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MICHAEL YEZERSKI Composer FILM CREDITS
MICHAEL YEZERSKI Composer Michael Yezerski’s musical works are highly evocative, original and diverse. From the symphonic grittiness of THE TAX COLLECTOR to the quiet drama of BLINDSPOTTING; from the avant- garde horror drones of THE DEVIL’S CANDY to the heartfelt FEEL THE BEAT and THE BLACK BALLOON; Michael brings a signature musical intensity to every project he takes on. Hailing originally from Australia, and with a background in both contemporary concert music and electronic music production, Michael blends styles and influences in a way that pushes the boundaries of what dramatic film music can be. Rich in technique and sitting comfortably at the border with avant-garde music design, Michael’s work is nevertheless fundamentally human and melodic at its core. Born in Sydney, Michael is a multiple award-winning composer who creates music that is shaped from the perspective of an outsider – constantly fluid, ever changing, unbound by system – curious and always evolving. Recent projects include the hit international series MR INBETWEEN, Keith Thomas’ wondrously terrifying THE VIGIL and the Stephen Dorff starrer DEPUTY for FOX / Cedar Park. Earlier career highlights include HBO’s ONLY THE DEAD SEE THE END OF WAR, his first feature film THE BLACK BALLOON (winner of 8 AFI/AACTA Awards including Best Picture), PJ Hogan’s MENTAL, WOLF CREEK SERIES 2, CATCHING MILAT, PETER ALLEN, the Academy Award winning animated short, THE LOST THING and his collaboration with Richard Tognetti and the Australian Chamber Orchestra, THE RED TREE. Michael -
Film Festival Programme 2014 A5-Booklet.Indd
Please register your Of! cial Program attendance for free using SUNDAY FREE www.trybooking.com 23 March 2014 at 5.00pm EVENT a not for profi t community initiative Blue Giant Park, Manion Avenue, Rose Bay at Woollahra Colleagues Rugby Club LIVE ENTERTAINMENT REELise Film Festival REELise Film Festival Festival Director – Karen Hamilton The REELise Film Festival is a youth It is perhaps no surprise that many of our competition entries have empowerment program based chosen, within that theme, to explore aspects of cyberbullying – an issue on mobile phone !lmmaking. We that affects one in !ve Australian teens every year. encourage young people to share The REELise Film Festival is a testament to the strength of community – the their stories, broaden awareness about coming together of people who share a passion to keep our kids safe; a issues affecting them and inspire passion to inspire a new generation to achieve their full potential. From our positive change. To assist aspiring Management Team and Mentors to the many individuals and businesses young !lmmakers improve their craft, we offer a free mentoring program joining with us on festival day to provide services and support, there is for 12-18 year olds with leading Australian !lmmakers. This year’s !lm a singular dedication - to inspire cultural change, one where empathy, festival theme was “Unspoken Feelings”. What motivates a cyberbully? compassion and respect for others is valued and cyberbullying isn’t tolerated. Are there real life consequences? Is it okay to stand back and let it If you would like to lend your support to the REELise initiative whether as happen? These are all issues explored by our young !lmmakers and a mentor, participating school, volunteer or sponsor, please contact me at important for a young audience to consider. -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Year 7 / 2021 Please Note
Required Campion St Caths Office Book Title Edition RRP Selling Price Quantity Use Only Year 7 / 2021 please note Chinese Easy Steps to Chinese 1: Textbook & CD [Yamin Ma et al] required years 7 and 8 69.95 47 English Oxford Australian Pocket Dictionary (8E) (H/B) [Gwynn (Ed)] retain years 7-10 and VCE units 1-4 8E 29.95 20 English Hitlers Daughter (Novel) [French) CLEAN copy 16.99 11 English Wonder (P/B) [RJ Palacio] CLEAN copy 19.99 13 French Pearson Quoi de Neuf? 1SB/EB 2E (Comley et al) 2E 33.95 23 Geography/History Jacaranda AC 7 History Alive Print/LearnON 2E [Darlington] 2E 69.95 47 Geography/History Jacaranda AC 7 Geography Alive Print/LearnON/Atlas 2E [Mraz] Retain for years 7 & 8 2E 114.95 77 Japanese Hai 1 Textbook/Workbook [Burnham] CLEAN set only 52.95 35 set must be complete Japanese Hiragana in 48 Minutes Student Card Set [Quackenbush] required years 7 and 8 25.95 17 RRP reduced to 2/3 to reflect need to Mathematics Cambridge VIC Essential Maths 7 (Print & Digital) 2E (Greenwood et.al.) purchase reactivation code 2E (2020) 49 33 Science Cambridge VIC Science Year 7 (Print&Digital) [Shaw et.al.] 69.95 47 NOTE: St Cath's Science Resource Fee MUST be purchased through Campion as per book list TOTAL BOOKS CONSIGNED TO SALE THIS PAGE Required Campion St Caths Office Book Title Edition RRP Selling Price Quantity Use Only Year 8 /2021 please note Chinese Easy Steps to Chinese 2: Textbook & CD [Yamin Ma et al] required years 7 and 8 69.95 47 Chinese Easy Steps to Chinese 1: Textbook & CD [Yamin Ma et al] retain from Year 7 3E 69.95 -
David Wenham CV
SHANAHAN DAVID WENHAM | Actor FILM Year Production / Character Director Company 2020 THE FURNACE Roderick MacKay Southern Light Films Mal 2019 DIRT MUSIC Gregor Jordan Wildgaze Films Jim 2018 IN LIKE FLYNN Russell Mulcahy 308 Ent Christian Travers 2018 PETER RABBIT Will Gluck Colombia Pictures Johnny Town-Mouse 2017 PIRATES OF THE CARIBBEAN: Joachim Rønning & Mukiri Productions Pty Ltd DEAD MEN TELL NO TALES Espen Sandberg Scarfield 2017 BEYOND THE KNOWN WORLD Pan Nalin Jungle Book Entertainment Carl Hansen 2016 GOLDSTONE David Jowsey Dark Matter Media Pty Ltd Johnny 2016 LION Garth Davis See Saw Films John Brierley 2015 BLINKY BILL: THE MOVIE Deane Taylor, Noel Flying Bark Produ ctions Jacko Clearly, Alexs Stadermann & Alex Weight 2014 FORCE OF DESTINY Paul Cox Illumination Films Robert 2013 PAPER PLANES Robert Connolly Arclight Films Patrick Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 2012 300: RISE OF AN EMPIRE Noam Murro 300 Films Inc. Dilios 2011 ORANGES AND SUNSHINE Jim Loach See-Saw Oranges Pty Ltd Len 2010 LEGEND OF THE GUARDIANS: Zack Synder GOG Productions Pty Ltd THE OWLS OF GA’HOOLE Digger 2009 POPE JOAN Sonke Wortmann ARD Degeto Film Gerold 2008 PUBLIC ENEMIES Michael Mann Universal Pictures Pierpont 2007 AUSTRALIA Baz Lurhmann Bazmark Fletcher 2007 CHILDREN OF HUANG SHI Roger Spottiswoode Rogue Entertainment Group Barnes 2006 MARRIED LIFE Ira Sachs Sidney Kimmel Entertainment John O’Brien -
Autism and Aspergers in Popular Australian Cinema Post-2000 | Ellis | Disability Studies Quarterly
Autism and Aspergers in Popular Australian Cinema Post-2000 | Ellis | Disability Studies Quarterly Autism & Aspergers In Popular Australian Cinema Post 2000 Reviewed By Katie Ellis, Murdoch University, E-Mail: [email protected] Australian Cinema is known for its tendency to feature bizarre and extraordinary characters that exist on the margins of mainstream society (O'Regan 1996, 261). While several theorists have noted the prevalence of disability within this national cinema (Ellis 2008; Duncan, Goggin & Newell 2005; Ferrier 2001), an investigation of characters that have autism is largely absent. Although characters may have displayed autistic tendencies or perpetuated misinformed media representations of this condition, it was unusual for Australian films to outright label a character as having autism until recent years. Somersault, The Black Balloon, and Mary & Max are three recent Australian films that explicitly introduce characters with autism or Asperger syndrome. Of the three, the last two depict autism with sensitivity, neither exploiting it for the purposes of the main character's development nor turning it into a spectacle of compensatory super ability. The Black Balloon, in particular, demonstrates the importance of the intentions of the filmmaker in including disability among notions of a diverse Australian community. Somersault. Red Carpet Productions. Directed By Cate Shortland 2004 Australia Using minor characters with disabilities to provide the audience with more insight into the main characters is a common narrative tool in Australian cinema (Ellis 2008, 57). Film is a visual medium that adopts visual methods of storytelling, and impairment has become a part of film language, as another variable of meaning within the shot. -
Benjamin Winspear
MARTA DUSSELDORP | Actor TELEVISION Year Production / Character Director Company 2017 A PLACE TO CALL HOME: SERIES 5 Various Foxtel / Seven Network Sarah Adams Operations. 2016 JANET KING S3 Various Janet King TV Pty Ltd Janet King 2016 A PLACE TO CALL HOME: SERIES 4 Various Foxtel / Seven Network Sarah Adams Operations. 2015 JANET KING: SERIES 2 Various Janet King TV Pty Ltd Janet King 2015 JACK IRISH SERIES Various Essential Media & Entertainment Linda 2015 A PLACE TO CALL HOME: SERIES 3 Various Foxtel / Seven Network Sarah Adams Operations. 2013 A PLACE TO CALL HOME: SERIES 2 Various Seven Network Operations. Sarah Adams 2013 JACK IRISH: DEAD POINT Jeffrey Walker Essential Media & Entertainment Linda Hillier 2013 JANET KING Various Janet King TV Pty Ltd Janet King 2012 A PLACE TO CALL HOME: SERIES 1 Various Seven Network Operations. Sarah Adams Shanahan Management Pty Ltd Level 3 Berman House 91 Campbell Street Surry Hills NSW 2010 PO Box 1509 Darlinghurst NSW 1300 Australia ABN 46 001 117 728 Telephone 61 2 8202 1800 Facsimile 61 2 8202 1801 [email protected] 2012 DEVIL’S DUST Jessica Hobbs Fremantle Media Meredith Hellicar 2012 JACK IRISH: BLACK TIDE Jeffrey Walker Essential Media & Entertainment Linda Hillier 2012 JACK IRISH: BAD DEBTS Jeffrey Walker Essential Media & Entertainment Linda Hillier 2011 CROWNIES Various Crownies TV Pty Ltd Janet King 2010 RESUE SPECIAL OPS: SERIES 2 Peter Andrikidis Southern Star Productions Lisa Hartigan 2007 BLACKJACK: TELEMOVIES Peter Andrikidis Jigsaw Entertainment GHOSTS, AT THE GATES DEAD -
Benjamin Winspear
SHANAHAN MARTA DUSSELDORP | Actor TELEVISION Year Production / Character Director Company 2021 JACK IRISH: SERIES 3 Various Easy Tiger Productions Linda 2020 WENTWORTH: SERIES 8 Kevin Carlin, Fremantle Media Sheila Fiona Banks 2019 STATELESS Emma Freeman, Dirty Films / ABC / Matchbox Margot Verner Jocelyn Moorhouse Pictures 2018 A PLACE TO CALL HOME: SERIES 6 Various Foxtel / Seven Network Sarah Adams 2018 WHO DO YOU THINK YOU ARE Various SBS Australia 2017 JACK IRISH: SERIES 2 Various Essential Media & Entertainment Linda 2017 A PLACE TO CALL HOME: SERIES 5 Various Foxtel / Seven Network Sarah Adams 2016 JANET KING: SERIES 3 Peter Andrikidis, Screentime Janet King Grant Brown, Catherine Millar 2016 A PLACE TO CALL HOME: SERIES 4 Various Foxtel / Seven Network Sarah Adams 2015 JANET KING: SERIES 2 Various Screentime Janet King Shanahan Management Pty Ltd PO Box 1509 Darlinghurst NSW 1300 Australia ABN 46 001 117 728 Telephone 61 2 8202 1800 Facsimile 61 2 8202 1801 [email protected] SHANAHAN 2015 JACK IRISH SERIES 1 Various Essential Media & Entertainment Linda 2015 A PLACE TO CALL HOME: SERIES 3 Various Foxtel / Seven Network Sarah Adams 2013 A PLACE TO CALL HOME: SERIES 2 Various Seven Network Sarah Adams 2013 JACK IRISH: DEAD POINT Jeffrey Walker Essential Media & Entertainment Linda Hillier 2013 JANET KING Various Screentime Janet King 2012 A PLACE TO CALL HOME: SERIES 1 Various Seven Network Operations Sarah Adams 2012 DEVIL’S DUST Jessica Hobbs Fremantle Media Meredith Hellicar 2012 JACK IRISH: BLACK TIDE Jeffrey Walker Essential -
JANE GRIFFIN FREELANCE Line Producer / Production Manager [email protected] +61 417 213 967 Top Technicians Mgmt 02 9958 1611
JANE GRIFFIN FREELANCE Line Producer / Production Manager [email protected] +61 417 213 967 Top Technicians Mgmt 02 9958 1611 Below are highlights of projects I have worked on over the years. I believe it reflects my skills and breadth of experience . Please feel free to contact me if you require further specifics or clarification regarding my Resume. TVC: Production Management – some recent contracts Amarok Goodoil Films Precision driving and VFX on NSW largest Sheep Station Jim Beam Goodoil Films Cast and extras x 200 in around Sydney City streets over 3 days SI Amarni Beach House Films Cate Blanchett campaigns NSW Roads and Safety Paper Dragon Motor Bike Safety Campaign – large stunts and pyrotechnics Carnival Cruise Robbers Dog Filming on board the ship with a film crew of 20 between Syd and Sth Pacific DRAMA CREDITS : Production Line Producer Queer Eye YASS QUEEN Australian Promo for US TV Reality Line Producer Dead Beat Dads MTV Project 1 x ½ TV Pilot - Advisor Kim Vecera Scheduling PM The Shire Shine TV Australia Australian PM HG TV International Residents HIGH NOON TV USA: 2 x ½ hr episodes EP: Graham Clarke, Producer: Laurie Bain Prod Mgr One More Day NIDA/AFTRS 50YR Anniversary Feature Film Production Producers: Sandra Levy, Daphne Paris 4 x 1/2hr films Drama Producer Unfolding Florence Docu-Drama Dir: Gillian Armstrong / Prod: Sue Clotheir 2ND UNIT PM The Matrix Dir: Wachowski Bros / Prod: Joel Silver / Prod: Barry Osborne DRAMA CREDITS: Assistant Directing 2nd AD Ladies in Black Dir: Bruce Beresford/Prod: Sue Milliken 2nd AD Return to Devils Playground Matchbox Pictures: Producer Helen Bowden. -
Master of Arts Screen 2021 (10 Disciplines) Become a Creative Leader in the Global Screen Industry
MA MA Master of Arts Screen 2021 (10 Disciplines) Become a Creative Leader in the Global Screen Industry The Australian Film Television and Radio School (AFTRS) is the national screen and broadcast school. The school was founded to nurture and develop talent from all across Australia. It is a global centre for excellence in screen and broadcast storytelling. AFTRS Australian Film Television and Radio School 1 AFTRS Master of Arts Screen 2021 2 Behind the scenes of This River, 2019 Writer/Director Naomi Fryer Producer Katherine Shearer Cinematographer Ehran Edwards Photographer David Collins AFTRS Australian Film Television and Radio School 3 MasterMaster ofof ArtsArts Screen:Screen: TenTen DisciplinesDisciplines 04 AFTRS Master of Arts Screen 2021 4 The Master of Arts Screen is a two-year course that offers you unique DISCIPLINES access to expert training, professional mentorship and industry-based learning. Animation, Cinematography, The degree is designed to fast-track the careers of future industry leaders. Directing, Documentary, Editing, Music, Through an intensive cycle of hands-on workshops, you will gain high-level Producing, Production specialist skills in your discipline. You will apply theoretical ideas to cross- Design, Screenwriting, disciplinary exercises, developing a dynamic and multi-faceted skill-set. Sound DURATION The course culminates in the creation of a major screen project supported Two years, full-time by our world-leading facilities and staff. Recent final projects have been selected for the Cannes and Berlin Film Festivals, as Dendy Finalists at the DELIVERY Sydney Film Festival, and have secured representation for filmmakers both Sydney, on campus nationally and internationally. ATTENDANCE PATTERN Year 1: Three days, AFTRS’ Master of Arts Screen is highly regarded by the industry both in Australia face-to-face teaching and globally. -
Fulltimeoperationsince1996
| 23 is 10! | Welcome to a celebration of our 10th birthday. First a word from Tony MacGregor, Chair of the Open City Board of Management. This company was established by Keith Gallasch and Virginia Baxter in 1987 for the collaborative works they performed in theatres, galleries and on radio. In 1994 Open City began to publish RealTime+OnScreen which has been a fulltime operation since 1996. FROM THE CHAIR I’ve been free-associating around those words—real, time—looking for a RT61 JUNE / JULY 04 way into writing about this thing I’ve been hovering around for these past 10 years. Longer really, because RealTime was an idea long before it was a reality, one of those determinations that Keith Gallasch and Virginia Baxter make and then work into existence: “mainstream theatre criticism is hopeless, we need a journal that deals properly with the per- formance community in all its hybrid, messy complexity.” (Or words to that effect.) And, lo, it was so. How many ideas have taken shape, been given form in the endless conversa- tion around that generous wooden table in the kitchen at Womerah Avenue, Darlinghurst where Gallasch and Baxter have lived since their arrival from Adelaide in 1986? Like so many projects which have been founded on their energy and ideas—Troupe in Adelaide, Open City, all those performances—once deemed A Good Idea, RealTime seemed inevitable, an idea made real through that seemingly irresistible combination of clear argument, creative invention, per- sonal passion, A-grade grant writing The RealTime team: Keith Gallasch, Dan Edwards, Gail Priest, Virginia Baxter Heidrun Löhr skills and the sheer bloody mindedness that they bring to all their projects. -
All in the Family: Three Australian Female Directors Brian Mcfarlane
ALL IN THE FAMILY: THREE AUSTRALIAN FEMALE DIRECTORS BRIAN MCFARLANE y any standards, apart perhaps from box-office takings, 2009 was a banner year for Australian films. There were Balibo and Samson and Delilah, Disgrace and Last Ride, but what is really impressive is that three of the most memorable entries in this memorable year were directed by women, in an industry where Bdirection has long been dominated by men. I don’t want to make any special, essentialist point about what’s attracting female directors: male directors have been just as often drawn to the conflicts that rend families (think of such recent Australian films as Steve Jacobs’ Disgrace, Tony Ayres’ The Home Song Stories, Glendyn Ivin’s Last Ride, Dean Murphy’s Charlie & Boots). I just want to celebrate three very significant films by female directors. On the international scene, Kathryn Bigelow’s The Hurt Locker has won and been nominated for numerous awards, and neither in this nor her earlier films has the family been the site of her chief interest. Perhaps film directing is no longer a male preserve, and female directors are not to be confined by the parameters of what used to be patronisingly characterised as ‘the women’s picture’. With this sort of proviso understood, the three major films I want to highlight here—Sarah Watt’s My Year without Sex, Rachel Ward’s Beautiful Kate and Ana Kokkinos’s Blessed—indeed foreground family matters and do so with rigour and perception, but there the similarities end. 82 The three films are tonally distinct from each other.