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Pdfaboutnews To-The-Pointe-Spring12.Pdf
To the Pointe the To ISSUE 54 SPRING 2012 Message from the Executive Director As I reflect on my first quarter at Canada’s So too, the building is alive after hours, the support from our government National Ballet School, I’m drawn to the through our Adult and Associates partners, and will continue to connect spring scenes around the School. This is programs. It is a source of inspiration to them with NBS. a season of renewal, a time to anticipate see the Celia Franca Centre is alive with the summer ahead. In particular, the dancers at night. Two attributes characterize NBS from my spring brings something that is dear to perspective—passion and excellence. I me—the return of baseball! What does One item on my agenda is the completion want to acknowledge Mavis Staines for baseball have to do with ballet? Good of a new NBS Strategic Plan. There has her support during my transition, and for question—more on that later. been superb planning work done in modelling those attributes. I’d also like to past years, including a trend analysis of recognize our talented staff for the same Since joining NBS, I have found it to be the dance industry and an articulation reasons, and to thank our committed as stimulating and rewarding as I had of three strategic initiatives to address friends who attended the For the Love hoped. Coming from the museum world, these. We are facilitating a process for of Ballet Gala. I am a strong supporter of culture and the soliciting and refining staff contributions, role that knowledge plays in advancing with a goal of completing the plan in And so, how do my first few months at our society. -
Twentieth-Century Canadian Law, Psychiatry, and Social Activism in Relation to Pedophiles and Child Sex Offenders
Twentieth-Century Canadian Law, Psychiatry, and Social Activism in Relation to Pedophiles and Child Sex Offenders By Justin F. Smith Thesis Submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements of the MA degree in History University of Ottawa © Justin F. Smith, Ottawa, Canada, 2017 ABSTRACT Twentieth-Century Canadian Law, Psychiatry, and Social Activism in Relation to Pedophiles and Child Sex Offenders Justin Smith Supervisor: University of Ottawa Heather Murray The contemporary conflation of pedophiles and child sex offenders is a prevalent aspect of reporting in news and social media, as well as in government- sponsored efforts to prevent child sexual victimization. Throughout twentieth century Canada, however, legal experts, psychologists and psychiatrists, and social activists were recognizing the harmfulness of grouping individuals who may have a propensity to commit crime with those who have committed the most heinous of criminal acts. As early as 1938, Canadian legal experts suggested that criminal insanity was a myth, advocating for a divergence between legal punishment and psychiatric healthcare, but after World War 2 had enacted serious efforts targeting criminal sexual psychopathy. Successive Royal Commissions investigating sexual victimization and child abuse revealed that Canadian courts, jails, prisons, and remand services were unable to solely deal with the realities of child sexual victimization. Psychologists and psychiatrists of the American Psychological Association increasingly researched sex and sexuality, classifying pedophilia as a paraphilia using child sexual victimization as a diagnostic indicator and criterion. Gay liberation activists discussed inequalities posed between hetero- and homosexual ages of consent and, more rarely, thought about the total abolition of age of consent. -
Gp 3.Qxt 7/11/16 9:01 AM Page 1
07-28 Winter's Tale_Gp 3.qxt 7/11/16 9:01 AM Page 1 July 13 –31, 2 016 Lincoln Center Festival lead support is provided by American Express July 28–31 David H. Koch Theater The National Ballet of Canada Karen Kain, Artistic Director The Winter’s Tale The National Ballet of Canada Orchestra Music Director and Principal Conductor David Briskin Approximate running time: 2 hours and 35 minutes, with two intermissions This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. The Lincoln Center Festival 2016 presentation of The Winter’s Tale is made possible in part by generous support from The LuEsther T. Mertz Charitable Trust and Jennie and Richard DeScherer. Additional support is provided by The Joelson Foundation. Endowment support for the Lincoln Center Festival 2016 presentation of The Winter’s Tale is provided by Blavatnik Family Foundation Fund for Dance. Public support for Festival 2016 is provided by the New York City Department of Cultural Affairs and New York State Council on the Arts. The National Ballet of Canada’s lead philanthropic support for The Winter’s Tale is provided by The Catherine and Maxwell Meighen Foundation, Richard M. Ivey, C.C., an anonymous friend of the National Ballet, and The Producers’ Circle. The National Ballet of Canada gratefully acknowledges the generous support of The Honourable Margaret Norrie McCain, C.C. A co-production of The National Ballet of Canada and The Royal Ballet 07-28 Winter's Tale_Gp 3.qxt 7/11/16 9:01 AM Page 2 LINCOLN CENTER FESTIVAL 2016 THE WINTER’S -
1976-77-Annual-Report.Pdf
TheCanada Council Members Michelle Tisseyre Elizabeth Yeigh Gertrude Laing John James MacDonaId Audrey Thomas Mavor Moore (Chairman) (resigned March 21, (until September 1976) (Member of the Michel Bélanger 1977) Gilles Tremblay Council) (Vice-Chairman) Eric McLean Anna Wyman Robert Rivard Nini Baird Mavor Moore (until September 1976) (Member of the David Owen Carrigan Roland Parenteau Rudy Wiebe Council) (from May 26,1977) Paul B. Park John Wood Dorothy Corrigan John C. Parkin Advisory Academic Pane1 Guita Falardeau Christopher Pratt Milan V. Dimic Claude Lévesque John W. Grace Robert Rivard (Chairman) Robert Law McDougall Marjorie Johnston Thomas Symons Richard Salisbury Romain Paquette Douglas T. Kenny Norman Ward (Vice-Chairman) James Russell Eva Kushner Ronald J. Burke Laurent Santerre Investment Committee Jean Burnet Edward F. Sheffield Frank E. Case Allan Hockin William H. R. Charles Mary J. Wright (Chairman) Gertrude Laing J. C. Courtney Douglas T. Kenny Michel Bélanger Raymond Primeau Louise Dechêne (Member of the Gérard Dion Council) Advisory Arts Pane1 Harry C. Eastman Eva Kushner Robert Creech John Hirsch John E. Flint (Member of the (Chairman) (until September 1976) Jack Graham Council) Albert Millaire Gary Karr Renée Legris (Vice-Chairman) Jean-Pierre Lefebvre Executive Committee for the Bruno Bobak Jacqueline Lemieux- Canadian Commission for Unesco (until September 1976) Lope2 John Boyle Phyllis Mailing L. H. Cragg Napoléon LeBlanc Jacques Brault Ray Michal (Chairman) Paul B. Park Roch Carrier John Neville Vianney Décarie Lucien Perras Joe Fafard Michael Ondaatje (Vice-Chairman) John Roberts Bruce Ferguson P. K. Page Jacques Asselin Céline Saint-Pierre Suzanne Garceau Richard Rutherford Paul Bélanger Charles Lussier (until August 1976) Michael Snow Bert E. -
2016-2017 Award Winners
PPC ANNUAL PROFESSIONAL PRACTICE CONFERENCE February 5, 2017 CPP CONFÉRENCE ANNUELLE SUR LA PRATIQUE PROFESSIONNELLE48 5 février 2017 AWARDS PROGRAM PROGRAMME DES L AURÉATS InterContinental Toronto Centre Hotel 225 Front Street West Toronto, ON 2016-2017 Awards Program Programme des lauréats Sincere appreciation is extended Chair Committee Members to the Awards Committee Sylvain Grenier Erin Davis Kathryn Hollis Janice Ma Jaime McDonald Sean Spina and to our 2016-2017 Kim Abbass Denise Kervin award appraisers Elissa S Y Aeng David Knoppert Rebecca Agar Michael A LeBlanc Mayce Al-Sukhni Adrienne J Lindblad Arden Barry Anita Lo Jennifer Bolt Leslie Manuel Rene Breault Lisa McCarthy Lauren Bresee Karen McDermaid Glen R Brown Jaime McDonald Richard Cashin Susan McKenna Roger Cheng Lynne Nakashima Judy Chong Sheena Neilson Ian Creurer Olivia Gayan Ng Mário de Lemos Darren Pasay Norman Dewhurst Patti Pracsovics Artemis Diamantouros Bonnie Ralph Carolyn Dittmar Bornstein Cheryl Sadowski Zack Dumont Salma Satchu Dinie Engels Winnie Seto Jacqueline Flank Heather Slaney Michelle Foisy Amy Smith Marc Geirnaert Roy A Steeves Reem Haj-Darrah Daniel Thirion Charlene Haluk-McMahon Lanny Tran Cheryl Harten Régis Vaillancourt Mary-Ellen Hogan Lori Wazny Cody Hotel Glenn Whiteway Derek Jorgenson Ken Wou Jean-Yves Julien Peter J Zed Heather Kertland Rosemary Zvonar 2 | Awards Program • February 5, 2017 CSHP’s Highest Honours Les plus hautes distinctions de la SCPH Special Awards Program The Special Awards program recognizes CSHP Members and Supporters who have distinguished themselves within their profession. Special Awards are presented in two categories with three sponsors as listed below: Isabel E. Stauffer Hospital Pharmacy Student Award Meritorious Service Award Co-sponsored by the Canadian Society of Sponsored by Fresenius Kabi Canada Ltd. -
LGBTQ Role Models & Symbols
LGBTQ ROLE MODELS & SYMBOLS lgbtq Role Models Advocacy 4 Education 28 Stella Christie-Cooke Costa Kasimos Denise Cole Susan Rose Nancy Ruth Math & Science 31 Arts & Entertainment 9 Rachel Carson Trey Anthony Magnus Hirschfeld Jacinda Beals Alan Turing Georgina Beyer Leon Chisholm Religion 35 Portia DeGeneres Rev. Dr. Brent Hawkes, Christopher House C.M. Robert Joy Jane Lynch Sports 37 Greg Malone Rick Mercer John Amaechi Seamus O’Regan Martina Navratilova Gerry Rogers Mark Tewksbury Tommy Sexton Lucas Silveira Wanda Sykes This section includes profiles of a number of people who are active locally and nationally, or who have made contributions to history, or who are well-known personalities. Many have links to Newfoundland and Labrador. Public figures who are open about being members of the LGBTQ communities help to raise awareness of LGBTQ issues and foster acceptance in the general population. AdvocAcy Stella returned to Happy Valley-Goose Bay at the beginning of her career as a social worker in 2007. It soon became very clear to her that, despite Canada’s progress in legally recognizing the rights of queer individuals, there continued to be many gaps in the system and many individuals continued to struggle with a sense of isolation. Identifying as a queer person of Aboriginal ancestry, Stella continued to experience this first hand. Witnessing the impact this was having on her community, she became very motivated to bring others together to help address these gaps and create a sense of unity b. April 23, 1984 throughout Labrador. In 2009, Stella co-founded Labrador’s Safe Alliance, a group focused Stella Christie-Cooke was born in Winnipeg, on providing support and Manitoba. -
Contribution to Dance (1964-2019)
VERONICA TENNANT, C.C. Contribution to DANCE in CANADA 1964-2018 During her illustrious career as Principal Dancer with The National Ballet of Canada, Veronica Tennant won a devoted following on the national and international stage as a dancer of versatility and dramatic power. At 18, the youngest Principal Dancer in the company Tennant was chosen by Celia Franca and John Cranko, for her debut as Juliet. She went on to earn accolades in every major classical role as well as having several contemporary ballets choreographed on her. She was chosen by, and worked with the legendary choreographers: Sir Frederick Ashton, Roland Petit, Erik Bruhn, John Neumeier and Jiri Kylian – and she in turn nurtured a younger generation of Canadian choreographers including James Kukelka, Anne Ditchburn, Constantin Patsalas and David Allan. For 25 years she danced across North and South America, Europe and Japan, dancing with the greatest male dancers of our time including; Erik Bruhn, Rudolf Nureyev, Anthony Dowell, Mikhail Baryshnikov, Edward Villella, Fleming Flindt, Peter Schaufuss, Niels Kehlet, Fernando Bujones, Ivan Nagy, Jean Pierre Bonnefous and Richard Cragun. She was blessed with her Canadian partners, from Earl Kraul (her first Romeo), to Lawrence Adams, Glenn Gilmour, Frank Augustyn, Sergiu Stefanschi, Kevin Pugh, Rex Harrington and Raymond Smith (her tenth Romeo). Two of the CBC television performances with Tennant in the title role; Cinderella and The Sleeping Beauty, won Emmy Awards. Her first, in Norman Campbell’s 1965 production of Romeo and Juliet won Le Prix Barthelmy in Monte Carlo. Veronica Tennant gave her farewell performances in 1989 – dancing her signature role in, Romeo and Juliet and in the Gala – A Passion For Dance – Celebrating the Tennant Magic. -
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8 8 BOOK REVIEWS thus far conceived its political and critical project in rather limited, and increasingly unproductive, terms. Reviewed by: William Straw Carlton University Foundations, Alan Plaunt and The Early Days of CBC Radio Michael Nolan CBC Enterprises, 1986 Toronto, Ontario This book is very aptly named, for it was Alan Plaunt, more than any other individual, who set the philosophical and organizational foundations of the CBC and its progenitor, the Canadian Radio Broadcasting Commission. Plaunt's pivotal role in the genesis of public broadcasting in Canada was initially set out by Michael Nolan as his doctoral study for the University of Western Ontario where today Nolan teaches at the Graduate School of Journalism. CBC Enterprises published Nolan's work along with several other books in the fall of 1986 in celebration of CBC1s 50 years of public broadcasting service. The 162 page narrative is enhanced by its thorough footnoting and seven pages of reference sources on Canadian broadcasting history. Nolan's study is particularly detailed with regard to Plauntls English-French family background, his education, (straight Cs at the University of Toronto and only third class honours at Oxford), his politics, his friends, the forces that shaped his beliefs, the several causes he gave his energies to, his contradictory personality, and his extraordinary organizational skills. During his two years at Oxford (1927-291, Plaunt was a keen observer of the BBC in its first decade under the dominating leadership BOOK REVIEWS 89 of John Reith. Plaunt became a believer in Reith's approach to state-owned development of radio with its underlying philosophy that broadcasting's public service potential was too great to permit it to become a commercially oriented mass medium. -
Canadian Television 2015 a Guide to Current Production
CANADIAN TELEVISION 2015 A GUIDE TO CURRENT PRODUCTION Prepared for Michael Hennessy, President & CEO Canadian Media Production Association (CMPA) Curated by Bill Brioux CANADIAN TELEVISION 2015 1 A GUIDE TO CURRENT PRODUCTION CANADIAN TV ENTERS A GOLDEN AGE For the last 30 years, in my time reporting on it, television in Canada has undergone many changes. The one constant, however, has been the nagging impression that Canadian television is somehow inferior to the US brand. This notion has only intensified in recent years, in what some call the new “Golden Age” of TV drama. So, as many have been asking, where is Canada’s Golden Age? Well, you’ll find it in the pages of this book. Not everything that comes out of Canada is the quality of The Sopranos or Mad Men or Breaking Bad. Then again, few shows from America can come close to Bill Brioux these classics. The fact is Fargo, the most-nominated TV series at the 2014 Emmy Awards, is produced in the province of Alberta. Yes, the producers and many of the stars are Americans, but you should hear them gush about Canadian crews. Billy Bob Thornton, for one, is a fan. “One night, it went down to 40 below and they wouldn’t allow us to work,” he told me of working near Calgary on Fargo. “You figure if a Canadian says it’s too dangerous to go out there, it probably is too dangerous to go out.” FX Networks, considered the top non-premium US cable brand and a rival to HBO overall, invested The fact is television $100 million in Canada during the past TV season. -
INTERNATIONAL JOURNAL of ARTS MANAGEMENT
VOLUME 9, NUMBER 2 • WINTER 2007 HEC M o n t r é a l ~ AIMAC Karen Kain and the INTERNATIONAL National Ballet of Canada Jacqueline Cardinal, Laurent Lapierre JOURNAL of ARTS MANAGEMENT The Futurist Stance of Historical Societies: An Analysis of Position Statements Dirk H.R. Spennemann Volunteer Management in Arts Organizations: A Case Study and Managerial Implications Helen Bussell, Deborah Forbes Letting Go of the Reins: Paradoxes and Puzzles in Leading an Artistic Enterprise Ralph Bathurst, Lloyd Williams, Anne Rodda A Scale for Measuring Aesthetic Style in the Field of Luxury and Art Products Joëlle Lagier, Bruno Godey Why Occasional Theatregoers in France Do Not Become Subscribers Christine Petr C OMPANY PROFILE Karen Kain and the National Ballet of Canada Jacqueline Cardinal, Laurent Lapierre Moscow International Ballet competition, I hate the superficiality of small Kain was invited to perform on the world’s talk. I have dedicated my career most celebrated stages. Beautiful inside as well to getting to the heart of com- as out, endowed with an extraordinary dra- munication in body language, matic intensity and trained for seven years in stripping off whatever is super- the demanding Ceccheti technique, she had fluous. Embellishment isn’t my always dreamed of dancing the part of Giselle Jacqueline Cardinal is a in the ballet of the same name. Kain’s mother Research Associate with style; I try to distil the essence, took her to see Giselle on her eighth birthday, the Pierre Péladeau Chair of and remain uncomfortable with and her future was decided that day. Leadership at HEC Montréal. -
Interview with Phil Fontaine *
Interview with Phil Fontaine * BRYAN P. SCHWARTZ I. INTRODUCTION Bryan Paul Schwartz (BPS): You grew up in Sagkeeng,1 and you were one 2018 CanLIIDocs 10536 of nineteen children? Phil Fontaine (PF): No, I was one of twelve. BPS: Twelve, yeah. PF: Ten boys, two girls. I was the youngest boy, number ten, and then there were my two younger sisters. There are four of us left; an older brother, obviously, and myself, and my sisters Thelma and Audrey. BPS: We don’t need to discuss this if you don’t want to relive it, but you are a survivor of the residential school system. PF: Yes, I attended two residential schools. All of my siblings were residential school students, except for the two that died before they reached * Interview conducted by Bryan P. Schwartz. Phil Fontaine is an Indigenous leader and advocate. Throughout his life, Phil served as Chief of the Sagkeeng First Nation, as the Manitoba Regional Chief for the Assembly of First Nations and the Grand Chief of the Assembly of Manitoba Chiefs. In 1997, he became the National Chief of the Assembly of First Nations. Then, Phil became Chief Commissioner of the Indian Claims Commission (ICC) in 2001. After this, Phil was re-elected as the National Chief of the Assembly of First Nations in 2003 and 2006, becoming the first person to serve as National Chief for three terms. Phil has received a multitude of awards including the National Aboriginal Achievement Award, numerous honorary doctorates, the Order of Manitoba, and the Order of Canada. After completing his terms as National Chief, Phil has continued to advocate for Indigenous peoples through initiatives such as the Recognition2Action Campaign. -
GGPAA Gala Program 2015 English
NatioNal arts CeNtre, ottawa, May 30, 2015 The arts engage and inspire us A nation’s ovation. We didn’t invest a lifetime perfecting our craft. Or spend countless hours on the road between performances. But as a proud presenting sponsor of the Governor General’s Performing Arts Awards, we did put our energy into recognizing outstanding Canadian artists who enrich the fabric of our culture. When the energy you invest in life meets the energy we fuel it with, Arts Nation happens. ’ work a O r i Explore the laureates’’ work at iTunes.com/GGPAA The Governor General’s Performing Arts Awards The Governor General’s Performing Arts Recipients of the National arts Centre award , Awards are Canada’s most prestigious honour which recognizes work of an extraordinary in the performing arts. Created in 1992 by the nature in the previous performance year, are late Right Honourable Ramon John Hnatyshyn selected by a committee of senior programmer s (1934–2002), then Governor General of from the National Arts Centre (NAC). This Canada, and his wife Gerda, the Awards are Award comprises a commemorative medallion, the ultimate recognition from Canadians for a $25,000 cash prize provided by the NAC, and Canadians whose accomplishments have a commissioned work created by Canadian inspired and enriched the cultural life of ceramic artist Paula Murray. our country. All commemorative medallions are generously Laureates of the lifetime artistic achievement donated by the Royal Canadian Mint . award are selected from the fields of classical The Awards also feature a unique Mentorship music, dance, film, popular music, radio and Program designed to benefit a talented mid- television broadcasting, and theatre.