainment Industry Housing and Neighborhoods, 1908-1980 30 Selected Bibliography 52 SurveyLA Citywide Historic Context Statement Entertainment Industry/Residential Properties Associated with the Entertainment Industry, 1908-1980 PREFACE This theme is a component of SurveyLA’s citywide historic context statement and provides guidance to field surveyors in identifying and evaluating potential historic resources relating to residential properties associated with the entertainment industry. Refer to www.HistoricPlacesLA.org for information on designated resources associated with this context (or themes) as well as those identified through SurveyLA and other surveys. CONTRIBUTORS The Entertainment Industry context (and all related themes) was prepared by Christine Lazzaretto and Heather Goers, Historic Resources Group, with significant guidance and input from Christy -
Earnest 1 the Current State of Economic Development in South
Earnest 1 The Current State of Economic Development in South Los Angeles: A Post-Redevelopment Snapshot of the City’s 9th District Gregory Earnest Senior Comprehensive Project, Urban Environmental Policy Professor Matsuoka and Shamasunder March 21, 2014 Earnest 2 Table of Contents Abstract:…………………………………………………………………………………..4 Introduction……………………………………………………………………………….5 Literature Review What is Economic Development …………………………………………………………5 Urban Renewal: Housing Act of 1949 Area Redevelopment Act of 1961 Community Economic Development…………………………………………...…………12 Dudley Street Initiative Gaps in Literature………………………………………………………………………….14 Methodology………………………………………………………………………………15 The 9th Council District of Los Angeles…………………………………………………..17 Demographics……………………………………………………………………..17 Geography……………………………………………………………………….…..19 9th District Politics and Redistricting…………………………………………………23 California’s Community Development Agency……………………………………………24 Tax Increment Financing……………………………………………………………. 27 ABX1 26: The End of Redevelopment Agencies……………………………………..29 The Community Redevelopment Agency in South Los Angeles……………………………32 Political Leadership……………………………………………………………34 Case Study: Goodyear Industrial Tract Redevelopment…………………………………36 Case Study: The Juanita Tate Marketplace in South LA………………………………39 Case Study: Dunbar Hotel………………………………………………………………46 Challenges to Development……………………………………………………………56 Loss of Community Redevelopment Agencies………………………………..56 Negative Perception of South Los Angeles……………………………………57 Earnest 3 Misdirected Investments -
ABOR and the ~EW Peal: the CASE - - of the ~OS ~NGELES J~~~Y
~ABOR AND THE ~EW pEAL: THE CASE - - OF THE ~OS ~NGELES J~~~y By ISAIAS JAMES MCCAFFERY '\ Bachelor of Arts Missouri Southern State College Joplin, Missouri 1987 Submitted to the Faculty of the Graduate College of Oklahoma Siate University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS December, 1989 { Oklahoma ~tate univ •.1...u..1u.Lu..1.; LABOR AND THE NEW DEAL: THE CASE OF THE LOS ANGELES ILGWC Thesis Approved: Dean of the Graduate College 1.i PREFACE This project examines the experience of a single labor union, the International Ladies' Garment Workers' Union (ILGWU), in Los Angeles during the New Deal era. Comparisons are drawn between local and national developments within the ILGWU and the American labor movement in general. Surprisingly little effort has been made to test prevailing historical interpretations within specific cities-- especially those lying outside of the industrial northeast. Until more localized research is undertaken, the unique organizational struggles of thousands of working men and women will remain ill-understood. Differences in regional politics, economics, ethnicity, and leadership defy the application of broad-based generalizations. The Los Angeles ILGWU offers an excellent example of a group that did not conform to national trends. While the labor movement experienced remarkable success throughout much of the United States, the Los Angeles garment locals failed to achieve their basic goals. Although eastern clothing workers won every important dispute with owners and bargained from a position of strength, their disunited southern Californian counterparts languished under the counterattacks of business interests. No significant gains in ILGWU membership occurred in Los Angeles after 1933, and the open shop survived well iii into the following decade. -
The Dunbar Hotel and the Golden Age of L.A.’S ‘Little Harlem’
SOURCE C Meares, Hadley (2015). When Central Avenue Swung: The Dunbar Hotel and the Golden Age of L.A.’s ‘Little Harlem’. Dr. John Somerville was raised in Jamaica. DEFINITIONS When he arrived in California in 1902, he was internal: people, actions, and shocked by the lack of accommodations for institutions from or established by people of color on the West Coast. Black community members travelers usually stayed with friends or relatives. Regardless of income, unlucky travelers usually external: people, actions, and had to room in "colored boarding houses" that institutions not from or established by were often dirty and unsafe. "In those places, community members we didn't compare niceness. We compared badness," Somerville's colleague, Dr. H. Claude Hudson remembered. "The bedbugs ate you up." Undeterred by the segregation and racism that surrounded him, Somerville was the first black man to graduate from the USC dental school. In 1912, he married Vada Watson, the first black woman to graduate from USC's dental school. By 1928, the Somervilles were a power couple — successful dentists, developers, tireless advocates for black Angelenos, and the founders of the L.A. chapter of the NAACP. As the Great Migration brought more black people to L.A., the city cordoned them off into the neighborhood surrounding Central Avenue. Despite boasting a large population of middle and upper class black families, there were still no first class hotels in Los Angeles that would accept blacks. In 1928, the Somervilles and other civic leaders sought to change all that. Somerville "entered a quarter million dollar indebtedness" and bought a corner lot at 42nd and Central. -
Get Doc < Central Avenue Sounds Jazz in Los Angeles
WQRFRKMSWIFF \\ Kindle / Central Avenue Sounds Jazz in Los Angeles Central A venue Sounds Jazz in Los A ngeles Filesize: 2.71 MB Reviews This book is indeed gripping and fascinating. It normally is not going to price a lot of. I am very easily will get a delight of reading a created pdf. (Albertha Cartwright) DISCLAIMER | DMCA PCXD3CDUHUFZ « Kindle // Central Avenue Sounds Jazz in Los Angeles CENTRAL AVENUE SOUNDS JAZZ IN LOS ANGELES University of California Press. Paperback. Book Condition: New. Paperback. 470 pages. Dimensions: 8.9in. x 5.8in. x 1.2in.The musical and social history of Los Angeless black community from the 1920s through the early 1950s comes to life in this exceptional oral history collection. Through the voices of musicians who performed on L. A. s Central Avenue during those years, a vivid picture of the Avenues place in American musical history emerges. By day, Central Avenue was the economic and social center for black Angelenos. By night, it was a magnet for Southern Californians, black and white, who wanted to hear the very latest in jazz. The oral histories in this book provide firsthand reminiscences by and about some of our great jazz legends: Art Farmer recalls the first time Charlie Parker and Dizzy Gillespie played bebop on the West Coast; Britt Woodman tells of a teenaged Charles Mingus switching from cello to bass; Clora Bryant recalls hard times on the road with Billie Holiday. Here, too, are recollections of Hollywoods eects on local culture, the precedent-setting merger of the black and white musicians unions, and the repercussions from the racism in the Los Angeles Police Department in the late 1940s and early 1950s. -
Conspiracy of Peace: the Cold War, the International Peace Movement, and the Soviet Peace Campaign, 1946-1956
The London School of Economics and Political Science Conspiracy of Peace: The Cold War, the International Peace Movement, and the Soviet Peace Campaign, 1946-1956 Vladimir Dobrenko A thesis submitted to the Department of International History of the London School of Economics for the degree of Doctor of Philosophy, London, October 2015 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 90,957 words. Statement of conjoint work I can confirm that my thesis was copy edited for conventions of language, spelling and grammar by John Clifton of www.proofreading247.co.uk/ I have followed the Chicago Manual of Style, 16th edition, for referencing. 2 Abstract This thesis deals with the Soviet Union’s Peace Campaign during the first decade of the Cold War as it sought to establish the Iron Curtain. The thesis focuses on the primary institutions engaged in the Peace Campaign: the World Peace Council and the Soviet Peace Committee. -
Charlotta A. Bass Papers
http://oac.cdlib.org/findaid/ark:/13030/tf6c60052d No online items Register of the Charlotta A. Bass Papers Processed by The Southern California Library for Social Studies and Research staff; supplementary encoding and revision supplied by Xiuzhi Zhou. Southern California Library for Social Studies and Research 6120 S. Vermont Avenue Los Angeles, California 90044 Phone: (323) 759-6063 Fax: (323) 759-2252 Email: [email protected] URL: http://www.socallib.org © 2000 Southern California Library for Social Studies and Research. All rights reserved. Register of the Charlotta A. Bass MSS 002 1 Papers Register of the Charlotta A. Bass Papers Collection number: MSS 002 Southern California Library for Social Studies and Research Los Angeles, California Contact Information: Southern California Library for Social Studies and Research 6120 S. Vermont Avenue Los Angeles, California 90044 Phone: (323) 759-6063 Fax: (323) 759-2252 Email: [email protected] URL: http://www.socallib.org Processed by: Mary F. Tyler Date completed: Nov. 1983 © 2000 Southern California Library for Social Studies and Research. All rights reserved. Descriptive Summary Title: Charlotta A. Bass Papers Collection number: MSS 002 Creator: Bass, Charlotta A., 1874-1968 Extent: 8 document cases 3 cubic feet Repository: Southern California Library for Social Studies and Research. Los Angeles, California Language: English. Access The collection is available for research only at the Library's facility in Los Angeles. The Library is open from 10 a.m. to 4 p.m., Tuesday through Saturday. Researchers are encouraged to call or email the Library indicating the nature of their research query prior to making a visit. -
East Ferry Avenue Historic District East Ferry Avenue Between
East Ferry Avenue Historic District HABS No. MI-311 East Ferry Avenue between Woodward and Beaubien Avenues Detroit Wayne County Michigan WRITTEN HISTORICAL AND DESCRIPTIVE DATA HISTORIC AMERICAN BUILDINGS SURVEY MID-ATLANTIC REGION, NATIONAL PARK SERVICE • DEPARTMENT OF THE INTERIOR PHILADELPHIA, PENNSYLVANIA 19106 HABS HISTORIC AMERICAN BUILDINGS SURVEY ,2 6- EAST FERRY AVENUE HISTORIC DISTRICT HABS No. MI-311 Location: East Ferry Avenue between Woodward and Beaubien Avenues Present Owner: Multiple owners Present Use: Residential, institutional Significance: The East Ferry Avenue Historic District represents a fairly intact turn-of-the-century, upper class residential area representing a variety of architectural styles popular from the 1880s through the first decades of the twentieth century. It is also significant for its later association with the black history of Detroit. PART I HISTORICAL INFORMATION A. Physical History: 1. Architects: 5510 Woodward Ave. Colonel Frank J. Hecker House - Louis Kamper, Architect. 60 East Ferry Ave., William A. Pungs House - William E. Higginbotham and William G. Malcomson, Architects. 71 East Ferry Ave., Charles Lang Freer House - Wilson Eyre, Jr., Architect.. 84 East Ferry, John Scott House - John Scott, Architect. 100 East Ferry, George A. Owen House - John Scott & Co., -Architects. 110 East Ferry, William Jackson House - John Scott & Co., Architects (probable) 5450 John R. Street, James Murphy House - F.E. Carleton, Architect. 222 East Ferry Ave., Samuel A Sloman House - George V. Pottle, Architect. 223 East Ferry Ave., Rufus Goodell House - Rogers & McFarlane, Architects. 235 East Ferry Ave., William L. Barclay House - Mortimer L. • Smith, Architect. 246 East Ferry Ave., Residence - A.E. Harley, Architect. -
Black History, 1877-1954
THE BRITISH LIBRARY AFRICAN AMERICAN HISTORY AND LIFE: 1877-1954 A SELECTIVE GUIDE TO MATERIALS IN THE BRITISH LIBRARY BY JEAN KEMBLE THE ECCLES CENTRE FOR AMERICAN STUDIES AFRICAN AMERICAN HISTORY AND LIFE, 1877-1954 Contents Introduction Agriculture Art & Photography Civil Rights Crime and Punishment Demography Du Bois, W.E.B. Economics Education Entertainment – Film, Radio, Theatre Family Folklore Freemasonry Marcus Garvey General Great Depression/New Deal Great Migration Health & Medicine Historiography Ku Klux Klan Law Leadership Libraries Lynching & Violence Military NAACP National Urban League Philanthropy Politics Press Race Relations & ‘The Negro Question’ Religion Riots & Protests Sport Transport Tuskegee Institute Urban Life Booker T. Washington West Women Work & Unions World Wars States Alabama Arkansas California Colorado Connecticut District of Columbia Florida Georgia Illinois Indiana Kansas Kentucky Louisiana Maryland Massachusetts Michigan Minnesota Mississippi Missouri Nebraska Nevada New Jersey New York North Carolina Ohio Oklahoma Oregon Pennsylvania South Carolina Tennessee Texas Virginia Washington West Virginia Wisconsin Wyoming Bibliographies/Reference works Introduction Since the civil rights movement of the 1960s, African American history, once the preserve of a few dedicated individuals, has experienced an expansion unprecedented in historical research. The effect of this on-going, scholarly ‘explosion’, in which both black and white historians are actively engaged, is both manifold and wide-reaching for in illuminating myriad aspects of African American life and culture from the colonial period to the very recent past it is simultaneously, and inevitably, enriching our understanding of the entire fabric of American social, economic, cultural and political history. Perhaps not surprisingly the depth and breadth of coverage received by particular topics and time-periods has so far been uneven.