Series 2, Episode 1

Total Page:16

File Type:pdf, Size:1020Kb

Series 2, Episode 1 SERIES 2, EPISODE 1 © ATOM 2013 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN: 978-1-74295-366-3 http://www.theeducationshop.com.au Redfern Now Series 2 portrays contemporary inner-city Indigenous life in and around the suburb of Redfern in Sydney, New South Wales. The series offers compelling stories of ordinary people dealing with the ups and downs that life brings. Redfern Now is a drama series written, directed and produced by Indigenous Australians. The series was developed in collaboration with UK screenwriter Jimmy McGovern and is produced by Blackfella Films’ Darren Dale and Miranda Dear, and presented by ABC TV and Screen Australia in association with Screen NSW. CURRICULUM Now has relevance to units of work in Aboriginal and Torres Strait Islander LINKS Studies, Australian History, Cultural Studies, English, Health and Human Redfern Now is suitable for second- Development, Literature, Media, ary students in Years 9–12. The Religion and Society, and Sociology. series offers stories of Aboriginal and Torres Strait Islander peoples told by Teachers are advised to direct stu- Aboriginal and Torres Strait Islander dents to complete activities that are peoples, allowing students to develop subject-relevant and age-appropriate. an awareness and appreciation of Indigenous storytelling and to see the issues affecting Aboriginal and Torres BLACKFELLA Strait Islanders from their perspective. FILMS Given its insight into the present expe- For twenty years, Blackfella Films has riences of Aboriginal and Torres Strait created innovative and high-quality Islander peoples, the series provides content across documentary and nar- opportunities for students to engage rative in both short and feature formats in discussions about Aboriginal and for theatrical, television and online plat- Torres Strait Islander identity and be- forms. Its award-winning productions longing and to examine the influences have screened at premier international of family, kinship, community, place, film festivals including Sundance, culture and mainstream Australian Berlin and Toronto, and distinguished society. its team as creators and curators of distinctive Australian content. In addition, the stories told by Redfern Now are those of ordinary people The company was founded in 1992 dealing with the extraordinary chal- by writer/director/producer Rachel lenges of ordinary existence. The Perkins who was joined by producer episodes explore universal themes Darren Dale in 2002. In 2010, former and issues of significance to any ABC Head of Fiction, Miranda Dear audience, regardless of their cultural joined Blackfella Films as producer on background. the company’s drama slate. For students in Years 9–10, Redfern The company’s credits include the Now has relevance to units of work in documentary series First Australians, the learning areas of English, Media the feature documentary The Tall and History, and addresses the Man (Tony Krawitz, 2011), the ABC cross-curriculum priority of Aboriginal telemovie Mabo (Rachel Perkins, 2013 © ATOM SCREEN EDUCATION and Torres Strait Islander Histories 2012), the annual Indigenous film and Cultures. The series can also be festival Message Sticks (2002–2011) used to teach the general capabilities and Redfern Now Series 1. The series, of Intercultural Understanding and which went to air in November 2012, Ethical Behaviour. was the first Australian drama series written, directed and produced by For students in Years 11–12, Redfern Indigenous Australians. 2 SERIES KEY Most Outstanding Drama Series. Dale currently serves on the board of CREATIVES Screen NSW and the Council of the Visit Blackfella Films online at Jimmy McGovern – Australian Film, Television and Radio <http://blackfellafilms.com.au>. Story Producer School (AFTRS). Miranda Dear – Producer Episode Directors: Adrian Russell With his writing often based on real Wills, Rachel Perkins, Leah Purcell, events or socially vital issues, Liverpool- Producer Miranda Dear began her Beck Cole and Wayne Blair. born Jimmy McGovern has built a career with UK public broadcaster formidable reputation writing powerful Channel 4 Television. In 1997 she Episode Writers: Adrian Russell dramas for the stage and screen. Having moved to Australia as Acquisition and Wills, Jon Bell, Steven McGregor, honed his skill working on Brookside, his Production Consultant and negotiated Leah Purcell and Wayne Blair. major breakthrough came with Cracker, Channel 4’s involvement in a number of one of the best-loved UK TV shows film funding and acquisition initiatives. of recent history. McGovern’s other REDFERN NOW television credits include The Accused In 2000, Dear joined SBS Independent (Series 1 and 2) and The Street (Series as Senior Commissioning Editor Drama. Redfern is an inner-city suburb of 1–3), as well as Gunpowder, Treason & Her commissions included Harvie Sydney. It is home to a significant Plot (Gillies MacKinnon, 2004), Dockers Krumpet (Adam Elliot, 2003), RAN, So proportion of Sydney’s Indigenous (Bill Anderson, 1999), The Lakes, Close to Home (Jessica Hobbs, 2003), and Torres Strait Islander popula- Sunday (Charles McDougall, 2002), Jewboy (Tony Krawitz, 2005), Martha’s tion. The traditional owners of the Heart (Charles McDougall, 1999) and New Coat (Rachel Ward, 2003) and land are the Gadigal people who Hillsborough (Charles McDougall, 1996). Roy Hollsdotter Live. She was the SBS occupied the sites known today Commissioning Editor for the feature A detailed biography of Jimmy as Redfern, Erskinville, Surry Hills, filmsLook Both Ways (Sarah Watt, McGovern can be accessed at <http:// Darlinghurst and Paddington for up 2005), Ten Canoes (Rolf de Heer, 2006), www.screenonline.org.uk/people/ to 40,000 years before European Somersault (Cate Shortland, 2004), id/510555/>. settlement. Australian Rules (Paul Goldman, 2002), Darren Dale – Producer Walking on Water (Tony Ayres, 2002) Persecution, disease and pollu- and The Tracker (Rolf de Heer, 2002). tion had decimated the Aboriginal Darren Dale has been a company Dear also commissioned a number of population of Sydney by the end director of Blackfella Films – Australia’s Indigenous dramas, including Warwick of the eighteenth century. The area premier Indigenous production com- Thornton’s Mimi (2002) and Green Bush now occupied by Redfern and pany – for over ten years. In 2008 Dale, (2005), Beck Cole’s Flat (2004) and owned by the government of the together with Rachel Perkins, produced Plains Empty (2005) and Wayne Blair’s day became known as Cleveland the landmark multi-platform history Black Talk (2002) and The Djarn Djarns Paddocks. In 1817, Dr William series First Australians. (2005). Redfern, William Chippendale and In 2011, Dale produced the feature In 2005, Dear joined ABC TV first as an William Hutchinson were given documentary The Tall Man for SBS, Executive Producer and then as Head of land grants in the area. Subdivision which premiered at the Adelaide Film Drama. There she executive produced began and the intention was to cre- Festival and screened at the Toronto a number of programs including Rake, ate housing for the upper classes. International Film Festival and the Sisters of War (Brendan Maher, 2010), 3 By the 1840s, government legisla- International Documentary Film Festival Acts of Murder (Rowan Woods, 2009), tion pushed industry into the area (IDFA) in Amsterdam. In 2011, Dale also Curtin (Jessica Hobbs, 2007), Dirt and Redfern became an industrial produced, together with Miranda Dear, Game, Bed of Roses, The Librarians, suburb. The development of the rail the ABC telemovie Mabo. Rain Shadow, East of Everything, line and establishment of Eveleigh Bastard Boys (Raymond Quint, 2007), Dale has also produced a number of ac- Railway Workshops in the latter Valentine’s Day (Peter Duncan, 2008) claimed short films and documentaries part of the nineteenth century saw and The Silence (Cate Shortland, 2006). that between them have screened at the Redfern subdivided yet again to She was the ABC commissioning editor Sundance, Aspen, Edinburgh, Toronto provide housing for the workers at for the feature films Samson & Delilah and Palm Springs film festivals. The the workshops. (Warwick Thornton, 2009), Bran Nue 2010 SBS documentary Lani’s Story was Dae (Rachel Perkins, 2009) Here I Am the recipient of a United Nations Media In 1900, La Perouse was declared (Beck Cole, 2010), Eye of the Storm Peace Award, the second consecutive an Aboriginal Reserve and this (Fred Schepisi, 2011), and the short year Dale was awarded this prize. 2013 © ATOM SCREEN EDUCATION brought subsequent change in film series The New Black. Dear also Redfern. Aboriginal people began With his Blackfella Films business commissioned the television series The returning from rural areas to Sydney partner, Perkins, Dale co-curated the Slap, The Straits, Paper Giants and Miss in search of employment. Many film program for the Message Sticks Fisher’s Murder Mysteries. found work at the Eveleigh Railway Indigenous Festival at the Sydney Since 2010, Dear has worked with Workshops and settled in Redfern, Opera House from 2002 until 2011. Blackfella Films and produced, with until the Great Depression forced Most recently Dale produced Redfern Darren Dale, Mabo and Redfern Now them back into temporary camps in Now Series 1 for ABC TV, which won Series 1. La Perouse. the 2013 TV Week Logie Award for 3 From the end of World War Two, the How does the series portray Aboriginal population in Redfern grew Redfern and the people who live and a sense of community evolved. there? Draw on evidence from By the early 1960s, Redfern was home each episode to support your to over 12,000 Aboriginal people, response. some employed in local industry and • Working as a class, discuss why others who were unemployed and the filmmakers chose to set the underprivileged. New opportunities series in Redfern. and the freedom afforded to Aboriginal • Create an infographic about the people by the National Referendum suburb of Redfern. of 1967 encouraged the migration of Begin your research at the Aboriginal people to Sydney. Redfern’s Australian Bureau of Statistics: population swelled to 35,000 people.
Recommended publications
  • Film Festival Programme 2014 A5-Booklet.Indd
    Please register your Of! cial Program attendance for free using SUNDAY FREE www.trybooking.com 23 March 2014 at 5.00pm EVENT a not for profi t community initiative Blue Giant Park, Manion Avenue, Rose Bay at Woollahra Colleagues Rugby Club LIVE ENTERTAINMENT REELise Film Festival REELise Film Festival Festival Director – Karen Hamilton The REELise Film Festival is a youth It is perhaps no surprise that many of our competition entries have empowerment program based chosen, within that theme, to explore aspects of cyberbullying – an issue on mobile phone !lmmaking. We that affects one in !ve Australian teens every year. encourage young people to share The REELise Film Festival is a testament to the strength of community – the their stories, broaden awareness about coming together of people who share a passion to keep our kids safe; a issues affecting them and inspire passion to inspire a new generation to achieve their full potential. From our positive change. To assist aspiring Management Team and Mentors to the many individuals and businesses young !lmmakers improve their craft, we offer a free mentoring program joining with us on festival day to provide services and support, there is for 12-18 year olds with leading Australian !lmmakers. This year’s !lm a singular dedication - to inspire cultural change, one where empathy, festival theme was “Unspoken Feelings”. What motivates a cyberbully? compassion and respect for others is valued and cyberbullying isn’t tolerated. Are there real life consequences? Is it okay to stand back and let it If you would like to lend your support to the REELise initiative whether as happen? These are all issues explored by our young !lmmakers and a mentor, participating school, volunteer or sponsor, please contact me at important for a young audience to consider.
    [Show full text]
  • David Gulpilil, AM
    David Gulpilil, AM Born 1953, Gulparil, near Ramingining, Northern Territory. Lives Darwin, N.T. David Gulpilil’s full name is David Gulpilil Ridjimiraril Dalaithngu. Gulpilil is also spelt Gulparil, which is the name of his Country near Ramingining, central Arnhem Land, N.T. When, as a seventeen year-old, David Gulpilil lit up the cinema screen in the film, Walkabout, he did more than play a role. The performance was so strong, so imbued with a new type of graceful naturalism, that it re-defined perceptions of Aboriginality, especially in the field of screen acting. Over the next decade, David became the iconic Aboriginal actor of his generation, paving the way in the resurgence of the Australian film industry for more parts to be written for Aboriginal people, for more Aboriginal stories to be told. His charismatic, engaging and unforgettable performances in films like Storm Boy (1976, dir. Henri Safran), The Last Wave (1977, dir. Peter Weir) and Crocodile Dundee (1986, dir. Peter Faiman) helped bring Aboriginality into the mainstream of the screen arts. In his later work, including Rabbit-Proof Fence (2002, dir. Philip Noyce), The Tracker (2002, dir. Rolf de Heer), Australia (2008, dir. Baz Luhrmann) and the soon to be released Charlie's Country (2013, dir. Rolf de Heer), Gulpilil has brought tremendous dignity to the depiction of what it is to be Aboriginal. Through his art he has brought an incalculable amount of self-esteem to his community. Since the early 1970s, Gulpilil has earned more than 30 film credits, and performed alongside Dennis Hopper, Jack Thompson, Miles Davis, Nicole Kidman, Hugh Jackman, Kenneth Branagh, William Hurt, Richard Chamberlain, Guy Pearce, Paul Hogan, and Ernie Dingo, under acclaimed directors such as Peter Weir, Baz Lurhman, Philip Noyce, Wim Wenders and Rolf de Heer.
    [Show full text]
  • David Stratton's Stories of Australian Cinema
    David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor
    [Show full text]
  • DNA Nation Press
    PRESS KIT DISTRIBUTOR CONTACT PRODUCTION CONTACT SBS International Blackfella Films Lara von Ahlefeldt Darren Dale Tel: +61 2 9430 3240 Tel: +61 2 9380 4000 Email: [email protected] Email: [email protected] 10 Cecil Street Paddington NSW 2021 Tel: +612 9380 4000 Fax: +612 9252 9577 Email: [email protected] www.blackfellafilms.com.au Production Notes Producer Darren Dale Producer & Writer Jacob Hickey Series Producer Bernice Toni Director Bruce Permezel Production Company Blackfella Films Genre Documentary Series Language English Aspect Ratio 16:9 FHA Duration EP 1 00:51:53:00 EP 2 00:54:54:00 EP 3 00:52:58:00 Sound Stereo Shooting Gauges Arri Amira, F55, DJI Inspire Drone, Blackmagic & Go Pro Logline Who are we? And where do we come from? Short Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. © 2016 Blackfella Films Pty Ltd Page 2 of 40 Long Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. DNA is the instruction manual that helps build and run our bodies. But scientific breakthroughs have discovered another remarkable use for it. DNA contains a series of genetic route maps. It means we can trace our mother’s mother’s mother and our father’s father’s father, and so on, back through tens of millennia, revealing how our ancestors migrated out of Africa and went on to populate the rest of the world.
    [Show full text]
  • David Wenham CV
    SHANAHAN DAVID WENHAM | Actor FILM Year Production / Character Director Company 2020 THE FURNACE Roderick MacKay Southern Light Films Mal 2019 DIRT MUSIC Gregor Jordan Wildgaze Films Jim 2018 IN LIKE FLYNN Russell Mulcahy 308 Ent Christian Travers 2018 PETER RABBIT Will Gluck Colombia Pictures Johnny Town-Mouse 2017 PIRATES OF THE CARIBBEAN: Joachim Rønning & Mukiri Productions Pty Ltd DEAD MEN TELL NO TALES Espen Sandberg Scarfield 2017 BEYOND THE KNOWN WORLD Pan Nalin Jungle Book Entertainment Carl Hansen 2016 GOLDSTONE David Jowsey Dark Matter Media Pty Ltd Johnny 2016 LION Garth Davis See Saw Films John Brierley 2015 BLINKY BILL: THE MOVIE Deane Taylor, Noel Flying Bark Produ ctions Jacko Clearly, Alexs Stadermann & Alex Weight 2014 FORCE OF DESTINY Paul Cox Illumination Films Robert 2013 PAPER PLANES Robert Connolly Arclight Films Patrick Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 2012 300: RISE OF AN EMPIRE Noam Murro 300 Films Inc. Dilios 2011 ORANGES AND SUNSHINE Jim Loach See-Saw Oranges Pty Ltd Len 2010 LEGEND OF THE GUARDIANS: Zack Synder GOG Productions Pty Ltd THE OWLS OF GA’HOOLE Digger 2009 POPE JOAN Sonke Wortmann ARD Degeto Film Gerold 2008 PUBLIC ENEMIES Michael Mann Universal Pictures Pierpont 2007 AUSTRALIA Baz Lurhmann Bazmark Fletcher 2007 CHILDREN OF HUANG SHI Roger Spottiswoode Rogue Entertainment Group Barnes 2006 MARRIED LIFE Ira Sachs Sidney Kimmel Entertainment John O’Brien
    [Show full text]
  • Benjamin Winspear
    MARTA DUSSELDORP | Actor TELEVISION Year Production / Character Director Company 2017 A PLACE TO CALL HOME: SERIES 5 Various Foxtel / Seven Network Sarah Adams Operations. 2016 JANET KING S3 Various Janet King TV Pty Ltd Janet King 2016 A PLACE TO CALL HOME: SERIES 4 Various Foxtel / Seven Network Sarah Adams Operations. 2015 JANET KING: SERIES 2 Various Janet King TV Pty Ltd Janet King 2015 JACK IRISH SERIES Various Essential Media & Entertainment Linda 2015 A PLACE TO CALL HOME: SERIES 3 Various Foxtel / Seven Network Sarah Adams Operations. 2013 A PLACE TO CALL HOME: SERIES 2 Various Seven Network Operations. Sarah Adams 2013 JACK IRISH: DEAD POINT Jeffrey Walker Essential Media & Entertainment Linda Hillier 2013 JANET KING Various Janet King TV Pty Ltd Janet King 2012 A PLACE TO CALL HOME: SERIES 1 Various Seven Network Operations. Sarah Adams Shanahan Management Pty Ltd Level 3 Berman House 91 Campbell Street Surry Hills NSW 2010 PO Box 1509 Darlinghurst NSW 1300 Australia ABN 46 001 117 728 Telephone 61 2 8202 1800 Facsimile 61 2 8202 1801 [email protected] 2012 DEVIL’S DUST Jessica Hobbs Fremantle Media Meredith Hellicar 2012 JACK IRISH: BLACK TIDE Jeffrey Walker Essential Media & Entertainment Linda Hillier 2012 JACK IRISH: BAD DEBTS Jeffrey Walker Essential Media & Entertainment Linda Hillier 2011 CROWNIES Various Crownies TV Pty Ltd Janet King 2010 RESUE SPECIAL OPS: SERIES 2 Peter Andrikidis Southern Star Productions Lisa Hartigan 2007 BLACKJACK: TELEMOVIES Peter Andrikidis Jigsaw Entertainment GHOSTS, AT THE GATES DEAD
    [Show full text]
  • TAJEMNICA ALEKSANDRY Pressbook
    Tajemnica Aleksandry (Alexandra’s Project) RE ŻYSERIA ROLF DE HEER W KINACH OD 23 STYCZNIA 2004 DYSTRYBUCJA W POLSCE ul. Zamenhofa 1, 00-153 Warszawa tel.: (+4822) 536 92 00, fax: (+4822) 635 20 01 e-mail: [email protected] http://www.gutekfilm.pl re żyseria Rolf de Heer scenariusz Rolf de Heer zdj ęcia Ian Jones muzyka Graham Tardif monta ż Tania Nehme dźwi ęk James Currie scenografia Ian Jobson Phil MacPherson kostiumy Beverley Freeman wyst ępuj ą Gary Sweet Steve Helen Buday Aleksandra Bogdan Koca Bill Samantha Knigge Emma Jack Christie Sam Eillen Darley Christine Geoff Revell Rodney producenci Julie Ryan Dominco Procacci Rolf de Heer film wyprodukowany przez Fandango Australia Palace Films Hendon Studios South Australian Film Corporation Vertigo Productions Pty. Ltd. Australian Film Commission nagrody Montréal World Film Festival 2003 – Golden Zenith za najlepszy film z Oceanii Australia rok produkcji: 2003 czas trwania: 103 minuty kolor – Dolby Digital – 1:1,85 Tajemnica Aleksandry to thriller psychologiczo-erotyczny, opowiadaj ący w przewrotny sposób o instytucji mał żeństwa i odwiecznej wojnie płci. Dzi ęki klaustrofobicznym uj ęciom, niepokoj ącej ście żce d źwi ękowej oraz realistycznej grze aktorów, de Heerowi udało si ę uzyska ć nastrój znany z ostatnich filmów Davida Lyncha. Światowa premiera Tajemnicy Aleksandry miała miejsce w konkursie festiwalu filmowego w Berlinie w 2003. Film radykalnie podzielił publiczno ść i sprowokował burzliw ą dyskusj ę na temat współczesnego mał żeństwa, a tak że relacji mi ędzy męż czyzn ą i kobiet ą. Urodziny Steve’a (Gary Sweet), przeci ętnego czterdziestolatka zajmuj ącego kierownicze stanowisko w wielkiej korporacji, zapowiadaj ą si ę wyj ątkowo.
    [Show full text]
  • Download Thesisadobe
    Difficult Knowledge and Uncomfortable Pedagogies: student perceptions and experiences of teaching and learning in Critical Indigenous Australian Studies Marcelle Townsend-Cross (BA, SCU; MEd, UTS) A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences University of Technology Sydney 2018 ii Certificate of Original Authorship I, Marcelle Townsend-Cross declare that this thesis is submitted in fulfilment of the requirements for the award of Doctor of Philosophy in the Faculty of Arts and Social Sciences at the University of Technology Sydney. This thesis is wholly my own work unless otherwise referenced or acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This document has not been submitted for qualifications at any other academic institution. Signature: Production Note: Signature removed prior to publication. Date: 26th February 2018 iii Acknowledgements I owe my gratitude to the teachers and students who generously agreed to participate in my research. Their courageous and candid contributions provided rich and compelling insights that positively shaped my research in immeasurable ways. I am very grateful to Dr. Rick Flowers who expertly guided me through the research process with enthusiasm, mindfulness and patience. I am so very grateful and privileged to have been a recipient of the Jumbunna Postgraduate Research Scholarship. Many people have inspired and encouraged me throughout my candidature – family, friends and colleagues - and I am humbled by your consistent and persistent belief in me, especially during the times when I didn’t particularly believe in myself, thank you.
    [Show full text]
  • INDIGENOUS Tertiary Education Conference
    INDIGENOUS Tertiary Education Conference TRINITY COLLEGE 18 - 19 NOVEMBER 2016 PROUDLY PRESENTED BY FRONT COVER Image courtesy of the Hardy family WELCOME FROM TRINITY COLLEGE On behalf of Trinity College, the University of Melbourne it is my honour to welcome you to the 2016 inaugural Indigenous Tertiary Education Conference. We acknowledge that we live and learn on the land of the Wurundjeri People of the Kulin Nations. The conference takes place in Trinity College’s new Gateway building, which is a tangible expression of Trinity’s commitment to higher education and to providing transformative experiences for young people of any nationality, ethnicity, race or creed. Trinity’s Indigenous programs have been developing since 2001 and are set in the context of the College’s commitment to reconciliation with Indigenous communities. The imperative of these programs is to implement practical steps that make a real difference to the lives of students and the communities to which they belong. The first major step taken by Trinity was to establish the Bachelor of Arts Extended pathway program, in partnership with the Faculty of Arts, Murrup Barak, and other residential colleges. Last year, the Faculty of Science formed a similar Bachelor of Science Extended pathway program. These programs are a unique and successful pathway model for Indigenous students in Australia. Trinity College, in collaboration with the University of Melbourne, has established this conference as a forum for educators, researchers, policymakers, students and the community. The conference theme will explore transitions into and within tertiary education and after graduation. I welcome our Australian and international Indigenous and non-Indigenous colleagues.
    [Show full text]
  • History Sydney Film Festival
    HISTORY OF THE SYDNEY FILM FESTIVAL 1954 - 1983 PAULINE WEBBER MASTER of ARTS FACULTY OF HUMANITIES AND SOCIAL SCIENCES 2005 For John and David ACKNOWLEDGEMENTS I would like to thank David Donaldson, Valwyn Wishart, John Baxter, Dorothy Shoemark, Tony Buckley, David Stratton and many others involved in the SFF during its formative years who gave generously of their time and knowledge during the preparation of this thesis. I am especially grateful to Trish McPherson, who entrusted me with the SFF memorabilia of her late husband, Ian McPherson. Thanks also to my supervisor, Professor Elizabeth Jacka, for her enthusiasm and support, and to Associate Professor Paul Ashton and Raya Massie who undertook to read the final draft and who offered invaluable advice. TABLE OF CONTENTS Table of Abbreviations i Sydney Film Festival: A Chronology 1954-1983 ii Abstract vi Introduction 1 An International Context; A Local Context Chapter One Art Form of a Generation: The Early Years 1954-1961 18 Reinventing Australia: 1946-1954; Connections and Divisions; Olinda 1952; From Concept to Reality; The First Festival; The Festival Takes Shape; Is it Here? Does it Look like Arriving?; Here to Stay; From Crisis to Cohesion Chapter Two Expansion and Consolidation: 1962-1975 57 Coming of Age; The Times They Are A-Changin’: 1962-1967; The Proliferation of Unacceptable Thoughts; Communal Rapture: The Start of the Stratton Era; The Anxious Years: 1968-1972; Throwing Down the Gauntlet; Going Global; The Festival at the Top of its Form; The Best and the Most Interesting; A Rising Clamour to be Seen and Heard Chapter Three Beguiling Times: The SFF and Australian Cinema 121 The Old and the New; The Film Buffs, the Festival People, the Trendies, the Underground; The Short Film Awards; A Thrilling New Wave: The Film Revival and After Chapter Four Change and New Directions: 1976-1983 149 A Lean Operation; Some of the People, Some of the Time; Backing Winners; Old Problems, New pressures; A Sort of Terrible Regression; The Last of the Stratton Years; 1983; 1984: Brave New World.
    [Show full text]
  • Download the Press
    OTHER PEOPLE’S PROBLEMS| PRESS KIT Creators and writers - Penelope Chai & Jane Dickenson Director - Erin White Producer - Charlotte Seymour Executive Producer - Sue Maslin Facebook.com/opptheseries/ BILLING BLOCK A Seymour Films production in association with ABC TV, Screen Australia and Film Victoria. Additional financial support from Australia Post and distribution by Film Art Media. Creators and writers Penelope Chai & Jane Dickenson. Director Erin White. Producer Charlotte Seymour Executive Producer Sue Maslin. ABC Executive Producers Rick Kalowski and Andrew Gregory. CONTACT TECHNICAL INFORMATION Charlotte Seymour Country of Production AUSTRALIA SEYMOUR FILMS Year of Production 2017 28 Hall St Fairfield Vic 3078 Running Time 5 x 7 min eps Tel + 61 419 392 259 Ratio 16 x 9 Fax: +61 3 9417 7336 Language ENGLISH [email protected] Genre Drama/Comedy filmartmedia.com OTHER PEOPLE’S PROBLEMS| THE STORY TAGLINE Based on real people’s real problems and the letters that solved them. LOGLINE Reluctant copywriter and aspiring eco-warrior Florence embarks on a venture to ghost-write other people’s letters in exchange for second-hand clothing. SHORT SYNOPSIS Florence ghost-writes letters for people in exchange for clothes. Her bestie and housemate Ann is a life- saving paramedic. Florence is convinced that a well penned letter can also rescue situations, but solving other people’s problems is hard when her own keep getting in the way. SYNOPSIS Florence, a reluctant copywriter and aspiring eco-warrior, embarks on a venture to ghost-write other people's letters in exchange for second-hand clothing. Her bestie and housemate Ann is a life-saving paramedic, and Florence is determined to prove she’s equally adept at helping people.
    [Show full text]
  • Sydney Film Festival Award Winners Announced at Closing Night Gala 19/06/2016
    MEDIA RELEASE EMBARGOED UNTIL 08:30PM SUNDAY 19 JUNE 2016 SYDNEY FILM FESTIVAL AWARD WINNERS ANNOUNCED AT CLOSING NIGHT GALA The 63rd Sydney Film Festival tonight awarded Aquarius, directed by Kleber Mendonça Filho, the prestigious Sydney Film Prize, out of a selection of 12 Official Competition films. The $63,000 cash prize was awarded at the Festival’s Closing Night Gala awards ceremony and event: the Australian premiere screening of Whit Stillman’s Love & Friendship, held at the State Theatre. Sydney filmmaker Dan Jackson was awarded the Documentary Australia Foundation Award for Australian Documentary, a $15,000 cash prize, for In the Shadow of the Hill; with a special mention going to Destination Arnold directed by Sascha Ettinger Epstein. The Dendy Awards for Australian Short Films were announced; awarding Slapper, directed and written by Luci Schroder, The Dendy Live Action Short Award; The Crossing, directed and written by Marieka Walsh, The Yoram Gross Animation Award; and Goran Stolevski, the Rouben Mamoulian Award for Best Director, for You Deserve Everything. The Event Cinema Australian Short Screenplay Award was awarded to Spice Sisters, written and directed by Sheila Jayadev, who received a $5,000 cash prize, with a special mention to Matthew Vesely for My Best Friend Is Stuck On The Ceiling. The new annual Sydney UNESCO City of Film Prize was awarded to Ms Lynette Wallworth, who received $10,000 prize awarded by Screen NSW, presented by Margaret Pomeranz AM. Sydney Film Festival CEO Leigh Small said, “Cinemas were full again this year with an average of 73% capacity across all sessions and more sellouts than ever before.
    [Show full text]