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Why Stockton Folk Dance Camp Still Produces a Syllabus
Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2018 FINAL In Memoriam Rickey Holden – 1926-2017 Rickey was a square and folk dance teacher, researcher, caller, record producer, and author. Rickey was largely responsible for spreading recreational international folk dancing throughout Europe and Asia. Rickey learned ballroom dance in Austin Texas in 1935 and 1936. He started square and contra dancing in Vermont in 1939. He taught international folk dance all over Europe and Asia, eventually making his home base in Brussels. He worked with Folkraft Records in the early years. He taught at Stockton Folk Dance Camp in the 1940s and 50s, plus an additional appearance in 1992. In addition to dozens of books about square dancing, he also authored books on Israeli, Turkish, Bulgarian, Hungarian, Greek, and Macedonian dance. STOCKTON FOLK DANCE CAMP – 2018 FINAL Preface Many of the dance descriptions in the syllabus have been or are being copyrighted. They should not be reproduced in any form without permission. Specific permission of the instructors involved must be secured. Camp is satisfied if a suitable by-line such as “Learned at Folk Dance Camp, University of the Pacific” is included. Loui Tucker served as editor of this syllabus, with valuable assistance from Karen Bennett and Joyce Lissant Uggla. We are indebted to members of the Dance Research Committee of the Folk Dance Federation of California (North and South) for assistance in preparing the Final Syllabus. Cover art copyright © 2018 Susan Gregory. (Thanks, Susan.) Please -
Carmiel 2006
Your Itinerary Day 1 – Thursday 13 July 2006 (Dinner) Shalom and welcome to Israel Arrival at Ben Gurion Airport and meet your Tour Guide.Transfer to Tel Aviv hotel Evening activity: Extra Special Karmiel Dance Festival Session with Gadi Bitton Overnight: Tel Aviv Day 2 - Friday 14 July 2006 (Breakfast, Dinner) Enjoy a guided tour of Tel Aviv neighbourhoods – Neveh Tzedek and Old Jaffa Enjoy a festive Shabbat dinner at the hotel Evening activity – Enjoy a live summer concert with the stars of the Israeli music scene – Possible performers can include Shlomo Arzi, Sarit Hadad, and Rita (subject to availability). Overnight: Tel Aviv Day 3 - Saturday 15 July 2006 (Breakfast, Dinner) Day of swimming and relaxation in Tel Aviv. Enjoy dancing on Gordon beach with Sarah Aviv Afternoon touring in Jerusalem. Dinner and show at an authentic Moroccan restaurant Evening activity: Dance session with Avner Naim Overnight: Tel Aviv Day 4 - Sunday 16 July 2006 (Breakfast, Dinner) Explore Caesaria, and see the new audio visual show. Enjoy a guided walking tour of the Roman Theatre, archaeological ruins and excavations. Evening activity: Extra Special pre-Karmiel Festival Dance Session with Mishael Barzilay. Overnight: Tel Aviv Day 5 - Monday 17 July 2006 (Breakfast, Lunch, Dinner) Head to Haifa to view the beautiful Gardens of the Bahai. Onward to Ossafia village for an authentic Druze lunch with the locals. Visit Rosh Hanikra to explore the magnificent Grottos carved by the sea. Evening activity: Dance session with Yaron Carmel at Chof Hacarmel Overnight: Karmiel Homestay Day 6 - Tuesday 18 July 2006 (Breakfast, Dinner) Depart for Tzfat – City of Mystical Judaism (Kabbalah). -
Ekebo-Festivaltidning-2011.Pdf
1 EKEBOFESTIVALEN 7 - 8 - 9 juli 7 - 8 - 9 juli 2011 Den stora folkfesten 6 scener - 4 dansbanor TORSDAG 20-01 FREDAG 20-03 LÖRDAG 20-03 FREDAG Turnépremiär för Rolandz med Robert Gustafsson Christer Sjögren Rolandz Lasse Stefanz gör efterlängtad come back på Danne Stråhed Larz Kristerz dansscenen med Kramgoa låtar Wizex - Scotts Perikles The Playtones Köp biljett Arvingarna i förköp till Willez Erik Lihms Pex and the Boys Jannez Blender reducerat pris! Smen’s Baglomma Sannex - Face 84 Pex and The Boys Enjoy - Soundtrip Ekebofestivalen vid riksväg 13, Donnez - Deléns åtta km öster om Ängelholm Wahlströms - Blender Hedins - Callinaz Tel: 0431 - 43 22 30 En hel tidning om Ekebofestivalen www.ekebonoje.se 2 3 EKEBOFESTIVALEN 7 - 8 - 9 juli EKEBOFESTIVALEN 7 - 8 - 9 juli Välkommen till Ekebofestivalen! Hela festivalprogrammet Välkommen till den stora folkfesten! Den 7, 8 och 9 juli är det dags för den 16:e Eke- TORSDAG 7 JULI kl 20 - 01 FREDAG 8 JULI JULI kl 20 - 03 LÖRDAG 9 JULI kl 20 - 03 bofestivalen i Munka Ljungby, Ängelholm, en dans- och musikfestival som lockar tusentals människor från när och !ärran. I år har vi spetsat programmet med två TÄLT 1 TÄLT 1 TÄLT 1 LASSE STEFANZ stora premiärer, dels Christer Sjögrens come back på dansbanans scen, dels Rolandz CHRISTER SJÖGREN ROLANDZ sommarturné. Så räkna med tre dagar fullmatade med musik, dans och glädje. KRAMGOA LÅTAR LARZ KRISTERZ KL 22.30 MED ROBERT GUSTAVSSON KL 23.15 TÄLT 2 Ekebofestivalen är numera ett välkänt va- hemsida www.ekebonoje.se. Då får ni ett ERIK LIHMS WIZEX rumärke och är en av de största musikfesti- betydligt billigare pris, exempelvis kostar WILLEZ • PERIKLES valerna i landet och var i "ol nominerad till en tredagarsbiljett 1 000 kr men bara 850 THE PLAYTONES Årets evenemang i Helsingborgsregionen. -
Annual Report 2014
Annual Report 2014 1 שנות עשייה למען בני נוער בסיכון A few opening remarks… “I’m already 16 and have come across many people in my areas needed and to be readily available for the youth. The life, but this is the first time I have met people who listen staff also tried to maintain the routine activities in all centers to me, really listen” – the words of a young girl receiving and organize days in the North where possible as an escape support from Elem. from the tensions in the South. For the past 32 years Elem has been “listening” to the voices As part of our actions for social change, our aim has been to of youth and young adults at risk in Israel, and striving to bring the difficult situation of Ethiopian youth born in Israel create appropriate solutions, responding to their distress. to the public agenda, as well as the effects on youth who live Elem initiates procedures and works towards social change outside the main cities, with the aim of influencing decision within the system responsible for teens and youth at risk, makers at a national level. along with dedicated daily work by employees and volunteers committed to the belief that almost anything is possible. Elem’s vision has become a reality partly thanks to cooperation with the business sector which has learnt to Elem sees itself as an additional complimentary organization use its immense resources both financial and human. Elem’s within the framework of the existing social services. Elem cooperation with leading companies in the market creates works in full cooperation with local authorities, government commitment to social and human values and aims to create offices, NPO’s and businesses. -
1 Lahiton [email protected]
Lahiton [email protected] 1 Lahiton magazine was founded in 1969 by two partners, Uri Aloni and David Paz, and was funded by an investment from Avraham Alon, a Ramlah nightclub owner and promoter. Uri Aloni was a pop culture writer and rabid music fan while David Paz, another popular music enthusiast, was an editor who knew his way around the technical side of print production. The name “Lahiton,” reportedly invented by entertainers Rivka Michaeli and Ehud Manor, combines the Hebrew words for hit, “lahit” and newspaper, “iton.” Lahiton [email protected] 2 Uri Aloni cites the British fan magazines Melody Maker and New Music Express as influences; (Eshed 2008) while living in London and writing for the pop music columns of Yediot Ahronot and La-Isha, he would lift editorial content and photos from the latest British pop magazines, write articles, then find an Israel-bound traveler at the London airport to transport the articles into the hands of his editors. In Lahiton’s early days, Aloni and Paz continued this practice (Edut 2014). Eventually, however Lahiton’s flavor became uniquely secular Israeli. Although in 1965 the Beatles were famously denied permission to perform in Israel (Singer 2015), by the time Lahiton got started in 1969 there was no stemming the tide; the international pop music scene had permeated Israel’s insular and conservative culture. At the time there were no other Hebrew publications that covered what was going on both at home and in America and Europe. Lahiton began as a bimonthly publication, but within the first year, when press runs of 5000 copies sold out on a regular basis, Paz and Aloni turned it into a weekly. -
June July 2018 Bulletin
A Congregation Affiliated with the Congregation B’nai Israel United Synagogue of Conservative Judaism 6525 Sylvania Avenue Sylvania OH 43560 151 Years of (419) 517-8400 Consecrated Service to www.cbitoledo.org God, Torah and Israel 5778 1 Notes from the Cantor ………………………………………. POWER OF MUSIC V The past month in Jewish history and in our calendar has been momentous. We experienced Israel’s 70th anniversary, celebrated in several excellent events in our community, the 51st anniversary of the reunification of Jerusalem, and the relocation of the US Embassy in Israel from Tel Aviv to Jerusalem. In the midst of all this euphoria, what might have escaped your attention is Israel’s winning the prestigious Eurovision song contest on May 12th 2018 in Lisbon, Portugal. That night in our Jewish calendar - the 28th of Iyar, commemorates the reunification of Jerusalem during the Six Day War of 1967. This is the fourth time Israel has won Eurovision, one of the world’s most famous international song contests. The winning song “Toy”, a pop anthem about female independence, was performed by 25 year old Netta Barzilai, accompanied by her signature “chicken dance.” Netta had placed third by the official judges, but won thanks to tele-voters from around the world catapulting her to victory. Hours before the victory, Israeli superstar film actress Gal Gadot had urged her twenty million Instagram followers to vote for Israel’s entry. Including words like “I’m not your toy you stupid boy...,” it was influenced by the #MeToo movement. The Eurovision contest has often been embroiled in political and religious controversies, although politically tinged songs are unofficially disallowed. -
Gospel. Accounts of J's Life & Tp.Aching, There Was No Collection Of
3-26-00. Discipline. This quarter's lesson texts are from Paul's ltr to the church at Corinth, a sometimes rowdy and quarrelsome congregation who were not certain about what the good news of God incarnate meant. It was only a few yrs after the sacrificial death, and triumphant resurrec• tion, of God's Messiah, so in just about everything that pertained to living the life of the re• deemed in Christl{they were ignorant. If modern scholarship is correct, then they had none of the gospel. accounts of J's life & tP.aching, there was no collection of study-course books to instruct and to guide their behavior. Most~of them were Gentiles, non-Jewish pagans whose morality came from the philosophe-r8°;\wh~ advice was so noble that we continue to read and discuss it as the highest attainmt of the'-numan intellect. The proper study of mankind is Man, they taught; we should know ourselves and our limits, and then taste of all that the world has to offer, but noth• ing to excess. Love was not self-giving but self-serving, generosity was a way of glorifying the individual, and the greatest success came with popular acclaim for deeds well done. If any of that sounds like the morality of the mob in our day, then think seriously about the feather• weight of ch~nge from ~ncient athens to the present. But~ those early Xns ~ hafe their questions about the living of the faith that Jesus is God-with-us, to redeem us from our sin and to teach us how the redeemed should live out their days. -
The Contestants the Contestants
The Contestants The Contestants CYPRUS GREECE Song: Gimme Song: S.A.G.A.P.O (I Love You) Performer: One Performer: Michalis Rakintzis Music: George Theofanous Music: Michalis Rakintzis Lyrics: George Theofanous Lyrics: Michalis Rakintzis One formed in 1999 with songwriter George Michalis Rakintzis is one of the most famous Theofanous, Constantinos Christoforou, male singers in Greece with 16 gold and Dimitris Koutsavlakis, Filippos Constantinos, platinum records to his name. This is his second Argyris Nastopoulos and Panos Tserpes. attempt to represent his country at the Eurovision Song Contest. The group’s first CD, One, went gold in Greece and platinum in Cyprus and their maxi-single, 2001-ONE went platinum. Their second album, SPAIN Moro Mou was also a big hit. Song: Europe’s Living A Celebration Performer: Rosa AUSTRIA Music: Xasqui Ten Lyrics:Toni Ten Song: Say A Word Performer: Manuel Ortega Spain’s song, performed by Rosa López, is a Music:Alexander Kahr celebration of the European Union and single Lyrics: Robert Pfluger currency. Rosa won the hearts of her nation after taking part in the reality TV show Twenty-two-year-old Manuel Ortega is popular Operacion Triunfo. She used to sing at in Austria and his picture adorns the cover of weddings and baptisms in the villages of the many teenage magazines. He was born in Linz Alpujarro region and is now set to become one and, at the age of 10, he became a member of of Spain’s most popular stars. the Florianer Sängerknaben, one of the oldest boys’ choirs in Austria. CROATIA His love for pop music brought him back to Linz where he joined a group named Sbaff and, Song: Everything I Want by the age of 15, he had performed at over 200 Performer:Vesna Pisarovic concerts. -
Identity, Spectacle and Representation: Israeli Entries at the Eurovision
Identity, spectacle and representation: Israeli entries at the Eurovision Song Contest1 Identidad, espectáculo y representación: las candidaturas de Israel en el Festival de la Canción de Eurovisión José Luis Panea holds a Degree in Fine Arts (University of Salamanca, 2013), and has interchange stays at Univer- sity of Lisbon and University of Barcelona. Master’s degree in Art and Visual Practices Research at University of Castilla-La Mancha with End of Studies Special Prize (2014) and Pre-PhD contract in the research project ARES (www.aresvisuals.net). Editor of the volume Secuencias de la experiencia, estadios de lo visible. Aproximaciones al videoarte español 2017) with Ana Martínez-Collado. Aesthetic of Modernity teacher and writer in several re- views especially about his research line ‘Identity politics at the Eurovision Song Contest’. Universidad de Castilla-La Mancha, España. [email protected] ORCID: 0000-0002-8989-9547 Recibido: 01/08/2018 - Aceptado: 14/11/2018 Received: 01/08/2018 - Accepted: 14/11/2018 Abstract: Resumen: Through a sophisticated investment, both capital and symbolic, A partir de una sofisticada inversión, capital y simbólica, el Festival the Eurovision Song Contest generates annually a unique audio- de Eurovisión genera anualmente un espectáculo audiovisual en la ISSN: 1696-019X / e-ISSN: 2386-3978 visual spectacle, debating concepts as well as community, televisión pública problematizando conceptos como “comunidad”, Europeanness or cultural identity. Following the recent researches “Europeidad” e “identidad cultural”. Siguiendo las investigaciones re- from the An-glo-Saxon ambit, we will research different editions of cientes en el ámbito anglosajón, recorreremos sus distintas ediciones the show. -
Children As Architects of Web Directories: an Exploratory Study
Children as Architects of Web Directories: An Exploratory Study Judit Bar-Ilan and Yifat Belous Department of Information Science, Bar-Ilan University, Ramat-Gan, 52900, Israel. E-mail: [email protected], [email protected] Children are increasingly using the Web. Cognitive the- a wide range of difficulties while searching for information ory tells us that directory structures are especially on the Web. Existing Web search tools for children such suited for information retrieval by children; however, em- as Yahooligans! (http://www.yahooligans.com), KidsClick pirical results show that they prefer keyword searching. One of the reasons for these findings could be that the (http://kidsclick.org), and Ask Jeeves for Kids (http://www. directory structures and terminology are created by ajkids.com) do not contribute to children’s success in their grown-ups. Using a card-sorting method and an en- information tasks. In fact, it has been found that these tools veloping system, we simulated the structure of a direc- often cause a search failure due to their lack of special fea- tory. Our goal was to try to understand what browsable, tures essential for their young audience (Bilal, 1999, 2000, hierarchical subject categories children create when suggested terms are supplied and they are free to add or 2001, 2002a, Bilal & Watson, 1998; Large, Beheshti, & delete terms. Twelve groups of four children each (fourth Rahman, 2002). One possible explanation for this lack of and fifth graders) participated in our exploratory study. suitability to children’s needs can be the fact that search The initial terminology presented to the children was tools for children are mostly designed by adults, who do not based on names of categories used in popular directo- actively include the target audience in the design process ries, in the sections on Arts, Television, Music, Cinema, and Celebrities. -
MA Thesis: Linguistics: English Language and Linguistics
MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 1 The Stylistics of Language Switches in Lyrics of Entries of the Eurovision Song Contest MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 2 Acknowledgements It did not come as a surprise to the people around me when I told them that the subject for my Master’s thesis was going to be based on the Eurovision Song Contest. Ever since I was a little boy I have been a fan, and some might even say that I became somewhat obsessed, for which I cannot really blame them. Moreover, I have always had a special interest in mixed language songs, so linking the two subjects seemed only natural. Thanks to a rather unfortunate turn of events, this thesis took a lot longer to write than was initially planned, but nevertheless, here it is. Special thanks are in order for my supervisor, Tony Foster, who has helped me in many ways during this time. I would also like to thank a number of other people for various reasons. The second reader Lettie Dorst. My mother, for being the reason I got involved with the Eurovision Song Contest. My father, for putting up with my seemingly endless collection of Eurovision MP3s in the car. -
2009 Han Vantade.Pdf
©Kim Milrell, 2010 Framställd på www.vulkan.se Ansvarig utgivare: Kim Milrell Han väntade vid Jerusalems portar Kim Milrell Femte bloggboken är här *spridda applåder och uppmuntrande rop*! 2009 var ett okej år. Tänk dig ett diagram: det går upp, upp, upp och så en liten raksträcka. Därefter ner, ner, ner. Och ner. Bilder och annat finns att beskåda på kimmilrell.se. Njut nu! Kim Milrell, Stockholm 1 januari 2010 (det nya årtalet känns lite perverst att skriva). 1 Dagens mail 1 januari Det hela började med ett mail… I promise I won’t sleep with anyone else for twelve months from our first date if we are together… :-) After that you will have to move here and keep an eye on me. :-) I wish I could spend the evening and night with you. Kissing, feeling and touching you. Talking and smoking together. Spending time. Having a walk hand in hand. /superduperhunk, 37, Tel Aviv Svar: Smoking? Människor utvecklas 1 januari Jag hade en väldigt jobbig typ i min högstadieklass. En sån där ondskefull person som naturligtvis var väldigt rasistisk (och gärna delade med sig av sina vanföreställningar). Nu hamnade jag av en slump på hans Facebooksida och noterade att han var medlem i klubbar som “jag lovar att inte tiga när nån säger nåt rasistiskt”. En fin start på 09! 2 Vad är problemet? 2 januari Nu ska vi tala om det där communityt som är det enda stället man kan träffa någon på. Man träffar inte kärleken på ICA (man vill inte riskera att bli misshandlad till döds) och inte via vänner (man känner redan alla deras vänner och bekanta) och sannerligen inte på krogen (de är så upptagna med att inte verka tillgängliga).