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Haggadah for Peysakh
HAGGADAH FOR PEYSAKH Boston Workmen’s Circle Arbeter Ring 2018 1 Haggadah for Peysakh 1. Welcome to our Passover seder. Together we celebrate the festival of liberation of the Jewish people, who are linked throughout history with all peoples in the passion for justice and human liberty. Throughout our history, the shofar has been our call to action. Today, it calls us to [all are invited to recite together] RISE UP! [shofar blast] SING OUT! [shofar blasts] FIGHT BACK! [shofar blast] As we retell this ancient story, the quintessential immigration story, let us remind ourselves of those people around the world who are living this story today, as they leave slavery behind and venture into the unknown in search of freedom seeking their own promised land. Let us celebrate our freedom and strengthen ourselves to join the fight against injustice wherever it exists. For as long as one person is oppressed, none of us are free. For it is said: Every person, in every generation, must regard themselves as having been personally freed from bondage in Mitzrayim, the Hebrew name of ancient Egypt and a metaphor for a time of enslavement. 2. In Hebrew, “Mitzrayim” means “the narrow place” — the place that squeezes the life out of a human soul and body. During our seder together, let us reflect on some of the “tight places” we find ourselves in today as Jews, as Americans, and as human beings. We must make wide the place in our hearts and our politics for those who most need justice. Let us sing, and believe, that we are all one family. -
The Sons of Keturah – Islam in Prophecy
mark h lane www.biblenumbersforlife.com THE SONS OF KETURAH – ISLAM IN PROPHECY Is the Prophet Mohammed in Scripture? Yes he is. He is called the 'Blessed Guide'. But he is no blessing. The Biblical account of Keturah will explain this. There was a marriage problem between Abraham and Sarah. We don't know if due to her age Sarah lost interest or rebuffed Abraham for other reasons, but we know they stopped sleeping together. To meet his physical and emotional needs, Abraham took a concubine named Keturah and fathered children by her. Some translations of Genesis 25 verse 1 say “Abraham took another wife, whose name was Keturah”. This is a mistranslation. The Hebrew word in this verse is ‘ishshah’ which means ‘woman’. It can mean ‘wife’ in some contexts but not in this context. We know Keturah was not the wife of Abraham because it is written in verse 5 and verse 6: “Abraham left everything to Isaac. But while he was still living, he gave gifts to the sons of his concubines and sent them away from his son Isaac to the land of the East”. The Hebrew word is ‘piylegesh’ and it has the unmistakable meaning of ‘concubine’ or ‘paramour’. The image above is of a belly-dancer, a harlot of Arabia. You will notice the harlot has her face covered by a veil. According to the Bible, wearing a full-face veil is the mark of a harlot. Concerning another harlot, Tamar, the Bible says: “she took off her widow’s clothes, covered herself with a veil to disguise herself, and then sat down at the entrance to Enaim…” (Genesis 38:13). -
1 Lahiton [email protected]
Lahiton [email protected] 1 Lahiton magazine was founded in 1969 by two partners, Uri Aloni and David Paz, and was funded by an investment from Avraham Alon, a Ramlah nightclub owner and promoter. Uri Aloni was a pop culture writer and rabid music fan while David Paz, another popular music enthusiast, was an editor who knew his way around the technical side of print production. The name “Lahiton,” reportedly invented by entertainers Rivka Michaeli and Ehud Manor, combines the Hebrew words for hit, “lahit” and newspaper, “iton.” Lahiton [email protected] 2 Uri Aloni cites the British fan magazines Melody Maker and New Music Express as influences; (Eshed 2008) while living in London and writing for the pop music columns of Yediot Ahronot and La-Isha, he would lift editorial content and photos from the latest British pop magazines, write articles, then find an Israel-bound traveler at the London airport to transport the articles into the hands of his editors. In Lahiton’s early days, Aloni and Paz continued this practice (Edut 2014). Eventually, however Lahiton’s flavor became uniquely secular Israeli. Although in 1965 the Beatles were famously denied permission to perform in Israel (Singer 2015), by the time Lahiton got started in 1969 there was no stemming the tide; the international pop music scene had permeated Israel’s insular and conservative culture. At the time there were no other Hebrew publications that covered what was going on both at home and in America and Europe. Lahiton began as a bimonthly publication, but within the first year, when press runs of 5000 copies sold out on a regular basis, Paz and Aloni turned it into a weekly. -
June July 2018 Bulletin
A Congregation Affiliated with the Congregation B’nai Israel United Synagogue of Conservative Judaism 6525 Sylvania Avenue Sylvania OH 43560 151 Years of (419) 517-8400 Consecrated Service to www.cbitoledo.org God, Torah and Israel 5778 1 Notes from the Cantor ………………………………………. POWER OF MUSIC V The past month in Jewish history and in our calendar has been momentous. We experienced Israel’s 70th anniversary, celebrated in several excellent events in our community, the 51st anniversary of the reunification of Jerusalem, and the relocation of the US Embassy in Israel from Tel Aviv to Jerusalem. In the midst of all this euphoria, what might have escaped your attention is Israel’s winning the prestigious Eurovision song contest on May 12th 2018 in Lisbon, Portugal. That night in our Jewish calendar - the 28th of Iyar, commemorates the reunification of Jerusalem during the Six Day War of 1967. This is the fourth time Israel has won Eurovision, one of the world’s most famous international song contests. The winning song “Toy”, a pop anthem about female independence, was performed by 25 year old Netta Barzilai, accompanied by her signature “chicken dance.” Netta had placed third by the official judges, but won thanks to tele-voters from around the world catapulting her to victory. Hours before the victory, Israeli superstar film actress Gal Gadot had urged her twenty million Instagram followers to vote for Israel’s entry. Including words like “I’m not your toy you stupid boy...,” it was influenced by the #MeToo movement. The Eurovision contest has often been embroiled in political and religious controversies, although politically tinged songs are unofficially disallowed. -
Gospel. Accounts of J's Life & Tp.Aching, There Was No Collection Of
3-26-00. Discipline. This quarter's lesson texts are from Paul's ltr to the church at Corinth, a sometimes rowdy and quarrelsome congregation who were not certain about what the good news of God incarnate meant. It was only a few yrs after the sacrificial death, and triumphant resurrec• tion, of God's Messiah, so in just about everything that pertained to living the life of the re• deemed in Christl{they were ignorant. If modern scholarship is correct, then they had none of the gospel. accounts of J's life & tP.aching, there was no collection of study-course books to instruct and to guide their behavior. Most~of them were Gentiles, non-Jewish pagans whose morality came from the philosophe-r8°;\wh~ advice was so noble that we continue to read and discuss it as the highest attainmt of the'-numan intellect. The proper study of mankind is Man, they taught; we should know ourselves and our limits, and then taste of all that the world has to offer, but noth• ing to excess. Love was not self-giving but self-serving, generosity was a way of glorifying the individual, and the greatest success came with popular acclaim for deeds well done. If any of that sounds like the morality of the mob in our day, then think seriously about the feather• weight of ch~nge from ~ncient athens to the present. But~ those early Xns ~ hafe their questions about the living of the faith that Jesus is God-with-us, to redeem us from our sin and to teach us how the redeemed should live out their days. -
Identity, Spectacle and Representation: Israeli Entries at the Eurovision
Identity, spectacle and representation: Israeli entries at the Eurovision Song Contest1 Identidad, espectáculo y representación: las candidaturas de Israel en el Festival de la Canción de Eurovisión José Luis Panea holds a Degree in Fine Arts (University of Salamanca, 2013), and has interchange stays at Univer- sity of Lisbon and University of Barcelona. Master’s degree in Art and Visual Practices Research at University of Castilla-La Mancha with End of Studies Special Prize (2014) and Pre-PhD contract in the research project ARES (www.aresvisuals.net). Editor of the volume Secuencias de la experiencia, estadios de lo visible. Aproximaciones al videoarte español 2017) with Ana Martínez-Collado. Aesthetic of Modernity teacher and writer in several re- views especially about his research line ‘Identity politics at the Eurovision Song Contest’. Universidad de Castilla-La Mancha, España. [email protected] ORCID: 0000-0002-8989-9547 Recibido: 01/08/2018 - Aceptado: 14/11/2018 Received: 01/08/2018 - Accepted: 14/11/2018 Abstract: Resumen: Through a sophisticated investment, both capital and symbolic, A partir de una sofisticada inversión, capital y simbólica, el Festival the Eurovision Song Contest generates annually a unique audio- de Eurovisión genera anualmente un espectáculo audiovisual en la ISSN: 1696-019X / e-ISSN: 2386-3978 visual spectacle, debating concepts as well as community, televisión pública problematizando conceptos como “comunidad”, Europeanness or cultural identity. Following the recent researches “Europeidad” e “identidad cultural”. Siguiendo las investigaciones re- from the An-glo-Saxon ambit, we will research different editions of cientes en el ámbito anglosajón, recorreremos sus distintas ediciones the show. -
MA Thesis: Linguistics: English Language and Linguistics
MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 1 The Stylistics of Language Switches in Lyrics of Entries of the Eurovision Song Contest MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 2 Acknowledgements It did not come as a surprise to the people around me when I told them that the subject for my Master’s thesis was going to be based on the Eurovision Song Contest. Ever since I was a little boy I have been a fan, and some might even say that I became somewhat obsessed, for which I cannot really blame them. Moreover, I have always had a special interest in mixed language songs, so linking the two subjects seemed only natural. Thanks to a rather unfortunate turn of events, this thesis took a lot longer to write than was initially planned, but nevertheless, here it is. Special thanks are in order for my supervisor, Tony Foster, who has helped me in many ways during this time. I would also like to thank a number of other people for various reasons. The second reader Lettie Dorst. My mother, for being the reason I got involved with the Eurovision Song Contest. My father, for putting up with my seemingly endless collection of Eurovision MP3s in the car. -
Sharing Biblical Knowledge, Spiritual Insights, Life and God's Love A
University City Church of Christ Sharing Biblical knowledge, Spiritual A Publication by and for the Members 4626 NW 8th Ave, Gainesville, FL 32605 Insights, Life and God’s Love Volume 9, Number 1 universitycitychurchofchrist.org KETURAH AND HER BAND OF 14 MEN Abraham had many mothers for his sons (and daughters?). Women were truly considered “chattel” or belongings. Their lives were full of childbirth and hard work. Early translations do not use the word “pain” but “hard work and many pregnancies”. So that is understood as a consequence! And God made women to bare this burden. Keturah enters the picture at this point. She bore six sons, Zimran, Jokshan, Medan, Midian, Ishbak, and Shuah. Later Jokshan was the father of Sheba and Dedan, who had three sons, Asshurim, and Letushim, and Leummim. Then Midian had five more sons: Ephah, Epher, Hanoch, Abidda, and Eldaah. (I spelled out all these Jewish names so you could appreciate them!) Keturah may have been or NOT wealthy or beautiful as was Sarah, but as his wife (concubine?) she gave Abraham fourteen sons and grandchildren! Money in the bank, so to speak! Today we like to feel these “sons” were God's gifts to Abraham and the nation of Israel. All seem precious to the Clan. While Abraham still lived he gave great gifts to “these also” sons. Abraham sent them far away from HIS special Isaac. Probably so there would be less jealousy! As the Bible says God gave the rest of the herds, his lands and his many women and children to Isaac, who began his hard core of devoted and prolific descendants. -
The Join-In, Participate, Sing-Along Hagadah
Preview SPS Preview SPS The Join-In, Participate, Sing-Along Hagadah הַ ּגָדָ ה שֶׁ ל ּפֶסַ ח Preview SPS Preview SPS The Join-In, Participate, Sing-Along Hagadah הַ ּגָדָ ה שֶׁ ל ּפֶסַ ח A Hagadah for Irreverent People at Different Levels of Hebrew Literacy by Irrev. Dr.Preview Joe Lewis Prepared by The Singlish™ Publication Society 14140 Sherwood, Oak Park, MI 48237 248.842.5563 [email protected] www.singlishps.com SPS Copyright and Acknowledgements Cover art by Howard Fridson Digitized by Steve Klaper Additional art by Aaron Lewis Clip art © 1996 The Learning Company, Inc. and its licensors Fifth Edition ISBN 1-888822-44-1 Copyright © 2014 The Singlish™ Publication Society 14140 Sherwood • Oak Park, MI 48237 [email protected] • www.singlishps.com No part of this book may be copied in any form without our express written permission, but you may read and sing it to your heart’s content! Preview SPS In loving memory of Betty Lewis and Minnie Naidoff Would that they had seen our children grow! תם ולא נשלם Preview SPS Preview SPS _______________________ Preface to the Fifth Edition _______________________ We’ve reset all the type to make it easier to read found that little needed to be changed. A careful and to show when the text comes from Torah or eye corrected typos and made the text more egali- Tanach, and we’ve reconsidered some of the trans- tarian and less sexist than before. Where notes and lations, but basically this is still the same jolly references were missing, they were added. -
THE BOOK of JOB Blessed Be the Name of the Lord! Rev
CONCORDIA SEMINARY LENTEN SERMON SERIES LENTEN SERMON SERIES THE BOOK OF JOB Blessed be the Name of the Lord! Rev. Reed Lessing 801 SEMINARY PLACE • ST.LOUIS, MO 63105 • 314-505-7000 • WWW.CSL.EDU The Book of Job: Blessed be the Name of the Lord! Newsletter Article One of the Bible’s greatest wisdom books is the book of Job. This Lent we are going to explore this magnificent composition that is numbered among some of the greatest literature of all time. Nine sermons will help us dig deeply into Job’s central message and supporting truths, while six Sunday Morning Adult Bible Classes will further address the book’s major topics and themes. We all suffer—personally and privately. We also suffer in more public ways. A husband loses a job. A child gets divorced. A parent dies. And now, thanks to the media, we are able to see and experience more and more of the world’s catastrophes and suffering. We need the book of Job, now, more than ever. Martin Luther asserted that “Job is magnificent and sublime as no book of Scripture.” Others have called Job “the Shakespeare of the Bible.” Yet the early Christian scholar Jerome perhaps put it best when he called the book of Job an “eel,” since the more one tries to contain it, the slipperier it becomes! The purpose of our Lenten emphasis is to learn how to apply Job to our lives, so that the book becomes less like an eel and more like a loving companion through life’s dark valleys. -
The Mashyach's Name Made Simple
The Mashyach's Name made simple As with all things we need to be like the Bereans Acts 17:11 These were more noble than those in Thessalonica, in that they received the word with all readiness of mind, and searched the scriptures daily, whether those things were so. First we need to hear the word and receive it with a ready mind and to search the scriptures daily to confirm what is being taught is correct. Do not take my word or any man’s word as the final decider, but check all things out that you hear by confirming the information presented without first writing it off. Yahuchanan/John 7:17 If any man will do His will, he shall know of the doctrine/teaching, whether it be of Yahuah, or whether I speak of myself. Isaiah's true name Yasha-Yahu is the key to pronouncing the Mashyach’s (Yahu-sha) True Name with the two parts reversed. Look at the two names in Hebrew and you will know you have been lied to. Study them in the Hebrew and you know what they really are. Done - all the rest is just commentary. If you think you need a little more help read on. Mashyach’s Name spelled Yud-hay-uau-sheen-ahyn Yahuah's Name spelled Yud-hay-uau-hay First three letters are the same in both!!! 1st AND 2nd LETTERS ARE A PUSHOVER He put a word in almost every language on earth, and that word everywhere is pronounced as it is in the Hebrew, and it tells you the sound of the first two letters of the Great Name and it is "HalaluYAH". -
Basya Schechter
UNIT 5 APPENDICES A PROGRAM OF THE LOWELL MILKEN FUND FOR AMERICAN JEWISH MUSIC AT THE UCLA HERB ALPERT SCHOOL OF MUSIC UNIT 5: THE TIMES THEY ARE A-CHANGIN’: PART 2 – INNOVATORS & INFLUENCERS | APPENDICES 1 APPENDIX A: TOOLS/WORKSHEETS UNIT 5: THE TIMES THEY ARE A-CHANGIN’: PART 2 – INNOVATORS & INFLUENCERS | APPENDICES 2 Group Activity Worksheet: Gerald Cohen For Gerald Cohen Background and Early Influences • Gerald’s interview emphasized the importance of education, mentorship, and being surrounded by Jewish musical culture. This is highlighted by his reflections of his own upbringing and his role as a Jewish music pedagogue vis-a-vis HUC, JTS, HaZamir Teen Choir, etc. » What does this tell you about the relationship between Jewish education and music education? » How does this reflect traditional Jewish values? • From early in his musical experiences, art music and Jewish culture were deeply intertwined, leaving little or no distinction between the two. » What does this say about the role of external cultural forces on one’s artistic output? Inspiration • Is there anything interesting about the differences between Gerald’s cantorial and art music influences? • Text » Gerald’s process is often driven by a text, whether Biblical or from a prayer. – How does this text driven process relate to Jewish values and study? – What observations can you make about the relationship between music and text? – How is the musical setting of the text a midrash on the text itself? Personal Observations • Does art music have a place in your current Jewish