SBS Submission to Department of Foreign Affairs and Trade Soft Power Review October 2018
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Towards a Protocol for Filmmakers Working with Indigenous
The Australian Film Commission is developing a new protocol for FEBRUARY 2003 filmmakers (both non-Indigenous and Indigenous) working in the Indigenous area. The protocol will provide a framework to assist and encourage recognition and respect for the images, knowledge and stories of Indigenous people, as represented in documentaries and drama, including short dramas, feature films and television drama. HAVE YOUR SAY This issues paper has been prepared to seek your comments and opinions on what should be covered in the protocol. You can send your submissions in writing by post, fax or email, or on audio or videotape. You could also contact the consultant, Terri Janke, and organise a phone interview. Submissions should be sent to: issues paper: Terri Janke Closing date for submissions is 30 June 2003. Terri Janke and Company Towards a Protocol for Filmmakers Working with PO Box 780 Rosebery NSW 1445 Indigenous Content and Indigenous Communities Phone: 02 9693 2577 Fax: 02 9693 2566 Email: [email protected] Prepared by Terri Janke & Company For the Indigenous Unit of the Australian Film Commission GPO Box 3984 Woolloomooloo NSW 2001 Ph: 1800 226 615 Copyright © Australian Film Commission February 2003 All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of the Australian -
Australian Content on SBS and Related Matters
Australian content on SBS and related matters Senate Environment and Communications References Committee: Inquiry into Australian content on broadcast, radio and streaming services The impact SBS has h a d on the A u s t r a l i a n film and television community and culture cannot be underestimated. Save Our SBS Inc SaveOurSBS.org supporters & friends of SBS Save Our SBS Inc PO Box 2122 Mt Waverley VIC 3149 ph: 03 9008 0644 www.SaveOurSBS.org [email protected] 9 February 2018 Committee Secretary Senate Standing Committees on Environment & Communications PO Box 6100 Parliament House Canberra ACT 2600 by email to: [email protected] Inquiry into Australian content on broadcast, radio and streaming services Save Our SBS Inc is the peak body for supporters & friends of SBS represented in all States and Territories and we welcome this opportunity to present our submission about Australian content on SBS and related matters. Save Our SBS Inc SaveOurSBS.org page 2 of 31 supporters & friends of SBS Table of Contents Australian content on SBS and related matters...................................................................................... 1 Executive summary ................................................................................................................................. 4 SBS television .......................................................................................................................................... 5 What is Australian content? .................................................................................................................. -
Series 2, Episode 1
SERIES 2, EPISODE 1 © ATOM 2013 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN: 978-1-74295-366-3 http://www.theeducationshop.com.au Redfern Now Series 2 portrays contemporary inner-city Indigenous life in and around the suburb of Redfern in Sydney, New South Wales. The series offers compelling stories of ordinary people dealing with the ups and downs that life brings. Redfern Now is a drama series written, directed and produced by Indigenous Australians. The series was developed in collaboration with UK screenwriter Jimmy McGovern and is produced by Blackfella Films’ Darren Dale and Miranda Dear, and presented by ABC TV and Screen Australia in association with Screen NSW. CURRICULUM Now has relevance to units of work in Aboriginal and Torres Strait Islander LINKS Studies, Australian History, Cultural Studies, English, Health and Human Redfern Now is suitable for second- Development, Literature, Media, ary students in Years 9–12. The Religion and Society, and Sociology. series offers stories of Aboriginal and Torres Strait Islander peoples told by Teachers are advised to direct stu- Aboriginal and Torres Strait Islander dents to complete activities that are peoples, allowing students to develop subject-relevant and age-appropriate. an awareness and appreciation of Indigenous storytelling and to see the issues affecting Aboriginal and Torres BLACKFELLA Strait Islanders from their perspective. FILMS Given its insight into the present expe- For twenty years, Blackfella Films has riences of Aboriginal and Torres Strait created innovative and high-quality Islander peoples, the series provides content across documentary and nar- opportunities for students to engage rative in both short and feature formats in discussions about Aboriginal and for theatrical, television and online plat- Torres Strait Islander identity and be- forms. -
1786 SBS Serv Bro PDF.Qx
CONTENTS SBS CORPORATION SBS Television SBS Radio SBS New Media SBS RADIO SBS Radio SBS TELEVISION SBS Television SBS Independent Special Broadcasting SBS NEW MEDIA PAY TV Service New Media Pay TV SBS ADVERTISING & SERVICES SBS Television SBS Radio SBS Language Services Brides of Khan > SBS CORPORATION < The Boys The Special Broadcasting Service Yolngu Boy > (SBS) is Australia’s multicultural and multilingual public broadcaster. By combining the best of world television and cinema with quality local productions – many commissioned from Australia’s most creative independent filmmakers – SBS Television provides Australian audiences with an extraordinarily diverse and unique programming schedule, half of which is the voice and vision of multicultural Australia in languages other than English. With English language subtitles, produced by SBS, these programs are accessible to all Australians. SBS is the world’s only multicultural and multilingual broadcaster. Programs in more than 60 languages are broadcast on SBS Television. Sixty-eight languages are spoken on SBS Radio, and SBS Radio SBS Online provides text and audio-on-demand in more than 60 languages. SBS Radio is the world’s most linguistically diverse broadcaster, No other network, anywhere in the world, broadcasts in as many languages. < Sparky reaching many of the 2.5 million Australians who speak a language other than English at home. SBS is the voice and the vision of multicultural Australia. Its mandate is to define, foster and celebrate Australia’s cultural diversity through programs that “inform, It produces more than 15,000 hours of language-specific educate and entertain” all Australians and reflect the true nature of Australia’s programs each year, including an hour-long current affairs multicultural society. -
Public Service Broadcasting in Australia
Legislative Council Secretariat IN28/05-06 INFORMATION NOTE Public Service Broadcasting in Australia 1. Definition of public service broadcasting 1.1 In Australia, the Broadcasting Services Act 1992 provides a definition of public service broadcasting (PSB) based on the nature of the national broadcasting services provided by the Australian Broadcasting Corporation (ABC) and the Special Broadcasting Service Corporation (SBS) in accordance with Section 6 of their respective enabling legislation. ABC and SBS are the national public service broadcasters in Australia. 1.2 Section 6 of the Australian Broadcasting Corporation Act 1983 (ABC Act) sets out the Charter of ABC, which is to: (a) provide within Australia innovative and comprehensive broadcasting services of a high standard; (b) broadcast programmes that contribute to a sense of national identity, inform and entertain, and reflect the cultural diversity of the Australian community; (c) broadcast programmes of an educational nature; (d) encourage and promote the musical, dramatic and other performing arts in Australia; and (e) transmit to countries outside Australia programmes of news, current affairs, entertainment and cultural enrichment that will (i) encourage awareness of Australia and an international understanding of Australian attitudes on world affairs, and (ii) enable Australian citizens living or travelling outside Australia to obtain information about Australian affairs and Australian attitudes on world affairs. 1.3 Section 6 of the Special Broadcasting Service Act 1991 (SBS Act) sets out the principal function of SBS, which is to provide multi-lingual and multi-cultural radio and television services that inform, educate and entertain all Australians and, in doing so, reflect Australia's multi-cultural society. -
Pathways & Protocols
PATHWAYS & PROTOCOLS A filmmaker’s guide to working with Indigenous people, culture and concepts Terri Janke Contents Preface........................................................................ .4 How.to.use.this.guide..................................................... .6 1. Introduction............................................................ .9 1.1 Indigenous Australians ...................................................... 9 1.2 Filmmaking and Indigenous culture ..................................... 9 1.3 What are protocols? ....................................................... 10 2. Principles.for.protocols............................................ .11 2.1 Respect for Indigenous culture and heritage ...................... 11 2.2 Respect for Indigenous individuals and communities ........... 15 3. Implementing.protocols.within.film.practice................. .19 3.1 Overview – protocols for documentary versus drama .......... 20 3.2 Initial research and project development ........................... 21 3.3 Script development ........................................................ 25 3.4 Pre-production and production ........................................ 29 3.5 Editing and post-production ............................................. 38 3.6 Screening and broadcasting ............................................. 43 3.7 Footage archiving ........................................................... 44 3.8 Summary Checklist ......................................................... 47 4. Communication,.consultation.&.consent..................... -
Mabo-Press-Kit.Pdf
MABO INTRODUCTION In 1973 Eddie ‘Koiki’ Mabo was shocked to discover that the ownership of the land his ancestors had passed down on Murray Island in the Torres Strait Islands for over 16 generations, was not legally recognised as theirs. Rather than accept this injustice, he began an epic fight for Australian law to recognise traditional land rights. Eddie never lived to see his land returned to him, but the name MABO Mabo is known in every household throughout the country. A STORY OF LOVE, PASSION & JUSTICE In January 1992, at only 55, Eddie died of cancer. Five months later the High Court overturned the notion of terra nullius. Underscoring this epic battle is Eddie’s relationship with his wife Bonita. MABO is as much a love story as a document of one man’s fight to retain what he believed was legally his. 103min telemovie Sunday 10 June 8.30pm MABO traces Eddie’s life - from a carefree young man of 17, through his courtship and marriage to his one true love, up to his death and the handing down of the High Court decision on that historic day - 3rd June 1992. PRODUCTION CREDITS abc.net.au/mabo Writer: Sue Smith. Director: Rachel Perkins. Producers: Darren Dale & Miranda Dear. Director of Photography: Andrew Commis ACS. Executive Producers: Carole Sklan, David Ogilvy, Sally Riley. Cultural Consultants: Gail Mabo & Charles Passi. catch up on iview For further information contact: Kris Way, ABC TV Publicity 02 8333 3844 / 0419969282 / [email protected] SYNOPSIS This television drama tells the story of one of Australia’s national heroes: Eddie ‘Koiki’ Mabo, the Torres Strait Islander who left school at 15, yet spearheaded the High Court challenge that once and for all overthrew the fiction of terra nullius. -
NOONGAR DANDJOO: a Cross-Cultural Collaborative Approach to Aboriginal Community Television Production
NOONGAR DANDJOO: A Cross-Cultural Collaborative Approach to Aboriginal Community Television Production. ! ! Coming Together by Dale Tilbrook! ! ! Michelle!Johnston!(BA!Honours)! This thesis is presented for the degree of Doctor Philosophy of Murdoch University 2013 ! ! ! I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. ........................................................... Michelle Johnston ! ! ! ! ! Ethics approval number: 2009/067 ! ! ! ! ! ! ! ii!! ! ABSTRACT! Prior to commencing this PhD project, my research into community media revealed that Aboriginal people were mostly absent from Perth community television. In spite of participating in a consortium to establish community television in Perth, the Aboriginal community had not broadcast a single program by 2006 when this PhD project commenced. In this same year, the only Aboriginal community radio station in the south-west lost its licence and the local Noongar community were working towards re- establishing their radio presence. Thus, while Aboriginal community media in other parts of Australia were experiencing considerable success, Perth Aboriginal media appeared to be struggling. This prompted a series of questions that this research set out to investigate. How did the Perth Aboriginal community feel about community media? How strongly if at all did they want their voices to be part of the public sphere? Were there circumstances, particular to Perth, that were impeding the establishment of Aboriginal community media? What were the ingredients needed to establish successful Aboriginal community media in an urban environment like Perth? The answers to these questions were sought through the production of an Aboriginal magazine-style television program series called Noongar Dandjoo, named after the Noongar tribal group who are the traditional custodians of the land in the south-west of Western Australia. -
House of Representatives Standing Committee On
I ~ ~ssion~o~’, HOUSE OF REPRESENTATIVES STANDING COMMITTEE ON COMMUNICATIONS, INFORMATION TECHNOLOGY AND THE ARTS INQUIRY INTO THE FUTURE OPPORTUNITIES FOR AUSTRALIA’S FILM, ANIMATION, SPECIAL EFFECTS AND ELECTRONIC GAMES INDUSTRIES SUBMISSION BY SPECIAL BROADCASTING SERVICE SBS appreciates the invitation to make a submission to this inquiry and welcomes the opportunity to participate in public hearings should the Committee decide to use this avenue for input. Background SBS is established under the Special Broadcasting Service Act 1991. Its principal function, as set out in section 6 of the Act is to provide multilingual and multicultural broadcasting services that inform, educate and entertain all Australians, and, in doing so, reflect Australia’s multicultural society. In delivering on the Charter, section 6(2) requires SBS, among other things, to: • make use of Australia’s diverse creative resources; and • contribute to the overall diversity of Australia’s television and radio services. SBS’ Charter requires it to reflect the changing nature of Australian society by presenting many points of view and using innovative forms of expression. SBS delivers its services through radio and television and online. The main analogue television channel is also available on digital television widescreen, together with 2 digital-only multichannels, The World News Channel and SBS Essential. SBS’ two radio networks are also available on digital television. The website www.sbs.com.au includes not only programming information but video and audio streaming of news, information and programs, audience interaction and original creative content (including animation). Part of the programming broadcast by SBS TV is generated by its commissioning arm, SBS Independent (“SBSi”). -
Australian Film Productions, 1990-2018
AUSTRALIAN FILM PRODUCTIONS, 1990-2018 TITLE PRODUCTION CO. PRODUCERS SCRIPT DIRECTOR DOP PROD DESIGNER COSTUME DESIGN EDITOR SOUND DESIGN $9.99 * Feature (A) 2007 Sherman Pictures/Lama Amir Harel, Emile Etgar Keret, Tatia Tatia Rosenthal Susan Stitt Melinda Doring Caroline Sherman Dany Cooper Christopher Bowen Productions Ltd Sherman Rosenthal 02:37:00 * Feature 2005 Moon On A Stick Nick Matthews Murali K Thalluri Murali K Thalluri Nick Matthews Jeni Lee Murali K Thalluri, Nick Mark Tschanz Productions Matthews 1 * Feature 2017 BarrLipp Productions Tristan Barr Robert Braiden Robert Braiden Damien E. Lipp 1% * Feature 2017 Ticket To Ride Pty Ltd Jamie Hilton, Michael Matthew Nable Stephen McCallum Shelley Farthing-Dawe Louise Brady Terri Lamera Pontin 10 TERRORISTS * Feature Andrea Buck, Dee Dee McLachlan, Lenny Dee McLachlan Peter Falk Jill Johanson Sam Davies, Dee Doron Kipen 2011 McLachlan de Vries McLachlan 100 BLOODY ACRES * Kate Croser, Julie Cameron Cairnes, Colin Cameron Cairnes, Colin John Brawley Tony Cronin Chloe Spalding Joshua Waddell Emma Bortignon Feature 2012 Ryan, Bryce Menzies, Cairnes Cairnes Jonathan Page 1001 NIGHTS * Teleseries 1001 Nights Productions Dan Fill, Frank Andrew Kunzel, Stephen 2016 Pty Ltd Verheggen, Luke Bristow Jurevicius, Melissa Sheldrick 13 GANTRY ROW * Robert Bruning Robert Bruning Tony Morphett Catherine Millar Mark Wareham Michael Bridges Jackline Sassine Mark Perry Chris Neal Telemovie 1998 Productions Pty Ltd 15 AMORE * Feature 1998 MTXM Movies Maurice Murphy, Brooke Maurice Murphy Maurice -
Indigenous Communications Australia (Ica)
INDIGENOUS COMMUNICATIONS AUSTRALIA (ICA) A PROPOSAL TO MEET THE BROADCASTING NEEDS OF AUSTRALIA’S INDIGENOUS PEOPLES Submission to the Productivity Commission by the Aboriginal and Torres Strait Islander Commission (ATSIC) September 1999 ATSIC: Indigenous Communications Australia (ICA) 2 CONTENTS A. INTRODUCTION 3-4 B. BACKGROUND 5-8 C. INDIGENOUS BROADCASTING 9-15 D. OVERSEAS MODELS 16-21 E. POLICY ISSUES 22-24 F. IMPLEMENTATION ISSUES 25-31 G. FINANCIAL CONSIDERATIONS 32-33 H. RECOMMENDATIONS 34 Attachments 35-37 ATSIC: Indigenous Communications Australia (ICA) 3 PART A: INTRODUCTION The Productivity Commission’s Terms of Reference for this Inquiry rightly observe that Australia’s broadcasting legislation seeks “to provide a regulatory environment that varies according to the degree of influence of certain services upon society and which facilitates the development of an efficient and competitive market that is responsive to audience needs and technological developments”. They then proceed to note that: The Acts also seek to protect certain social and cultural values, including promoting a sense of Australian identity, character and social diversity … 1 ATSIC agrees that the Commission should focus on balancing the social, cultural and economic dimensions of the public interest. And it contends that ‘the well-being of the community as a whole’ would be materially assisted if our Indigenous citizens, the peoples who more than any other in the recent past have given us our sense of Australian identity, could be assisted to enjoy the same level of communication services as their fellow Australians. This submission essentially rests upon the concept of freedom of expression. It asserts the right of every Australian citizen, including Indigenous citizens, to receive information and ideas, as well as to impart them. -
Survey 2017 About SBS
This contains colour coded graphs and is best printed in colour. Survey 2017 about SBS SaveOurSBS.org A0051182D supporters & friends of SBS Save Our SBS Inc Save Our SBS Inc PO Box 2122 Mt Waverley VIC 3149 ph: 03 9008 0644 www.SaveOurSBS.org [email protected] 26 April 2017 Survey 2017 about SBS Executive summary The Survey 2017 about SBS is the third in the series of periodic surveys undertaken about SBS. This was a Google Forms survey. The earlier (non Google Forms) surveys were conducted in 2013: A study of 2044 viewers of SBS television on advertising, Charter, relevance and other matters (n = 2044); and 2008: One Minute Survey (n = 1733). Across all three surveys, three different cohorts totalling 4953 SBS viewers nationally have been surveyed from every State and Territory. Some 47 questions covering a range of topics were asked of participants in the Survey 2017 about SBS. 1176 people took part in the online Google Forms Survey 2017 about SBS over a one week period in April 2017. The survey was open to anyone with internet access. The data collated is conveyed in easy to read colour coded charts and graphs (pages 6 to 36). Subsequent pages contain some 1500 individual comments from four categories within the survey: relevance; internet; increases in advertising; and comments of a general nature. The survey covered 21 topics from the importance of SBS - to Charter - programming, funding and more. SaveOurSBS.org supporters & friends of SBS page 2 of 94 Key points Of the 1176 people who participated in the survey– Close to 95% do not want increased advertising and they say that if there is an increase in advertisements, then the law ought to restrict advertisements to before or after programs only - except in sport - like SBS used to be.